Wednesday, September 30, 2009

Italy Names "Baaria" as Oscar Foreign-Language Oscar 2010 Nomination

"Baaria," the most expensive Italian film ever made, has already had a banner year, as the first Italian film in a generation to open the Venice Film Festival, where it won the Pasinetti prize. The film tells the story of three generations in Tornatore's hometown of Bagheria in Sicily (the town's name is pronounced "Baaria" in the local dialect).

Italy has won the foreign-language Oscar 10 times, more than any other country, and it has received 27 nominations, behind only France, which has 34 nominations to go along with nine wins. But Italy has not produced a winner in more than a decade, since Roberto Benigni's "La Vita e Bella" (Life Is Beautiful) took home the award in 1998.


Italy names "Baaria" as Oscar hopeful

Reuters; By Eric J. Lyman; Wednesday, September 30, 2009

ROME (Hollywood Reporter) - Giuseppe Tornatore's epic coming-of-age story "Baaria" has been selected as Italy's hopeful for a 2010 foreign-language Oscar nomination, the Italian cinema and audiovisual association Anica said Tuesday.

It's the fourth time Tornatore has had a film tapped for the honor by Anica. Three years ago, Anica selected Tornatore's "La sconosciuta" (The Unknown Woman) as Italy's hopeful, and in 1995 it selected "L'uomo delle stelle" (The Star Maker), though it was not chosen as a candidate by the Academy either time. But in 1990 his "Nuovo Cinema Paradiso" won the foreign-language honor.

"Baaria," the most expensive Italian film ever made, has already had a banner year, as the first Italian film in a generation to open the Venice Film Festival, where it screened in competition and won the Pasinetti prize.

The film tells the story of three generations in Tornatore's hometown of Bagheria in Sicily (the town's name is pronounced "Baaria" in the local dialect).

Italy has won the foreign-language Oscar 10 times, more than any other country, and it has received 27 nominations, behind only France, which has 34 nominations to go along with nine wins. But the country has not produced a winner in more than a decade, since Roberto Benigni's "La Vita e Bella" (Life Is Beautiful) took home the award in 1998.

The official nominations for the foreign-language Oscar will be announced in January.

The Italian Sky - From Galileo to Porco

A NYTimes article profiled Italian American Carolyn Porco, the Chief Astronomer of the Cassini spacecraft, currently studying the planet Saturn and its moons. The NASA Cassini orbiter is named after the Italian astronomer Giovanni Domenico Cassini, Further, The Italian Space Agency (ASI) provided Cassini's high-gain communication antenna, and a revolutionary compact and light-weight multimode radar, synthetic aperture radar, radar altimeter, and radiometer .

Rosario A. Iaconis, of the Italic Institute further points out that Porco's Italian linaeage is as distinguished as it is stellar - from Galileo Galilei's Jovian moons to Giovanni Schiaparelli's Martian canali to Riccardo Giacconi's pioneering X-ray astronomy.
Iaconis could have referred to the List of 120 other recognized Italian Astronomers, http://en.wikipedia.org/wiki/Category:Italian_astronomers

Porco excitedly observes that Enceladus, Saturn's sixth largest moon, could well harbor " an environment where life, or at least its precursor steps, may be stirring."

In pondering the possibility of life elsewhere in the cosmos, Dr. Porco echoes yet another august figure in her ancestral patrimony, Marcus Aurelius: "The entire Earth is but a point, and the place of our own habitation but a minute corner of it."

(Aurelius in the Second Century , was the last of the "Five Good Roman Emperors", and is also considered one of the most important Stoic philosophers .the author of Meditations still revered as a literary monument to a government of service and duty.)

The New York Times; Letters to Editor; September 29, 2009

Eyeing the Cosmos

To the Editor:

Re " An Odyssey From the Bronx to Saturn’s Rings " (Sept. 22): Carolyn Porco’s exploration of the final frontier has a lineage that is as distinguished as it is stellar - from Galileo Galilei’s Jovian moons to Giovanni Schiaparelli’s Martian canali to Riccardo Giacconi’s pioneering X-ray astronomy.

What’s more, Dr. Porco believes that Enceladus, Saturn’s sixth largest moon, could well harbor " an environment where life, or at least its precursor steps, may be stirring."

In pondering the possibility of life elsewhere in the cosmos, Dr. Porco echoes yet another august figure in her ancestral patrimony, Marcus Aurelius: "The entire Earth is but a point, and the place of our own habitation but a minute corner of it."

Rosario A. Iaconis, of the Italic Institute Mineola, N.Y.

===================================================================================================================
Scientist at Work: Carolyn Porco
An Odyssey From the Bronx to Saturn’s Rings
The New York Times; By Dennis Overbye; September 22, 2009

It is twilight time on Saturn.

Shadows lengthened to stretch thousands of miles across the planet’s famous rings this summer as they slowly tilted edge-on to the Sun, which they do every 15 years, casting into sharp relief every bump and wiggle and warp in the buttery and wafer-thin bands that are the solar system’s most popular scenic attraction.

From her metaphorical perch on the bridge of the Cassini spacecraft, which has been orbiting Saturn for five years, Carolyn Porco, who heads the camera team, is ecstatic about the view. "It’s another one of those things that make you pinch yourself and say, ‘Boy am I lucky to be around now,’ " Dr. Porco said. "For the first time in 400 years, we’re seeing Saturn’s rings in three dimensions."

On Monday, Dr. Porco and the Cassini team released a grand view of the rings in all their shadowed glory, including clumps, spikes, undulations and waves two and a half miles high on the edge of one ring.

“We always knew it would be good; instead, it’s been extraordinary," Dr. Porco said of the cascade of results that have placed her in a spotlight to which she has become increasingly accustomed. "I feel I’m on a great human adventure," she said.

The work may be carried out by robots, Dr. Porco said, "but we are all explorers."“It’s thrilling," she added, "and I want everyone to know how thrilling it is."

Dr. Porco, 56, a senior researcher at the Space Science Institute in Boulder, Colo., may be the leader of the camera team on the $3.4 billion Cassini mission, an adjunct professor at the University of Colorado and one of Wired magazine’s 15 people who should be advising the president. But she is also a proud child of the 1960s who has never let go of the exuberance of that era when President John F. Kennedy “said that the sky isn’t even the limit," as she puts it, and "things were unleashed."

Her entries on the Cassini imaging Web site echo the spirit of the character Capt. James T. Kirk on "Star Trek":

Captain’s Log : March 23, 2009: We are almost there. Saturn and we, its companions, have journeyed together now for nearly five years, in a circumnavigation of the outer solar system.

Stanley Kubrick’s film "2001: A Space Odyssey" is still her favorite movie,.....Dr. Porco was born and raised in a Bronx family with four brothers she partly credits for her subsequent success in astronomy. "I’m used to fighting and arguing with males," she said.

Her father, an Italian immigrant, drove a bread truck, and her mother kept house. Dr. Porco attended Cardinal Spellman High School....She was a studious child and a spiritual seeker "13 going on 80" who lived a lot in her head. Later, as a student at the State University of New York at Stony Brook, she said she spent two years as a chanting Buddhist and even went on a two-week pilgrimage to Japan, where she was the majorette in a Buddhist marching band, wearing hot pants. "Now, THOSE were the days," she wrote in an e-mail message.

By then, Dr. Porco was pursuing the future she had glimpsed at age 13 when she saw Saturn through a neighbor’s rooftop telescope. As a graduate student at the California Institute of Technology, she floundered at first but then got a job helping to analyze data from the two Voyager spacecrafts, which toured the outer planets from Jupiter to Neptune from 1978 to 1989.

It was there, said Peter Goldreich, her thesis advisor, that she demonstrated a knack for picking out important things. Among them was a discovery that mysterious dark spokes in Saturn’s ring system were connected to the planet’s magnetic field. She did her thesis on aspects of the rings and how they were shaped by the gravity of tiny moonlets.

Dr. Porco also did a lot of dancing, and played a guitar and sang in the Titan Equatorial Band, a pickup group of scientists and science writers named after a feature on Saturn’s largest moon, and later for a group in Tucson called the Estrogens. "Three women and one very brave guy," she said.

By the time Voyager passed Neptune in 1989, Dr. Porco was a research associate at the University of Arizona and leading a small team trying to make sense of the thin rings around Neptune. "She was one of the young rock stars of Voyager," said David Grinspoon, of the Southwest Research Institute in Boulder, who was a graduate student at Arizona at the time.

But it had not been an easy climb in the overwhelmingly male and competitive environment of space science. Dr. Porco once described scientists as "schoolyard toughs." She recalled pumping herself up to be an "alpha male" before meetings of her ring team.

Even as a graduate student, Dr. Goldreich recalled, Dr. Porco "was making a deliberate effort to become tough, and she succeeded."

Dr. Porco found an ally and friend in Carl Sagan, the Cornell astronomer, author and a charter member of the Voyager team, who defended her once when her Voyager colleagues teased her about not being married.

Dr. Porco was subsequently hired as a consultant for the movie "Contact," based on Sagan’s novel about a feisty astronomer, Ellie Arroway, who discovers a signal from extraterrestrials....

Voyager, Dr. Porco said, was the time of her life. "It had all the elements of Homeric legend", she said. "It was a long 12-year odyssey, punctuated by brief episodes of great discovery and conquest. And then it was back in the boat, oars in the water, until years later we reached our next port of call. It was a defining experience for many of us, and certainly for me."

The chance to channel Dr. Porco’s inner Captain Kirk continued with the $3.4 billion Cassini mission, which was launched on a roundabout course toward Saturn in 1997 and arrived in 2004. Being on the imaging team is like standing on the bridge of the spaceship, she said. "We have the windows," she said. "That’s what we’re responsible for."

Dr. Porco was chosen over more senior astronomers to head the Cassini camera team in 1990, one of 12 team leaders for the spacecraft. The job swallowed her life, she said, and required her hard-won toughness. "Our experiment has been spectacularly successful," she said, “and that would never have happened if I let people roll over me."

But Dr. Porco said it had all been worthwhile. "Between my participation in Voyager and my role in Cassini," she said, "when comes the time, I will die a happy and gratified woman."

One of the most thrilling Cassini moments was in 2004 when the Huygens probe detached from Cassini and landed on Saturn’s largest moon, Titan, a strange, frigid world where rocks are made of ice, and rivers and oceans are formed of what Dr. Porco has described as “paint thinner"

Last month, astronomers announced that they had detected methane storms on Titan, a cloudy moon that has an atmosphere denser than that of Earth.

They also discovered plumes erupting from the south pole of another Saturn moon, Enceladus, suggesting the presence of underground water and prompting talk about a future mission to cruise through the plumes. "Should we ever discover that life has arisen twice," Dr. Porco said, "that would be a game-changer."

The Titan landing, Dr. Porco said in a talk in 2007, should have been celebrated with parades in every major city.

That talk led to another movie adventure. J. J. Abrams, the producer of the television series "Lost,"was listening and asked Dr. Porco to consult on his "Star Trek" movie. On a visit to the set, she suggested that a scene in which the Starship Enterprise materialized inside clouds be set on Titan. The scene made it onto the cover of Cinefex, a magazine about special effects in films.

In an interview, Mr. Abrams said: "She helped us feel connected to what Gene Roddenberry had been trying to do. This is our future," referring the creator of "Star Trek."

Cassini endures, and Dr. Porco is a member of the team for the New Horizons spacecraft, which is scheduled to arrive at Pluto in 2015. But she said she hoped to spend more of her time popularizing science and hopes to write a book about Cassini.

“To my mind," Dr. Porco said, "most people go through life recoiling from its best parts. They miss the enrichment that just a basic knowledge of the physical world can bring to the most ordinary experiences. It’s like there’s a pulsating, hidden world, governed by ancient laws and principles, underlying everything around us " from the movements of electrical charges to the motions of the planets " and most people are completely unaware of it. "To me, that’s a shame."

Saturday, September 26, 2009

"How to be a Good Italian Daughter (In Spite of Myself)" - Off-Broadway

The classic struggles between an immigrant Italian mother and her Americanized daughter, can be funny and touching portrait of mothers and daughters, in this case centering on a hearty blend of humor, vivacity and family history.


Cherry Lane Studio Theatre Presents:
HOW TO BE A GOOD ITALIAN DAUGHTER, Previews 10/3
Broadway World.com; Thursday, September 24, 2009

"HOW TO BE A GOOD ITALIAN DAUGHTER (In Spite of Myself)," a play written and performed by Antoinette Lavecchia, will be presented this fall Off-Broadway at the Cherry Lane Theatre's Studio Theatre (38 Commerce St.), with preview performances starting October 3 prior to a new official opening night set for Monday, October 12, 2009 - Columbus Day, a day of celebration for Italian-Americans,

HOW TO BE A GOOD ITALIAN DAUGHTER is being presented as an open-end Off-Broadway engagement.

HOW TO BE A GOOD ITALIAN DAUGHTER is a funny and touching portrait of mothers and daughters, centering on the classic struggles between an immigrant Italian mother and her Americanized daughter, a hearty blend of humor, vivacity and family history -- Italian style. Columbus Day - when Italian-Americans celebrate their heritage - is nothing if not the ideal opening date for Ms. LaVecchia's play about her own, indelible Italian mother.

An actress and writer, Ms. LaVecchia has appeared in HEARTBREAK HOUSE at Two River Theatre Co. and in the world premiere of MAX &THE TRUFFLE PIG, at New York Musical Theater Festival (NYMF). She also appeared last season in an extended run of THE LITTLE DOG LAUGHED at Portland Center Stage. Most recently seen on the New York stage Off-Broadway last year in a highly praised performance opposite Daniel J. Travanti in A TOUCH OF THE POET, Ms. LaVecchia recently completed filming The David Dance.

