Tuesday, October 30, 2007

English Writer Waxes Poetic About "Le Marche"

It is sometimes helpful to hear the opinion of outsiders, even the English. But the descriptions may be of more value than the conclusions.

Life in Italy - Telegraph Mentor

Peter Greene says the marchigiani possess the best of North and South of Italy- you will rarely meet extravagant displays of Neapolitan emotion nor the cool indifference of Milan.
Telegraph.co.uk - United Kingdom
October 30, 2007

Peter Greene says many expats choose Le Marche for its natural beauty.

Our mentors are volunteers and any information they provide is for information only and is not intended to be a substitute for professional advice.

Peter Greene is an ex-London journalist and press officer who has lived and worked in Italy's Le Marche region since 1989.

He created and now runs Marche Voyager, the official English-language web site of the Marche region's tourism department and has written a number of guide books to Italy for British publishers. He also runs a holiday rental business in the old country parish church where he lives with his partner.

Le Marche: The region forms the eastern seaboard of central Italy with the regions of Emilia-Romagna to the north and Abruzzo to the south.

The region's name is pronounced "lay markay" , is plural (Le Marche) and is sometimes known as "The Marches" in English.

The total population of the region is around 1.5 million with an average density of less than 150 inhabitants per square kilometre. The region covers just under 10,000 square kilometres.

The inland mountainous areas are mostly limestone and are noted for bare peaks, rushing torrents, dramatic gorges and many warrens of caves. In contrast, the areas nearer the coastal plain are celebrated for their fertile, rounded hills topped by ancient fortified towns.

Economically, the region is mostly reliant on medium and small scale productive industries, often family run. Shoes, clothing and furniture manufacture are amongst the most successful businesses.

The relatively poor soil and the general movement away from the land has meant that agriculture now plays a lesser role than it once did, apart from the production of Verdicchio, Le Marche's famous white wine in the central areas. By the coast, fishing remains an important activity.

The main towns: The administrative capital of Le Marche is Ancona, a city with few obvious attractions. Give it time, however, and you may find you enjoy the salty charm of this bustling sea port. It's also one of Italy's principal ferry ports with boats to Croatia, Greece and Turkey.

Of the region's other principal towns, Urbino is my favourite. This jewel of a renaissance city remains little changed from the days when Duke Federico of Montefeltro set up his celebrated court here in the second half of the 15thC.

The provincial capital of Ascoli Piceno lies at the southern end of Le Marche. This beguiling old town is well worth exploring. Its marble-paved main square is one of the most beautiful in Italy.

Another of the region's provincial capitals, Pesaro is both an appealing seaside resort and a thriving commercial town. Good shops, fine beaches and great fish. The last of the region's provincial capitals is Macerata, a dignified town, famous for its annual outdoor opera festival.

Attractions: Many choose Le Marche for its natural beauty and much of the spectacular inland mountain country remains unscathed by the worst excesses of the 20thC.

The Frasassi caves are some of the most spectacular limestone caves you are every likely to visit. Limestone again is the leading player at the Furlo Gorge, a dramatic natural pass through the mountains in the northern Marche that has been in use since prehistoric times.

Most of Italy's Adriatic coastline is stubbornly flat. Monte Conero, just south of Ancona, is a rare exception - a high limestone mountain that plunges into the sea and guards a handful of delightful little bathing resorts.

You'll find some of the most impressive mountain scenery to the south of the region amidst the Monti Sibillini, whose peaks are often covered with snow until the late spring.

The best mountain views to be had in the north of the region, on the doorstep of Urbino, are around the giants of Monte Catria and Monte Nerone. In spring the upland meadows are carpeted in alpine flowers.

Buying property: If you decide to live here, buying a home will probably be the biggest and most difficult decision you will have to make. The best way, if you can spare the time, is to get to know an area well before deciding to buy there. Negotiate a hotel room for a long stay or rent a place, and make friends in the local bar.

Remember that accommodation will cost a lot less out of season and you'll be seeing properties in a less romantic light than in high summer when anything looks great.

Having decided that you like a property, the first stage is the signing of a compromesso. This scrittura privata or "private contract" between yourself and the seller is a legally binding document and if you change your mind you will loose whatever deposit you have paid and usually be liable to pay an additional penalty.

