Wednesday, May 27, 2009
EMail to Miller-Coors to Protest Their Negative Stereotype TV Ad
Italians Sol Trujillo and Francesco de Leo to Compete in America's Sailing Cup
The Italian America's Cup Team needs to build a giant 90 foot state of the art racing multihull in a very short time and the marine industry doubts it can be done. The Italians says it can be and recently departed Telstra CEO Sol Trujillo is their inspiration.
Italian communications industry heavyweight Francesco de Leo, CEO of Green Comm, the Italian team that filed a challenge for the 33rd America's Cup, wanting to race against Swiss Billionare Ernesto Bertarelli who’s Team Alinghi won the Cup and defended it in 2007 and Larry Ellison, the CEO of the US software giant Oracle who is the Challenger of Record campaigning BMW Oracle.
Spain’s America’s Cup website Valencia Sailing.com interviewed de Leo last week. Their first question was : Are you a pawn of Alinghi, used in their quest to buy time in order to better prepare for the inevitable one-on-one race with BMW Oracle?
Francesco de Leo: No, we are absolutely not their pawns. This is a challenge that started with completely different objectives and has its own global agenda. It isn't a coincidence that we are called Green Comm and this has to do with my personal background. Probably your readers don't know it but I won the third mobile phone license in Spain when I was managing director of Telecom Italia.
Valencia Sailing: Is Green Comm's challenge a delaying tactic used by Alinghi?
Francesco de Leo: No. Look, I have no connection whatsoever with Ernesto Bertarelli...
Valencia Sailing: Still, is it a coincidence that the world headquarters of Simtone, the first sponsor you publicly announced, are in Vevey, Switzerland, close to Serono's facilities and the Décision boatyard?
Francesco de Leo: I will tell you everything about Simtone. If you go to the company's website, www.simtone.net, you'll see that I form part of its advisory board. Simtone is the creation of Mario Dal Canto, one of the initial managers of Sun Microsystems, together with founders Scott McNealy and Bill Joy. One of my dearest friends and mentor, Sol Trujillo, CEO of US West, then Orange and now Telstra, was one of Dal Canto's financial backers. I know Mario since a very long time. He's an Italian with a very strong presence in the US and creator of what is probably the world's most powerful cloud computing platform. This technology will also be of use to me for our challenge.
Valencia Sailing: I will interrupt you again, but there is no multihull experience in Italy, unlike France where you have legends such as Franck Cammas, Loďck Peyron or Pascal Bidégorry, just to name a few.
Francesco de Leo: You are absolutely right, but if you go to Google and type 'multihulls' you will have much more information than what I had myself 20 years ago when I was doing my PhD in California. The world has changed and people still don't understand it. They think we are in the 1980's.
If you have the right contacts and the right people, you can build any challenge you want.
Let me give you an example. Sol Trujillo, with whom I'll dine on Friday in Venice, covered the entire Australian territory, 98% of its population with a broadband wireless network in 10 months. You are obviously aware that Australia is as big as Continental Europe.
How did he achieve it? Certainly not by doing the things the usual way in the telecom sector. He reviewed all processes, the roles of each person, saw where time savings could be made and carried out his plan. People now ask me, 'How can you build a catamaran before February?', my answer is simple.
Trujillo covered the entire Australian territory in 10 months and we will not able to build a multihull in 3 months? It depends a lot on your starting point. I come with a different background and a managerial experience. I'm sorry to see people are very surprised but they shouldn't be surprised at all.
Valencia Sailing: Nevertheless, right now we are in what is, or at least was, the base of +39 Challenge, right here in Valencia. There must be some relation.
Valencia Sailing: Let's assume you design a 90ft multihull. This yacht must be built in Italy as per the Deed of Gift. Is there such a knowhow? Where would you build it?
Francesco de Leo: Of course there is the knowhow in Italy. In Italy there are companies like Finnmecanica, Finncantieri or Alenia Spazzio that not only are leaders in aerospace or defense but have also made acquisitions throughout the world. Let's not forget there are boatyards that, starting with the Moro di Venezia, have built a number of America's Cup yachts. We have extraordinary knowhow in carbon fiber and it's only 50km away from my home.
Valencia Sailing: Let's again, hypothetically, assume that BMW Oracle agrees and accepts you challenge. That would mean you would have to race a Challenger Selection Series some time in January. Your time window is even smaller. Would you still have the time to develop realistically something competitive?
Francesco de Leo: It's clear that we are not doing something that is absolutely normal. In fact, the management's mentality is to manage a 'mission impossible'. We know we have until the end of July before we definitely freeze the boat design.
We also know we can accelerate the construction process, within certain limits. We will certainly not have the time we would have wished for to test her in order to optimize her. We will substitute this with the wireless electronic sensors and the sensor networks that will allow us to process data that today we are not even able to collect.
We just have to wait and see what are the decisions taken by others.
http://www.sail-world.com/
Italy Serie A Soccer Being Over Shadowed by England's Premier League and Spanish Liga
Soccer remains an obsession for many Italians, filling up the newspapers' sports pages and paying handsome salaries for the top players. But the sport has failed to modernize itself the way it has in England.
In the 1980s and 1990s many of the sport's biggest stars in their prime played for Italian teams, from Diego Maradona to Michel Platini, from Paul Gascoigne to Zinedine Zidane. Now, with a few exceptions, it is the Premier League and the Spanish Liga that attract the greatest names.
The team dominating the Italian domestic league, Inter Milan, clinched a fourth consecutive Serie A title but lost in the first knockout round to Manchester United. Highlighting the gap between Premier League clubs and Italian teams, Juventus was eliminated by Chelsea and Roma by Arsenal, also in the first knockout round. Fiorentina didn't make it out of the group stage.
There are said to be structural problems: financial backing of the teams is weaker; there has been no investment in modernizing stadiums as the clubs don't own them; hard-core fans, who are generally opposed to changes, still hold too much sway with the clubs; the sport's ruling class hasn't changed in two decades; the 2006 scandal hit the international image of Italian football, and as a consequence its power.
Rome Final Underlines Decline of Italian Soccer
Associated Press: By Alessandra Rizzo; May 26, 2009
ROME (AP) - While Italian clubs once dominated Europe, the country can only sit back and watch as the Champions League final is played in Rome between teams from England and Spain.
Recent success at the World Cup and even in the Champions League feels like an eternity ago as Italian clubs failed to reach the quarterfinals in the Champions League this season for the first time in seven years.
With Udinese going only one step further before elimination in the UEFA Cup, talk of the decline of Italian soccer has been mounting.
Several problems have hit the game in past years: A match-fixing scandal damaged the sport's credibility and left many fans disillusioned; hooliganism has continued even as authorities have taken steps to fight it; and stadiums have become outdated and unfit for families.
"The decline of the Serie A is pretty much undeniable," said Gabriele Marcotti, a book author and the European soccer correspondent for the Times of London.
"Italian football has been completely and utterly mismanaged, to the point that where it has succeeded it has succeeded in spite of the people running it," said Marcotti. "Here it is more important to be No. 1 in a low-quality environment than be No. 2 in a high-quality environment."
As a result, Serie A has lost prestige.
In the 1980s and 1990s many of the sport's biggest stars in their prime played for Italian teams, from Diego Maradona to Michel Platini, from Paul Gascoigne to Zinedine Zidane. Now, with a few exceptions, it is the Premier League and the Spanish Liga that attract the greatest names.
On Wednesday, Manchester United will play Barcelona in the final at Rome's Stadio Olimpico.
In the 1990s, an Italian club - either AC Milan or Juventus - made an appearance in the Champions League final seven times, including six straight from 1993 to 1998. They won a combined three titles.
Since 2000, AC Milan won the trophy twice, in 2003 and 2007.
"Obviously it takes time for the decline to filter through to the biggest clubs," Marcotti said.
The team dominating the Italian domestic league, Inter Milan, has failed to make any headway in Europe. This year Jose Mourinho's Inter clinched a fourth consecutive Serie A title but lost in the first knockout round to Manchester United.
Highlighting the gap between Premier League clubs and Italian teams, Juventus was eliminated by Chelsea and Roma by Arsenal, also in the first knockout round. Fiorentina didn't make it out of the group stage.
Soccer remains an obsession for many Italians, filling up the newspapers' sports pages and paying handsome salaries for the top players. But the sport has failed to modernize itself the way it has in England.
Foot pointed to what he said are structural problems: financial backing of the teams is weaker; there has been no investment in modernizing stadiums as the clubs don't own them; hard-core fans, who are generally opposed to changes, still hold too much sway with the clubs; the sport's ruling class hasn't changed in two decades; the 2006 scandal hit the international image of Italian football, and as a consequence its power.
"The game itself is less exciting, slower. There are more fouls. There's more arguing with the referees," Foot added.
One step that many experts praise is a plan by Serie A clubs to break away from the second-tier Serie B and create their own independent top flight similar to the Premier League - a model that made English clubs the richest in the world.
"One encouraging aspect is that in certain areas of decline we have already hit rock bottom," said Marcotti. "When it comes to running football if you make the wrong decisions then you have negative effects for a while."
Obit: Amos Elon: 82; Retreated to Italy, after Disillusionment with Zionist Intractability
"The Arabs bore no responsibility for the centuries-long suffering of Jews in Europe," Elon wrote, voicing criticism that is common in Israel today but was rare at the time. "Whatever their subsequent follies and outrages might be, the punishment of the Arabs for the sins of Europe must burden the conscience of Israelis for a long time to come."
Some of Elon's nine books became international best sellers, and many of his essays appeared in the New York Review of Books.His columns in the Israeli newspaper Haaretz, where he worked for five decades, established him as an early critic of Israel's occupation of the West Bank and Gaza Strip. He wrote that the occupation had corrupted and burdened Israel, turning it into a more militaristic society and making its 1967 victory "worse than a defeat."
Reporting from Jerusalem - Amos Elon, whose critical explorations of Jewish history and the roots of the Israeli-Palestinian conflict made him one of the most distinguished and provocative Israeli authors of his time, died Monday in Italy, his home for the last five years. He was 82.
His wife, Beth, said the cause of death was leukemia.
Elon was a well-known journalist in Israel in 1971 when his second book, "The Israelis: Founders and Sons," challenged the heroic image of his country's Zionist founders and gained him international recognition. His portrayal was generally sympathetic but faulted the European-born pioneers for being blinded by an ancient claim to Palestine and failing to consider the fate of Arabs already living there.
"The Arabs bore no responsibility for the centuries-long suffering of Jews in Europe," Elon wrote, voicing criticism that is common in Israel today but was rare at the time. "Whatever their subsequent follies and outrages might be, the punishment of the Arabs for the sins of Europe must burden the conscience of Israelis for a long time to come."
He returned to that theme in other works on the Middle East while also writing historical biographies and other scholarly examinations of Jewish life in Europe before and during World War II. Some of his nine books became international best sellers, and many of his essays appeared in the New York Review of Books.
His columns in the Israeli newspaper Haaretz, where he worked off and on for five decades, established him as an early critic of Israel's occupation of the West Bank and Gaza Strip, territories captured from Arab nations in the 1967 Middle East war. He wrote that the occupation had corrupted and burdened Israel, turning it into a more militaristic society and making its 1967 victory "worse than a defeat."
After gaining stature as one of Israel's best known intellectuals and social critics, Elon withdrew from the country late in life -- disillusioned over its direction and the seemingly intractable nature of its conflict with the Palestinians.
Tom Segev, a prominent Israeli historian, said Elon's critique of Israel's founders and early policies paved the way for freer debate about the Zionist project in the nation's contemporary discourse. "He filled an important role in Israel, as one of the first to observe the society without being a prisoner of its ancient and national myths," said Segev, who followed in Elon's footsteps as a Haaretz columnist and author of iconoclastic bestsellers. "This required a critical eye and a somewhat removed and ironic perspective."
Born July 4, 1926, in Vienna, Elon moved to Palestine with his family in 1933, arriving so young, he said later, that he never considered himself "an ideological Israeli." In a 2004 interview with Ari Shavit of Haaretz, he said he continued to believe in the need for "a state of the Jews in Israel" but added: "Zionism has exhausted itself, precisely because it accomplished its aims."
Behind horn-rimmed glasses, the writer exuded intelligence and refinement that earned him the nickname "The Viennese" among newspaper colleagues. Shavit described him as "serious, German, stern." A secular Jew, he maintained a lifelong attachment to German culture; spoke German, English and Hebrew fluently; and wrote in all three languages.
He grew up in Tel Aviv and served three years in the Hagana, the paramilitary forerunner of Israel's army, while it was fighting against British rule. After Israel gained independence in 1948, he studied law and history at Hebrew University and Cambridge.
After starting at Haaretz in 1951, he became a correspondent in Europe and the United States. In Washington he met American-born Beth Drexler, who became his wife and an editor for much of his work. She survives, along with their daughter, Danae, of New York; two grandchildren; and a sister.
Shortly after the 1973 Arab-Israeli war Elon had a chance meeting at Harvard with Sana Hassan, the daughter of Egypt's ambassador to the United States at the time. A series of conversations between them was published the following year as "Between Enemies: A Compassionate Dialogue Between an Israeli and an Arab."
Egypt's president at the time, Anwar Sadat, was reportedly furious over the book, which helped shatter a taboo against Israeli-Egyptian contacts. But three years later he became the first Arab leader to visit Israel, a breakthrough that led to Israel's 1979 peace agreement with Egypt. Free to travel there, Elon wrote "Flight Into Egypt," a book based on interviews with Egyptians who told him the country had tired of the cycle of war.