Her numerous NY appearances include at The Public Theatre in THE BOTTLE HOUSE, at Primary Stages in STRING OF PEARLS, and KIMBERLY AKIMBO at MTC. Outside New York she has performed at Hartford Stage, Williamstown Theatre Festival, ATC in San Francisco and the Wilma Theatre in Philadelphia. Film and TV credits include "The Sopranos," "Jesus' Son" and "Dirty Laundry."

HOW TO BE A GOOD ITALIAN DAUGHTER performs Thursday, Fridays and Saturdays at 7 and Saturdays and Sundays at 3 p.m. Tickets are $18. Performance and ticket information by phone at 800-432-7250 or online at www.telecharge.com, or by visiting www.jonesstreetproductions.com.

http://broadwayworld.com/article/Cherry_Lane_Studio_Theatre_Presents_HOW_TO_BE_A_GOOD_ITALIAN_DAUGHTER_Previews_103_20090924

Castle Gardens: Before There Was an Ellis Island

Up to the mid 1800s, Immigration was the responsibility of EACH of the States, which hardly bothered, particularly since New York was by far the most important port for Trans-Atlantic immigration. Castle Garden, site of a former fort to guard New York Harbor was opened 1855, to consolidate the Entry from the various Piers.
Castle Garden was operated by New York State as an immigrant Hospitality depot, between 1855-1890, when 8.2 million immigrants were received there. Ellis Island (1892-1954) was administered by the Federal government primarily to weed out undesirable or inadmissible aliens and return them to their countries of origin. They exemplified the difference between the "Old" and "New" Immigration, both in treatment and origins of immigrants.


Ancestry Magazine.com; By Barry Moreno; 16 March 2003

Pre-dating the immigrant landing station of Ellis Island by nearly forty years is the almost-forgotten Castle Garden of the "Old Immigration"

Today, Castle Garden swarms with tourists who come to buy ferry tickets for an excursion to the Statue of Liberty or Ellis Island. Only a few observe the stone walls that surround them; almost none go inside the modest exhibit gallery at the entrance to the castle. But those who pause within that quiet space will learn a startling fact: they are standing in a citadel that in bygone years was the great threshold to America for millions of migrants, a place where such travellers paused before journeying onward to new homes and livelihoods. Castle Garden is the true golden door....

Castle Garden was established at a time when immigration affairs were left to the control of the states; the federal government concerned itself only with narrow questions of immigration as they arose, such as naturalization, sanitary conditions aboard ships, and the tabulation of foreign passengers entering American seaports.

The state most affected by immigration throughout the nineteenth century and the first half of the twentieth century was New York. This phenomenon was due to New York’s position as North America’s busiest seaport during the heyday of European-American transatlantic shipping. Immigrants and goods bound for most American points passed through this hub of commerce and trade.

During Castle Garden’s years as an immigrant landing depot, 1855-1890, 8.2 million immigrants were received there. Contact the National Archives, which holds the ships’ passenger lists for the period, 1855-1890, to find information on ancestors who entered the country through Castle Garden. Research, however, can be difficult, as the records are still being indexed.

A Fortress
Castle Garden, located at the tip of lower Manhattan in Battery Park, was constructed between the years 1807 and 1811 as part of a chain of harbor forts that could defend New York City against a naval attack. It was first known as the West Battery, but was renamed Castle Clinton in 1815 after George Clinton, the first governor of the state of New York.

In 1823, the U.S. Army withdrew from the fortress, leaving it to New York City authorities, which in turn, permitted private investors to take it over. These investors reopened it several months later as a center for social events with a new name: Castle Garden. But in 1855, the state of New York’s Board of Emigration Commissioners took the building over for immigration purposes and, in spite of a public outcry against concentrating immigrants in the city’s First Ward, opened the Castle Garden Emigrant Landing Depot on 3 August 1855.

Old and New Immigration
Ellis Island and Castle Garden, the most prominent immigration stations in the history of the United States, present both differences and similarities. Representing two distinct periods in migration history, the two were central locations where immigrants could be brought directly from ships entering the port of New York.

Before August 1855, immigrants had been released at piers in different sections of the city. The State Board of Emigration Commissioners regarded this scattered landing of immigrants as a serious flaw in immigration policy, as it left the new arrivals vulnerable to criminals and crooked boardinghouse keepers.

In some ways, the immigrants themselves"and America’s response to them" define the two stations. Scholars have sought to define those who passed through Castle Garden as the "Old Immigration". and those who passed through Ellis Island (1892-1954) as the "New Immigration". These terms stem from the social and ethnic characteristics of the two groups. The Old Immigration was primarily composed of western and northern Europeans, a migration primarily of many Protestant denominations and Roman Catholics. The New Immigration was seen as a phenomenon largely emanating from eastern and southern Europe, and predominantly Roman Catholic, Jewish, and Eastern Orthodox. The first year in which the New Immigration exceeded the Old Immigration at U.S. ports was 1896.

Another feature that distinguished the two stations is that Castle Garden was administered by state authorities primarily to land foreigners safely, providing protection and assistance, including a labour exchange bureau, and to relieve the city and state from the expense of landing large numbers of immigrants; there was an element of charity in its philosophy. Ellis Island was administered by the federal government primarily to weed out undesirable or inadmissible aliens and return them to their countries of origin.

There are also important similarities between the two depots. Officials from both stations boarded ships entering the harbor and transported steerage passengers to their respective facilities; both provided medical inspections and registered aliens; both had procedures for uniting relatives and friends; both possessed ample facilities for detaining aliens; and both allowed missionaries and ethnic societies to aid immigrants.

In 1848, the State Board of Emigration Commissioners, created by the New York legislature in 1847, established a hospital and other buildings on Ward’s Island, a 255-acre island in the East River. The most important of these buildings were the Verplanck State Emigrant hospital, capable of holding 350 patients; the Refuge building for destitute women and children; and the New Barracks building for destitute male aliens.

The Ward’s Island Refuge and Hospital provided the Commissioners with necessary detention facilities; the opening of Castle Garden in 1855 concluded its goal of protecting all arriving immigrants and relieving New Yorkers of caring for destitute or sick foreigners. In addition, the Commissioners operated a smallpox hospital on Blackwell’s Island.

A Receiving Station
Castle Garden was a fascinating place with a staff of about one hundred people, and run by a superintendent. Various departments carried out the daily grind.

The Boarding Department’s task was to send officers to board ships in New York bay, after they had passed quarantine inspection. Its clerks ascertained information, such as how many passengers were aboard the vessel, and how clean it was. When the ship docked, a New York City constable on "Castle Garden duty" and agents from the Landing Department transported the immigrants to the depot’s pier via tugboats and barges. Immigrants were then marched into the castle for medical examinations. Anyone found sick was put on a steamboat bound for Ward’s Island or Blackwell’s Island. Cripples, lunatics, the blind, and others who might become a public charge were only admissible under a bond.

Next, the immigrants were directed into the rotunda of Castle Garden, which was furnished with wooden benches. At any one time as many as 3,000 immigrants might be crowded in this area. Here the Registering Department clerks, divided into english and foreign language desks, interviewed the newcomers, recording their names, nationalities, old residences, and destinations.

After this was completed, the people were directed either to the railroad agents to purchase tickets to their destinations in the United States or Canada. Those temporarily or permanently settling in New York City or its environs were directed to the City Baggage Delivery, which forwarded their luggage to a local address.

Many immigrants had relatives and friends who had come to meet them at Castle Garden. The Information Department handled such reunions. Its staff was composed of qualified interpreters for German, French, Italian, Spanish, Dutch, Czech, Swedish, Norwegian, Danish, Polish, Portuguese, Swiss-German, Russian, and Latin.

The Forwarding Department, also in the rotunda, forwarded letters, remittances, and telegrams waiting for immigrants. The Letter-Writing Department included clerks versed in the various languages of continental Europe. Here, they wrote letters for immigrants who were often illiterate.

Another important service, the Exchange Brokers, changed all foreign money into American currency. An Employment Office, replaced by the Labour Exchange in 1867, helped immigrants find work upon their arrival to America. In 1871, for instance, work was found for 31,384 immigrants. The leading occupations for men and boys were cabinetmaking, shoemaking, baking, weaving, and gardening.

Another important service was that of the Boarding-House Keepers, who were strictly regulated. In 1867, there were seventy-six emigrant boardinghouse keepers allowed into Castle Garden. Each posted a full list of prices for room and board in English, German, French, Italian, and the Nordic languages.

Also within Castle Garden was a well-provisioned restaurant, as well as several bread stands and washrooms. In 1867, communication was improved when the Western Union Telegraph Company opened a branch office at the depot; a similar service was established at Ward’s Island in 1870.

The Ward’s Island Department handled applications for admission to Castle Garden’s institutions for the care and assistance of destitute and sick immigrants. The island’s main hospital was the Verplanck State Emigrant Hospital, supervised by a surgeon-in-chief. It provided treatment and care for those suffering from such sicknesses as apoplexy, asthma, bronchitis, typhus, meningitis, and hepatitis. In addition, there was an Insane Asylum on the island, whose physicians treated those suffering from dementia, melancholia, epilepsy, chronic alcoholism, and mental retardation.

Decline of Castle Garden
After more than twenty years of operation, Castle Garden suffered a major disaster. On Sunday afternoon on 9 July 1876, a fire destroyed the building within the walls of the old stone fortress. Only buildings outside of Castle Garden’s walls survived. These were the Labour Exchange, a small hospital, and the intelligence office. The damaged was estimated at $40,000. In September, October, and November, the depot was reconstructed and the Commissioners were able to reopen it on 27 November 1876.

In the 1880s, the United States experienced an overwhelming wave of immigration; 1.4 million immigrants came from Germany alone. The pressure at Castle Garden was intense as the small station tried to cope with the added stress. Meanwhile, the federal government grew more and more concerned about the question of immigration. After the U.S. Supreme Court expressed the opinion that Congress should control immigration, Congress began taking steps that culminated with the closing of Castle Garden 18 April 1890. In spite of this abrupt finale, Castle Garden remained a legendary threshold to a whole generation of immigrants.

Barry Moreno works in the reference library at the Statue of Liberty National Monument and Ellis Island Immigration Museum in New York City. He is a freelance writer, and is the author of three books, The Statue of Liberty Encyclopedia,, The Italian Americans, and The Encyclopedia of Ellis Island,

Friday, September 25, 2009

Italian Firm AnsaldoBreda to Build LA Light-Rail Car Plant with Calif & West Hemisphere Biz in Mind

The Italian firm AnsaldoBreda was awarded a contract for 100 light-rail cars, in addition to the 50 already ordered. The city was swayed by AnsaldoBreda's comittment to build a 240,000-square-foot green-manufacturing plant on a 14-acre, city-owned industrial parcel downtown .
This LA plant would position the company to compete for future rail contracts, for the MTA, California’s proposed high-speed rail system,
but also for the high-speed rail authority for virtually every transit facility in the hemisphere."
AnsaldoBreda also committed to use union labor to build the plant, and pay the living wage which would be at least $10.30 an hour.

Thanks to Pat Gabriel

Italian firm awarded MTA contract, pledges to build new L.A. rail manufacturing plant with union labor

Las Angeles Times; Maeve Reston at L.A. City Hall; September 25, 2009

The Los Angeles County Metropolitan Transportation Authority board Thursday awarded a contract to the Italian firm AnsaldoBreda for 100 additional light-rail cars, clearing the way for a new rail manufacturing plant that the company has promised to build with union labor in downtown Los Angeles.

The decision was a victory for Mayor Antonio Villaraigosa, who said the manufacturing plant would be a catalyst for his plan to attract clean technology companies to a four-mile-long industrial corridor straddling the Los Angeles River.

“This means that L.A. is going to be the center of green jobs in the nation," Villaraigosa said after the 8-3 vote. "This facility will not only provide rail cars for the MTA, but for the high-speed rail authority for virtually every transit facility in the hemisphere."

Though the board was not permitted to weigh the possibility of local jobs in its decision, the vote followed impassioned speeches from union workers who said many of their colleagues were out of work and losing their homes.

Concerned about the company’s past performance, three MTA board members voted no:...(and) favored seeking competitive bids.....Breda has failed to deliver on time in two previous MTA contracts, and the current contract is already three years behind schedule in delivering certified rail cars.

The negotiations dragged on for much of this year because of the MTA staff’s frustrations with the firm’s work under its base contract for 50 cars. Under the new deal, AnsaldoBreda must reduce the weight of their cars, which are 6,000 pounds heavier than specified, and make them compatible with the rest of the fleet.

Art Leahy, the MTA’s chief executive, recommended against exercising the contract options. But just before the vote, AnsaldoBreda officials circulated an e-mail indicating that the firm’s parent company, Finmeccanica, would back AnsaldoBreda’s financial guarantees.

In addition to a $300-million performance bond, the company offered a $75-million irrevocable letter of credit that could be tapped by the MTA if the company fails to perform. If exhausted, the fund would be replenished by AnsaldoBreda up to a cap of $300 million.

Villaraigosa and other board members said those financial terms were unprecedented. "Nobody has ever secured this kind of guarantee," the mayor said.

AnsaldoBreda has contracted with the green-building firm Shangri-La Construction to build a 240,000-square-foot manufacturing plant on a 14-acre, city-owned parcel at 15th Street and Sante Fe Avenue.

Villaraigosa’s new chief deputy mayor, Jay Carson, previously worked for Shangri-La on the project, but has recused himself from projects involving his former company.

Cecilia Estolano, who is overseeing the rail plant project as chief executive of the city’s Community Redevelopment Agency, noted that AnsaldoBreda has agreed to pay the living wage to full-time workers at the plant, which would be at least $10.30 an hour. "It’s a major step forward for rebuilding L.A.’s economy," she said.

AnsaldoBreda Inc.'s president, Giancarlo Fantappič, said the MTA set "very, very tough terms for us to comply with," but that the move to Los Angeles would position the company to compete for future rail contracts, including on California’s proposed high-speed rail system.