Deposits vary but are often around 10 to 20% of the agreed purchase price. The compromesso will give details of exactly what it is you are buying including the particulars as recorded in the local catasta, the long-established Italian "land registry". Make sure these details are correct and correspond to what it is you think you are buying before you sign the document.

At a time specified in the compromesso the final atto, or contract, will be signed in front of the local notaio, a public official who witnesses public contracts. Remember the notaio is not acting for any one of the parties - if you want to be sure that there are no nasty surprises hidden in the contract, that might, for example, give rise to neighbour problems in the future, get a local lawyer, or avvocato, to act for you.

At this stage you will normally have to hand over the balance of the purchase price and pay any fees due to the notaio and estate agent, or mediatore.

Citizens from European Union countries will find few problems in buying property and starting a new life in Italy, and for nationals from further a field the bureaucratic hurdles needn't be too much of a barrier. This doesn't mean, though, that you're exempt from the thorough paperwork so beloved of European public officials.

Foreigners frequently have an idea that anything goes in Italy and that rules are there to be ignored - in Le Marche, at least, this attitude all too often ends in disaster.

Citizens of EU countries and many other nationals can stay in Italy for up to three months with just a valid passport. If, however, you want to live in Italy for longer periods you will need a permesso di soggiorno, or permit to stay, from the Questura, or main police station, in the nearest provincial capital.

For EU citizens a European version of the permesso is pretty well automatic and, at the moment, is usually renewable every ten years. For non-EU nationals you will have to answer questions such as means of living, whether you own property, etc, and you have no automatic right to stay. For the latest detailed information contact the Italian Consulate in your home country before leaving.

For many things, such as opening a bank account, a residency certificate, or certificato di residenza, is often required.

The last of the trinity of essential documents to get is your codice fiscale, the Italian equivalent of a "national insurance" number combined with a tax code. This is one of the easiest documents to obtain, and is available from tax offices in the provincial capitals in a matter of minutes.

For advice on restoring property in Italy, please click here.

Taxes: What follows is a brief introduction to property and income taxes and other money matters in Italy. It is by no means exhaustive - Italian tax matters are rarely straighforward and it is worth every penny of the usually modest fees to use the services of a local commercialista, or accountant.

If you are neither resident nor working here, you need only bother yourself with property taxes on any buildings that you own. Each comune, or town council, levies I.C.I. (imposta comunale sugli immobili) that is a modest tax on property based on size and type of property and charged to owners. Your local comune also raises a separate, but low tax to pay for refuse disposal called T.A.R.S.U. (tassa per lo smaltimento di rifiuti solidi urbani).

If you wish to work here things get somewhat more complex and a commercialista becomes essential. And remember, even if you work for and are paid by companies abroad, if you are resident in Italy you are usually liable to pay tax here.

Italian income tax, I.R.P.E.F., and national pension and health payments, paid to an authority called I.N.P.S., are the two principal fiscal burdens you will have to get to grips with.

If you are self-employed or have your own company you will also have to get involved with I.V.A. (Italian value added sales tax); the threshold for IVA mean that virtually anyone who is self-employed has to charge IVA on sales or services. At the risk of sounding repetitive, don't try any of this without a commercialista.

When it comes to banking, keep in mind that local bank managers in most banks have a high degree of autonomy and you can often negotiate interest rates on loans and even bank charges on transactions.

Health care: Contrary to received opinion, the Italian public health service, at least in Le Marche, works very well. A modern, well-run network of hospitals covers the whole region and even in the most out-of-the-way corners you'll never be far from emergency treatment should you need it.

For minor aches and pains make for the local farmacia, or dispensing chemist. They keep normal shop hours and operate an emergency 24-hour service on a rotating shift basis, details of which are displayed in the window.

If you decide to live in Le Marche you will have to sign up with a general practitioner (medico di famiglia) through the local A.S.L. - Azienda Sanitaria Locale - office and if you are earning you'll have to pay your regular "national insurance" contributions (INPS in Italian).