"In all my writing I have felt that my most important task was to work for that emotional detente and ideological disarmament which is so necessary for any Arab-Israeli settlement in the future," he said in a 1987 interview for the publication Contemporary Authors.
Elon's books included biographies of Theodor Herzl, the founder of Zionism, and Meyer Amschel Rothschild, the patriarch of the Rothschild banking dynasty.
His 2002 book "The Pity of It All," his last volume, portrayed German Jewish life from the mid-18th century until Adolf Hitler's rise to power. The book explores the complex relationships between educated Jews who wanted to be complete Germans and Germans who respected Jews but could not fully accept them.
The failure to achieve a multicultural Germany, in which one could be both Jewish and German, was tragic in light of what befell the Jews under Hitler, Elon wrote. But the book challenges a widely held view that pathology in the German culture made the Holocaust inevitable.
Elon sold his Jerusalem apartment in 2004 and retreated to his longtime vacation home in Italy's Tuscan region, where he could write about Israel from a distance. Many Israelis were astonished by his departure; some called him an elitist who simply couldn't accept an Israel that didn't resemble Europe.
Interviewed by Haaretz that year while packing up in Jerusalem, he said he felt "disappointment" over the country's nationalistic policies and the religious influence in its politics, especially since the 1967 war.
"Nothing has changed here in the last 40 years," he said. "The problems are exactly the same as they always were. The solutions were already known back then. But nobody paid attention. I found myself saying the same thing all the time. And I started to bore myself."
boudreaux@latimes.com
Thursday, May 21, 2009
"Operation Sunrise" - US-CIA Takes Two Months to Negotiate German Surrender in Northern Italy in WWII
Wednesday, May 20, 2009
Arandora Star "Innocents" Memorial Planned for 800 "Interned" Welsh- Italians
In June 1940, as Italy entered World War II, Winston Churchill ordered that all male Italians living in Britain - aged 18 to 70 - should be arrested. Despite many having lived in local communities since the turn of the century - and with many of their sons already fighting for Britain in the war - the men were forcibly removed from their homes by the police and the military and interned.
It was decided to transport internees to Canada, and the liner Arandora Star left Liverpool carrying 1,300 mostly Italian. The Arangora Star was torpedoed, and 800 lives lost, "This was the tragedy that stopped everybody else being interned. They [the government] realized it was a big mistake and stopped interning people after the Arandora Star.
Memorial Plans for Liner Victims
A campaign has been launched to raise money for a memorial to the Welsh Italians who died when a liner they were on was torpedoed in World War II.
Over 800 people - the majority of them of Italian descent - died when the Arandora Star sank as they were being sent to prison camps in Canada.
A group now plans to unveil a plaque in a church in Cardiff on the 70th anniversary of the disaster in 2010.
Other memorials are already in Liverpool, London, Glasgow and Italy.
Bruna Chezzi, secretary of the Arandora Star Memorial Fund in Wales, said the group, many of whom had relatives on the ship, believed it was time Wales also had a way of commemorating the men.
"A lot of the Italians on the Arandora Star were from Wales and I feel very strongly that something should be done to remember these people," she said.
"Liverpool had their memorial last year and it made us realise that Wales has not got anything to mark what happened.
Bruna Chezzi
"Our plans are in the early stages and we're desperate for donations."
The group plan to display the memorial in Cardiff Metropolitan Cathedral of St David.
A number of fundraising events are now being arranged, including an 'Italian Evening' of music and food at St David's Catholic church hall in Swansea at 1930 BST on Sunday.
Ms Chezzi, who came to Cardiff from Italy to teach Italian at the city's university, said the group were aware that they were dealing with a "delicate incident", which is still a highly emotive for many Italians.
It is a moment of history which is not widely known about for many people outside Italian communities.
In June 1940, as Italy entered World War II, Winston Churchill ordered that all male Italians living in Britain - aged 18 to 70 - should be arrested.
Despite many having lived in local communities since the turn of the century - and with many of their sons already fighting for Britain in the war - the men were forcibly removed from their homes by the police and the military and interned.
Following a decision to transport a number of internees to Canada and Australia, the liner Arandora Star left Liverpool for Canada carrying around 1,300 Italian, German and Austrian men.
George Hill, whose grandfather died on the Arandora Star
A former luxury ship, it had been painted grey for the war and had barbed wire around it.
Crucially, it did not have the Red Cross painted on it to indicate it was carrying civilians.
On the morning of 2 July 1940, off the coast of Ireland, the Arandora Star was torpedoed by a German U-boat and sank with the loss of over 800 lives - which included more than 400 Italians who had made their homes in the UK.
"Many of the people on there were British subjects and had been here for decades and worked very hard to create a new life," said Ms Chezzi.
"I would say most of them wouldn't have even known about what was going on in Italy with fascism. Innocents were put on that ship.
"The members of our committee feel very strongly about it.
"We don't want to bring any negatives or politics into our memorial. It's going to be positive with a positive theme."
Raise awareness
The plaque will remember the 53 Italians from Wales who died and recognise an estimated 54 survivors, many of whom were later sent to prison camps in Australia.
George Hill, from Swansea, whose grandfather Michele DiMarco was killed, said it was time Wales had a memorial to the men it lost.
"Why shouldn't they be on a memorial like all the others?" he said.
"This was the tragedy that stopped everybody else being interned. They [the government] realised it was a big mistake and stopped interning people after the Arandora Star.
"So these men lost their lives to save others losing theirs. They saved so many people and that should be remembered.
"They didn't die in vain."
Sculptor Susanna Ciccotti, who has been asked by the group to make the plaque said she felt it was a subject that more people should be aware of.
"My father came here from Italy in 1953, so it was a long time after the Arandora Star," said Ms Ciccotti, from Swansea.
"It's quite a story and strikes a chord. I knew about it from my father but I didn't know the details until I became involved in this project.
"I was so pleased to be asked to do the plaque because it's important that more people know what happened."
http://news.bbc.co.uk/go/pr/
"Yogi Berra: Eternal Yankee", By Allen Barra
Still, Yogi tends to be seen as a sort of bridge between two golden eras of Yankee baseball, DiMaggio’s and Mickey Mantle’s. But as Barra convincingly establishes, Yogi Berra is well deserving of his own era: Between 1947 and 1958, with Yogi anchoring the defense and hitting in the heart of the lineup, the Yankees won 10 pennants and 8 World Series.
It Ain’t Over
YOGI BERRA; Eternal Yankee; By Allen Barra
Several years ago, when Tom Lysaght set out to write a play about Yogi Berra’s self-imposed exile from Yankee Stadium, he titled it "Nobody Don’t Like Yogi." It was a feeble attempt at a Yogi-ism " which doesn’t do senseless violence to the language, but rather conveys a kind of metaphysical wisdom that a more logical or grammatical formulation would lack " and yet it contained an essential truth: everybody likes Yogi.
Allen Barra, the author of "Yogi Berra: Eternal Yankee," is no exception. He comes clean, abandoning all pretense to objectivity in the process, less than 10 pages into the introduction of this book: "Like millions of people around the country, I never felt I had to root for the Yankees to love Yogi, and like everyone else, whatever my feelings about the Yankees " I distinctly remember rooting against them when they played Mays and the Giants in the 1962 World Series - I always loved Yogi."
What follows is part biography, part baseball analysis and all Yogibration. Barra has assumed a different task from that of the average biographer, who is concerned, foremost, with tracing the arc of a life. He is out to prove that Yogi Berra is underappreciated as a ballplayer and misunderstood as a human being, that Yogi’s image as an "amiable clown" created "a pseudo-Yogi that took on a life of its own, a caricature of the real man."
Like Richard Ben Cramer’s memorably unflattering biography of Joe DiMaggio, this book too is aimed at shattering the popular perception of a Yankee great, only instead of demythologizing his subject, Barra aims to elevate Yogi to baseball immortality - and then hoist him a few notches higher. Yogi’s life and career, the author boldly writes, leaving nothing to inference, "transcend fashion, pointing to something indelibly good in the American character."
Certainly, Yogi’s is a quintessentially American story. Christened Lorenzo Pietro " Lawrence Peter" he was reared in an Italian enclave of St. Louis known as the Hill, or, in another era, "Dago Hill." His father, an immigrant from a small town in northern Italy, was a manual laborer. Yogi had little interest in school, and though he hardly had the physique of a typical athlete "Being knock-kneed as well as barrel-shaped, he gives the impression of being welded together from hips to knees and of running only from the knees down like a fat girl in a tight skirt," a Life magazine reporter wrote of him early in his major-league career - his sandlot prowess became the stuff of local legend.
Still, Yogi’s ungainly appearance, coupled with his less than graceful style of play, turned off what at the time were the two big-league clubs in St. Louis, the Cardinals and the Browns. In the fall of 1942, he was working as a tack puller at a shoe factory, having all but given up hope of playing professional baseball, when the bullpen coach for the Yankees appeared at the door of his parents’ home with a $500 signing bonus and a contract worth $90 a month.
Yogi’s rise through the minor leagues was interrupted by a stint in the military during World War II, and his service was by no means limited to running baseball clinics for the troops on the home front. He was in the thick of the D-Day invasion, on a small craft assigned to spray rockets in advance of the troops landing on Omaha Beach. (Years later, a sportswriter would quip that Yogi had survived D-Day and George Steinbrenner, the source of his aforementioned exile from Yankee Stadium, "and all in 40 years.") Here and elsewhere, Barra sticks to the facts, relying on other writers, in this case Cornelius Ryan, to set the scene for him. The book suffers as a result; as deeply immersed as the author is in the life and times of Yogi, one can’t help feeling that he never takes full possession of his material.
Yogi tends to be seen as a sort of bridge between two golden eras of Yankee baseball, DiMaggio’s and Mickey Mantle’s. But as Barra convincingly establishes, his subject is well deserving of his own era: Between 1947 and 1958, with Yogi anchoring the defense and hitting in the heart of the lineup, the Yankees won 10 pennants and 8 World Series.
Barra’s recaps of those seasons and postseasons, in particular his chronicle of Don Larsen’s perfect game in the 1956 World Series, make for some of the book’s best reading. Unfortunately, Barra can’t resist a good debate. He intrudes frequently into the story to tussle with Yogi’s detractors " managers like Leo Durocher, who derided his lack of discipline at the plate, and sportswriters who lambasted his erratic arm. Each time, the author’s evaluation of the facts leads him to the conclusion that Yogi’s critics were wrong. No doubt, Barra felt an obligation to set the record straight - and he may well be performing an overdue service to obsessive Yogi fans - but these pedantic digressions can make it difficult to get absorbed in the narrative.
Similarly, Barra’s discussion of Yogi’s career as a manager " he did two stints with the Yankees and one with the Mets " reads as much like a brief defending Yogi’s record as it does a historical account. Barra is a first-rate sports analyst. His articles for Salon and The New York Times, among other publications, are reliably original and persuasive, and he has written two terrifically entertaining books ("Brushbacks and Knockdowns" and "Clearing the Bases") in which he attempts to settle some of baseball’s greatest debates. But his argumentative style and its predictable conclusions grow wearying in this lengthy biography.
Barra’s love for Yogi also seems to work against him. There is nothing inherently wrong with writers becoming enthralled with their subjects: Look no further than Jane Leavy’s "Sandy Koufax: A Lefty’s Legacy," one of the finest baseball books of the last decade and a loving portrait if ever there was one. Barra doesn’t manage to achieve the same level of intimacy in "Yogi Berra." It’s almost as if his admiration for his subject caused Barra to keep him at arm’s length. Barra covers all the key events, dwelling in detail on the baseball accomplishments, but never really peers into Yogi’s inner life and offers only a superficial portrait of his subject off the field. "At home, Yogi’s life was storybook," Barra writes.....
Barra might have done well to listen to his subject’s own advice. "Even if the world were perfect," Yogi once said, "it wouldn’t be.”"
Jonathan Mahler, a contributing writer for The Times Magazine, is the author of "Ladies and Gentlemen, the Bronx Is Burning: 1977, Baseball, Politics, and the Battle for the Soul of a City."
To the Editor: (New York Times) ; May 17, 2009
I was dismayed to read in Jonathan Mahler’s review of my biography of Yogi Berra (May 3) that I am guilty of both abandoning "all pretense to objectivity" in my love for Yogi and at the same time of keeping Yogi "at arm’s length." Surely I cannot be guilty of both at the same time?
I was also dismayed to find that I had failed to peer "into Yogi’s inner life" off the field when in fact I devoted a large portion of the book to detailing Berra’s childhood in the Italian-American "Hill" area of St. Louis and Yogi and Carmen’s home life in New Jersey. My research revealed no fireworks of the kind Mahler found in investigating Billy Martin’s life, but what the heck, that’s Yogi.
I am puzzled, though, as to the criticism that "Barra sticks to the facts, relying on other writers" and that "the book suffers" as a result. I don’t know how sticking to the facts can hurt a book, and the example that Mahler offers " my quoting Cornelius Ryan on the subject of the Normandy invasion " is even more puzzling, as I wasn’t there myself and could hardly give a firsthand account. Yogi was, and I let him tell his story " a fact Mahler neglects to mention. (Did Mahler not "rely on other writers," many of them, in writing his own fine book on the Yankees, "Ladies and Gentlemen, the Bronx Is Burning"?
I thank Mahler for complimenting my work for The New York Times, but that was more than six years ago. Since then I have been laboring in obscurity, contributing to The Wall Street Journal.
ALLEN BARRA
South Orange, N.J.
Obit: Achille Compagnoni - Famed Italian Climber - Conqueror of K-2
The deed filled Italy with pride just as it was starting to emerge from the destruction of World War II.
Achille Compagnoni, an Italian climber who was a member of the first team to reach the summit of the world's second-highest peak, has died. He was 94.