“We are here to stay," Fantappič said. "Being here, logistically, will be much easier for us."

Luigi Del Bianco - Chief Carver on Mt Rushmore

Luigi Del Bianco, an Italian Immigrant, played an important part in bringing to life a great American monument. For reasons unknown, many authors on the subject of Rushmore have chosen not to mention Luigi and his many contributions to the work.

"He is worth any three men I could find in America, for this particular type of work" - Gutzon Borglum, Designer of Mount Rushmore.
"B
ianco was one of the most competent men ever to work on the mountain..." - Gilbert Fite, from his book Mount Rushmore.
"Leaving my father out of Rushmore is like talking about the Yankees and leaving out Joe DiMaggio" - Caesar Del Bianco


Thanks to Pat Gabriel

About Luigi Del Bianco

Luigi Del Bianco was born aboard a ship near La Havre, France on May 8, 1892. His parents, Vincenzo and Osvalda, were returning from the United States to Italy. When he was a small boy hanging around the wood carving shop of his father in Meduno, Pordenone province, men of the village used to say, ?How curious the little one is!? Vincenzo Del Bianco became convinced that his son was interested in carving and had more than ordinary ability. He took the 11 year old boy to Austria to study under a skilled stone carver. After 2 years in Vienna, Luigi studied in Venice. When cousins in Barre, Vermont wrote that skilled carvers were needed, 17 year old Luigi boarded the La Touraine out of Naples and headed for America.

In 1913 World War I broke out and Luigi returned to Italy to fight for his country. After the war, He emigrated back to Barre, VT. in 1920 and after a year of work as a stone cutter, he settled in Port Chester, NY where he met his wife, Nicoletta Cardarelli.

It was his brother-in-law, Alfonso Scafa, who introduced Luigi to Mount Rushmore designer Gutzon Borglum. ?Bianco?, as Borglum affectionately called him, began working at Borglum?s Stamford studio and the association of the two men continued until Borglum?s death in 1941.

Throughout the 1920?s Luigi assisted Borglum with the Governor Hancock Memorial in South Carolina, Stone Mountain in Georgia, and the Wars of America Memorial in Newark, N.J. Because of Luigi?s strong stature and classic Roman features, Borglum used him as a model on 20 of the figures on the Newark sculpture.

In 1933, Borglum hired Bianco to be chief stone carver on the Mount Rushmore National Memorial. Luigi?s job was to carve the ?refinement of expression? or detail in the faces. He was paid 1.50 an hour; a considerable sum for the Depression.

It was ?Bianco? who carved the life-like eyes Lincoln. In a 1966 Interview with the Herald Statesman in Yonkers, NY, he said about carving the eyes, ?I could only see from this far what I was doing, but the eye of Lincoln had to look just right from many miles distant.? ?I know every line and ridge, each small bump and all the details of that head (Lincoln?s) so well.?

It was ?Bianco? who also singlehandedly saved the face of Jefferson; a task Gutzon Borglum would have entrusted to no one else. In Judith St. George?s book, The Mount Rushmore Story, she writes:

?Luigi Del Bianco, one of the best stone carvers Rushmore ever had, patched the crack in Jefferson?s lip with a foot deep piece of granite held in place by pins- the only patch on the whole sculpture, and one that is hard to detect even close up.?

St George goes on to reinforce the value of ?Bianco?:
?At least he ( Borglum) now had the funds to hire skilled carvers, a lack he had been bemoaning for years. But to his surprise, with the exception of Luigi Del Bianco, few of the carvers worked out.?

In 1935 Luigi brought his wife and 3 sons, Silvio, Vincent and Caesar to live in Keystone.
The boys went to school, rode horses, became blood brothers to the Sioux and swam naked in the nearby streams.

By 1941, funding for the memorial had run out. The breakout of WWII also slammed the lid on any further carving. Luigi returned to Port Chester and his stone cutting shop where he carved approximately 500 tombstones out of rough Vermont marble.

Luigi never forgot his roots. He made many a pilgrimage back to Meduno to visit relatives and old friends. Meduno takes great pride in their native son and has included in their local museum many photos and memorabilia of Luigi Del Bianco and his time at Mount Rushmore.

The citizens of Port Chester, NY also remember Luigi well, as the dapper gentlemen with the fedora on his head and the gleam in his eye, who loved to walk the Italian section of Washington Park and share stories of his adventures on the mountain.

?I would do it again, even knowing all the hardships involved?, Luigi stated in a 1966 interview with the Herald Statesman ?I would work at Mount Rushmore even without pay, if necessary. It was a great privilege granted me?.

Tuesday, September 22, 2009

Need a Job? Move to Italy.

Italians disdain blue collar jobs, so 100,000 jobs are unfilled, even though white collar jobs may require more education, and pay less.

Need a Job? Move to Italy.

Despite the economic downturn, many firms cannot fill empty positions ranging from plumbers to pastry chefs. The reason? A stigma on blue-collar jobs.

Christian Science Monitor; By Anna Momigliano; September, 17.2009

MILAN, ITALY – In today’s economic downturn, one might think that every new job posting would instantly draw a hoard of applicants. Not so in Italy. Of the 94,600 jobs small Italian firms have offered so far this year, about a third have gone unfilled, according to a recent report by Confartigianato, the association of Italy’s family-owned businesses.

It appears that the shame of working a blue-collar job is so great that Italians would rather risk twiddling their thumbs than using them to tailor fine European clothing, whip up delicious cannoli, or tinker with sports cars. This cultural stigma, unmoved by the fact that some skilled laborers earn substantially more than white-collar workers, has become a real “curse” for the Italian economy, says Giacomo Vaciago, an economic policy professor at the Catholic University of Milan.

“Firms will always need these kind of workers," he says, but very few young Italians are choosing such careers. "You can talk to the best mechanics in the Ferrari [car industry], and most of them will say their dream is to send their kids to college so that they can have a desk job … even if this means they will earn less then their fathers."

On average, a trained mechanic earns between €1,300 and €1,500 ($1,900 - $2,200) per month " much more than a school teacher (€1,200), who needs five years of college. Skilled workers also need some kind of formal education " usually a diploma from a professional institute, a high school oriented toward vocational professions. But such training has been neglected for a long time, says Mr. Vaciago, who recommends that the public education system invest in more professional institutes.

Far more than Gucci and gnocchi, industrial production fuels Italian economy
Although better known abroad for food and fashion, Italy’s economy still mostly relies on industrial production in highly specialized sectors, such as precision machinery, electrical goods, furniture, and motors - all of which require skilled labor.

According to the Confartigianato report, published last month, employers have a particularly hard time finding skilled manual workers, such as carpenters, plumbers, tailors, and mechanics. Hairdressers, pastry chefs and IT technicians are also in high demand.

Breaking the mold
Despite the longstanding resistance to such jobs, some say the culture is starting to change, perhaps thanks to the economic crisis.

Alessandro Mietner, a 32-year-old specialized mechanic from Castelletto Ticino, has five years of college education, but left his low-paying job in education to support his family.

“Three years ago, when they heard I left a white-collar job for this, people thought I was crazy," says Mr. Mietner. "Now many understand my choice; some even realize that my job is more creative than answering the phone in an office."

The Italian Chapel on Orkney Island is an Icon

An Italian Chapel built by Italian POW from blazing North Africa is one of the greatest icons of hope and peace to come out of WWII. Orkney Islands sits on the most northern east freezing tip of Scotland, and is the location of Scapa Flow, the site of the British Naval Base to guard the North Sea during both World War I &II. Italian POWs were used to reinforce the Base by building the Churchill Barriers.

The Italian Chapel: a Symbol of Hope

A church built by Italian prisoners of war in Orkney is an extraordinary testament to the power of the human spirit

The London Guardian; Philip Paris ; Tuesday 22 September 2009
The interior of the Italian Chapel, Orkney, Scotland

The interior of the Italian Chapel, Orkney, Scotland. Photograph: Philip Paris

The Italian chapel on Orkney is one of the greatest icons of hope and peace to come out of the second world war. The first time I entered the building was in August 2005 and I decided there and then to find out as much as possible about it. This turned out to a journey the likes of which I doubt I will ever walk again.

The chapel had been built by Italian prisoners of war, who were transported from the heat of the North African desert for the freezing cold of an Orkney winter at the beginning of 1942. Around 500 were sent to Camp 60 on the tiny island of Lamb Holm in order to work on the famous Churchill Barriers, sealing the eastern entrances to Scapa Flow, harbour of the British Home Fleet.

Within weeks the Italians went on strike - no small thing when you're a POW. They did go back to work, but despair, loneliness and the constant fear for the safety of loved ones back home wore down men's spirits. They filled their spare time with music and hobbies, playing billiards on tables made out of leftover cement, performing plays on the makeshift stage in the mess hall. But they craved a nobler activity.

The arrival of a priest in September 1943 was the catalyst to transform an idea, already in the minds of many, into reality. The British authorities arranged for two Nissen huts to be moved to the camp and these were joined together. Balfour Beatty donated the concrete for the foundations and a local Orkney artist later provided brushes and poster paints.

Building the chapel became the Italians' escape to cultural and spiritual freedom while their bodies remained in captivity. Former enemies became friends. The chapel was completed in late summer 1944 and on 9 September, everyone in Camp 60 was moved. After the war, the demolition team sent to take down the camp refused to touch the converted Nissen hut, with its lanterns made from bully beef tins, and it was left alone in the field.

Today the chapel is known around the world. Some 90,000 visitors a year gaze upon the image of the Madonna and Child above the altar. There's nothing else there, no tea rooms or souvenir shops, not even someone to collect money. Its creation and survival is one of the most inspiring stories to come out of the second world war. Fifty years after arriving at Camp 60, ex-POW Bruno Volpi wrote:

What is it that made prisoners of war work so feverishly with partially or totally inadequate means at their disposal? It was the wish to show to oneself first, and to the world then, that in spite of being trapped in a barbed wire camp, down in spirit, physically and morally deprived of many things, one could still find something inside that could be set free.

I never met Bruno Volpi. I wish I had, but by the time I had started my research he was too frail to help. His words live on. And so does the chapel. The son of another ex-POW from Camp 60 said to me "The chapel is a moving, never-ending story." He is right. Members of the next generation and the one after it are forming links because of a building their fathers or grandfathers created.

This symbol of the human spirit's ability to lift itself out of great adversity connects people from around the globe, regardless of religion, age or background. The tragedy is that there are not more Italian chapels to bring people together.

Philip Paris's book The Italian Chapel (Black & White Publishing) is out on 23 September

Monday, September 21, 2009

100 Years of Italian Cinema Celebrated

The golden age of Italian cinema came early: 1909 to 1916, a period when Italian movies, mainly produced in Turin and Rome, captured and dominated the world market. Audiences flocked to see sprawling spectacles, colossal battle scenes, and astonishing special effects.


Cinema Italiano (Italian Film)

Swords, Sandals, and the Original Rocky: 100 Years of Italian Cinema

Faster Times; Dianne Hales ; September 20, 2009
As Italy’s eighth annual international festival of cinema kicks off this week - it’s called "I Mille Occhi" (the thousand eyes) - it’s a good time to recall that Italian filmmakers, although long eclipsed by Hollywood directors, pioneered the new art form of motion pictures a century ago.

The golden age of Italian cinema came early: 1909 to 1916, a period when Italian movies, mainly produced in Turin and Rome, captured and dominated the world market. Audiences flocked to see sprawling spectacles, colossal battle scenes, and astonishing special effects.

Early Italian movies both preceded and inspired Hollywood extravaganzas. Cabiria, a "sword and sandal" epic released in 1914 that greatly influenced American movie pioneer D.W. Griffith, created the model for spectacular scenes and larger-than-life movie heroes. Shot on location in the Alps, Sicily, and Tunisia, the multi-million-lira film amazed audiences with hand-tinted footage of Mount Etna erupting, the burning of the Roman fleet, and the march of Hannibal and his elephants.

In the labyrinthine plot, pirates kidnap Cabiria, a beautiful Roman maiden, and sell her as a slave to Carthage. Just as the pagan high priest is about to burn her alive in an evil sacrifice, a Roman nobleman and his muscular slave Maciste, played by Bartolomeo Pagano, a stevedore who became a major star, arrive to save the beauty and the day. "Maciste" derives from the words for "rock" and "greatest," which to my mind qualifies him as the great-great-great grandfather of Rocky Balboa and every action hero since.

With the birth of the talkie in 1930, diction schools, originally set up to train radio announcers, began training professional doppiatori (dubbers) in perfectly enunciated Italiano standard for both foreign and homegrown films, a practice that continued through most of the twentieth century.

In Italian theaters, international film stars like Greta Garbo, Laurel and Hardy, Gary Cooper, and Mickey Mouse talked with "a Tuscan tongue in a Roman mouth" - classic Florentine pronounced with Rome’s more melodious accent. Even Pellerossa (American Indians - literally red skins) spoke refined Italian in deep, low voices.

Italian cinema reached its artistic zenith with the stark black-and-white "neorealistic" films produced between 1945 and 1952. With no money to hire professional actors, directors plucked men, women, and children from the thousands of destitute refugees camped in makeshift shacks after the war.

Revolutionary movies such as Roma, città aperta and Ladri di biciclette had no heroes, no happy endings, no Hollywood stardust, and often no professional actors. With unflinching, often-excruciating honesty, they recounted the stories Italians were telling each other about their bitter struggles for survival through dictatorship, occupation, war, and devastation.

“If you have any doubt about the power of movies to interact with life and restore the soul, study neorealistic films," director Martin Scorsese says in his cinematic tribute to Italian cinema, My Trip to Italy. "They forced the rest of the world to look at Italians and see their humanity. To me, this was the most precious moment in movie history."