You can, of course, always consult a doctor as a paying private patient without getting involved with the U.S.L. Under the public health system, unless you are elderly or chronically ill, you'll have to pay a contribution for prescriptions, laboratory analyses and hospital out-patient treatment.

Dental treatment and opticians in Le Marche, as in the rest of Italy, are excellent but expensive and are not covered by the public health service.

Driving: Drivers need a current licence and if it is not the pink EU type it should be accompanied by a translation in Italian, available from the Italian State Tourist Office in your own country or the frontier offices of the Italian Automobile Club (A.C.I).

If travelling in your own car you need the vehicle registration book - if it is not in your own name you must have the owner's written permission to drive the car. You will also need your insurance certificate. Motorists must have all their documents with them while driving as police spot-checks are common.

The only toll motorway (autostrada) in Le Marche is the Bologna-Pescara A14 along the Adriatic coast. Some of the main SS (strada statale) routes are fast, toll-free dual-carriageways, or superstrade.

The area's antique towns were never built for cars and you will find that some historic centres are now closed to unauthorized traffic. Parking, particularly in the morning and early evening, is often a headache. Where signs indicate a time limit you will have to set a disco orario to your time of arrival; you can buy the disc from most newsagents and garages.

If parking spaces are marked with a blue line, it means you have to pay - usually by buying a ticket from a nearby machine. Off the motorway, petrol stations close for up to three hours at lunchtime and all day Sunday. Carry a few uncrumpled banknotes to use in the 24-hour, self-service petrol dispensers now common in garage forecourts.

Seat belts are compulsory and you must carry a reflective warning triangle to be placed at least 50 m behind your car when broken down. You are also now required to have a reflective jacket if you break down.

Speed limits are 50 kph in built-up areas, 90 kph on country roads, 110 kph on dual-carriageways and 130 kph on motorways. It is now also compulsory to switch on your dipped headlights during the day on all main roads.

Police speed checks are frequent and on-the-spot fines are severe. Contrary to received opinion, the standard of driving in Le Marche is generally good.

Language and local culture: The marchigiani possess the best of North and South - you will rarely meet extravagant displays of Neapolitan emotion nor the cool indifference of Milan.

Try speaking a few words of Italian and your welcome will be that much warmer. If you can only master one line, at least try asking in Italian if people speak English - Parla inglese? Remember that outside the main tourist spots, you will not necessarily find people who can speak English. French is a common second language and German is catching on.

The key to Italian social behaviour is often to be found in the idea of bella figura, or cutting a good figure. This is not just a matter of dressing smartly, though that is included. It ranges from such things as using the right mode of formal address to staying relaxed while waiting. Dirt in all its forms cuts a decidedly brutta figura. Italians, incidentally, spend more than any other nation in the world on household cleaning materials and personal toiletries.

Non-smokers will notice - contrary to the received opinion that all Italians smoke - the rules of bella figura are beginning to cover smoking in restaurants and bars; anti-smoking laws that bring Italy into line with other EU countries are being applied with enthusiasm

http://www.telegraph.co.uk/global/main.jhtml?xml=/global/mentors/italyp1.xml

Joe Mantegna Replaces Mandy Patinkin in "Criminal Minds" 8 p.m. Wed. CBS

Chicago actor Joe Mantegna makes his first appearance in Wednesday’s episode of "Criminal Minds". Mantegna’s character, David Rossi, joins the Behavioral Analysis Unit, (BAU) a team of FBI agents who profile and apprehend serial killers and other criminals.
Mantegna joins former Chicago cop and fellow Italian American Edward Allen Bernero, the producer/ head writer on the CBS series.
Mantegna's character's name David Rossi was no accident and was insisted on by Mantegna, and is fashioned after a Los Angeles Policeman, and meant to introduce another "positive" portrayal of an Italian American, as he has in previous roles.


Joe Mantegna Explains the Unusual Origins of his 'Criminal Minds' Character
Chicago Tribune
Maureen Ryan
October 30, 2007

"Criminal Minds" (8 p.m. Wednesday, WBBM-Ch. 2) isn't a show that one associates with off-screen controversy, but there was quite a kerfuffle over the summer when Mandy Patinkin unexpectedly quit the drama and Chicago actor Joe Mantegna was hired to take his place.