Compagnoni died Wednesday at a hospital in the northern Italian city of Aosta, where he had been treated for several weeks, said hospital spokesman Tiziano Trevisan.
On July 31, 1954, Compagnoni and fellow Italian climber Lino Lacedelli became the first to reach the summit of Pakistan's K2, which at 28,251 feet is the world's second-highest peak after Mt. Everest.
The deed filled Italy with pride just as it was starting to emerge from the destruction of World War II.
Since then, only about 280 people have reached K2's summit. Dozens of deaths have been recorded since 1939, most of them occurring during the descent.
K2, in the Karakoram Range on the border of Pakistan and China, is steeper and more dangerous than Mt. Everest, and often has more intense weather.
Italian President Giorgio Napolitano called Compagnoni the "intrepid protagonist" of the historic 1954 expedition.
Compagnoni was recognized with one of Italy's highest civilian awards, the medal of honor for civil valor, but also was involved in a 50-year battle with fellow climber Walter Bonatti over differing versions of events during the expedition.
Bonatti, who had a support role in the expedition, contends that Compagnoni and Lacedelli deliberately moved the location of Camp 9, the last before the summit, without informing him and a local climber who were carrying the oxygen for the final summit attempt.
Those who side with Bonatti say that Compagnoni and Lacedelli wanted to prevent Bonatti, the youngest member of the expedition and by many accounts the fittest one at that point, from attempting to reach the summit himself. Compagnoni said the climbers had decided to move the tent to a safer location.
Compagnoni accused Bonatti of using some of the oxygen that was meant for the summit. Compagnoni said that he and Lacedelli ran out of oxygen before reaching the summit.
But the Italian Alpine Club, which last year confirmed Bonatti's version, said that Compagnoni and Lacedelli had oxygen all the way up to the summit.
It recognized that Bonatti and his fellow support climber had a decisive and essential role in the success of the expedition.
Compagnoni and Bonatti never reconciled.
Compagnoni was born in northern Italy in 1914 and trained to be an Alpine guide and ski instructor.
After his climbing days were over, he ran an inn in Cervinia in the Italian Alps.
news.obits@latimes.com
Tuesday, May 19, 2009
Italy Restructures Film Promotion Entity and Sets High Goals
Cinecitta sets sights high
Revamped org wants to boost Italo pic profile
Having undergone a radical reconfiguration, Italy's film production and promotion entity, Cinecitta Luce, is poised to boost its role as a local industry driver and to strengthen its international ties under prexy Roberto Cicutto, the respected producer who has become the Italian film industry's new ambassador.
Cicutto, former co-chief of prominent Italo arthouse shingle Mikado, unveiled the new entity on the Croisette, along with Cinecitta Luce CEO Luciano Sovena, and Italo film department czar Gaetano Blandini.
Blandini said Cinecitta Holding and Istituto Luce, the entity's production and distribution side, have been merged into Cinecitta Luce as the final act of a restructuring, which will shore up some $80 million in accumulated debt.
Blandini, who described himself as "the cleanup guy," has over the past year consolidated several Cinecitta sub-units to make the company more cost-efficient, and sold off two others.
Cinecitta's Mediaport exhibition loop of 120 screens went to Italo producer Massimo Ferrero for $36 million. And the Italian government's 24% stake in Cinecitta's now-privatized studio facilities, which are called Cinecitta Studios, went for $15 million to the studio's other shareholders, which include producer Aurelio De Laurentiis.
Italy's film promotion body Filmitalia has been folded into Cinecitta Luce, but will continue to operate as Filmitalia since it's an an already known brand.
Cicutto, a producer and distributor with more than 30 years experience, now takes the reins.
"The mandate I have is to try and turn Cinecitta Luce into an entity that can provide producers, distributors and all the people who do film business in Italy with the help they need to utilize Italian tax credits for foreign producers, and also to tap into our incentives for international distribution of Italian movies," Cicutto said.
The recently introduced tax credits provide international productions a 25% deduction with an E5 million ($6.6 million) cap.
For Italian producers, having Cicutto at bat for them is considered a big plus.
"I know a lot of people in the industry and on the festival circuit -- like Gilles Jacob, for example. So these guys can't lie to me," Cicutto joked.
In his role as Cinecitta Luce chief, Cicutto will also be taking an active role in luring co-productions to Italy.
"One of the most important things will be to try and simplify the co-production treaties across Europe. My dream is that we could agree to hammer out one single treaty that works all over Europe rather than have separate treaties for each country," he said.
On the production side, CEO Sovena said Luce will continue its two-pronged strategy of shepherding first works by Italian helmers while concurrently pursuing international projects. Luce has several co-productions in the works with Argentina, including "Toxic Jungle," a musical rock comedy directed by Gianfranco Quatrini.
Cinecitta Luce's total budget for 2009 is $25 million. How it will be split between promotion and production is still being decided.
Saks Fifth Ave: Italy to Take Over Another American Icon
Forbes Magazine, By Lionel Laurent, May 19, 2009
As Fiat boss Sergio Marchionne prepares to turn around American icon Chrysler, another American brand looks set to get an Italian makeover: Saks.
The unprofitable, upmarket department-store chain is in need of a facelift after a year of price-slashing and mounting losses, and the new look is expected to come from Italian fashion emperor Diego Della Valle. Della Valle is chairman of Tod's, the luxury shoemaker responsible for the famous "gommino," or driving shoe, and earlier this month he raised his stake in Saks to 5.9%. He reportedly has options to hike it to 10%, and is expected to unveil a relaunch plan for Saks soon in New York.
A spokeswoman for Tod's would not say exactly when Della Valle was due to appear in the U.S., but said he would be in Asia over the next couple of days. Della Valle was unavailable for comment Tuesday. He was, however, cited in Italian daily Il Sole 24 Ore as saying that he would present his plan to Saks' biggest shareholder--billionaire Carlos Slim Helu, with 18%--as soon as management backed it.
So what kind of strategy might we expect from Della Valle? It is likely to be a more designer-friendly approach than the one pursued by current management, which has seen heavy discounting on luxury goods to shift inventories and reel in hard-pressed American consumers. Tod's is not heavily exposed to the U.S. market, which accounts for some 5% of sales, but the company will likely want to protect its own-branded stores in the face of tumbling revenues.
"Della Valle has put a lot of effort into developing the retail network and coverage through his own directly operated stores, to increase penetration in the U.S., where orders are particularly weak," said Chiara Rotelli, an analyst with Mediobanca.
All this attention has pushed shares of Saks up 51.8% since Monday, to $5.07, with pressure also coming from 1.5%-shareholder P. Schoenfeld Asset Management. The hedge fund's chief executive, Peter Schoenfeld, told Reuters he was agitating for a shake-up of governance at board level to increase accountability and spur directors into better leadership.
Saks on Tuesday reported a quarterly net loss of $5.1 million, or 4 cents per share, which was better than expectations of a loss closer to 26 cents per share.
The Associated Press contributed to this article.
http://www.forbes.com/2009/05/
Italian town of Gubbio For 600 years has "Festa dei Ceri" Featuring Race of the Saints
Giant Candle Race Brings Sleepy Italian Town Alive
GUBBIO, Italy (Reuters) - Trumpets blare, women weep and a giddy crowd roars as burly men carrying towering wooden pillars charge through narrow streets in a medieval tradition of pride and devotion to their patron saint.
For more than 800 years, the ancient central Italian town of Gubbio has erupted in a riot of yellow, blue and black each May for the "Festa dei Ceri" (Festival of the Candles) to honor patron saint Ubaldo Baldassini, a 12th century bishop.
In a day filled with feverish festivities that include hurling jugs of water onto a crowd, the highlight is a strenuous race where three teams tear through the town and up a mountain with 400-kg wooden pillars balanced on their shoulders.
The festival taps into a deep-rooted sense of local pride and tradition -- the sort of fierce identity tied to their town or region that Italians are famous for. Gubbio's residents -- known as "Eugubini" -- scoff that even residents of nearby Perugia would not understand what makes their event so special.
"There's a lot of kinship between us Eugubini and this is something that really unites us all," said 36-year-old Massimo Fiorini. "Perhaps I haven't seen this guy here for a whole year, but for one day, he and I are brothers."
The emotion is even stronger for the hundreds of former or current bearers of the wooden pillars known as "ceri" (candles), who struggle for words to describe their exhilaration.
"The only emotion stronger than this that I have ever felt was when my daughter was born," says Matteo Baldinelli, 40, a so-called "ceraiolo" or candle-bearer dressed in a yellow shirt with a red bandana in honor of his team, St. Ubaldo.
"It's difficult to explain, this is something that we have been brought up with since we were little, we've lived it all our lives."
"AN EMOTION LIKE NO OTHER"
As usual, the festivities began early Friday as drummers wandered through the town at 5 a.m. to wake everyone up, before residents trooped en masse to the local cemetery to pay homage to deceased candle-bearers.
Mass follows, and then the three wooden pillars, each topped with a figure of their respective saint -- St. Ubaldo, St. George or St. Anthony -- are raised upright to a loud roar from a sea of Eugubini packed into a central square.
"When you see the candle arrive, it's incredible, an emotion like no other," said 43-year old Lorenzo Rughi.
As per tradition, three men standing halfway up the pillars threw a jug of water onto the crowd, sparking a feverish scramble for broken pieces that are said to bring good fortune.
The pillars are then whisked away by a team of ceraioli -- eight men to carry it on their shoulders, another eight who provide support, and four for navigation -- through the streets.
Trouble quickly befell the St. Anthony team, whose cero toppled over into the crowd as the ceraioli turned down a slope, wounding three bystanders. Tragedy was narrowly averted when a baby was pulled from her stroller seconds before it fell.
Medical staff rushed in, but order was soon restored and the ceri galloped along again, stopping by house windows to pay homage to the old, infirm or deceased, bringing some to tears.
"This is so emotional for me," Daniela Angeloni, 41, wept as she held on to a passing cero in memory of her father, a ceraiolo who died this year. "I'm doing this in his honor."
Almost every family in Gubbio has a longtime allegiance to one of the three teams -- proudly declared on flags hung out of their windows -- and plastic tables on their doorsteps offered passers-by homemade wine, local ham, salami and cheese.
Communal lunches follow, from an invitation-only affair at a 14th century building where residents dance and wave kerchiefs to more humble cafeteria-style lunches for ceraioli where seafood risotto and bottles of wine are passed around.
By afternoon, residents are stumbling through the street in a wine-fueled stupor as they await the evening race, which is preceded by the sound of a trumpet and sword-bearing horsemen.
The climax finally arrives as the ceri thunder through the streets, with St. Ubaldo's yellow-shirted team first, followed by St. George in blue and then St. Anthony in black.
There is no winner -- the race ends in the same order it starts -- though that's hard to tell from the taunts of "You'll arrive at Christmas at this rate" and emotional embraces and tears at the end, which is followed by more consumption of wine.
"What I felt inside me when I carried the cero is something that no one else can understand -- we're born with it," said Peppe Minelli, a longtime ceraiolo.
"The others could tumble and fall, I couldn't have cared less. I only cared about me and my cero."
(Editing by Steve Addison)
http://www.reuters.com/
Jeno Paulucci, Founder of NIAF Receives Honorary Degree Of Laws from Minnesota U at Duluth
Jeno F. Paulucci (born 1918) is an Italian- American businessman and entrepreneur famous for starting over seventy companies during his long career. Paulucci began his long career in the grocery industry while working for his family's small grocery store during the Great Depression. On February 8, 1947, During the 1940s, Paulucci developed the Chun King line of canned Chinese food products. By 1962, Chun King was bringing in $30 million in annual revenue and accounted for half of all U.S. sales of prepared Chinese food. Chun King was sold to the R. J. Reynolds tobacco company in 1966 for $63 million. In 1985, Paulucci sold his Jeno's Pizza Rolls brand to the Pillsbury Corporation for $135 million.In the early 1990s, Paulucci returned to northeast Minnesota to launch Luigino's, Inc, a frozen food company specializing in Italian food such as pasta marketed under the Michelina's brand named after Paulucci's mother.
Paulucci is also involved in charity work, publishing, and public speaking. A self-described "peddler from the Iron Range" Paulucci is closely associated with northeast Minnesota, where he was born, and known for his candor and colorful public statements. http://en.wikipedia.org/wiki/
| University of Minnesota Duluth; 5/16/2009 |
Lois and Jeno Paulucci to be Honored at UMD Undergraduate Commencement May 16; at the DECC; UMD’s Largest Ceremony Ever
DULUTH - This will be UMD’s largest commencement ever with 1,200 students and over 100 faculty members marching in the event. Total number of students receiving undergraduate degrees this academic year is 1,800....
Lois and Jeno Paulucci well-known civic leaders, humanitarians and internationally recognized entrepreneurs will be honored during the ceremony. Mrs. Paulucci will be presented the Chancellor’s Distinguished Service Award, and Mr. Paulucci will be awarded an honorary Doctor of Laws degree for public service by UMD Chancellor Kathryn A. Martin. The honorary degree is the highest award conferred by the University of Minnesota, recognizing individuals who have achieved acknowledged eminence in cultural affairs, in public service, or in a field of knowledge and scholarship.
Lois and Jeno Paulucci have worked together in their 62 years of marriage as civic leaders in Northeastern Minnesota. As a team, they have developed the food industry career of Jeno Paulucci, who is one of the nation's most influential business leaders and an internationally recognized entrepreneur, activist and humanitarian.
The Paulucci's have built more than 50 companies and organizations worldwide, which led to economic opportunities for thousands of workers.