Words and Expressions (from American movies translated into Italian)

Mezzogiorno di fuoco (Midday of fire) - High Noon
Via col vento -Gone with the Wind
“Domani è un altro giorno" Rosella’s (Scarlett’s) famous line, "Tomorrow is another day."
“Francamente me ne infischio" Rhett’s response. "Frankly, I could care less" (Censors wouldn’t allow the phrase "I don’t give a damn.")
Viale del Tramonto " Sunset Boulevard
“Suonala ancora, Sam" - "Play it again, Sam," from Casablanca
“Ma, dici a me? " -"A re you talkin’ to me?" from Taxi Driver

Killing and Mourning of Six Italian Paratroopers Heats Up Afghan Withdrawal Debate

The First Objective of any Militaty Operation is to Determine EXACTLY "What is the Mission" ?????

The War in Afghanistan, which began on October 7, 2001 (EIGHT YEAR ANNIVERSARY coming up) as the U.S. military operation Operation Enduring Freedom was launched by the United States in response to the September 11 attacks.

The stated aim of the invasion was to find Osama bin Laden and other high-ranking Al-Qaeda members and put them on trial, to destroy the whole organization of Al-Qaeda. The United States' Bush Doctrine stated that, as policy, it would NOT distinguish between Al-Qaeda and the Taliban (our former ally), nor the nation in which they hide. A Galactically stupid Doctrine that we are FINALLY admitting to.

The Blood Thirsty War Mongers were so Deranged, (or Colonialistic Minded) they did not consider that the US as a SuperPower could instead use our super Advanced Technology (Sattelittes, Drones, Stealth Laser Bombers, etc ), or Special Ops, or Bribes, and Pin Point our Targets, we instead make the same Mistake that Alexander the Great, and more recently, the French, British, and Russian Empires that invaded and were soundly routed !!!!!!!!
It was a Stupid Mission to start with, We have FAILED. and made Afghanistan WORSE, We are NOT CLEAR what our Mission NOW is.
since our original Mission is LESS attainable than it was 8 Years ago. GET OUT !!!!!!!!!

Debate Over Italian Troop Withdrawal from Afghanistan Heats Up
Voice of America; By Sabina Castelfranco; Rome September 18, 2009

The killing of six Italian soldiers in Afghanistan has re-ignited the debate over whether troops should be withdrawn from the country. Prime Minister Silvio Berlusconi has assured the nation that a reduction of the troops deployed in the war-ravaged country has already been planned.

Prime Minister Silvio Berlusconi says Italy is looking to discuss a "transition strategy" in Afghanistan to transfer security duties to Afghan forces and allow foreign troops to progressively pull out. He was speaking a day after Italy suffered its deadliest attack to date in Afghanistan.

Six Italian soldiers were killed in Kabul on Thursday when a suicide bomber ran his explosive laden car into two military vehicles. The Taliban claimed responsibility for the attack.

Despite the debate over troop withdrawal, Mr. Berlusconi says Italy remains committed to defending democracy in Afghanistan.

He said, "We are all convinced it's best for everybody to get out soon" adding that Italian troops had been increased in Afghanistan for the recent elections.

He says Italy already had plans to bring home some 400 to 500 troops. He also said, however, that further withdrawal of any of Italy's remaining 2,800 soldiers is not a decision that Italy can take on its own but needs to be taken with the other countries involved in the mission.

A recent poll showed 58 percent of Italians want troops out of Afghanistan; 40 percent believe the mission has become "a war operation". Analysts say those figures are expected to significantly rise following the latest deaths.

Italian authorities say the bodies of the dead soldiers will return to Italy on Sunday morning. Autopsies will be carried out and the following day state funerals will be held. Monday has been declared a national day of mourning. A minute of silence will be observed in schools and public offices.

Toronto Raptors Get Even More Italian Flavor -Trade for Marco Belinelli

The NBA Toronto Raptors with Bryan Colangelo as GM, Italian assistant GM Maurizio Gherardini, Italian Andrea Bargnani, the Raptors now trade to get Marco Belinelli, on a trade from San Francisco, after two years of part time play as a 6'3" 23 yr old swingman that was the No. 18 pick in the 2007 draft..

Andrea Bargnani, nicknamed "Il Mago" (translated to "The Magician"), (born in Rome, Italy) is a 24 yr old Italian professional basketball player with the Toronto Raptors was selected first overall in the 2006 NBA Draft He is a power forward/centre standing at 7 ft 0 in and weighing 250 lbs. Prior to his NBA career, Bargnani played for Benetton Treviso in the Italian Lega A and the elite Euroleague. In his first two seasons with the Raptors, he helped the team reach the NBA Playoffs.

With Italian presence in Toronto, Belinelli feels at home with Raptors

The Canadian Press; By Lori Ewing; September 18, 2009

TORONTO — Marco Belinelli will be wearing a different jersey and living in a new country, but if there's one team in the NBA that can make the Italian feel at home, it's Toronto.

The 23-year-old swingman, who arrived in Toronto as part of an off-season overhaul that saw two-thirds of the team changed, said the presence of Italian teammate Andrea Bargnani and Italian assistant GM Maurizio Gherardini will help him adjust quickly to his new team and life in general in the Canadian city.

"It's important to have two or three Italians in the Toronto Raptors, they can help me because everything is new for me, the city, I don't know the city, the people . . . that's very important to me," Belinelli said at the Air Canada Centre on Friday.

The six-foot-five Belinelli was making his first appearance before the Toronto media since being acquired July 30 from Golden State for Devean George. (George left Toronto without ever playing a game for the Raptors.)

Long coveted by Bryan Colangelo, rumours had the Raptors GM on the verge of acquiring Belinelli at last February's trade deadline for Joey Graham. The deal reportedly fell through when Golden State pulled the plug at the last minute.

"I was so happy," Belinelli said of the July deal that finally made him a Raptor. "I come here, I know some players, I know Andrea, he's my teammate, so everything is good. . . a nice city like Toronto, good team, young team, European team, so it was a really great opportunity for me."

Belinelli was the No. 18 pick in the 2007 draft but didn't see much of the floor in Golden State. He played in only 42 of the Warriors' 82 games last season, averaging 8.9 points, 1.7 rebounds and 2.1 assists in 21 minutes.

"I'm so happy because this is my third year, and I can have more opportunity to play," Belinelli said. "I think I'm a better player than two years ago, so I have to say thank you to the Warriors, but it's a new life for me, a new life starts with the Toronto Raptors."

A new season officially starts Sept. 29 when the Raptors open training camp in Ottawa.

With 10 new faces on the Raptors roster, no doubt the camp will tip off with player introductions. In a hectic off-season, Colangelo acquired six-foot-10 Turkish forward Hedo Turkoglu, forward Reggie Evans, centre Rasho Nesterovic, guard Jarrett Jack and swingmen Belinelli and Antoine Wright, and rookie shooting guard DeMar DeRozan, the No. 9 pick in the NBA draft out of USC.

Belinelli is a decent long-range shooter on a team that was in need of one after Colangelo traded three-point specialist Jason Kapono to Philadelphia for Evans. Belinelli shot 40 per cent from three-point range last season.

"I'm a guard, I can shoot, but at the same time I can create for my teammates, I can be a good defender, I can do everything," Belinelli said. "I practise every day for myself to be the best, that's my job."

Belinelli scored 20-plus points five times last season, scoring a season-high 27 points against Atlanta.

Fiat to Build Chryslers in Turin, Italy?

Fiat purchased the Carrozzeria Bertone plant near Turin, Italy, in July, just a few weeks after Chrysler exited chapter 11 bankruptcy, and presumably will be used to build the next generation Chrysler 300, and also use that the RWD platform in future Alfa and/or Lancia models.

Ciao! Fiat to Build Chryslers in Italy
Autoblog.com; by Chris Shrunk ; September, 17th 2009
Fiat is hard at work trying to come up with the best available use of its newly acquired Chrysler arm. Part of that plan may be to sell more Chrysler products in Europe, and Fiat just so happens to have an available factory to build them in. Automotive News is reporting that Fiat CEO Sergio Marchionne says the company would use its freshly purchased Carrozzeria Bertone plant near Turin, Italy. Fiat purchased the facility in July, just a few weeks after Chrysler exited chapter 11 bankruptcy.

Marchionne declined to discuss which vehicles would be built at the factory, but those following the Italian automaker have plenty of reasonable guesses. AN quotes sources who say the facility could open as soon as late 2011, and it could build the next generation Chrysler 300. The upcoming new 300 will reportedly begin production in the US in early 2011, and the 300's RWD platform is rumored to be used in future Alfa and/or Lancia models. The sources also claim Jeep models could be built in other Fiat facilities by using complete knock down kits shipped from here in the US.

Elites and Left Preparing "Coup" vs Berlusconi?

Public Administration Minister Renato Brunetta had become a folk hero in Italy for his vow to modernize government offices and expel the idlers and slackers among the public workers.
Since the Jewish population highly populates Italian finance, publishing and bureaucracy, and Jews have historically been referred to as "parasites", the question of hidden Semitic references arise.

Italy Minister Says Elites, Left Preparing "Coup"
The New York Times; From Reuters; September 20, 2009

ROME (Reuters) - Italy's financial elite is working with elements of the left-wing opposition to overthrow Silvio Berlusconi's government, a prominent cabinet minister said on Sunday.

"There are irresponsible elites that are preparing a full blown coup d'etat," Public Administration Minister Renato Brunetta told the pro-government daily Il Giornale.

Brunetta, known for his outspoken remarks, did not name names, but said he was referring to "parasites" who populated Italian finance, publishing and bureaucracy and were using the left-wing opposition as a "taxi" to try to seize power.

"They are already planning it, this summer there were meetings and they even drew up a list of ministers and a government program," he told the newspaper owned by Berlusconi's brother.

The "elites" aimed to replace Berlusconi with a government made up of unelected technical experts whose real task would be to defend their own wealth and power, said Brunetta, whose drive to improve public sector efficiency have made him one of Berlusconi's most high profile and popular ministers."

Leaders of the opposition Democratic Party dismissed Brunetta's comments as "vulgar," "populist" and "delirious."

Berlusconi has been hit by a spate of scandals surrounding his private life in recent months, including allegations that a businessman paid women to sleep with him. His wife announced in May that she wanted a divorce over his womanising.

A poll published last week put the 72-year-old media tycoon's approval rating at 47 percent, still high by the standards of many European leaders, but down from 49 percent in July and 60 percent a year ago.

Speculation is growing that his centre-right government, elected in April 2008, may not last a full five-year term.

Friday, September 18, 2009

Six Italian Paratroopers Killed in Afghanistan - Nation Mourns

Why are the Right wing Nut cases who wail for a Small government, yet want a Big military, and who can see no money for Health Care, are willing to spend Trillions for "fabricated" reasons for Invasions in Afghanistan and Iraq, and here 7-8 years later the World Super Power is STILL losing in both areas. Why Not just declare Victory, (or Mission Accomplished, again) and leave? Enough of the Constantly changing Strategies, NONE of which have worked. This Neo con debacle is worse than the Vietnam War, and they are already beating the drums for war against Iran.


Italy in Mourning After Afghan Attack
The New York Times; By Rachel Donadio ; September 17, 2009,

Prime Minister Silvio Berlusconi said that Italy wants to withdraw its troops from Afghanistan "as soon as possible" but will not take the decision unilaterally, Reuters reported. "We are all anxious and hopeful to bring our boys home as soon as possible," he told reporters in Brussels. "We are all convinced that it's better for everyone to leave Afghanistan soon," he said.

ROME - Italy is a country that mourns its dead as deeply as it enjoys the pleasures of life. And so when word got out that a suicide attack had killed six Italian paratroopers and wounded four others in Kabul this morning, the nation stopped in its tracks.

Within minutes, the news was splashed across the Web sites of the country/s leading newspapers, Corriere Della Sera and La Repubblica The defense minister, Ignazio La Russa, broke the news to the Italian Parliament ? which declared a moment of silence and immediately adjourned until 6 p.m. this evening.

Here, every soldier?s death seems to become a national event. Yet even as Mr. La Russa expressed the government's "firm commitment" to staying the course in Afghanistan and Foreign Minister Franco Frattini told RAI 24 news that "we have to try harder to win the hearts of the Afghans," it was clear that Thursday's attack would prompt much national soul searching.

The center-right government of Prime Minister Silvio Berlusconi has been a firm supporter of both the war in Iraq and the NATO-led mission in Afghanistan. Once a close ally of President Bush, Mr. Berlusconi is trying hard to be a close ally of President Obama, but that relationship is still young and has been marked by a few upsets.

Yet like many Europeans, Italians are less than enthused about involvement in overseas wars. Indeed, the majority of Italians (and the Vatican) were opposed to the war in Iraq " rainbow-colored peace flags hung in windows nationwide for several years " and they are not entirely thrilled with the war in Afghanistan, either.

What is more, one of the most powerful parties in Mr. Berlusconi?s center-right coalition, the separatist Northern League, has been agitating for months that Italy should pull out of Afghanistan and focus more on domestic problems, such as curbing illegal immigration.

So far today, the leader of Northern League, Umberto Bossi, hasn't commented on the Italian deaths, but Interior Minister Roberto Maroni, also from that party, sounded a more conciliatory internationalist note. Mr. Maroni said that withdrawing from Afghanistan would mean "submitting to the logic of terrorism," the ANSA news agency reported.

Mr. Maroni noted that Spain sent more soldiers to Afghanistan ahead of the still-contested Aug. 20 elections.

Italy and the United States remain close allies, but Mr. Berlusconi has much stronger personal ties with Prime Minister Vladimir V. Putin of Russia than with Mr. Obama. In his first interview with the Italian press, the newly appointed United States ambassador to Italy, David H. Thorne, told Corriere della Sera that a big part of his job would be to manage the complex nexus of the United States, Italy and Russia.