Patinkin’s sudden decision to stop playing lead profiler Jason Gideon riled up one of the most affable executive producers in the business, former Chicago cop Edward Allen Bernero, the head writer/producer on the CBS procedural.

“He left us completely in the proverbial lurch,” Bernero told the “Criminal Minds” Fanatic site in July.

But in a recent interview, Bernero sounded very pleased about the arrival of Mantegna, who makes his first appearance in Wednesday’s episode. Bernero said he’d actually been frequenting Mantegna’s Los Angeles-area food emporium, Taste Chicago, for years, though he’d never met the actor.

For Christmas Eve dinners, “we’d go to Taste Chicago and get the Italian beef and Chicago hot dogs,” Bernero said. And so far, their “Criminal Minds” collaboration is going swimmingly, at least from a culinary perspective.

“He gave me a pizza and a beef-sausage combo for my birthday,” Bernero said.

In Wednesday’s episode, Mantegna’s character, David Rossi, joins the Behavioral Analysis Unit, a team of FBI agents who profile and apprehend serial killers and other criminals. Actually it would be more accurate to say he rejoins the BAU, because Rossi actually helped found the original unit.

But the old-school approach of Rossi, who’s become wealthy thanks to the books and consulting he’s done after retiring from the FBI, causes some friction at first, especially with Aaron “Hotch” Hotchner (Thomas Gibson), who’s now the leader of the BAU. And Rossi is a bit at sea when confronted with all the cutting-edge technology the unit now uses.

“He really doesn’t know how to fit into a team. He didn’t really have the team concept” when he helped found the BAU, Bernero said. “There’s a little conflict with him and Hotch — they just don’t know how to deal with each other.”

In Wednesday's episode, the team tracks a killer who makes “Have you seen me?” fliers for his victims, and Rossi takes some bold steps without checking first with his new boss. And while the rest of the team is in awe of Rossi’s accomplishments, the veteran agent isn’t used to sharing his hunches and insights with the group.

Rossi “is a guy who has had a history with [the BAU], has been out of it for a good long time and now has come back,” Mantegna said. “So that in itself creates a whole interesting dynamic. He’s financially well-established, and he has his own way of doing things, which is based on what that initial work was, but that has changed a lot. He’s one of the originators, but he has to play a little catch-up.”

Still, the team respects Rossi’s groundbreaking work in establishing the BAU.

“A lot of what they do is theoretical,” Bernero said. “He actually talked to these [notorious criminals]. At one point he said, ‘That’s not what the guy said. I know because he said it to me.’?”

Rossi also has personal reasons for rejoining the BAU. A case from 20 years ago is still preying on his mind, and as Mantegna said, Rossi doesn’t rejoin the BAU “out of the blue.”

But Rossi’s reason for delving into the old case is “a mystery he keeps to himself,” the actor said.

Mantegna, a fervent Cubs fans, said that his own transition into the “Criminal Minds” team had been smooth so far.

“To put it in terms of sports, I’ve had a long career playing on a lot of teams, and I’ve been traded to another team. I know the game; I just have to adapt to this team,” he said.

He was pleased to find that that at least half the “Minds” crew was from the late, lamented CBS show “Joan of Arcadia,” where he played Will Gerardi for two seasons.

“It was like old-home week in that respect, and then to meet Ed Bernero, an Italian-American former cop from Chicago — I couldn’t have cloned a better human being to be my go-to guy,” Mantegna said.

The two former Chicagoans are so simpatico that Bernero let Mantegna choose his character’s name. Mantegna said he chose the name David Rossi in part as a tribute to a Los Angeles police officer who testified in the 1995 O.J. Simpson trial.

Mantegna said he was struck by how relentlessly the defense lawyers grilled the cop.

“He was just the guy who happened to take the call” the night of the murders of Nicole Brown Simpson and Ronald Goldman, Mantegna said.

Mantegna recalls thinking of Rossi, “From the outside looking in, job well done.”

Mantegna said the real Rossi reminded him of characters in the work of David Mamet. Mantegna, who was a mainstay of the fertile Chicago theater scene of the ’70s and ’80s, won a Tony for his portrayal of salesman Ricky Roma in the 1984 Broadway production of Mamet’s “Glengarry Glen Ross.”