Over the years, Jeno and Lois Paulucci have quietly helped hundreds of people when faced with personal hardships, from providing transportation for seeking medical care to financial help during a crisis. In 2006, the Pauluccis were main supporters in the construction of the Solvay Hospice House, the first residential hospice house in Duluth.
In 2001, Lois Paulucci spearheaded development of Duluth's Bayfront Park. The Paulucci Hall in the Duluth Entertainment and Convention Center recognizes their efforts in the original construction of the complex in the 1960s. In the 1970s, Jeno Paulucci helped lead the legislative efforts for establishment of the UMD Medical School. Over the years, the Pauluccis have received many local, national and international awards.
In 2004, Jeno Paulucci was named the Number One Overall Entrepreneur in the World by Ernst & Young, the global accounting and business services organization. At the same time, Jeno Paulucci became the first recipient of the International Lifetime Achievement Award for Activism, Entrepreneurship and Leadership. This was the first such award in Ernst & Young's 20-year history of honoring entrepreneurs from all parts of the world. Jeno Paulucci has served as a presidential economic adviser for more than 50 years, and he twice served as a presidential emissary to Italy. In the late 1950s, he founded the North Eastern Minnesota Organization for Economic Education, which led to the passing of the Taconite Amendment and the revival of the iron ore industry. In 1975, Jeno Paulucci founded the National Italian American Foundation in Washington D.C., a non-profit organization that represents 25 million Italian Americans and has served as the catalyst for the formation of other U.S. ethnic organizations.
Lois and Jeno Paulucci live in Duluth. They have three children: Michael (Mick) Paulucci, Cindy Paulucci Selton, and Gina Paulucci, and four grandchildren.
http://www.businessnorth.com/
Susan Beasy Latto; Director of Public Relations; University of Minnesota Duluth; 305 Darland Administration Building; 1049 University Drive; Duluth, MN 55812
218 726-8830 (office); 218 348-5688 (cell); 218 726-6186 (FAX); slatto@d.umn.edu ;
Saturday, May 16, 2009
Frank Sinatra Biographical Film by Martin Scorsese
Sinatra, who died in 1998, performed on more than 1,400 musical recordings, was awarded 31 gold records and earned 10 Grammys. He also made 58 films and won a Best Supporting Actor Oscar for From Here to Eternity. and is recognized as one of the most celebrated, recognisable and controversial figures yet produced by American culture.
The Sinatra family is involved with the project through his youngest daughter, Tina, who is an executive producer. Tina Sinatra also worked on a five-hour television mini-series about her father in 1992 that won a Golden Globe and an Emmy.
Hopefully, it will not be another hatchet job. Despite Sinatra's Iconic status resulting from his Incredible Accomplishments, MUCH was made of him as a neglectful father (Constantly on Tour) and cheating husband (An Oxymoron, as with cheating wife) who hung out with the mafia, and Kosher Nostra (who owned the biggest Concert Venues, his "bread and butter"), drank to excess,(but Never a Alcoholic, and would "pale" alongside College "binge" drinkers,(another Oxymoron). and, at one crisis point, attempted suicide.( But never was in the Tabloids or Talk Shows with his "Woe is Me" Tale........ If that's the worst they can come up with..... Frank is worthy of Sainthood.!!!!!!
It is amazing how Hollywood will highlight any presumed "shortcomings" of Italian American heroes, and how Hollywood sanitize, humanize or excuse the documented "failings" of "their own".
Neither is it helpful when Tina the youngest of the three Sinatra children of his First of Four wives, was only three when her parents divorced, while Enjoying all the Celebrity and Financial Benefits, from her father, but seems focused only on "his abandoning her", and No attempt to better understand and admire more than his Talent, but his modest beginnings, his determination in scaling overwhelming obstacles, the fickleness of the biz, the up and down cycles, his tenacity while shackled by depression, Sinatra's dealing with derisively being referred to, and treated like "The WOP" by Jewish Movie Moguls, and so many other exceedingly admirable traits.
Most of all his compassion. Sinatra played many benefit shows for Martin Luther King, Jr. , including one at Carnegie Hall, MLK at one point during a show sat weeping as Sinatra sang. Sinatra more importantly, played a major role in the desegregation of Nevada hotels and casinos in the 1960s. Sinatra led his fellow members of the Rat Pack and label-mates on Reprise in refusing to patronize hotels and casinos that wouldn't allow black singers to play live, or wouldn't allow black patrons entry. He would often speak from the stage on desegregation..Sinatra put his CAREER "On the line" for his compassion, when it WAS a huge gamble !!!!!!!!!
So those who would focus on Sinatra's love of friends, fun, and women are myopic.
See more Sinatra at: http://en.wikipedia.org/wiki/
Martin Scorsese Confirms Long-rumoured Frank Sinatra Biopic
No firm casting decisions have been yet although Leonardo di Caprio and Johnny Depp have been linked to the title role
So it is hard to think of a director better qualified than Martin Scorsese to film the colourful life of a swaggering Italian-American.... who was a giant of 20th-century popular music.
Yesterday the director confirmed for the first time to The Times that he has finally struck a deal to make a long-rumoured film about Frank Sinatra.
With no date set for the start of production he refused to elaborate but added: "It’s been in the works for many years".
According to reports in the film press the script is by Phil Alden Robinson who scored an Oscar nomination for Field of Dreams, a sentimental baseball drama starring Kevin Costner.
No firm casting decisions have been made yet for Sinatra although Scorsese’s current muse Leonardo Di Caprio and Johnny Depp have both been linked with the title role.
It is a plum part for whoever gets it: heroic triumphs, stirring comebacks, tempestuous romances, monstrous ambition, great clothes and plenty of wisecracks for comic relief. The challenge will be persuading audiences to accept them as one of the most celebrated, recognisable and controversial figures yet produced by American culture.
Whether they succeed or fail they will inevitably be seen to have done it their way.
One probably insurmountable hurdle has been cleared already: the actor won’t have to sing like Frank Sinatra. After two years of behind the scenes negotiations Peter Guber and Cathy Schulman, the producers from Universal Pictures and Mandalay Pictures have secured rights to use Sinatra’s original recordings in the film from Frank Sinatra Enterprises - a joint venture of the Sinatra Estate and Warner Music Group.
The Sinatra family is involved with the project through his youngest daughter, Tina, who is an executive producer.
Sources emphasised that this does not inevitably mean that the singer and actor’s less appealing character traits will be airbrushed out of the story: Tina Sinatra also worked on a five-hour television mini-series about her father in 1992 that won a Golden Globe and an Emmy. Made while its subject was still alive it depicted him as a neglectful father and cheating husband who hung out with the mafia, drank to excess, and, at one crisis point, attempted suicide.
Still, it will not be a hatchet job. According to Schulman "in any family, you're dealing with a precious life, and in this case, you're dealing with an extraordinary life.We knew Scorsese would lead the troops to a true, fair, exciting and entertaining portrait of the man."
The director’s CV includes some biopics (notably Kundun, about the early life of the Dalai Lama) that paint their subject in a notably more colourful light than others (such as The Aviator, with di Caprio as a crazed Howard Hughes). Casino, while not a strict biopic, was criticised for mythologising the thuggish gambling boss whose life story it was based on.
Sinatra will be "an unconventional biopic," Schulman said.
"It's not a cradle-to-the-grave traditional portrait of the consecutive events in a man's life. Instead it's more of a collage and, in many ways, it will feel like an album itself. It's a collection of various moments and impressions in his life and together we hope they'll tell the full story and present full themes."
Sinatra, who died in 1998, performed on more than 1,400 musical recordings, was awarded 31 gold records and earned 10 Grammys. He also made 58 films and won a Best Supporting Actor Oscar for From Here to Eternity.
At one time Scorsese was in talks to direct a biopic about Sinatra’s Rat Pack buddy Dean Martin but the project never came to fruition.
http://entertainment.Wednesday, May 13, 2009
First Known Instance of Use of @ in 1536 Letter From Italian Merchant
Because it is used in every e-mail address and many tweets, you might be forgiven for thinking that the remarkably common symbol @, which English-speakers know as the "at sign", but Italians call a "snail", and south Slavs know as a "monkey", is a fairly recent invention. In fact, as Wired magazine's Tony Long points out, a Florentine merchant named Francesco Lapi used the symbol @ in a letter written 473 years ago today, on May 4, 1536.
The Italian newspaper La Repubblica reported in 2000 that Giorgio Stabile, who was then a professor of the history of science @ La Sapienza University in Rome, had come across the symbol in the merchant's letter, where it was used to indicate an ancient measure of weight or volume, an amphora.
As Mr. Stabile explained to The Guardian in 2000, Francesco Lapi's letter was sent from Seville to Rome and described the cargo on three ships that had just returned to Spain from Latin America:
"There, an amphora of wine, which is one thirtieth of a barrel, is worth 70 or 80 ducats," Mr. Lapi informs his correspondent, representing the amphora with the now familiar symbol of an "a" wrapped in its own tail.
The Spanish word for amphora was "arroba", and the Oxford English Dictionary explains that the unit was approximately 25 pounds of a solid or about 3 gallons of a liquid. In modern Spanish, the @ symbol on keyboards is still called an arroba - as a Google image search illustrates. The word "arroba" itself was a Spanish corruption of an older Arabic word.
The symbol ended up on typewriter keyboards after it evolved over the centuries into commercial accounting shorthand for the phrase "at the price of" in records of transactions written by English merchants.
That?s why the symbol was sitting on a computer keyboard in 1971 when an engineer named Ray Tomlinson decided to use it in the first e-mail address to send the first e-mail. As Mr. Tomlinson himself has explained in a description of that first e-mail:
I chose to append an at sign and the host name to the user?s (login) name. I am frequently asked why I chose the at sign, but the at sign just makes sense. The purpose of the at sign (in English) was to indicate a unit price (for example, 10 items @ $1.95). I used the at sign to indicate that the user was "at" some other host rather than being local.
In case you?re wondering, Mr. Tomlinson says that he has no idea what the first few successfully transmitted e-mail messages said:
I sent a number of test messages to myself from one machine to the other. The test messages were entirely forgettable and I have, therefore, forgotten them.
"The Old West" in Bologna, Italy
Last month, while I was there visiting family, I discovered something else amazing: the Old West Pub. While I was briefly bowled over by the idea of anything calling itself "old" in a 2,000-year-old city, a closer inspection was truly stupefying.
The menu was equally outrageous, proudly featuring such items as Boomtown Burgers & Bronco Fries right alongside Gnocchi alla Gorgonzola and Lasagne Verdi al Forno. The music was a loud, acid-tipped nightmare of pop country fusion, while every inch of wall space was littered with what appeared to be the entire contents of the Only in Colorado store on the 16th Street Mall.
Even more amazing, the place was packed. Every table was full of young, stylish Europeans, drinking wine (?) and eating things like "Wild Bill Chili" under the watchful eye holes of over-sized antelope skulls and rusty, mounted shotguns.
Is this how the Italians interpret the first half of our country's history? Had my cynical attempt to locate the most perfectly authentic, tourist-free destination slammed into a bison-sized roadblock? I was sure of only one thing: I needed to leave the techno-tinged Tanya Tucker tavern immediately.
A few blocks down one of the narrow, cobblestoned streets, I ducked into a quiet place to sit and think about what I'd just witnessed. Sadly, it was only after I'd slid into a booth that I realized I was in a McDonald's.
http://blogs.westword.com/
Berlusconi Meets with Israel's FM Lieberman - Discuss Palestine Options
On Monday evening, a festive dinner was held in the residence of Gideon Meir, Israel's ambassador to Italy, and his wife Amira. The guests included the head of Italy's intelligence services, the parliament's intelligence committee chairman and majority leader, the minister for European affairs, the editor of a leading Italian paper and some Israeli diplomats. The guest of honor at the event was Foreign Minister Avigdor Lieberman, who for more than two hours outlined his policy doctrine.
"There is the Munich agreement of 1938, in which the Sudetenland was annexed to Germany," Lieberman said at the outset, referring to the possibility of annexing the Palestinian territories. "That is a bad and unacceptable solution for the Palestinian issue.
So what, then, is Lieberman proposing? His model is Cyprus, which since the 1970s has been divided between Turks and Greeks, and has experienced a series of population exchanges. The Greek side is an independent state that enjoys international legitimacy; the Turkish side is an autonomous region that is wholly dependent on Ankara and not recognized by any country aside from Turkey. Is this a realistic solution for the West Bank? Lieberman believes it is.
"Only when that happens will it be possible to formulate a stable political solution," he told his listeners. "Anything else will fail."
In addition to its suspicions, Europe is curious about Lieberman, whose statements have captured headlines on the Continent. But the foreign minister's current junket to four capitals - Rome, Paris, Prague and Berlin - is important to him, too. One of the goals he seeks to achieve is to counter the opposition to him, which he believes he can do by simply explaining his views.
"Do I look like Ivan the Terrible?" he asked his Italian counterpart, Franco Frattini, when they met Monday.
Even though the foreign ministers he met were among the friendliest to Israel, not one of them spared him criticism, mainly with regard to the subjects of the settlements and the humanitarian situation in the Gaza Strip. Lieberman's decision to begin the tour in Italy was a calculated one: With Silvio Berlusconi as prime minister and Frattini as foreign minister, Rome is the friendliest European capital in terms of Israel.
The positions advanced by Berlusconi and the Italian leadership on the Israeli-Palestinian conflict surprised even Lieberman. In his discussion with Berlusconi about a possible "Marshall Plan" for the Palestinian Authority, Lieberman said, "Look what happened until now. Rich countries took the money of poor people and gave it to poor countries, in which the money went to rich people."