His first meeting with Mr. Berlusconi is scheduled for Friday, Mr. Thorne said in the interview.

The details of the Italian deaths emerged on the ANSA Italian newswire, a running ticker of the national consciousness where regional pride runs strong. ?Afghanistan: A Sardinian Among Dead Parachutists,? one ANSA item read, followed not long after by, ?Afghanistan: Neapolitan Among Killed Soldiers.?

ANSA later reported that the victims were all from the 86th regiment of paratroopers, based near Siena. They are: Antonio Fortunato, from Lagonegro in Basilicata; First Cpl. Matteo Mureddu, from Oristano, Sardinia; First Cpl. Maj. Davide Ricchiuto, a native of Glarus, Switzerland; Sgt. Maj. Roberto Valente of Naples; First Cpl. Maj. Gian Domenico Pistonami from Orvieto; and Massimiliano Randino from Sestio Fiorentino.

In his interview with Corriere della Sera yesterday, Mr. Thorne complimented Italy's Carabinieri in Afghanistan. "They're great, and we admire their work," he said. " Having troops there isn't necessarily popular," he added, noting that "in Afghanistan things could get worse. Italy is a strong ally, and we hope that continues."

Wednesday, September 16, 2009

14th Annual Italian Film Festival in New Zealand

An Italian Film Festival of 40 Italian Films in New Zealand in its 14th year? In Italian with English Subtitles? It will take place in seven cities from September to December. While New Zealand is slightly smaller in land area than Italy, it only has 4.3 million population compared to 60 million in Italy.

Say Ciao To The Italian Film Festival

Source: ONE News; Wednesday September 16, 2009

Spring is with us - and as the Show Me Shorts Organisation makes ready its 40 film for public consumption, The Italian Film Festival is gearing up for its premiere at the end of September.

It's the 14th annual event (which is the only national one) and will take in seven cities over from September to December.

Festival director Cav. Tony Lambert says :"This year's festival selection represents the broadest offering of films to date, continuing to fulfill my objective of extending the scope of the festival. Whilst romantic comedies are my first choice for selection as I think the Italians make the best 'romcoms' in the business, I want to bring other genres that demonstrate the rich variety of Italian cinema, including thrillers, documentaries, drama, comedy, dramatisations and historical drama. These are all represented in this year's festival; a line-up of films that offers something for everyone.Viva il cinema italiano!"

17 films have been selected for the festival this year - and they are:

Her Whole Life Ahead (Tutta la vita davanti)
The Girl by the Lake (La ragazza del lago)
The Deity (Il Divo)
Talk to Me of Love (Parlami d'amore)
Piano Solo
Matchmakers (Agente matrimoniale)
Sorry if I Love You (Scusa ma ti chiamo amore)
At a Glance (Colpo d'occhio)
The Viceroys (I vicerè)
Good Morning Heartache (Riprendimi)
Lessons in Chocolate (Lezioni di cioccolato)
Ferrari: Red Footprints (Orme rosse)
Biutiful Cauntri
Black and White (Bianco e nero)
The Feast (L'abbuffata)
Rush Hour (L'ora di punta)
The Rest of the Night (Il resto della notte)

Her Whole Life Ahead is the opening night film in all of the centres - http://www.italianfilmfestival.co.nz/openingnights.html

For full details of the Italian Film Festival, http://www.italianfilmfestival.co.nz/dvd/dvd2008.html

A Full DVD Set of the 14 Film Entries of 2008 available for NZ $ 150, BUT only sold to New Zealand Addresses.

Tuesday, September 15, 2009

Life is an Adventure. In Italy They Drive Like It ! :)

The Italian Zest for Life is reflected in their Auto Driving practices! :)


Inside the mind of an Italian driver
Samantha Smith, Examiner.com September 6, 2-009
Driving in Europe is different than in the States, and at first glance Italians can seem like the worst of the bunch. Statistics show they have the highest auto accident fatality rate in Europe (5,669 for 2006), and most Italians you ask probably know someone killed in an auto accident.

Indeed, in our four years of living here, our small community has seen five vehicle-related fatalities. But that still has not shaken my belief that Italians are skilled drivers who face a myriad of distractions and have a few bad habits.

First of all, driving in Italy and most of Europe for that matter, requires your undivided attention at all times as you struggle to avoid pedestrians, cyclists, scooters, motorcycles and other drivers that may come darting out at every turn.

Driving is a serious undertaking that is not to be done while eating, drinking, changing the radio station, watching a movie or talking on your cell phone. Although there is no law against doing these things in the car (except the hands-free cell phone requirement), Europeans have purposefully kept their cars free of the distraction of cupholders and entertainment centers so loved by their American counterparts.

Italian drivers also have a few idiosyncrasies that take getting used to. For starters, they love to tailgate. For them it is not a violation of personal space but simply a way to demonstrate that you are going too slow and they'd like you to speed up. They are often flustered if you pull over and allow them to pass since they'd rather follow you. Besides, if they want to pass, they will, most often on a blind curve or a two lane road with oncoming traffic.

Most driving laws are not enforced by the police in Italy which leads people to try and get away with anything they can. For instance, even if you do have the right-of-way at an intersection, Italians will sense your hesitation and take advantage of you. They are impatient drivers and will honk if you are not fast enough from a light or while making a turn. And if you are a pedestrian, don't even try to wait for an Italian to stop for you to cross the street. The only way to get across is to boldly step out and hope for the best. As a friend once advised: "you've got to want it."

Driving the Autostrada is yet another source of anxiety when driving in Italy. This is not the leisurely road-trip that most Americans are familiar with. Anxiety sets in as you struggle to stay focused in what feels like an intense race to the finish line as cars dash madly at speeds of up to 160 km (100 miles or so) an hour. Just be sure to watch your rear-view mirror carefully as black BMW's and Audi's appear out of nowhere (called macchine blu) and tailgate you at impossibly high speeds. Always pass on the left and immediately move over, because unless your name is Mario, you don't own the fast-lane. And remember, if there is one rule of the road in Italy, it's "the first one there wins."

Michael Moore's "Capitalism: A Love Story", First Trip to Venice Festival Draws Tumultuous Applause

The London Guardian reported that Michael Moore's latest documentary drew tumultuous applause at the Venice Film Festival today, If the film finally lacks the clean, hard punch provided by the record-breaking Fahrenheit 9/11, that can only be because the crime scene is so vast and the culprits so numerous.

Capitalism: A Love Story is by turns crude and sentimental, impassioned and invigorating. It posits a simple moral universe inhabited by good little guys and evil big ones, yet the basic thrust of its argument proves hard to resist.

Undeterred, Moore jabs his finger at everyone from Reagan to Bush Jr, Hank Paulson to Alan Greenspan. He drags the viewer through a thicket of insurance scams, sub-prime bubbles and derivative trading so willfully obfuscatory that even the experts can't explain how it works.

The big villain, of course, is capitalism itself, which the film paints as a wily old philanderer intent on lining the pockets of the few at the expense of the many. America, enthuses a leaked Citibank report, is now a modern-day "plutonomy" where the top 1% of the population control 95% of the wealth.

Moore's conclusion? That capitalism is both un-Christian and un-American,... There is something energising – even moving – about the sight of him setting out to prove it all. Like some shambling Columbo, he amasses the evidence, takes witness statements from the victims and then starts doorstepping the guilty parties.

"I need some advice!" Moore shouts to some hastening Wall Street trader who has just left his office. "Don't make any more movies!" the man shoots back. Moore chuckles at that, but the last laugh is his. This, more than any other, is the movie they will wish he had never embarked on.

Michael Francis Moore is an Academy Award-winning American filmmaker, author and liberal political commentator. He is the director and producer of Bowling for Columbine , Fahrenheit 9/11 and Sicko three of the top five highest-grossing documentaries of all time. In September 2008, he released his first free movie on the Internet, Slacker Uprising, documenting his personal crusade to encourage more Americans to vote in presidential elections. He has also written and starred in the TV shows TV Nation and The Awful Truth

Moore is a self-described reformer who has criticized globalization, large corporations, assault weapon ownership, the Iraq War, U.S. President George W. Bush and the American health care system in his written and cinematic works. In 2005 Time magazine named him one of the world's 100 most influential people.

http://www.guardian.co.uk/film/2009/sep/06/capitalism-love-story-review


Moore Makes First Venice Premiere

Associated Press; By Colleen Barry ; September 6, 2009

VENICE, Italy — Michael Moore says his film "Capitalism: A Love Story" is dedicated to "good people ... who've had their lives ruined" by the quest for profit.

Moore's latest film features many whose lives have been shattered by a corporate environment where the drive for profit is a priority over the workers' best interest.

The director premieres the film Sunday in his first appearance at the Venice Film Festival.

The movie won was warmly received at a press showing Saturday evening and won positive reviews.

Moore said Sunday he was "personally affected by good people who struggle, who work hard and who've had their lives ruined by decisions that are made by people who do not have their best interest at heart."

"Foxy Knoxy" Trial Resumes in Italy

Amanda Knox, an exchange student at the University of Perugia, (from Washington State, USA) and Italian co-defendant/boyfriend Raffaele Sollecito had their trial resume today after a two month summer recess, charged with murder and sexual violence in the 2007 slaying of Meredith Kercher, from Britain.

A third defendant in the case, Rudy Hermann Guede of the Ivory Coast, was convicted in a separate trial last year and sentenced to 30 years in prison. He denies wrongdoing and has appealed his conviction.

Murder Trial of US Student Resumes in Italy

Ass0ciated Press; September 14, 2009

PERUGIA, Italy - The trial of an American student accused of killing her British roommate in Italy has resumed, and a forensic expert will be taking the stand for the defense.

Amanda Knox and co-defendant Raffaele Sollecito were both in court Monday as their trial resumed after a nearly two-month summer break. Knox was wearing a red Beatles sweat shirt.

The expert is expected to challenge some of the evidence collected at the crime scene.

Knox and Sollecito, her former boyfriend, are charged with murder in the 2007 slaying of Meredith Kercher, with whom Knox shared a rented flat in the Italian city of Perugia.

Both deny wrongdoing. Prosecutors allege that Kercher was killed during what began as a sex game.

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Knox Defense Witness in Italy doubts DNA Evidence

The Associated Press ; By Marta Falconi; Monday, September 14, 2009

PERUGIA, Italy — DNA evidence at the center of a murder trial in Italy of an American student accused of killing her roommate is unreliable, according to a forensic expert testifying for the defense Monday.

Adriano Tagliabracci took the stand in the trial of Amanda Knox and co-defendant Raffaele Sollecito, which resumed after a summer break, in Perugia, central Italy.

Knox and Sollecito are charged with murder and sexual violence in the 2007 slaying of Meredith Kercher, from Britain, who was stabbed in the throat in her bedroom in the house she shared with Knox. The defendants deny wrongdoing.

Tagliabracci, who was called by Sollecito's defense, contended that DNA traces allegedly belonging to Kercher found on a knife that might have been used in the slaying were "too low" to be attributed with certainty. The knife was analyzed by forensic police.

According to prosecutors, Knox's DNA was found on the knife's handle, while Kercher's DNA was found on the blade. The knife was found at Sollecito's apartment.

"It's a disputable element and it would have been better to stop the test. The traces are so low that any result would be open for discussion," Tagliabracci said.

Prosecutors also say they found Sollecito's DNA on the clasp of Kercher's bra, although his defense team contend that the evidence might have been inadvertently contaminated during the investigation - an assertion Tagliabracci also made during his testimony.

Earlier Monday, the court rejected defense lawyers' requests to throw out Knox's and Sollecito's murder indictments that are partly based on DNA evidence.

Defense lawyers say some documentation supporting the attribution of DNA samples were not made available to the defense promptly.

Italian prosecutors say forensic and DNA experts have followed correct procedures while submitting the results of DNA tests to the court.

Presiding Judge Giancarlo Massei, rejecting the defense bid, ruled the trial should go on. He said that defense consultants were present when the DNA tests were carried out by forensic experts and that relevant documents had been made available a month and a half ago, suggesting that defense had enough time to review the findings.

Police guards escorted the defendants into the courtroom. Knox smiled to lawyers and family members as she walked in.

Proceedings were adjourned to Friday, when the knife that might have been used in the slaying will be shown in court. Prosecutors allege that Kercher was killed during a sex game and that Knox fatally stabbed her in the throat.

A third defendant in the case, Rudy Hermann Guede of the Ivory Coast, was convicted in a separate trial last year and sentenced to 30 years in prison. He denies wrongdoing and has appealed his conviction.

Thursday, September 10, 2009

Obit: Mike Bongiorno, Italian quiz show host, dies at 85

Nicknamed "The Quiz King," Bongiorno was one of Italy's most enduring and beloved TV personalities. His gaffes were legendary and his greeting to viewers -- "Allegria!" (Cheers!) -- a trademark.

Mike Bongiorno, Italian Quiz Show Host, Dies at 85;
Los Angeles Times; September 10, 2009
Mike Bongiorno, 85, a TV host who popularized quiz shows for generations of Italians, died Tuesday of a heart attack at his home in Monte Carlo, Italian news media reported.

Nicknamed "The Quiz King," Bongiorno was one of Italy's most enduring and beloved TV personalities. His gaffes were legendary and his greeting to viewers -- "Allegria!" (Cheers!) -- a trademark.

Vatican Radio called him a "milestone" of Italian TV, and President Giorgio Napolitano said Bongiorno was a "household presence" for Italian families.

He appeared on RAI state TV on its first day of programming in the early 1950s and hosted a series of successful quiz shows -- many of them adaptations of U.S. shows -- for more than two decades.

He was among the first and, at that point, most prominent personalities to move to private TV, contributing to the success of the TV company owned by Silvio Berlusconi, the current Italian prime minister, in the early 1980s. He recently left Berlusconi's company and was working for Sky Italia.