“David very often instilled in his characters the idea of what he described as ‘the excellent man,’” Mantegna said. “Everyone falls short of it, but the excellent man is really just trying do to the best he can under the circumstances, that’s all. That’s all any of us can hope to do. When we were talking about the character, somehow that came to my mind.”

And Rossi’s Italian name is no accident..... on TV and in the movies, if you have a last name that ends in a vowel, you’re a gangster. And every other noble character’s name is Smith or Johnson.”

Whatever the character’s name, Bernero said he’s not worried about the transition from Gideon to Rossi. “Criminal Minds” is still doing well in the Nielsen ratings, despite Patinkin’s absence from the third season (his character briefly appeared in scenes that explained why he left the BAU).

“I don't think it’s ever been the Mandy show,” Bernero said. “It really wasn't that. It’s very much an ensemble.”

Mantegna does, in my opinion, bring a welcome warmth to the show, in contrast to the more dour Patinkin. And for his part, Bernero said he’s not worried about fans rejecting the BAU’s latest addition.

“I don't think there's going to be a Joe Mantegna backlash,” he said with a laugh.

http://featuresblogs.chicagotribune.com/entertainment_tv/2007/10/joe-mantegna-ex.html

Deperate Home Sellers Turn to St Joseph, including Jews, Buddists and Athiests

Thanks to Pat Gabriel

When It Takes a Miracle To Sell Your House

Owners, Realtors Bury Statues Of St. Joseph to Attract Buyers; Don't Forget to Dig Him Up
Wall Street Journal By Sara Schaeffer Munoz
October 30, 2007

Cari Luna is Jewish by heritage and Buddhist by religion. She meditates regularly. Yet when she and her husband put their Brooklyn, N.Y., house on the market this year and offers kept falling through, Ms. Luna turned to an unlikely source for help: St. Joseph.

The Catholic saint has long been believed to help with home-related matters. And according to lore now spreading on the Internet and among desperate home-sellers, burying St. Joseph in the yard of a home for sale promises a prompt bid. After Ms. Luna and her husband held five open houses, even baking cookies for one of them, she ordered a St. Joseph "real estate kit" online and buried the three-inch white statue in her yard.

"I wasn't sure if it would be disrespectful for me, a Jewish Buddhist, to co-opt this saint for my real-estate purposes," says Ms. Luna, a writer. She figured, "Well, could it hurt?"

With the worst housing market in recent years, St. Joseph is enjoying a flurry of attention. Some vendors of religious supplies say St. Joseph statues are flying off the shelves as an increasing number of skeptics and non-Catholics look for some saintly intervention to help them sell their houses.

Some Realtors, too, swear by the practice. Ardell DellaLoggia, a Seattle-area Realtor, buried a statue beneath the "For Sale" sign on a property that she thought was overpriced. She didn't tell the owner until after it had sold. "He was an atheist," she explains. "But he thanked me."

Existing-home sales fell 8% in September to a seasonally adjusted annual rate of 5.04 million units, the lowest level in nearly 10 years, according to the National Association of Realtors.

Statues of St. Joseph sold online can be as tall as 12 inches. One, made of colored resin, portrays St. Joseph cradling the baby Jesus. Yet most home sellers favor the simpler three- or four- inch replicas -- most of which are made in China and often depict St. Joseph as a carpenter.

Most statues come in a "Home Sale Kit" that is priced at around $5 and includes burial instructions and a prayer. One site, Good Fortune Online, recently added another kit with a statue of St. Jude -- known as the patron saint of hopeless causes -- "to help those with a difficult property to sell," the site says. Another site, Stjosephstatue.com, takes orders for its "Underground Real Estate Agent Kits" at 1-888-BURY-JOE.

Demand for the statues has been growing. Ron Weissman, who sells the statues at Good Fortune Online, says about six months ago he switched to online transactions because the increase in calls -- from about two a week to 25 calls a day -- was too much to handle. Richard Weigang, owner of www.catholicstore.com1, says he sells about 400 statues a month, double the amount he sold a year ago.