Berlusconi's reply took Lieberman aback. "I know that very well," the Italian prime minister said. "Much of the money Europe transferred to the Palestinians went into the accounts of VIPs and into [former Palestinian leader Yasser] Arafat's accounts. That must not happen again."
Lieberman was also pleasantly surprised by what he heard from the speaker of the Italian parliament, Gianfranco Fini. "I think that in light of the waves of immigration, we should also introduce a loyalty oath in Europe," Fini said.
Those present smiled in embarrassment, but Lieberman broke the ice: "You should know that when I said that in Israel, they wanted to hang me."
French restraint
Less than an hour's flight from Rome, France's leaders received Lieberman with restraint. President Nicolas Sarkozy passed up the chance to meet with the visiting Israeli minister and sent his bureau chief instead, who presented Lieberman with a general "message sheet." The meeting with Foreign Minister Bernard Kouchner was also very different from the Italian experience. Kouchner, who disagrees with Lieberman on all issues apart from Iran, engaged his guest in a lengthy argument about the political process.
"You must renew the process very soon, on the basis of two states for two peoples, put a complete stop to settlement construction, dismantle the outposts and open the crossings to Gaza," said Kouchner, whose bureau released those remarks to the media quickly, to show that the minister had not given in to Lieberman.
Lieberman did not expect to persuade his European counterparts to come over to his side during his first foray into international politics - which he concluded, so it would seem, without any major confrontations or embarrassing diplomatic gaffes. On the contrary: He expressed his views clearly, even if they were not music to European ears, and had attentive audiences.
"Maybe in the end it will turn out that you are right and I am wrong," Kouchner told him at the end of their meeting.
Within a short time - after Prime Minister Benjamin Netanyahu's visit to Washington later this month - the answer will start to become clear.
Is FIAT Chief Executive Officer Sergio Marchionne Nuts???
You put three losers together and produce a profit?
Bloomberg News; Commentary by David Pauly; May 13, 2009
Fiat SpA Chief Executive Officer Sergio Marchionne is nuts.
The 56-year-old executive wants to combine his undermanned Italian auto business with bankrupt Chrysler LLC in the U.S. and with the German Opel car operations now owned by the almost bankrupt General Motors Corp.
Put three losers together and produce profit? Even if this trio were prospering, the notion would border on the insane.
Imagine the cooperation needed among Italians, Germans and Americans. The logistical problems of which unneeded factories to close and which vehicles to produce where would be mind- boggling. Government opposition to eliminating jobs in Germany and Italy might be worse.
Still, considering the destitution of the global auto industry -- and the backward thinking of its executives generally -- crazy ideas like Marchionne's may be just what the industry needs.
The U.S. government has already approved Fiat's plan to take a 20 percent stake in Chrysler in return for small-car technology that Chrysler says is worth as much as $10 billion. Fiat's stake could grow to 35 percent or more.
Marchionne is also negotiating a deal with General Motors to add the Opel, Vauxhall and Saab brands in Europe -- and possibly some Latin American business -- to his mix. GM says there are other potential buyers for Opel.
Add, Subtract
Fiat's CEO says the auto industry has to expand and contract at the same time. He says Turin, Italy-based Fiat needs to increase its annual production to 5.5 million to 6 million cars a year, compared with the current 2 million or so, to get its costs per-car low enough to compete. His grand plan envisions building 6.8 million cars a year with sales totaling 80 billion euros ($109 billion).
At the same time, total industry production exceeds demand by 50 percent and has to be reduced, Marchionne says. American companies, urged on by their government, lead the way toward rationalizing the business by closing plants and cutting jobs, he says.
Marchionne, who is also a lawyer and accountant, became Fiat CEO in 2004 after the company had lost money for three years. Fiat lost another 1.6 billion euros in 2004 but has been profitable since, earning 1.6 billion euros last year.
The company lost 410 million euros in the first quarter, as recession took its toll in Italy. Fiat shares closed yesterday at 7.60 euros, down from 24.09 euros in July 2007.
Leaving Home
Marchionne now plans to take most of Fiat's auto business into a new group, leaving commercial trucks, luxury-cars Ferrari and Maserati and agricultural and construction equipment with the old parent company.
The odds against Marchionne's dream coming true are enormous. He must be aware of the ill-fated combination of Chrysler and Germany's Daimler AG. In 2007, Daimler dumped Chrysler on Cerberus Capital Management LP, a leveraged buyout firm, and now the U.S. automaker is broke.
Closing plants and firing workers may not be as easy in Germany and Italy as it has been in the U.S. The German government said this week that it might offer loan guarantees to Opel to ease the way for its sale -- and to save as many of the company's 25,000 German jobs as possible. The politicians won't be happy if Marchionne tries to cut deeply into Opel's workforce.
Marchionne remains undaunted. He's already talking about an initial public offering of shares in Milan and Frankfurt of his yet-to-be-created company. Marchionne believes in miracles. My first reaction to mergers, takeovers and empire-building usually is one of suspicion. This one I'm rooting for.
(David Pauly is a columnist for Bloomberg. Opinions expressed are his.) dpauly@bloomberg.net
http://www.bloomberg.com/apps/
Why is the Italian Lifestyle so Good for You?
Here are Serenella's top characteristics of Italian life.
Monday, May 11, 2009
Obit: Dom DeLuise: 75; Actor was a 'Naturally Funny Man'
"I became a comedian when they laughed at my serious acting," he said in a 1997 interview.
Dom DeLuise, the mirthful, moon-faced comic actor who provided frequent comedic support in television variety shows of the 1960s and '70s and in movies starring Mel Brooks and Burt Reynolds, has died. He was 75.
DeLuise died Monday evening at St. John's Health Center in Santa Monica, said DeLuise's agent, Robert Malcolm. DeLuise's wife and three sons were with him when he died. The family did not release the cause of death.
"He was a naturally funny man," film critic Leonard Maltin told The Times on Tuesday. "He didn't need a script to be funny, but smart people like Mel Brooks knew how to give him just the right setting and showcase."
Brooks told The Times that his good friend "created so much joy and laughter on the set that you couldn't get your work done. So every time I made a movie with Dom, I would plan another two days on the schedule just for laughter.
"It's a sad day. It's hard to think of this life and this world without him."
Reynolds, in a statement released by his publicist, said: "As you get older and start to lose people you love, you think about it more and I was dreading this moment. Dom always made you feel better when he was around and there will never be another like him."
The Brooklyn-born entertainer, who got his start on stage and in children's television in the 1950s, emerged on TV variety shows in the 1960s.
The same decade, he launched his film career, including roles in comedies such as "The Glass Bottom Boat" and "What's So Bad About Feeling Good?"
But he was best known for his movie work with Brooks and Reynolds.
Beginning with playing a greedy family priest in Brooks' "The Twelve Chairs" in 1970, DeLuise went on to appear in Brooks' "Blazing Saddles", "Silent Movie," "History of the World: Part I", and "Robin Hood: Men in Tights" -- as well as supplying the voice for the mozzarella-oozing Pizza the Hutt in Brooks' "Star Wars" parody, "Spaceballs."
With Reynolds, DeLuise appeared in "Smokey and the Bandit II," "The Cannonball Run," "Cannonball Run II," "The Best Little Whorehouse in Texas" and "The End." In the latter, DeLuise had a field day playing a frenzied schizophrenic.
The visually and verbally funny actor also appeared with Gene Wilder in "The Adventures of Sherlock Holmes' Smarter Brother," "The World's Greatest Lover" and "Haunted Honeymoon" -- as well as in Neil Simon's "The Cheap Detective" and "Sextette," starring Mae West.
DeLuise also starred in and directed the 1979 comedy "Hot Stuff," and he starred in "Fatso", a 1980 comedy-drama written and directed by Brooks' wife, actress Anne Bancroft.
"He was one of these people who was gifted with the ability to make people laugh," close friend Carl Reiner told The Times on Tuesday. "I always say that between him and Mel Brooks, it was a tossup over who can make you laugh fastest and harder."
Until the 1970s, DeLuise was known primarily as a television personality.
While appearing in Meredith Willson's 1963-64 Broadway musical "Here's Love," DeLuise did a comedy routine as an inept magician, Dominick the Great, on Garry Moore's popular variety show.
That appearance helped pave the way for his becoming a regular on "The Entertainers," a short-lived variety show starring Carol Burnett, Caterina Valente and Bob Newhart that ran on CBS from 1964 to '65.
In 1966, DeLuise was a regular on "The Dean Martin Summer Show," a variety summer replacement program starring comedians Dan Rowan and Dick Martin.
Two years later, he hosted "The Dom DeLuise Show," his own comedy-variety summer series on CBS. His wife, Carol Arthur, a Broadway actress whom he married in 1965, was one of the regulars.
"I never met anybody like him," she told The Times in 1999. "He was just so much bigger than life, and he was so funny. I thought, 'This is the way to spend a lifetime.' "
In the early '70s, DeLuise was a staple on "The Dean Martin Show", occasionally singing in numbers with Martin and his guests and playing everything from a barber to a king's jester to a trench coat-wearing police inspector in sketches with Martin.
DeLuise told The Times in 2005 that the show's producer-director, Greg Garrison, gave him great confidence as a comedian.
"Greg was the man who said, 'Just go for it; I trust you,' " he recalled. "I was allowed to ad-lib a great deal with Dean."
In a golfing sketch with Martin and Bing Crosby, DeLuise played their loud, bad-joke-spouting caddie who arrives at a tee in a golf cart topped with a colorful umbrella: "I'm sorry I'm late," he said. "I had a flat tire. That's the first time I had a hole in one."
DeLuise, who also appeared in some of Martin's "Celebrity Roast" specials, didn't fare as well as the star of his own TV series.
"Lotsa Luck," a situation comedy in which he played a bachelor custodian in a New York City bus company's lost-and-found department, ran on NBC from 1973 to 1974.
He also starred in the 1987-88 syndicated sitcom "The Dom DeLuise Show," in which he played a Hollywood barber and widowed single father of a 10-year-old daughter.
And in 1991, he hosted the short-lived syndicated return of the classic comedy-reality show "Candid Camera." Over the years, DeLuise appeared on Broadway a number of times, including replacing James Coco as Barney Cashman in "Last of the Red Hot Lovers," the Neil Simon comedy that ran from 1969 to 1971.
As an actor, he provided the voice of Tiger in the animated movie "An American Tail," as well as its sequels and TV series. He also did voices for, among other animated films, "The Secret of NIMH," "All Dogs Go to Heaven" and "Oliver & Company."
He even occasionally performed with opera companies, including appearing in the Los Angeles Opera Company's "Orpheus in the Underworld" and playing Frosh the Jailer in a New York Metropolitan Opera Company production of"Die Fledermaus."
As long as he was entertaining people, he was happy, DeLuise told The Times in 1992.
"I like the whole process," he said. "I've never gone to work and wanted to do something else."
The son of Italian immigrants -- his father was a city garbage collector, his mother a full-time homemaker -- he was born Dominick DeLuise in Brooklyn, N.Y., on Aug. 1, 1933.
The youngest of three children, DeLuise developed an interest in acting after playing Scrooge in a junior high school production of "A Christmas Carol" and went on to graduate from the High School of Performing Arts in New York.
"I became a comedian when they laughed at my serious acting," he said in a 1997 interview with The Times.
He spent summers at the Cleveland Playhouse, where he appeared in productions as varied as "Guys and Dolls" and "Hamlet." In 1958, he had a stint as the fourth and final Tinker the Toymaker, the host-performer-instructor on "Tinker's Workshop" on Channel 7 in New York City.
And in the early '60s, he was a semi-regular on "The Shari Lewis Show," a Saturday morning children's show on NBC in which he played the bumbling private detective Kenny Ketcham.
Although his parents were supportive of his career, DeLuise told The Times in 1999, "I was really in this acting thing alone. My father was a peasant, a blue-collar worker, who was amazed that I got paid for what I do. He used to say, 'If you can make money with your mouth, God bless you!' "
DeLuise, whose girth grew greater over the years -- reportedly weighing 325 pounds in 1999-- was obviously a man who loved to eat. He also loved to cook. In the late '80s, he wrote a cookbook containing his favorite Italian recipes, "Eat This: It'll Make You Feel Better," which was followed by "Eat This Too!"
"When I was a kid," he wrote in the first book, "if I had a fever, had a cold, had a fight, had a fall, had a cut, was depressed, had a disappointment, fell off a truck, woke up with a headache . . . no matter what the situation, my mother's solution was always, 'Eat this, it'll make you feel better.' "
DeLuise, who had a second career as a celebrity chef, also wrote a number of children's books, including "Charlie the Caterpillar" and "The Pouch Potato."
In addition to his wife, DeLuise is survived by their three sons, Peter, Michael and David; his sister, Anne; and three grandchildren.
Services will be private. dennis.mclellan@latimes.com
Adriana Trigiani's "Very Valentine" is Swang !! And Italian American's Best Hope For Cultural Salvation
Italian ShipsThwart 3 of 4 Pirate Attacks, One With Water Hoses!!??
| Italian Navy Thwarts Pirate Attack |
| Italian tanker protected by frigate Maestrale off Somalia ANSA ; Rome, May 5, 2009 |
| The Italian navy on Tuesday thwarted a pirate attack on an Italian ship in the Gulf of Aden, defense ministry sources said. Pirates attacking the ship fled on the arrival of a helicopter and the frigate Maestrale, which was on patrol in the area. The ship, the "Neverland", belongs to the Finaval shipping company and was heading east towards India with its cargo of natural gas. The Italian navy intervened after a distress call from the "Neverland" with the "Maestrale" sending a helicopter ahead to ward off the pirates. Last week suspected Somali pirates attacked the Italian container ship "Jolly Smeralo" three times in two days but the boat's crew was able to defend the ship using diversionary manoeuvres and a high-pressure salt-water hose. Pirates have stepped up activity in Somali waters in recent weeks, capturing or attempting to capture dozens of foreign ships. On April 25 the Italian-owned "Melody" cruise ship foiled an attack by suspected Somali pirates 200 miles north of the Seychelles using a salt-water hose to wash pirates off a ladder they were using to try to board the ship. A third Italian ship, the "Buccaneer", was seized in the Gulf of Aden on April 11. The ship's crew of 16, ten of whom are Italians, are still being held. http://www.ansa.it/site/ |
Obit: Dominic DiMaggio, 92; Seven-Time American League All-Star
Dominic DiMaggio, the Boston Red Sox center fielder and seven-time American League All-Star whose impressive career was overshadowed by the towering legend of his older brother Joe, the Yankee Clipper, died Friday. He was 92.