Born in 1924 in New York, Bongiorno moved to his mother's hometown of Turin, Italy, as a young boy.

During World War II he took part in the Italian resistance and was briefly incarcerated. ANSA news agency said he was captured by the Gestapo and deported to a German concentration camp before being freed in a prisoner-of-war exchange.

Berlusconi is Best Leader in Italy's History, says Berlusconi

Despite his frequent extra marital encounters, Berlusconi claims that " Italians like me and I have 68.4 percent of approval and admiration," who has been elected three times and is now the longest-serving leader in Italian post-war history.
In the latest imbroglio, Berlusconi threatened to take legal action against Patrizia D'Addario, for claiming Berlusconi hired her as a prostitute, and having tapes to prove it. Berlusconi says she had committed four crimes which could carry a total of 18 years imprisonment.

D'Addario, responding by challenged Berlusconi to a "public debate either about our specific affair or more generally about relations between men and women, techniques of conquest, sex and power."

Berlusconi Says is Best Leader in Italy's History

Thomson -Reuters By Gavin Jones ; Thu Sep 10, 2009

ROME (Reuters) - Italy's Prime Minister Silvio Berlusconi hit back at his critics on Thursday, saying he is far and away the best leader in Italian history and has never considered resigning over scandals concerning his private life.

In a spirited performance even by his own standards, the 72-year media tycoon also attacked Spanish daily El Pais for its critical coverage, denied paying for sex and said a prostitute who taped an encounter with him could face 18 years in prison.

"I sincerely believe I am by far the best prime minister Italy has had in its 150 year history (since unification in 1861)," Berlusconi said in televised news conference in Sardinia with Spanish Prime Minister Jose Luis Rodriguez Zapatero.

In answer to a reporter from El Pais, he dismissed as "calumnies" reports he had benefited from a prostitution ring and said he was the "victim" of escort Patrizia D'Addario who made tapes of what she said was a night spent with him.

Berlusconi, whose wife is seeking a divorce over his womanizing, has never denied sleeping with D'Addario but has said he did not pay her and did not know she was a prostitute.

"Never in my life, not even once, have I had to pay for a sexual encounter," Berlusconi said. "And I'll tell you why: for someone who loves to conquer, the greatest joy is the conquest, so I ask, 'if you pay, what joy can there be?'"

This philosophy helped to explain "why Italians like me and I have 68.4 percent of approval and admiration," said Berlusconi, who has been elected three times and is now the longest-serving leader in Italian post-war history.

When Berlusconi apologized to Zapatero for his lengthy answer, the Spanish leader said there was no need and it was "very interesting."

For the first time Berlusconi threatened to take legal action against D'Addario, saying she had committed four crimes which could carry a total of 18 years imprisonment.

D'Addario, responding in a short statement issued by her lawyers, challenged Berlusconi to a "public debate either about our specific affair or more generally about relations between men and women, techniques of conquest, sex and power."

Berlusconi's lawyer is suing newspapers in Italy and abroad for libel over reports that, among other things, women were paid to attend and in some cases have sex at his parties.

Berlusconi, who in Italy is normally only asked about his private life in pre-prepared interviews with reporters from his own media empire, said El Pais was "losing credibility" by attacking him and seemed to suggest it might go bankrupt.

"Losing credibility leads to losing copies, losing readers, losing advertising. In this way you head toward bankruptcy and I think El Pais knows something about that," he said.

Sunday, September 6, 2009

Pennetta, Schiavone, Errani Success at US Women's Tennis Open Stirs Italy

When Pennetta became her country's first top-10 player this summer, it was news even in soccer-mad Italy."The first sport is soccer," Pennetta said, "So to be on the first page of newspaper with soccer is huge . . . In Italy, everyone is going crazy."

Unlike neighboring France, where tennis has been a big deal, Italy has a small but thriving tennis community. It's a private sport, largely void of publicly accessible courts.


Italian Women Making Mark at U.S. Open

Newsday; By Jeff Williams; September 4, 2009

Add a little Italian seasoning to this year's U.S. Open.

Flavia Pennetta, the first Italian woman to rank No. 10 in the world, is through to the fourth round after thumping Aleksandra Wozniak, 6-1, 6-1, Friday. That comes on the heels of a 6-0, 6-0 bagel job against Sania Mirza.

Francesca Schiavone, ranked 28th in the world, got by the tough Victoria Azarenka, the eighth seed, 4-6, 6-2, 6-2.

The day before, Sara Errani (No. 42) eliminated veteran Swiss player Patty Schnyder, the 19th seed, 7-5, 6-2.

When Pennetta became her country's first top-10 player this summer, it was news even in soccer-mad Italy.

"The first sport is soccer," Pennetta said, "So to be on the first page of newspaper with soccer is huge . . . In Italy, everyone is going crazy."

Unlike neighboring France, where tennis has been a big deal, Italy has a small but thriving tennis community. It's a private sport, largely void of publicly accessible courts.

Few Italians reach the higher levels of tennis, though Farina Elia and Schiavone each reached 11th. Pennetta has been part of Italy's run to the Fed Cup finals, where her team, which includes Schiavone, will play the U.S. team that might include the Williams sisters.

Pennetta's title run in Los Angeles this summer, during which she defeated Samantha Stosur in the final after beating Maria Sharapova, Vera Zvonareva and Natalie Petrova along the way, was her biggest victory among eight career titles. "I'm proud," she said with an ever-present laugh and constant smile.

That smile disappeared for a long stretch in 2007 when she broke up with longtime boyfriend Carlos Moya, the Spanish player. She lost 15 pounds in a month and visited a psychologist. She came out with a better sense of self, and this year, that has translated into a better game. Pennetta's style is classic with solid strokes on both sides and good movement. She doesn't give away many points.

Schiavone, 29, hasn't had the success of Pennetta, 27, and has only one minor career title. But she remains a stalwart of Italy's Fed Cup team and a scrappy competitor who could beat a top player when she's on her game.

Zvonareva, the seventh seed and Pennetta's next opponent, this summer compared the styles of Schiavone and Pennetta. "Schiavone has the better shots," she said. "But Pennetta has the better strategy.".... jeff.williams@newsday.com

Friday, September 4, 2009

"The Guidos" Disparaging of Italian Americans is A Reality Show In Production

"The Guidos," is the title of a Reality Show now shooting, and is a not-so-complimentary reference to young Italian-American men who frequent the Jersey Shore in Ocean and Monmouth counties.
The Show which had been kept "hush-hush" was "outed" by this incident (or a publicity stunt.) While taping, one of the Female members of the Cast seems to have "objected" to her Alcoholic drink being "appropriated" by a Customer that had been denied buying any further drinks, and was punched with a closed fist in the face. She was not treated. She has a "Big Mouth", He has a "Girlie Punch", according to the Script.
Any or either way, The Italian Community gets to be "smeared" again.


After Her Drink's Stolen, MTV Star Gets Punch

Philadelphia Daily News; Philly.com; By Jason Nark; Fri, Aug. 21, 2009

A cast member of an MTV show filming at the Jersey Shore got a fistful of reality Wednesday when an inebriated New York man punched her in the face during a taping at an Ocean County bar.

Seaside Heights Police Chief Thomas Boyd confirmed yesterday that the woman who was hit inside the Beachcomber Bar & Grill a little after 2 a.m. Wednesday was part of MTV's latest foray at the popular resort town.

"It's a reality series," he said. "I think it's about Italians at the Shore."

MTV declined to comment on the incident or the show, which according to several casting Web sites is titled "The Guidos," a not-so-complimentary reference to young Italian-American men who frequent the Jersey Shore in Ocean and Monmouth counties.

Seaside Heights Detective Steve Korman said the suspect, Brad Ferro, 23, of Deer Park, N.Y., was told to stop drinking by bouncers at the Beachcomber Wednesday morning because he appeared intoxicated.

The bar's bouncers let Ferro stay, however, and he eventually stole the female cast member's alcoholic beverage from the bar and guzzled it down.

That apparently caused instant drama. Korman said Ferro punched the woman - who was not identified - with a closed fist in the face.

Ferro was arrested on simple-assault and disorderly-person charges. The cast member was not treated.

A man who answered the phone at the Beachcomber declined to comment, saying, "You'll just have to watch the show," before hanging up.

On a recent blog post announcing the show's arrival, Seaside Heights Public Information Director Peter J. Smith wrote that the reality-based show was being kept "hush-hush."

"I can however say that the show involves a group of people who are working in the local nightclub scene," he wrote.

Smith, said the show included a single, closed set that has been built atop the "Shore Store" on the Boardwalk.

MTV has filmed in Seaside Heights twice before, hosting its Summer Beach House programming there in 1997 and 2002.

Last year, in Belmar, Monmouth County, Mayor Ken Pringle took some heat after he poked fun at female tourists from Staten Island and well-tanned "guidos" who he claimed wear designer jeans and Armani Exchange shirts.

On July 25, American Idol contestant Alexis Cohen, of Allentown, was killed in Seaside Heights by a man fleeing police after an accident in a nightclub parking lot. narkj@phillynews.com 856-779-3231

Thursday, September 3, 2009

“Baaria”. A Closer Examination.

"Baaria", (Nick name for Bagheria), a Palermo suburb, is a sentimental sweep through 20th century Sicily.is billed as one of Italy’s most expensive ever movies costing $36 million,
The long-planned project, spans the Fascist period, World War II, the rise of the Italian Communist Party and the first decades of the post-war era. Peppino, the central character played by Francesco Scianna, is swept up by the Communist movement, travels to the Soviet Union where he sees first hand what it really means for citizens there and lives briefly in France seeking work. But Sicily’s landscapes and passionate people also play a prominent part in a sumptuously shot film set amid olive orchards, rugged hills and the ever-changing streets of Baaria.


Venice Kicks Off With Italian Epic

VENICE, Sept 2, (Agencies): The Venice film festival opens on Wednesday with big-budget Italian movie “Baaria”, a sentimental sweep through 20th century Sicily taking in Fascism, war, Communism and the mafia.
Billed as one of Italy’s most expensive ever movies costing 25 million euros ($36 million), the first home-made film to open Venice for around 20 years kicks off 11 days of screenings, photo shoots, parties and red carpet glamour on the Lido island.


Director Giuseppe Tornatore, whose 1988 movie “Cinema Paradiso” won a foreign film Oscar, said the story of a poor family living through the upheavals of the last century was partly based on his own memories of life in Sicily.
He told reporters ahead of the official evening premiere that he wanted to use his birthplace as a microcosm of what was happening in the wider world. “It might be any other place,” he said, speaking through a translator.
“The idea was not to tell the story of Sicily. The idea was to tell the story of a number of characters in the microcosm of a small town, hearing the echoes of what was happening around the town and far from that town,” he added.


Passionate


And so Peppino, the central character played by Francesco Scianna, is swept up by the Communist movement, travels to the Soviet Union where he sees first hand what it really means for citizens there and lives briefly in France seeking work.
But Sicily’s landscapes and passionate people also play a prominent part in a sumptuously shot film set amid olive orchards, rugged hills and the ever-changing streets of Baaria.


Tornatore recalled a saying that young men should leave Sicily before they turn 17 to void absorbing the island’s distinctive flaws. “I went away at 27, so I absorbed all the flaws of the Sicilian, even those I know nothing about.”

While Venice organisers would welcome an Italian hit on the Lido after home-grown films have generally flopped in recent years, the success of the festival will be judged as well by how many Hollywood stars and US movies it attracts.
The early signs are promising, with Matt Damon, Michael Moore, Nicolas Cage, George Clooney, Oliver Stone, Charlize Theron, Eva Mendes, Richard Gere and Sylvester Stallone among those expected to walk the red carpet.


The cinema complex on the Lido waterfront is being re-built in a 100-million euro makeover designed to drag the world’s oldest film festival into the 21st century and help it compete with other festivals, notably Toronto, which it overlaps.
Damon appears in “The Informant!”, in which he plays a crooked company whistleblower, and Moore brings “Capitalism: A Love Story,” a documentary attacking corporate greed and analysing the recession.

Favorite

Clooney, who has a home in Italy and is a local favourite, appears in “The Men Who Stare at Goats,” about a reporter who stumbles across a US military unit in Iraq which employs paranormal powers on its missions....
\
“Sounds, people, frustrations, dreams, happiness, challenges — I thought all of these themes could be turned into a movie,” Tornatore told a news conference after the press screening at the 66th Mostra in the lagoon city.
He said turning 60 had finally pushed him to complete a long-planned project, which spans the Fascist period, World War II, the rise of the Italian Communist Party and the first decades of the post-war era.


Ennio Morricone, who scored the spaghetti westerns of Sergio Leone, wrote the soundtrack for “Baaria” more than 20 years after that of “Cinema Paradiso,” which won the Oscar for best foreign film in 1989.


Noting that he spent the first 27 years of his life in Sicily, Tornatore said: “That’s how I see things. It’s my take on life.”
Describing the film as “allegorical,” the director said: “All those who were born in a small town will find similarities.... We should recover our sense of duty, the ability to teach our children how important it is to forge a relationship with the rest of the community.”


Since both leads are Sicilians — Francesco Scianna was born in Bagheria (nicknamed Baaria) itself — they are native speakers of the island’s dialect.


Appearance


With a cast of many homegrown stars, including Monica Belluci who offers a cameo appearance as a prostitute, Italians will feast on a red carpet bonanza at the gala opening Wednesday evening.Organisers could not confirm press reports that Prime Minister Silvio Berlusconi would be on hand for the official screening, but his son Piersilvio is expected to attend.In all more than 80 films will be presented at the prestigious festival, which has a strong American presence both in and out of competition....