In Catholicism, St. Joseph, a carpenter, is honored as the husband of Mary and foster father of Jesus. Representing a humble family man, he is the patron saint of home, family and house-hunting, according to the Rev. James Martin, a Jesuit priest and author of "My Life With the Saints." Popular belief holds that people who wish to enlist St. Joseph's help in selling a house should bury his replica upside-down in the yard. (Apartment dwellers are advised to put him in a potted plant.)

Methods of burying the statue vary. Instructions in one package give buyers several options, including burying it upside-down next to the "For Sale" sign, burying it three feet from the rear of the house and burying it next to the front door facing away from the home. Phil Cates, owner of stjosephstatue.com, says: "I've seen it buried in all types of places with all types of ceremonies." He says the detailed burial instructions are largely intended to prevent people from forgetting where they put their St. Joseph. (His kits advise burying it facing it away from the house, to symbolize leaving.)

Theologians say there's no official doctrine that calls for the statue's interment. The practice may have stemmed from medieval rites of land possession, in which conquerors claimed land by planting a cross or banner, says Jaime Lara, associate professor of Christian Art and Architecture at Yale Divinity School. Mr. Lara also suggests that the tradition may have gotten mixed up at some point with folklore surrounding St. Anthony. St. Anthony, known as a matchmaker, would often be held ransom, upside-down, until he found a husband for someone's daughter, he says.

Some clergy aren't sure how St. Joseph would feel about his replica ending up on its head in the dirt, and suggest displaying it somewhere in the house instead.

"I think it's much more respectful than burying the poor guy," says Msgr. Andrew Connell, the archdiocesan director of the Pontifical Society for the Propagation of the Faith in Boston. Some retailers, such as Mr. Weigang, owner of www.catholicstore.com, also encourage buyers to put the statues in the house.

"We don't advocate burying," he says. "Some of those statues are quite beautiful."

Catholic leaders also say that faith and devotion are necessary, in addition to burying a statue, otherwise the practice amounts to little more than superstition or magic. But they are also enjoying the saint's newfound popularity. "If they have a good result and they think it was St. Joseph, it might inspire them to practice more," says Msgr. Connell.

Once someone's home sells, the custom holds, the statue should be dug up and put in a place of honor in the new home. That's what Ms. Luna did after she and her husband sold their house shortly after burying St. Joseph. She put the statue in her office in their new home in Portland, Ore.

But not everyone is aware of the follow-up step. Trudy Lopez and her husband buried a statue of St. Joseph when they were trying to sell their condo, even though Ms. Lopez is Jewish and her husband is a nonpracticing Catholic. They sneaked out late at night, worried they might be breaking a condo association rule.

"And I'm thinking, 'If my family knew what I am doing, they'd die,' " she says.

Soon they got an offer, but didn't realize they were supposed to bring the statue with them to their new home.

"I'm afraid a lot of the statues won't be unearthed and someone will go over St. Joseph's feet with a lawnmower," says Father Martin.

http://online.wsj.com/public/article/SB119370066239175607.html

While 70% Italians Favor Religious Instruction in Public Schools, Only 30% Have Read Gospels.

Few Italians Read Gospels, Survey Shows
Catholic World News
Oct. 30, 2007

Milan, (CWNews.com) - Roughly 70% of all Italians have not read the four Gospels, according to a survey published in the daily La Stampa.

The survey, conducted by Coesis Research for the publishing house Editrice San Paolo, found that most Italians nevertheless support religion, with 90% saying that they favor religious instruction in public schools.

Mother Teresa of Calcutta is the most popular religious writer among Italian readers today, the poll showed. Sts. Catherine of Siena and Teresa of Avila were also ranked among the top 5 preferred religious authors.

Among younger Italians, Pope Benedict XVI is the favorite living religious writer, while older Italians preferred Cardinal Carlo Maria Martini, the retired Archbishop of Milan, who has long been a favorite of liberal Catholics.

In recent years, the two most popular religious books in Italy have been Pope Benedict Jesus of Nazareth and Cardinal Stanislaw Dziwisz's account of his years as secretary to Pope John Paul II, entitled A Life with Karol.