Known as the "Little Professor" because of his compact size and the fact that he was one of the few players of his era to wear glasses, DiMaggio died at his home in Marion, Mass., his wife, Emily, told the Associated Press. The Red Sox said in a statement that he had pneumonia.
A daring leadoff hitter who was the sparkplug for the Red Sox from 1940 to 1953, Dom DiMaggio had a .298 lifetime batting average and still holds the Boston record for hitting in 34 consecutive games. He set the mark in 1949, eight seasons after his brother Joe set the consecutive game standard by hitting in 56 straight for the New York Yankees. Joe ended Dom's streak when he caught a sinking line drive off his brother's last at-bat on Aug. 9, 1949, in a game the Red Sox ultimately won.
Dom DiMaggio also was one of the few players to average 100 runs a season for his career. In the 10 seasons he played, he had more hits than anyone else with 1,679. And he held the American League record for RBIs by a leadoff man until another Boston player, Nomar Garciaparra, broke it.
DiMaggio also was one of the finest center fielders to play the game. Gifted with a rifle arm and extraordinary quickness, he set an American League record for center fielders in 1948 with 503 putouts. The mark stood until 1977, when it was broken by Chet Lemon of the Chicago White Sox, who notched 512 putouts.
Despite all of that, DiMaggio was never elected to baseball's Hall of Fame. The late broadcaster Curt Gowdy called him baseball's "most underrated great player."
DiMaggio was born in San Francisco on Feb. 12, 1917, and was the youngest of nine children born to Sicilian immigrants.
He was the third member of his family to play in the major leagues along with Joe, who was three years older; and another brother, Vince, who was five years older and who played with five National League teams and was the least accomplished of the three.
Author David Halberstam, in the book "The Teammates" about the relationship among four Red Sox players including Dom and Ted Williams, wrote that of the DiMaggio brothers "it was said that Joe was the best hitter, Dom had the best arm and Vince, who wanted to be an opera singer, had the best voice."
Dom DiMaggio also was the smallest of the three brothers, and during his major league days stood 5 feet 9 and weighed 168 pounds.
As a boy growing up in San Francisco, he worked on his father's fishing boat and didn't play high school baseball until his senior year, batting .400.
After graduating, he worked in a mattress factory and played for a semipro team on weekends. In 1937, he got time off from work to attend a tryout camp held by the minor league San Francisco Seals and was signed to a contract.
He played with the Seals, who moved him from shortstop to the outfield so an errant ground ball wouldn't break his glasses, until Boston bought his contract after the 1939 season.
As a rookie in 1940, he hit .301, scored 81 runs and had a team-leading 16 assists for the Red Sox and established himself as a fixture for years to come.
Like many of the excellent players of his generation, he lost three years to military service during World War II, a fact he never complained about.
After serving in the Navy, he returned to baseball for the 1946 season, hitting .316 for a Red Sox club that made it to the World Series against the St. Louis Cardinals.
DiMaggio had a key role in the seventh game of the series, knocking in two runs in the top of the eighth inning to tie the score, 3-3. But he injured a leg running out the hit and had to leave the game.
In the Cardinals' half of the eighth, Enos Slaughter was on first base when Harry Walker hit a ball to DiMaggio's replacement in center, Leon Culberson. Culberson was slow to field the ball and made a poor throw to shortstop Johnny Pesky, whose relay to the plate was late and allowed Slaughter to score what proved to be the winning run.
The prevailing view was a healthy DiMaggio, with his rifle arm, would have played the ball better and prevented what came to be known as Slaughter's "mad dash" from first to home.
Slaughter, himself, later conceded it.
"If they hadn't taken DiMaggio out of the game, I wouldn't have tried it," he told reporters.
DiMaggio was selected to eight All-Star teams and played in seven games -- he was injured and unable to play in one game. In three of those games, he played in the outfield with his brother Joe.
In 1950, they had the distinction of being the first brothers to hit home runs in the same game in the majors in 15 seasons.
Over the years, the inevitable comparisons with his brother Joe surfaced. Although Dom put up excellent numbers as a career .298 hitter with 87 home runs, Joe was a .325 career hitter with 361 home runs. And many, including Dom, considered Joe the best player in baseball history.
After retiring from the game because of an eye injury during the 1953 season, Dom DiMaggio, who never earned more than $40,000 a season as a baseball player, became a highly successful businessman in textile manufacturing for automobile interiors in New England.
His brother Vince died in October 1986 and Joe died in March 1999.
In addition to his wife, survivors include his three children, Dominic Paul, Peter and Emily; and several grandchildren.
Services are pending. jon.thurber@latimes.com
Italy's Campania Region Where the Mozzarella Buffalo Roams
The Italian buffalo is a massive beast with eyes that glow red and a bony rump. Resistant to any change in routine, it is happiest wallowing in mud, lying in the pasture and poking its wet nose into a mound of feed.
Near Naples is where you'll find the real thing: silky-soft cheese from unpasteurized buffalo milk. Eat it on its own and, preferably, as soon as you buy it.
Los Angeles Times; By Susan Spano; Reporting from Paestum, Italy; May 08, 2009The Italian buffalo is a massive beast with eyes that glow red and a bony rump. Resistant to any change in routine, it is happiest wallowing in mud, lying in the pasture like a pile of old leather shoes and poking its wet nose into a mound of feed.
It has nothing in common with Botticelli"s "Primavera" or Donatello's "David." But since the 12th century at least, the brutes have given the world something arguably as good: fresh, pillow-soft, white mozzarella cheese.
Mozzarella comes chiefly from Italy's Campania region around Naples. Although theories abound, no one knows for sure when or how the buffalo first got here from Africa and Asia. Frankly, I don't care as long as my diet regularly includes fresh mozzarella.
My passion for the cheese recently led me on a driving tour to the traditional land of mozzarella. About an hour south of Rome, I turned off the E45 Autostrada at the Caianello exit, got on a country road that seemed headed toward the mountains and eventually found La Fenice, a mozzarella dairy, or caseificio , outside the hamlet of Presenzano.
At the airplane-hangar-like building on a rise in the middle of farm fields, I got my first whiff of buffalo, so rank it could make a shovel stand up on its own. But the little shop in front was ruthlessly clean, its display case heaped with dairy products such as buffalo milk pudding and ricotta.
Then I spied the vat where fresh mozzarella balls bobbed, unrefrigerated, in a sea of viscous liquid.
Mozzarella fact No. 1 : Fresh mozzarella made from unpasteurized buffalo milk does not belong in the refrigerator. It is best kept at room temperature and optimally should be eaten within two days of production.
While I stood there, lone men in city-slicker suits, looking almost guilty, arrived, one after another, for their fixes. I watched the hair-netted clerk scoop cheese baseballs into plastic bags filled with "keeping water," packaged the way pet stores sell goldfish.
I asked for two medium-size mozzarellas, then drove down the road, parked by a pink cherry orchard, leaned out the window and punctured the bag, spurting liquid onto the side of the car. With the cheese slithering in my hands, I took a bite, breaking through the thin, shiny rind into dissolving layers of musky-tasting paradise, juice streaming down my chin. It was not a pretty sight but exactly the way fresh mozzarella should be eaten, with nothing else but the Italian spring.
Mozzarella fact No. 2 : Caprese salad (mozzarella, tomatoes and basil) is delicious, and leftover cheese is fine for cooking. But when purists get their hands on a lump of real, fresh buffalo milk mozzarella, any accompaniment is superfluous.
After that, I drove on to the town of Caserta with its 1,200-room palace built about 1750 by Charles VII of Bourbon, then ruler of the Kingdom of Naples. He was succeeded by his son Ferdinand IV, a monarch who had the soul of a peasant, ate macaroni with his fingers and started a buffalo-breeding farm outside Caserta.
The town is now part of the unbroken urban sprawl that coats the coastal plain north of Mt. Vesuvius, virtually a suburb of Naples,...the greater Neapolitan area has Pompeii, Herculaneum, the Bay of Naples and mozzarella-topped pizza Margherita, invented by a local pizza chef for the 1889 visit of Italian Queen Margherita.
Most tourists shoot south as fast as they can from the Naples airport to the Amalfi Coast. But I love the disorderly, densely packed Neapolitan area.... Unlike picture-perfect Tuscany, it's a slice of real life.
I had to stop in Caserta because, together with Salerno about 50 miles south, it is a mozzarella production center, home of a consortium founded in 1981 to protect and promote bona fide, officially regulated mozzarella di bufala Campania.
Mozzarella fact No. 3 : Signs for dairy outlets along the highways in the Naples area are as common as casino marquees on the Vegas Strip. Some sell excellent mozzarella. If you always want to be sure of getting the real thing, look for caseificios bearing the Denominazione d'Origine Protetta, or DOP seal, a European Union certification that guarantees top-quality Campania mozzarella.
The mozzarella consortium has its headquarters above a car dealership several long blocks south of Charles' palace. That's where I met president Luigi Chianese, vice president Domenico Raimondo and agronomist Gennaro Testa, who described some of the challenges faced by the 130-member organization, including the need to distinguish generic supermarket mozzarella, often made with pasteurized cow's milk, from true mozzarella di bufala Campania.
The first important step in that direction came in 1996, when the European Union granted buffalo milk mozzarella from Campania DOP status, distinguishing it from imitations made elsewhere, similar to the way that Champagne from the Champagne region of French is differentiated from other bubbly.
Mozzarella fact No. 4 : Last year 32,000 tons of DOP mozzarella were produced in Campania, but just 16% of it was exported to France, Germany, Japan and the U.S. and other foreign countries. The very finest DOP cheese never leaves the region because it is made from unpasteurized milk and has a shelf life of only a few days.
So where does the mozzarella found in the U.S. come from?
At Osteria Mozza, an L.A. restaurant with a mozzarella bar opened by chef Nancy Silverton (and company) in 2007, locally produced cow's milk mozzarella is served, along with burrata (a kind of mozzarella) flown in every Thursday from the Basilicata region of Italy.
The consortium helps monitor cheese production in order to meet DOP standards. But last year health officials found elevated levels of dioxin in several samples of mozzarella.
Chianese told me that when EU monitors arrived to run tests, they discovered low levels of contamination in milk from about 20 of the 2,000-odd buffalo dairies in Campania. "Not one bocconcino [a miniature mozzarella ball] of DOP cheese was found to have dioxin," he said.
But the problem was exacerbated when a trash collection crisis erupted in Naples at about the same time, and a reported 100,000 tons of garbage rotted on city streets until the federal government stepped in to clean it up.
Of course, buffaloes do not graze on Naples sidewalks. Nevertheless, the stain spread to mozzarella, because the crisis underscored illegal toxic waste dumping in Campania by the Camorra, a powerful Naples crime syndicate that was the subject of the 2008 film "Gomorra," based on a bestselling book by journalist Roberto Saviano. The movie exposed Camorra infiltration of almost every aspect of Neapolitan life, including waste management.
Later, Testa took me to Caseificio Farina in suburban Caserta. There we split a ball of mozzarella while he explained the subtle difference between slightly salty, densely textured Caserta-style cheese and the softer, runnier, almost sweet-tasting Salerno product.
I spent the next three days running my own taste tests south of Salerno where a long scallop of pine-edged beach lines the Tyrrhenian Sea, with a crescent of rugged peaks on the eastern horizon. Coast and mountains are separated by the wide, flat Sele River plain, which was a malaria-breeding marsh until Benito Mussolini launched a project to drain the wetland, yielding fertile farm fields known for artichokes and -- some claim -- the world's best handmade, artisanal mozzarella.
Mozzarella fact No. 5 : It's easy to spot the difference between handmade mozzarella and machine-produced cheese. Each artisanal ball has a Y-shaped flap marking the place where it was seamed by the cheese maker, or casaro .
You can't go 100 yards along busy Highway 18, which cuts across the Sele plain, without passing a mozzarella outlet or a slow three-wheeled truck with mama and papa in the front seat and a pile of artichokes in back.
Together with fresh seafood -- think scampi and calamari -- mozzarella and artichokes are featured on menus in local restaurants where the cuisine of Campania is about as good as it gets. And if you can't find a life-transforming pizza Margherita in the area, you probably ought to give up eating.
In the summer, Italian sun-lovers flock to hotels and condominiums around the beach where the Allies landed in 1943 to liberate fascist Italy. Since the late 18th and 19th century heyday of the European Grand Tour, sightseers have visited the nearby ruins of Paestum, a Greek colony founded around 600 BC with three majestic Doric-columned temples.
But my main objective was 500-acre Tenuta Vannulo near the town of Capaccio Scalo. That's where dapper Antonio Palmieri produces perhaps the purest organic mozzarella and ricotta in Campania.