One of the chosen films is Michael Moore’s “Capitalism: A Love Story,” his first Venice entry after winning the top prize twice in Cannes. By many measures, landing Moore’s film is a coup for Venice. It is one of 24 films, including a surprise film to be announced later in the week, in competition for the coveted Golden Lion.“I think Michael has had a terrific time in Cannes. He needed a change. And we needed a different Michael Moore film. This one is incredibly symphonic,” said Mueller, who has known Moore for 20 years and premiered 1999’s “The Awful Truth,” at the Locarno Film Festival when he was director there.

http://www.arabtimesonline.com/client/pagesdetails.asp?nid=36689&ccid=13

"Baaria", Tornatore's Ambitious Sicilian Epic Dominates Venice Film Fest Opening with Brouhaha

"Baaria" the ambitious Sicilian epic, is the first Italian movie to open the Venice Film Festival in two decades, budgeted at $35 million, the ensemble epic stars 200 actors, was shot for 25 weeks in Sicilian and Tunisian locations, was Produced by Giuseppe Tornatore, a known LEFTIST, is being Financed by top Italo film outfit Medusa, a sister company of Berlusconi's Mediaset TV empire. RIGHT WING Berlusconi Not only Financed but Raved about "Baaria."

"Baaria." a 2½-hour film spans three generations in Tornatore's native Bagheria, a suburb of Palermo that provides a prism through which Italian -- and world -- history is depicted.

"Baaria." posed a linguistic challenge since it was Not only shot in then Sicilian dialect , But the specific dialect of Bagheria. The Sicilian version is the one that will go out internationally with subtitles. There is also an "Italianized" version that will be released in most of Italy, except for parts of Sicily and a few "original language" copies in selected Italian cities. Both versions screened in Venice.


A 'Baaria' Brouhaha

Tornatore film dominates Venice fest opening

Variety; by Nick Vivarelli, Ali Jaafar , September 2, 2009
Italy's movie and political worlds made for an explosive mix as the 66th Venice Film Festival kicked off Wednesday with Giuseppe Tornatore's ambitious Sicilian epic "Baaria."

"Baaria," the first Italian movie to open Venice in two decades, dominated the Lido's opening day and triggered a typically Italian brouhaha after drawing praise from Italo Prime Minister Silvio Berlusconi -- also the big-budget pic's main financier.

Tornatore, a known leftist, was asked by the Italo press what he thought about the conservative premier's declaration that "Baaria" is a "masterpiece that all Italians should see."

"I thank him for his compliments, which are particularly appreciated because they come from someone who has different political ideas from my own," Tornatore said.

However, the helmer added that his work should not be boiled down to the single "Baaria" scene that reportedly had Berlusconi raving: one in which a young Sicilian militant communist returns heavily disillusioned from a trip to the 1950s-era Soviet Union.

"Reducing my movie to that is wrong; it's a lie," Tornatore complained to Italian journos.

The 2½-hour film spans three generations in Tornatore's native Bagheria, a suburb of Palermo that provides a prism through which Italian -- and world -- history is depicted.

"Baaria" broke in the fest's new red carpet, where Eva Mendes, Harvey Weinstein, jury prexy Ang Lee, fellow juror Sandrine Bonnaire and the evening's hostess, Maria Grazia Cucinotta, got the paparazzi started prior to the slew of stars expected over the next 10 days.

During the ceremony, two-time Golden Lion winner Lee noted that one cannot do justice to the entries in a movie competition because "each film has its own merits, and it's impossible to compare."

But because competitions are necessary to help movies find auds, Lee said the best way to approach the task is "as the hippies used to say, just go with the flow."

Also strutting down the Lido catwalk was Mediaset VP and Berlusconi's son Piersilvio and Italo culture minister Sandro Bondi, who prompted vocal protests against arts funding cuts being made by the Berlusconi government.

Earlier in the day, anti-Berlusconi protesters had a mild skirmish with police in front of the Lido's Hotel Des Bains after they tried to force their way through a security cordon.

Tornatore's "Baaria" is produced by top Italo film outfit Medusa, a sister company of Berlusconi's Mediaset TV empire.

Budgeted at e25 million ($35 million), the ensemble epic stars 200 actors, features more than 1,000 extras and was shot for 25 weeks in Sicilian and Tunisian locations. The venerable Ennio Morricone composed the score.

Pic, which Summit Entertainment is selling internationally, posed a linguistic challenge since it was shot in the specific Sicilian dialect of Bagheria. The Sicilian version is the one that will go out internationally with subtitles.

There is also an "Italianized" version that will be released in most of Italy, except for parts of Sicily and a few "original language" copies in selected Italian cities.

Both versions screened in Venice.

"Baaria" will be released by Medusa on Sept. 25 in 450-500 copies, with the filmmakers hoping it will become Italy's contender in Oscar's foreign-language category.

The opening-night ceremony and "Baaria" gala screening segued into a Sicilian seafood dinner for 1,200 thrown by Medusa and the Biennale on the Excelsior beach.

http://www.variety.com/article/VR1118008058.html

Berlusconi Critic Resigns Facing Own Scandal

Dino Boffo, editor of the Avvenire daily of the Italian Bishops' Conference had Demanded that Belusconi answer allegations about his "purported" infatuation with (Beautiful) young women. What ????? I plead Guilty !!!!! Although I am sorry to report my lack of success.:) :)
This Infers that it would be alright to be infatuated with OLD women, or UGLY and FAT Ladies. Really ????
I Pass !!! Interesting as companions, Yes, but "infatuated" ??? NO !!!!!
Interestingly, Boffo, who is married with children, (What, a MARRIED Priest?) acknowledged being fined in a Harassment case involving a Married woman, in a court case with Homosexual overtones.


Editor of Italy bishops' newspaper resigns; had demanded Berlusconi respond to sex allegations

The Canadian Press, From The Associated Press, September 3, 2009

ROME - The editor of a prominent Catholic newspaper that demanded Premier Silvio Berlusconi answer questions about a sex scandal has resigned after being caught up in a scandal himself.

Dino Boffo, editor of the Avvenire daily of the Italian Bishops' Conference, denied the allegations made by Il Giornale, a Berlusconi family newspaper, but said he resigned because the allegations were damaging to his family and the paper.

Il Giornale alleged that Boffo had been involved in a court case with homosexual overtones. Boffo acknowledged being fined in a harassment case involving a married woman but denied the gay suggestions.

Avvenire had insisted that Berlusconi, whose wife is divorcing him, answer allegations about his purported infatuation with young women.

http://www.google.com/hostednews/canadianpress/article/ALeqM5huOg1eGQ7P9s0BiqLbaQ6174y_5Q

Wednesday, September 2, 2009

Venice Film Festival More Concerned About Captivating than Capitalism

Captivating the attendees, rather than providing a "Marketing" platform is the Venice Film Festival objective, They leave that to "Cannes", "Berlin" and "Toronto" Film Festivals.
Ironically, Michael Moore's "Capitalism: A Love Story" a Cannes winner was a coup for Venice.


Venice Film Festival Retains Allure Without Deals
Associated Press; By Coleen Barry, September 1, 2009

VENICE, Italy — If there is one criteria for selection to the Venice Film Festival, it's a film's ability to captivate, the festival's director says.

That means no fidgeting in the audience.

"I think I never laughed or cried as much as I did for this year's selection," said festival director Marco Mueller, who raises the curtain Wednesday on the 66th Venice Film Festival, his sixth as director.

One of those chosen films is Michael Moore's "Capitalism: A Love Story," his first Venice entry after winning the top prize twice in Cannes. By many measures, landing Moore's film is a coup for Venice.

"I think Michael has had a terrific time in Cannes. He needed a change. And we needed a different Michael Moore film. This one is incredibly symphonic," said Mueller, who has known Moore for 20 years and premiered 1999's "The Awful Truth," at the Locarno Film Festival when he was director there.

Much of Mueller's approach to luring films to the Venice Lido is personal. He speaks seven languages fluently, including Chinese, which has long made him a bridge to the West for Asian filmmakers. He spends copious amounts of time viewing films, more than 2,000 a year, and making pitches for why Venice is the perfect launching pad for anything from Hollywood fare to art house talent, despite lacking a formal film market.

This year, the Sept. 2-12 Venice film festival is a week later than usual, bumping up against the much-larger Toronto Film Festival, showing some 80 films in contrast to the more than 300 at the Sept. 10-19 Toronto festival.

About 20 films making their world premiere at Venice will travel on to Toronto, where most of the dealmaking for the North American market is made. But Mueller has no intention of bringing a film "market" to Venice.

"It is quite a luxury to be told by filmmakers and producers: 'Never start a market in Venice, because it is the only place where we can meet people and see other people's films,'" he said....

Mueller, 56, is convinced that a festival showing can change the trajectory of a film's success and that Venice is a high enough profile to provide the ideal platform for middle-range budget Hollywood films....

"I really try to prove we can prolong the life of a film " even though it may be just in the realm of a very long festival circulation " because of the very high visibility we create," Mueller said....

This year's Venice selection includes films from 32 countries, a record, with a large number U.S. and Italian films, 17 and 22 entries respectively....

An Italian film opens the festival for the first time in 20 years. Giuseppe Tornatore, who won an Oscar in 1998 for "Cinema Paradiso," will premiere "Baaria," a film about life in a small town in his native Sicily.

"Baaria is really what the (Italian) industry needed at this time," Mueller said. "A film which proves it makes a lot of sense for the industry to invest large sums in a creator's dream, because then the industry can go back to being the dream machine."...

Happy Birthday, Rocky Marciano, Undefeated Heavyweight Boxing Champion

Marciano is remembered as one of the world’s best boxers; no other heavyweight champion has ever retired undefeated- 49 Fights, with 43 knockouts.
Marciano loved to play baseball and football, and had dreamt of a career playing sports professionally. After failing a tryout for the Chicago Cubs, Marciano dedicated himself to a career in boxing very late in life at 24 years old in 1947.
In September of 1952, the "Rock" squared off against Jersey Joe Walcott, the heavyweight champion of the world. In an interview before the fight, Walcott said: "This kid can’t fight. If I don’t whip him, take my name out of the record books." After a grueling 13 rounds, Marciano delivered a powerful right punch that knocked Jersey Joe out cold. Rocky defended his title as heavyweight champion of the world six times before his retirement in 1956.
Rocky Marciano was born on September 1, and eerily he died on August 31, hours before his 46th Birthday.


Happy Birthday, Rocky Marciano, Undefeated Heavyweight Boxing Champion
FindingDulcinea
September 01, 2009
Boxer Rocky Marciano is legendary for being the only heavyweight champion in history to win every single one of his 49 professional fights, with 43 knockouts. He is remembered for his ferocity as a boxer, and conversely, for his mild manner and congeniality outside the ring.

Rocky Marciano's Early Days

The future heavyweight champion was born Rocco Francis Marchegiano on September 1, 1923, in Brockton, Massachusetts, to a working-class Italian-American family. Described as a "typical American kid," Marciano loved to play baseball and football, and had dreamt of a career playing sports professionally.

During Marciano’s teenage years, he dedicated a large portion of his time to physical conditioning. He spent long hours competing in sports such as baseball, and would then come home to a workout of chin-ups, weightlifting and punching a stuffed mail sack in his backyard. His ferocity as an athlete surfaced in several neighborhood scuffles, and he developed a reputation in the neighborhood as the "really tough Italian kid." The reputation that Rocky developed served him well during his army stint in World War II. While stationed at Fort Lewis in Washington State, Rocky began amateur fighting and immediately saw his potential.

Marciano's Notable Accomplishments

After failing a tryout for the Chicago Cubs, Marciano dedicated himself to a career in boxing. In 1947, he entered the ring professionally and eventually achieved 49 straight victories—earning most of these wins by knocking out his opponent in the ring. In September of 1952, the "Rock" squared off against Jersey Joe Walcott, the heavyweight champion of the world. In an interview before the fight, Walcott said: "This kid can’t fight. If I don’t whip him, take my name out of the record books." After a grueling 13 rounds, Marciano delivered a powerful right punch that knocked Jersey Joe out cold. Rocky defended his title as heavyweight champion of the world six times before his retirement in 1956.

Marciano became known around the country for his calm and congenial demeanor. Even after getting beaten down by him, his opponents in the ring could not resist Marciano’s friendly attitude. In contrast to contemporary fighters, such as Mike Tyson, Rocky often became friends with men he had knocked out in fights, and the champion never uttered any disparaging words against his opponents.

The Rest of the Story

Marciano retired from boxing while he was still in his prime, at the age of 31. He believed it was a mistake when other popular boxers tried to make comebacks and failed. He wanted to put the ring behind him and more spend time with his family. Some believe money was also a factor in his decision: his manager took at least half of his winnings.

After Marciano retired, he made money from speaking engagements and other public relations opportunities. He remembered his father’s shoemaker business, and the difficult life he had growing up in Brockton without much money, which inspired Marciano to work as hard as he could, and live as frugally as possible.

It was this drive that led him to board a plane on August 31, 1969, to attend a speaking engagement in Des Moines, Iowa. Returning home to Florida on his friend’s private jet, bad weather forced the inexperienced pilot to make a premature landing; the resulting crash killed Marciano and everyone else on board.

Marciano died just hours before his 46th birthday. He is remembered as one of the world’s best boxers; no other heavyweight champion has ever retired undefeated.

Tuesday, September 1, 2009

Southern Italy "Colonized" Northerm Italy - A Twist to the "Southern Question"

Historian Arnold J. Toynbee’s argues that the present day Italian Riviera was originally a Sicilian colony. Toynbee also thought Rome was
originally
founded by Sicilians.


To set the stage, The most important Italian prehistoric civilizations lived in the Neolithic Age: they are the Camunni, the Terramare
culture
, the Villanovan culture , the Castellieri. the culture of Canegrate and that of Remedello.


Culturally and linguistically, the origins of Italian history can be traced back to the 9th century BC, when earliest accounts date the presence of Italic tribes in modern central Italy. Linguistically they
are divided into Oscans , Umbrians and Latins. The Etruscan civilization,
which flourished between 900 and 100 BC in the Center North Italy.