First Generation Network: To Inspire Italian Technology Start Ups

FGN is attempting to overcome the substantially accurate perception in Italy that you must come from a wealthy family or have high placed connections. Americans do not perhaps realize that Europe is still rather stratified.

BlogNation Italy
Amanda Lorenzani
October 30, 2007

One of the sessions held at VentureCamp this month was given by three members of the First Generation Network - an organisation looking to unite and inspire Italian entrepreneurs through positive case studies and role models.

The panel was made up of Vitaminic Founder Gianluca Dettori, Marco Palombi who founded Splinder and Marco Rossi, Founder of Movenda. First Generation Network now has 15 members who give up their time to participate at events and give mentoring and advice to entrepreneurs. It’s a fantastic, positive showcase that proves it is possible to buck the negative stereotypes surrounding starting up in Italy and the team wants to address the “no risk” culture that prevails with providing real life proof.

The messages they are promoting among entrepreneurs get straight to the point and were highlighted by Dettori at VentureCamp:

1) You can do it on your own - sometimes Italy suffers from the illusion that it’s impossible to start something on your own without backing from friends in high places or a powerful family. This is not the case and First Generation provides the evidence contrary to the idea.

2) Italy has home grown success stories - there are many highly successful web / technology companies that are based in Italy. It’s not always easy to find them because, unlike in the US, entrepreneurs in this sector don’t have the same celebrity status among the industry and wider public. First Generation aims to provide positive role models for Italians to get inspiration from.

3) Information and help is available - it’s easy to think that starting up in Italy is almost impossible. Unearthing information on anything: from how to set up, company admin, taxes etc to building a support network can seem daunting. But, information and help is out there and the First Generation team gives up their time to diffuse as much of their knowledge as possible.

They also highlighted a new project, Capturing Creativity, which is being run in conjunction with the American Embassy in Rome. This series of web chats with key players also provides a great showcase of Italian success stories and is well worth checking out.

One of the points made by Gianluca Dettori is something that has been coming up regularly at events in Italy - that Italian entrepreneurs who were successful during the first dot com boom are now looking to reinvest with early stage seed funding.

This is really encouraging news for the Italian internet sector so if you are considering a start up or just want more information to help you make decisions, First Generation is a good place to start.

I would also be interested in finding out about other schemes running like this one which could prove a good source of information for entrepreneurs. Please let us know if you are involved with anything similar.

Monday, October 29, 2007

Italian Denise Karbon Wins Season-Opening Giant Slalom World Cup- Italian American Julia Mancuso, Second

Denise Karbon [Brixen (Bressanone),Trentino-Alto Adige] fought seemingly endless battle with injuries including a shattered knee then a broken ankle, and THEN a costly blunder by the Italian Ski Federation who had forgotten to freeze her World Cup rankings to protect her starting position.

Thus she was plummeted from a top-30 starter down into the 80s, Karbon's late start numbers meant she was constantly skiing on rutted snow as she tried to claw her way back to the top.

Despite those obstacles, the 27-year-old Italian, who has been dogged by serious injuries since she was 13, won her first World Cup race in four years on Saturday at the season-opening giant slalom at the Rettenbach course in a two-run combined time of two minutes 23.21 secs..
Olympic champion, Italian American Julia Mancuso of Olympic Valley, Calif., finished second.

Italian Denise Karbon Wins Season-Opening Giant Slalom World Cup

The Canadian Press October 28, 2007

SOELDEN, Austria - A seemingly endless battle with injuries and a costly blunder by her team couldn't stop Denise Karbon from returning to the top of the podium.

After struggling to overcome a shattered knee then a broken ankle - as well as a damaging plunge in the World Cup standings - the 27-year-old Italian won her first World Cup race in four years on Saturday at the season-opening giant slalom.

"It's my first victory in a long time," said Karbon, who tore down the Rettenbach course in a two-run combined time of two minutes 23.21 seconds. "But then, it's the first time in a long time that I haven't been injured."....

But it was a thoroughly enjoyable event for Karbon, whose health problems started when she was 13 and broke her femur. Her first day back on skis, she shredded her cruciate ligaments.

Karbon posted her first and only other victory at Alta Badia, Italy, in 2003. Then her luck turned.