Mozzarella fact No. 6: Ricotta cheese is made from a milky mozzarella byproduct. Americans use it chiefly for lasagna, but in Italy ricotta is often served for dessert in the middle of a Lazy Susan surrounded by honey, orange peel, cinnamon and other condiments.
Tenuta Vannulo has 500 buffaloes that feed on pesticide-free grass and grain produced at the farm. Mozzarella, ricotta, yogurt and ice cream are made daily in relatively small measure and are sold only on the premises because Palmieri thinks interventions such as pasteurization adversely affect the quality.
So you have to go to the farm to taste the cheese. But that's no hardship because Tenuta Vannulo is a beautiful estate, established in 1907 by Palmieri's grandfather.
It's centered on the family's Pompeii-red villa, and its cafe serves criminally rich buffalo milk gelato on brioche pastry with a dollop of whipped cream.
Mozzarella fact No. 7: A one-cup serving of the cheese is loaded with protein and has virtually no carbohydrates. Of course, it also has 336 calories, 220 of them from fat.
At the picture window-lined dairy, visitors can watch workers add scalding-hot water to honeycombed wedges of fermented buffalo milk and stir with a wooden stick until the goo turns into a shiny mass the color of celebrities' teeth. Then warm globules of it are kneaded by two workers while another one pulls off smaller lumps, shapes them into balls and tosses them into a vat.
Mozzarella fact No. 8: The name of the cheese comes from the Italian verb mozzare , which means to lop or cut.
Vannulo buffalo -- the stars of the show -- live in a large, open-air stable behind the cafe and shop. It's everything the artisanal dairy is not, with a high-tech buffalo-milking system that recognizes computer chips embedded in the animals' collars for collecting health and production data.
Mozzarella fact No. 9: In the old days, milkers tied the animals' hind legs so they couldn't wander and convinced them to give milk by keeping newborns close at hand. Female buffaloes generally calve once a year.
In the Vannulo stable, I watched buffaloes amble into the milking chambers where they were hooked up to fully automated milking hoses. The creatures don't seem to mind and never find out that their milk ultimately becomes the manna from heaven that is mozzarella cheese.
Mozzarella fact No. 10: Eating the cheese promotes intelligence and good looks.
OK, that hasn't been proved. But it makes people happy.
I know that for a fact. susan.spano@latimes.com
Italy: Beautiful, Unspoiled Paestum, Remnant of Magna Grecia
http://marcheo.
Magna Grecia was Considered Greece's "America" , Land of Opportunity: http://www.calabria.nu/magna.
Yet, Magna Grecia become indifferent to the fate of its' mother country. When Darius invaded Greece, Democedes sent only one trireme to fight against the Persians.
On the wide plain that edges the Gulf of Salerno, the ruins of three ancient civilizations -- Greek, Lucan and Roman -- intrigue modern-day visitors. Among the treasures: three breathtaking temples.
Los Angeles Times; By Susan Spano; Reporting from Paestum, Italy; May 08, 2009Even if there were no fresh mozzarella cheese on the wide plain that edges the Gulf of Salerno in southern Campania, the Greek ruins of Paestum would be reason enough for coming here.
Paestum was settled around 600 BC as part of a wave of Greek expansion that created a chain of colonies, known as Magna Graecia, around the Mediterranean basin. Now it's one of the most intriguing archaeological sites in Italy, visible proof of the subsequent Roman Empire's classical Hellenic foundations. It's still unspoiled enough to make modern-day visitors feel like discoverers.
Paestum's three huge, elegant, breathtaking Doric-columned Greek temples loom above the plain about five miles south of the beach town of Capaccio. The modest entrance across the lane from the museum yields to a greensward covered with dandelions and clover, where dogs and visitors roam freely.
Sightseers get scant explanation, so it's best to buy a guidebook at one of the shops by the entrance to find less obvious features such as the large house with a marble pool, or impluvium, for collecting rainwater and the Roman-era amphitheater.
The Greeks who founded Paestum succumbed to the inland Lucan people, who left marvelously frescoed tombs in the area, and then to the Romans in the 3rd century BC. After the fall of the Roman Empire, Paestum was all but abandoned to the malaria-infested marshes.
It wasn't until the 18th century, when Pompeii and Herculaneum were rediscovered, that Grand Tour travelers stumbled upon the ruins of Paestum, as perfect and undisturbed as Sleeping Beauty.
The nearby museum has a rich cache of findings from the Paestum area, including a collection of Lucanian tomb slabs bearing brightly painted images that look almost like doodles. Most famous among them is a fresco of a diver caught in midair, symbolizing the soul's plunge from this life to the next.
Take time to study the museum's series of metopes, or stone panels decorating the frieze above a row of Doric columns. They were found at the site of an important Greek temple, dedicated to Hera, at the mouth of the Sele River about 10 miles north of Paestum. With almost comic book vividness, the metopes depict mythological scenes, including Hercules' capture of the dwarfish Cercopes, tied by their feet to a pole hoisted on the hero's shoulders.
No standing ruins remain at the site of the Hera sanctuary, but the Museum of Hera Agriva Sanctuary has excellent multimedia exhibits on the cult of Hera and the work of Paola Montuoro and Umberto Bianco, Italian archaeologists who discovered the sanctuary in 1934.
The old stones of Foce Sele lie scattered near the river, surrounded by artichoke fields and pastures where water buffaloes graze -- a magical Italian landscape in which daily life goes on amid the ruins of an ancient civilization. susan.spano@latimes.com
http://travel.latimes.com/Sunday, May 10, 2009
Britain Fears for Italian Reputation with Divorce of Belusconi - Really!!!!!
Sub-title: Political Scandals and Journalism in Britain... in the 1990's; Authors: Maria Jose Canel, Karen Sanders
Published January 2006. http://www.hamptonpress.com/
There is increasing concern over the damage that Silvio Berlusconi is inflicting on Italy’s image at a time when the country is an important player on the world stage and holds the chairmanship of the G8.
The Italian Prime Minister’s popularity ratings have been unaffected so far by his public divorce battle. According to a recent poll, they stand at 66 per cent, despite insinuations by his wife, Veronica Lario, concerning his relationship with " or to " Noemi Letizia.
Ms Lario has said that he is "unwell" and "needs help" but many Italians admire Mr Berlusconi for his exuberant energy and drive as a self-made billionaire. They see him as "one of us", despite his wealth.
“He is popular because he is not a snob, like the leaders of the Left," said Il Giornale - his own newspaper.
For Emma Bonino, the former European commissioner who is now a senator for the opposition Radical Party, Mr Berlusconi’s gaffes and sexual misadventures are harming Italy’s image abroad just as he is preparing to chair the G8 summit in July.
Ms Bonino was applauded on Thursday when she told a studio audience on RAI, the state channel: "Italians, whether they voted for him or not, have the right to have a leader who does not embarrass us at the international level."
She later told The Times: "Nobody expects him to just stand there like a tailor’s dummy but he lacks decorum and restraint. There is no need to play the buffoon."
She said that the scandal over Mr Berlusconi’s promotion of showgirls as European Parliament candidates confirmed his lack of respect for women and reinforced a "vulgar macho stereotype which I had hoped was over". She recalled that two years ago Mr Berlusconi had described Baroness Thatcher, pictured, as una bella gnocca, or "a great piece of pussy".
James Walston, Professor of International Relations at the American University of Rome, said that Mr Berlusconi’s "Teflon qualities" would help him to avoid setbacks in the European elections. "But for July’s G8 meeting the stakes are different. Outside Italy, Berlusconi has the reputation of a court jester accompanied by the persistent odour of corruption. His wife’s allegations add a louche quality to the man which effectively undermine the Ministry of Foreign Affairs’ hard work to improve his image."
http://www.timesonline.co.uk/Tuesday, May 5, 2009
'Angels and Demons' the Sequel to the 'Da Vinci Code' Bows in Italy
Vatican unprovoked by premiere's location
Director Ron Howard and stars Tom Hanks, Ewan McGregor, Ayelet Zurer, Stellan Skarsgard and Pierfrancesco Favino, along with Sony chief Howard Stringer, Sony Pictures co-chairmen Michael Lynton and Amy Pascal, walked a red carpet lined with faux Vatican Swiss Guards and half-angel, half-demon statues.
But this time around, the Catholic Church opted for a low-key response, keeping a lid on the scathing polemics that Sony capitalized on in 2006 when high-ranking prelates urged a boycott of "The Da Vinci Code" just as the bigscreen version of Dan Brown's bestseller opened at Cannes.
"I'll comment only if the film production buys 1,000, 10-year subscriptions to our official newspaper," joked the Pope's press secretary, Father Federico Lombardi, to the local media.
The Sony marketing forces have been in high gear, with 260 international journos jetting in for the launch.
At a packed presser Sunday, Howard lamented how last year during production in Rome, Vatican officials used "back channels" to prevent him from shooting in areas and churches outside its jurisdiction, as reported at the time. The production used the Caserta Royal Palace in Southern Italy as a stand-in for the Vatican.
Meanwhile, the only local church official on record about "Angels and Demons," in which Hanks reprises his role as Harvard symbologist Robert Langdon, who's probing a secret society threatening to blow up the Vatican, is 102-year-old bishop Monsignor Antonio Rosario Mennona. On Saturday, he called the film "highly denigrating, defamatory and offensive" to the Catholic Church.
U.S. Catholic League president Bill Donohue on Monday issued a statement asking that a disclaimer be inserted in the "Angels and Demons" titles saying that the movie is a work of fiction. A similar demand was made by India's censorship board.
"The Da Vinci Code" grossed $758 million worldwide, a tough take to match.
"Angels and Demons" opens in Italy on 800 screens and in some other European territories May 13 before bowing Stateside (on about 3,500 screens) and worldwide May 15.
Read the full article at: http://www.variety.com/
Monday, May 4, 2009
The Antinori Dynasty Profiled by 60 Minutes
With the oldest family business on Earth, the Antinoris have been in the wine business for 600 years.
Morley Safer of " 60 Minutes" profiles the family from their vineyards in Tuscany, Italy in a Segment called "Keeping it in the Family" 12 minute Video - May 3, 2009
Watch CBS Videos Online
Sunday, May 3, 2009
Berlusconi’s Wife Says She Wants a Divorce
The two met in Milan in 1980, when she was an actress in a play called ironically titled "The Magnificent Cuckold" and he was a married, up-and-coming real estate tycoon. Mr. Berlusconi left his first wife for Ms. Lario. They had three children before marrying in 1990.
Lario's affair with Massimo Cacciari, the mayor of Venice, was publicly acknowledged by Silvio. Lario often travels for months at a time to the Far East or Latin America. Ms. Lario only rarely is seen with her husband, and states "We have separate lives".
If Ms. Lario does file for divorce, it is unclear whether Mr. Berlusconi, 72, will be affected politically. Despite colorful gaffes that would sink a politician elsewhere, Mr. Berlusconi enjoys more power and popularity than ever, thanks to the disarray of his left-wing opposition and his brilliant reading of Italian sensibilities.
In fact, part of Mr. Berlusconi’s success lies in his ability to present himself at once as a devoted family man and as a consummate ladies’ man, a contradiction embodied in his marriage to Ms. Lario.
Berlusconi’s Wife Says She Wants a Divorce
ROME - Less than a week after writing an open letter criticizing her husband for cavorting with much younger women, the wife of Prime Minister Silvio Berlusconi said she wanted to file for divorce.
“I’d like to close the curtain on our married life," Mr. Berlusconi’s wife, Veronica Lario, 52, told the center-left daily newspaper La Repubblica in an article published Sunday. "I was forced to take this step," she told the Turin daily newspaper La Stampa. "I don’t want to add anything else."
On Sunday, an assistant to Ms. Lario, Paola Giponi, confirmed the press reports, while Mr. Berlusconi released a brief statement to the ANSA news agency. "It’s a personal matter, and one that saddens me," the prime minister said. "It’s a private issue that’s best not discussed."
Yet this private issue has unfolded almost entirely through the news media, with Ms. Lario taking her grievances to the press and Mr. Berlusconi parrying them there, too. The story has thrived in the personality-driven tabloid and political culture that Mr. Berlusconi helped create.
If Ms. Lario does file for divorce, it is unclear whether Mr. Berlusconi, 72, will be affected politically. Despite colorful gaffes that would sink a politician elsewhere, Mr. Berlusconi enjoys more power and popularity than ever, thanks to the disarray of his left-wing opposition and his brilliant reading of Italian sensibilities.
In fact, part of Mr. Berlusconi’s success lies in his ability to present himself at once as a devoted family man and as a consummate ladies’ man, a contradiction embodied in his marriage to Ms. Lario.
The two met in Milan in 1980, when she was an actress in a play called "The Magnificent Cuckold" and he was a married, up-and-coming real estate tycoon. Mr. Berlusconi left his first wife for Ms. Lario. They had three children before marrying in a civil ceremony in 1990.
The news of the impending breakup came after days of drama. On Tuesday, Ms. Lario wrote an open letter to the ANSA news agency complaining about her husband’s roving eye, her second such public declaration in recent years.
Ms. Lario criticized reports that Mr. Berlusconi’s center-right coalition planned to nominate a slate of attractive young women for the European Parliament, including the star of a reality television show.
Choosing candidates seemingly on the basis of their headshots more than their political experience is "shamelessly trashy," Ms. Lario said.
She was also angered by press reports that Mr. Berlusconi had attended the 18th birthday party in Naples of Noemi Letizia, who has said in several recent interviews that she called the prime minister "Daddy" and that he gave her a gold and diamond necklace.
“That surprised me," Ms. Lario told ANSA. "Because he never attended the 18th birthday parties of his own children, even if he was invited"
Mr. Berlusconi countered that his wife has been subject to the "manipulations" of the left-wing press. "I’m afraid that the ‘signora’ believed what she read in the newspapers," ANSA quoted him as saying last Wednesday.