Other pre-Roman civilizations included settlements in Western Sicily by the Phoenicians/Carthaginians, and later Magna Graecia in Southern Italy and Sicily, by the Greeks.. This was the First of a series of
Periods during which Southern Italy was a Preminent Cultural Area, ( with Palermo at one time considered to be the only city worthy to be capital of Charlemagne's Empire)

Later the Latin culture became dominant, as Rome emerged as dominant city around 350 BC.


Science, Irony and Italian History - a "Southern Question" Twist!

I-Italy ; Tom Verso ; August 9, 2009

Abstract: An i-Italy article, reporting scientific technology used in the study of Altinum, brings to mind a scientific linguistics study of ancient Liguria which came to the ironic (visa vis the "Southern
Question") conclusion that northern Italian culture was born of Sicilian immigrants.

Introduction

Recently i-Italy.org linked to an ANSA.it article “ANCIENT FOREFATHER TO VENICE MAPPED Aerial photos of Altinum reveal 'spectacular architecture'”. The ANSA article in turn is a summary of a detailed report, appearing in the
prestigious magazine “Science”, on the use of technology to study the architectural remnants of the ancient Veneto city Altinum.

While the use of technological instruments is relatively new to the study of history, the method and logic of science was highly developed in the linguistic and philological sciences in the 19th and
early 20th centuries. For example, Arnold J. Toynbee’s study of the ancient roots of northern Italian communities (see: “Sicilian Lights on Roman Origins” Study of History v. 8, p. 704-7) is an eloquent
demonstration of how linguistic sciences bring us knowledge of extinct societies. Toynbee’s study, inadvertently, has an ironic implication for the so-called “Southern Question.”

“The Southern Question” is a characterization of a compendium of social issues predicated on the assumption that the people, culture and society of southern Italy is significantly different than that of
the north. Or as they use to say before it became “so not PC”: “Italy ends at the Garigliano.”

Toynbee makes a very strong, and inadvertently ironic, case that two of the major northern social centers Liguria and, indeed Rome itself, were originally Sicilian colonies. This article outlines his Ligurian
thesis.

Toynbee begins the essay with a description of a “linguistic map” of Italy in the first half of the first millennium BC prior to when there is a clear and unequivocal existence of the Roman city-state
in the historic record. According to this linguistic map, “there were various language groups present in Italy and Sicily during this period.

Three geographic groups of people spoke the Latin language:

1. “Sicel natives of Sicily

2. “Ligurians in the North-Western Appennines” (present day Italian Riviera)

3. “Latins and Falisci in the lower basin of the River Tiber” (present day Rome)

Common place-names in Riviera and Sicily

On the Italian Riviera, are found four place-names that are identical to four places in Sicily. Toynbee: “At the eastern end of the Italian Riviera, we find four place-names – not of Roman
mintage...identical with the principal place-names in the Elymian country in the north-western corner of Sicily.”

Specifically the common place-names are:

1a ‘Eryx’ a port on the Gulf of Spezia (modern city of Lerici)

1b ‘Eryx’ a mountain in NW Sicily (modern mountain of San Giuliano – modern town of Erice) 2a ‘Portus Veneris’ (modern Portovenere),
across the Spezia Gulf from Lerici, dedicated to the same goddess know as Aphrodite (note: Venus is Aphrodite with different name)

2b ‘Temple of Aphrodite’ on the side of the Sicilian Mountain Eryx (again modern San Giuliano/Erice) 3a ‘Segesta’ a town on Gulf of Genoa (modern
Sestri Levante) 3b ‘Segesta’ city-state in NW Sicily

4a ‘Entella’ town on Gulf of Genoa (modern river with same name)

4b ‘Entella’ town in W. Sicily (Mark ‘A’ on map below)

Scientific method essentially consists of finding Facts and Explaining facts. Following the method of science, Toynbee proceeds. First, using linguistic techniques, he established two historic facts
about pre-Roman times

F1. People in West Sicily and on the Gulf of Genoa spoke the Latin language

F2. Four identical place-names in W. Sicily and on the Gulf of Genoa

He then proceeds to finding an explanation. How can these facts be explained?

There are three possible explanations (hypotheses):

E1. Coincidence – people in Liguria and Sicily by chance used the same names

E2. Latin speaking people from the Riviera emigrated to Sicily

E3. Latin speaking people from Sicily emigrated to the Riviera

E1 is rejected by Toynbee as a very low probability. He writes “This fourfold correspondence between place-names in Sicily and on the Riviera can hardly be accidental...”

However, E2 and E3 are plausible: “ We cannot reject the inference that the places known by these four names in Liguria had been called after the four places with identical names in Sicily, or vice
versa.”

More linguistic facts are gathered to make a decision.

Fact: “Graecized” Latin

Toynbee: “The natives of Sicily, who did their utmost to resist by force of arms the interloping Greek colonists’ aggressive attempts to eject or subjugate them, were at the same time voluntarily
adopting the language, religion, and art of their Greek assailants. The never conquered Elymi...took to speaking Greek.”

Inference:

The fact that the Riviera Latin place-name Eryx has a Grecian characteristic, implies that the people who named the place were Latin speaking people from Sicily whose Latin language had been modified with Greek
characteristics.

Toynbee writes: “the probability [implication] that the group of names in [the Riviera] was derived from the group in Sicily is indicated by the fact that in [the Riviera], as in Sicily the mountain-name
appears in the Graecized form ‘Eryx’ and not in a Ligurian equivalent... ‘verruca’ (‘peak’), which we should expect to find surviving here if the name had originated in Liguria and had been carried thence to
Sicily.”

Therefore:

E2 (Latin speaking people from the Riviera emigrated to Sicily) is rejected

E3 (Latin speaking people from Sicily emigrated to the Riviera) is judged to be more probable based on linguistic evidence

Thus, the historian has made the case that Sicilian immigrants settled on the Italian Riviera (E3) rather than the Ligurians emigrating to Sicily (E2)

Toynbee has made a strong linguistic case that Sicilians emigrated to the Italian mainland as far north as the present day Italian Rivera. This opens up the possibility that they also
emigrated to the Tiber River basin, which is discussed in another of my blog articles, see link.

We see how scientific thinking even without scientific technology such as that used in the Altinum study provides us with knowledge of the past.

Finally, on a subjective note, what a delicious irony: quintessential cultural centers of northern Italian denigrators of Sicily were originally Sicilian colonies!

http://www.i-italy.org/bloggers/10391/science-irony-and-italian-history-southern-question-twist



Italian Pre Schools Proliferating in San Francisco - A Trend?

Interestingly enough the surge of interest is not as much propelled by 2nd or 3rd generation Italians, but Italians recently arrived, mostly of the professional class, and also by Non Italians who have fallen in love with Italian Culture.
Also note the goal of growing to eight grades within five years, and so ever encouraging a plan to form a consortium of Bay Area Italian preschools to share administration, teachers, health care costs and professional development.
Personally, I am MOST pleased by the fact that these are NOT merely Italian Language Schools, But Italian CULTURAL Schools.


Bay Area is Biggest Little Italy for Preschools

San Francisco Chronicle; Patricia Yollin; Sunday, August 2, 2009

Abigail Call corrects her mother's grammar when they speak Italian and has started to teach her father the language, sometimes making up nonexistent words just to toy with him a bit. She is not quite 4 years old.

"When she's by herself with her dolls, she sings all these songs in Italian," said Abigail's mother, Jessica Hall. "I'm a parent, so of course it makes me want to cry - to think that her little brain, in those unprompted moments of alone time, chooses to do that."

Abigail doesn't know it yet, but she is part of a trend.

Italian playgroups, preschools and language centers for children are proliferating in the Bay Area these days in a manner unequaled anywhere in the country, according to Marco Salardi of the Italian Consulate in San Francisco.

"It's just exploding," said Salardi, director of the consulate's office of education. "It's very new. And it's becoming bigger and bigger. It's a very nice surprise."

La Piccola Scuola Italiana on Potrero Hill in San Francisco. Spazio Italiano Language Center in North Beach. The tiny Vittoria Italian Preschool in the Mission District. Girotondo Italian School and Parliamo Italiano, both in Marin County. Mondo Bambini in Berkeley, purchased a few months ago by Girotondo so it can expand to meet a swelling demand in the East Bay.

"This is unique in the country," said Matteo Daste, a lawyer who co-founded the nonprofit Business Association Italy America four years ago in San Francisco, a city with 1,850 Italian citizens. "It's fueled by new demographics on the Italian side and new cultural interest on the American side. There has been a new wave of Italian immigration to the Bay Area in the last 10 or 15 years. And it's not driven by poverty; it's driven by opportunity."

The Italian professionals, investors, entrepreneurs and high-tech experts flocking to the region are trying to raise offspring equally at home in Italy and the United States. And so, Genoa native Daste and his American wife send their older son to Girotondo.

"We want to have the kids grow up not only bilingual but bicultural," Daste said.

Sara Arrigoni Almaguer, co-founder of Parliamo Italiano in San Rafael and Mill Valley, said, "We want to give our children the same culture so that Italian is not like the language of aliens. It's important that my kids know I'm not weird."

The preschool's co-founder, Sara Bianchi Chamberlin, agreed. "Italians like to let their roots grow. And there is a big community now of Italians in their 30s and 40s."

A second group of preschool patrons consists of Italian Americans. Some parents want to pass down the language they heard growing up. Others, forbidden to speak Italian by their parents or grandparents, hope their children can reconnect with a heritage that was closeted in the push to become "real Americans."

Ilaria Giannini, the Roman founder of Spazio Italiano, said, "The grandparents are so happy to hear their grandchildren singing the same song they used to sing."

The quest to assimilate, which began many decades ago, has been replaced by a booming interest in bilingualism.

"I've lived on three continents," said Ernesto Diaz, a math professor from Madrid who sends his two daughters to Parliamo Italiano. "It's important to be able to communicate. Even if you're not fluent, being exposed to other ways of thinking is a good thing."

Other preschool parents have no Italian blood. They simply love Italy and want to introduce their kids to a culture they consider healthy and worth emulating because it is social and well balanced.

"Somebody once said, 'There are two types of people: Italians and people who want to be,' " said Mill Valley resident Elise Paisley, as she pretended to drink an empty cup of espresso prepared by her 4-year-old daughter, Bronwyn Stocks, on a recent morning at Spazio Italiano.

"The culture of the school is very warm, very nurturing and accepting - like Italy," Paisley said. "And Bronwyn is Bibi when she's here because Italians can't say Bronwyn. They don't even have a 'w' the language."

On Wednesdays, Angela Chou drives up from San Mateo with her son and daughter to attend a morning session at Spazio Italiano. Chou is Chinese American, while her husband is a mix of French, German, English and Scottish. But their children, 2 1/2-year-old Isabella and 4 1/2-year-old Samson, are fluent in Italian, a language their mother learned in college at the University of Padua. The first words they ever spoke were Italian - si and acqua (yes and water) from Samson and torta and patata (cake and potato) from his sister.

When they are by themselves, Chou and her children converse mostly in Italian.

"Some people have no clue what we're speaking," she said. "They'll say, 'It's not Mandarin, is it?' When we went to Italy two years ago, Samson got so excited. He said, 'Mama, everyone speaks Italian here.' He told me recently that trees are masculine and their fruit is feminine. I didn't know that."

The passion of Paisley and Chou for Italy reflects a fascination with Italian culture throughout the Bay Area, which has rich and deep ties to Italy - and is in California, with almost 1.5 million residents of Italian descent, third highest in the United States after New York and New Jersey.

"Whenever I'm walking around with my daughters and we're speaking Italian, we're stopped constantly by people who tell us how crazy they are about Italy," said Angelo Del Priore of Albany, co-founder of Mondo Bambini.

The surge in interest is also in keeping with a push by parents to expose their children to a second language at a very early age.

"No matter what language you're studying, it gets the neurons firing," said Ilia Salamone-Smith, who in 1987 started Primo Programma, the first nonprofit in the Bay Area devoted to teaching Italian to children.

Each school or language center has a distinct personality and programs tailored to different ages. All insist on full immersion, and most offer . Most also rely on the Reggio Emilia approach to education.

"It's a philosophy that believes children should be protagonists in the learning process," said Modena native Valentina Imbeni, director of La Piccola Scuola, which opened in 2003 as the first Italian preschool in the Bay Area. "A child should be seen as someone intelligent and capable who deserves respect."

Imbeni is working on a plan to form a consortium of Bay Area Italian preschools to share administration, teachers, health care costs and professional development. Even now, any of them could be plopped down in Italy without a hint of incongruity.

At La Piccola Scuola, the bins of supplies are marked in Italian, so one quickly learns that pencils are matite, sparkles are brillantini and paper is carta. At Parliamo Italiano, children celebrated the Feast of the Epiphany on Jan. 6, much as their counterparts did in Italy, and received a visit from La Befana, a good witch beloved by Italian kids. And at Girotondo, the children make pizza from scratch and dine on risotto with zucchini and tofu.

"We are in an Italian school, and we are in the United States," said Rosella Pusateri, the Milan-born director. "That's our reality."

Girotondo, which began as a playgroup nearly six years ago and was the first Italian preschool in California to be licensed by the state, will open a first grade in fall 2010, with a goal of growing to eight grades within five years.

The director's 5-year-old son, Luca Pusateri-Gissendaner, is one of the students at Girotondo.

"I was seriously concerned about me being the only person talking to my son in Italian," Pusateri said. "I want to raise someone who is social and secure, with a community that loves him and cares about him.

"That's the reason Girotondo started. I am far away from my country and my family, and I can't spend my time feeling nostalgic about what I don't have." --

Pat Yollin is a Bay Area writer who has visited Italy often.

This article appeared on page U - 6 of the San Francisco Chronicle