In the ensuing days, Italian newspaper Web sites have carried pictures of Ms. Letizia posing in her underwear, and the national conversation has been dominated by speculation about the nature of the relationship between her and the prime minister.
Mr. Berlusconi told the Italian press that Ms. Letizia was the daughter of a business acquaintance and that he stopped by the large party "to raise a glass."
On Sunday, La Repubblica said that Ms. Lario had been contemplating divorce for years. In hiring a lawyer and opening proceedings, "I would like to avoid conflict," La Repubblica quoted her as saying.
Yet any divorce would inevitably cause inheritance battles between Mr. Berlusconi’s two children from his first marriage and the three from his marriage with Ms. Lario over control of his vast real estate and media empire, valued in the billions of dollars.
Mr. Berlusconi and Ms. Lario are rarely seen in public together, and there has been palace intrigue for years.
In 2007, La Repubblica published a letter from Ms. Lario in which she demanded an apology from Mr. Berlusconi after news reports quoted him as praising the beauty of a showgirl whom he later named equal opportunities minister, saying: "If I weren’t already married, I would marry you right now."
Ms. Lario, at the time, wrote: "These are statements I consider damaging to my dignity."
The same day, Mr. Berlusconi, who was running for a third term as prime minister, quickly issued a public apology, which political analysts speculated was aimed at winning over female voters.
“Your dignity should not be an issue: I will guard it like a precious material in my heart even when thoughtless jokes come out of my mouth," Mr. Berlusconi wrote then. He added: "Forgive me, however, I beg of you, and take this public testimony of private pride that submits to your anger as an act of love. One among many. A huge kiss. Silvio."
Sergio Marchionne of FIAT, Savior of Chrysler??
Reporting from Los Angeles and Rome — Sergio Marchionne is routinely hailed as the savior of Fiat, the man who transformed the Italian automaker from a punch line into a player.
The mayor of Turin, the city in northwestern Italy that Fiat calls home, is a fan -- and not only because Marchionne kept the local car factory open and even gave it a fresh coat of paint.
"One thing he hasn't been able to do is beat me at cards," says Sergio Chiamparino, who occasionally takes on the auto chief in bouts of scopone scientifico, a traditional Italian card game.
Marchionne, 56, is going to need better luck to succeed at his latest automotive challenge. Fiat has struck a global partnership with Chrysler, the struggling American carmaker that on Friday held its first hearing before the New York judge overseeing its Chapter 11 bankruptcy case.
Chrysler suffers from many of the same maladies that afflicted Fiat when Marchionne took over five years ago: falling sales, too much carmaking capacity, fractured finances and a battered image. Fiat didn't bet the house on Chrysler; it's exchanging small-car know-how and technology, not money, for what someday could be a major foothold in the North American market.
But Marchionne's reputation as a turnaround artist is on the line. The classic outsider and number cruncher in a world of "car guys" will have the chance to prove that his success with Fiat was no fluke.
Indeed, Marchionne's track record at Fiat was one of the reasons the Obama administration pushed Chrysler into the arms of the Italian automaker.
"Part of the attraction of Fiat is the quality of its management team and the success they've had in turning around what was a troubled company," said a senior administration official, who declined to be named because he was not authorized to speak publicly about the alliance. "We expect Chrysler to get the full benefit of that."
Although Marchionne likes fast cars -- he totaled a Ferrari, which Fiat makes, in 2007 -- he didn't study for the role of automotive kingmaker at test tracks or in design studios.
The son of Italians who moved to Canada when he was 14, Marchionne worked as a lawyer and accountant there before moving to Europe to run a couple of Swiss companies. A growing reputation as a restructuring expert landed him a seat on the board of sputtering Fiat. A year later he was chief executive.
When Marchionne arrived in Turin in 2004, "Fiat was run by interesting and fun people who wanted to build interesting and fun cars, but they never stopped and said, 'Can we make any money at this?' " recalls Karl Brauer, editor of auto website Edmunds.com. "Marchionne came in and changed all that."
He also brought with him the kind of executive quirks loved by writers of magazine profiles. In interviews, he has revealed a passion for jazz, Russian literature and opera, and he reportedly chain-smokes his way through a daily grind of nonstop meetings to the accompaniment of Bach. In the land of Armani, Marchionne favors a more laid-back wardrobe built around the casual sweaters -- cotton in summer, wool in winter -- that have become his fashion trademark.
But there was nothing casual about Marchionne's approach to the auto business.
Fiat, which also owns the Maserati and Alfa Romeo brands, was in disarray when he arrived. Two members of the Agnelli family, the company's biggest shareholder, had recently died, and there was a leadership vacuum.
The automaker had pulled out of the U.S. in the mid-1980s, in part because of a reputation for poor quality. Fiat, Americans joked, stood for "Fix it again, Tony." (It's actually an acronym for Fabbrica Italiana Automobili Torino -- Italian Factory for Automobiles in Turin.)
The company was losing ground in its home market and was beset by labor problems. It had lost $2.4 billion the year before and was burning through cash at an alarming rate.
Marchionne quickly began shaking up the management ranks, sacking dozens of entrenched executives and trying to instill a sense of accountability. He set goals and expected them to be met -- or else.
Before his arrival, "there were no consequences if targets were not met," said Giuseppe Berti, an industrial economist at Bocconi University. "Marchionne made cuts to management and set reachable targets. However, if those targets were not met, there were consequences for the managers who failed to meet them."
The new boss quickly demonstrated his negotiating skills by wringing a badly needed $2 billion out of General Motors Corp. in return for unwinding a soured alliance the two companies had formed in 2000. He also smoothed over relations with Fiat's Italian unions, even earning the sobriquet compagno (comrade) among some of his workers.
"Marchionne has brought innovation to relations between workers and management in Italy," union leader Giorgio Airaudo said. "So far he has honored his commitments with the trade unions . . . and that wasn't always the case with his predecessors."
Marchionne also put a renewed emphasis on quality control and market research in an effort to better match the carmaker's products with consumer expectations.
Fiat was soon back in the black, and Marchionne was on the prowl for global partners that could help the company achieve the goal of 5 million annual vehicle sales that its CEO believes is necessary to survive in the 21st century.
Thus the Chrysler alliance. Fiat, which sold almost 2.2 million vehicles last year, would gain access to the world's most important car market and could fill in gaps in its vehicle lineup with pickups, SUVs and minivans from the Chrysler-Dodge-Jeep roster.
Chrysler, meanwhile, would get the benefit of the Italians' small-vehicle savvy and fuel- efficient engine technology, as well as Fiat's dealer networks in Europe and Latin America.
"The real unknown is whether it will be possible to fix the [Chrysler] plants, define a new range of products and have them accepted by the American consumer in two to three years," said Berti, the economist. "This is the real gamble facing Fiat."
It's not clear yet exactly what management role Marchionne will assume at Chrysler. In a statement Thursday, he said he was preparing for Chrysler to emerge from bankruptcy "quickly as a reliable and competitive automaker." Fiat did not respond to requests for information.
Marchionne is trying to pull off the Chrysler deal at a time when global auto sales are plummeting, and even Fiat is feeling the strain. Last week, the company reported a first-quarter loss, and its Italian workforce is grumbling about furloughs and pay cuts.
Vincenzo Tripodi, a 42-year-old employee in Fiat's research and development department, grouses that 500 workers in his area are slated for a weeklong furlough at reduced pay this month, with more involuntary time off in June and July.
Tripodi and his colleagues are pleased that working conditions have improved under Marchionne, but they worry that their boss may not hold to his commitment to keep Fiat's five Italian plants open.
"The catchphrase going around now is, 'Fiat's saving Chrysler, but who's going to save Fiat here in Italy?' " Tripodi said.
martin.zimmerman@latimes.com:
Saturday, May 2, 2009
Paolo Sorrentino, Writer - Director of "Il Divo"
Italian writer-director Paolo Sorrentino is one of those filmmakers who seem more comfortable letting their movies do the talking for them.
Lounging on a sofa in his suite at a Sunset Strip hotel, the lanky 38-year-old Sorrentino seems to be suffering from a case of ennui that even a pre-interview cigarette couldn't cure. Perhaps it's the sweltering heat that has made Sorrentino so languid, or he could just be a man of few words. It's not quite pulling teeth to talk to him, but his favorite expression seems to be: "S?, s?, s?."
The opening of his latest film, "Il Divo," which won the Prix du Jury at Cannes last year, is the reason Sorrentino is in town. Riveting, fascinating and sometimes darkly humorous, "Il Divo" is an epic biopic of former Italian Prime Minister Giulio Andreotti (Toni Servillo), one of the most notorious politicians in postwar Italy.
The film revolves around the period in 1992 when Andreotti's Christian Democratic Party was falling apart due to a nationwide bribery scandal. Soon, all eyes were upon Andreotti, who was accused of murder and collusion as part of a conspiracy that also involved the Vatican, the Mafia and the neo-Fascist Masonic Lodge P2. This all-powerful politician, who resembles Nosferatu in a suit and tie, later found himself in court for what was known in Italy as "the trial of the century."
Through a translator, Sorrentino explains that he doesn't feel "Il Divo" is just a film about Italian politics. "It is actually more a metaphor about power," he says, leaning back in the sofa. "Though it can have its specific incarnations, it's really universal. Being in a position of power necessarily causes compromises, and this happens absolutely everywhere."
The Naples-born filmmaker, who began his career as a screenwriter and earned international acclaim as a director for his 2004 thriller, "The Consequences of Love," had always wanted to make a film about Andreotti. As a younger man, he was outraged by the political climate in Italy. He says he waited until he felt "secure enough as a filmmaker" to tackle the politician.
And he isn't worried about retribution from Andreotti, who at 90 is still involved in politics, for making the film.
"He's not the man of power that he used to be," Sorrentino says matter-of-factly. "He hasn't been for quite a while."
While all of Italy seemed captivated during "the trial of the century," these days, says Sorrentino, "there is a general disinterest on the public's part [about politics], so there are no checks and balances of political power."
Still, he says, "Il Divo" was a commercial success last year in Italy. "Obviously, a lot of people wanted to see the subject matter. What was surprising was the really high interest and turnout from young people who didn't know anything about politics from that era."
Was it true that Andreotti went to a screening and walked out?
"No," says Sorrentino, breaking into a small smile. "He tried to leave, but they kept him there and forced him to watch it."
susan.king@latimes.com
http://www.latimes.com/
"Il Divo": Giulio Andreotti, the Seven Times Italy's Prime Minister
If you plan to see "Il Divo" -- and you should -- be prepared to hold on to your seat. Simultaneously exhilarating and confounding, dazzling and confusing, this is filmmaking of such verve and style that you likely won't care that you can't follow it completely.
One of two breakthrough Italian films (the other was "Gomorrah") to receive prizes at Cannes last year, "Il Divo" comes by its intricacy honestly. It deals with what's been called "the fiendish complexities of postwar Italian politics," and it throws more names at you than the Naples phone book. But there's only one you need to remember, one man you can't forget, and that's Giulio Andreotti.
Seven times Italy's prime minister, made senator for life in 1991 and still active at age 90, Andreotti is best understood by his nicknames: the Sphinx, the Hunchback, the Black Pope. Enigmatic and inscrutable, his country's most powerful and feared politician for more than 50 years, Andreotti is as controversial as only someone who understands power to the nth degree can be.
To play a man like this, director Paolo Sorrentino has chosen his frequent collaborator and one of Italy's best actors, Toni Servillo (who also had a key role in "Gomorrah"). An actor of remarkable subtlety, Servillo delivers a mesmerizing performance as a man whose physical qualities -- stooped walk, rigid posture and monotone voice -- give him the appearance of a living corpse. But Servillo does such a commanding job of animating the piercing intelligence and will to power behind this impassive façade that he won the European Film Award for best actor for his work.
Sorrentino, who also wrote the screenplay, knows better than to think he can completely understand a man this complex, but he knows how to make him compelling, and how to entertain the audience, for instance, by treating us to a series of Andreotti's aphorisms. "If one wants to keep a secret, one mustn't even confide in oneself," the man says, along with the pungent, "when they asked Jesus what truth was, he did not reply."
"Il Divo" (a masculine counterpart to diva and another of Andreotti's nicknames) begins in the early 1990s, as the politician is forming his seventh administration. But what we see on the screen are not dull meetings but a whole series of unsolved murders presented with such panache that even the red captions announcing them float around the screen with digitally created abandon.
Andreotti, with his crippling headaches and his habit of taking walks through Rome at 4 a.m. surrounded by a huge security detail, seems like the least likely person to be involved in these kinds of shenanigans.
But as "Il Divo" progresses, questions arise as to the man's possible collusion in all kinds of nefarious situations, things like the death of former Prime Minister Aldo Morro at the hands of the Red Brigades, complicity in a corruption scandal called Tangentopoli (Italian for Bribesville), participation in a plot by a Masonic Lodge to use any means possible to keep the Communists out of power, even an alliance between his Christian Democratic Party and the Mafia.
To completely understand all these complicated scenarios, some of which are little more than hinted at in the film, will be beyond the power of those who do not come to "Il Divo" with a sophisticated knowledge of Italian politics, which excludes an awful lot of people.
But it is a tribute to the vivid stylization that writer-director Sorrentino employs, to the almost criminally lively and continually unexpected quality of the images he puts on-screen, that knowing everything seems besides the point. The key conundrum is put to Andreotti by a journalist: "You're either the most cunning criminal in the country because you never got caught, or you're the most persecuted man in the history of Italy."
kenneth.turan@latimes.com