In August 2004, she fell while training in Chile and destroyed her knee, tearing all the ligaments and meniscus and breaking the head of her tibia. In all, she has torn her ACL three times, requiring five operations.

She was still unable to compete in 2005-06, and when she arrived crying and afraid at the bottom of the foggy giant slalom course at the Turin Olympics, many thought her career was over.

To make matters worse, the Italian Ski Federation had forgotten to freeze her World Cup rankings to protect her starting position.

Plummeting from a top-30 starter down into the 80s, Karbon's late start numbers meant she was constantly skiing on rutted snow as she tried to claw her way back to the top.

But last season, Karbon regained confidence after placing ninth in Aspen, Colorado, seventh at Semmering, Austria, and third in Cortina, Italy. She also took bronze at the worlds in Are, Sweden.

"I couldn't be more surprised," Karbon said. "I went through a lot of tough times so this is quite an emotional time for me. I think of the people around me and how I had to fight, not just for myself, but to motivate and excite them."

Olympic giant slalom champion Julia Mancuso finished runner-up in 2:23.54 after a sizzling top section on her second run to come back from 12th position in the opening run.

"I had a wake-up call after the first run," Mancuso said. "In the second run my technique was poor but I was much faster. When I got down I was excited to be top 10 and then everybody kept falling back. I was definitely surprised to be on the podium."

Austria's Kathrin Zettel - who broke her leg in the downhill portion of a super-combi race in Tarvisio, Italy, last March - was third in 2:23.73.

Olympic silver medallist Tanja Poutiainen, who led after the opening run, slipped to fourth after a disappointing second effort.

Overall World Cup champion Nicole Hosp of Austria dropped from third to 12th after struggling with her skis......

Sunday, October 28, 2007

England has Similar North /South Quandry as Italy

This report is rather long and comprehensive, which is informative but tiring. But it does make us realize Italy is not singular in it's divisiveness. It also makes many of us realize a division in England we were not aware of before. There are divisions like this in every country, It just seems that Italy receives almost exclusive attention.

Focus: Changing Britain

North v South

The imaginary social barrier crossing the country was redrawn in a controversial new study last week. But how do Britons feel as they contemplate the new dividing line?

Guardian Unlimited, UK The Observer Elizabeth Day
Sunday October 28, 2007

It's not that Andrew Lepreux hates southerners, it's just that he thinks their beer tastes a bit funny and that they say 'bath' oddly. 'I'm Leicester born and bred and I think of myself as a northerner.' He breaks off to rearrange the small plastic punnets of cherry tomatoes on his market stall, his red anorak zipped up to protect against the drizzle. 'I have a northern perspective on things and by that I mean that I think we're maybe a bit more friendly, a bit more down to earth than the South.'
So what does Lepreux, 40, make of the academic study released last week that drew a new north-south dividing line across the country, placing the East Midlands city of Leicester firmly in England's southern realms, the land of metropolitan unease, high house prices and unfriendliness on public transport?

'Rubbish,' he says, with admirable straightforwardness. 'It doesn't make any difference to how I think of myself.'

Yet for all that he might dismiss the categorisation, culturally, socially and politically, the North-South divide has existed in our national psychology since the Industrial Revolution as a sort of informal border between the economically prosperous metropolises of the South and the provincial, industrial cities of the North.

The new line, devised by Danny Dorling, professor of human geography at the University of Sheffield, is based on a number of more recent socio-economic developments, including rising house prices, increased life expectancy and voting patterns.

Instead of starting at the Watford Gap as many Londoners believe, Dorling's line says the North begins at the Severn estuary and heads up towards the Humber, hitting the coast in a higgledy piggledy diagonal south of Grimsby. The Midlands was brutally dismissed as 'adding more confusion than light' to the country's geographical makeup.

'There is a missing year of life expectancy north of this line,' says Dorling, who was asked to devise the map for a new exhibition at the Lowry arts centre in Salford entitled 'The Myth of the North'. 'Children south of the line are much more likely to attend Russell Group universities [an association of many the country's best universities], a house price cliff now runs along much of the line and, on the voting map, the line still often separates red from blue.'

It is impossible to talk in terms of average figures covering areas such as house prices and incomes, says Dorling. 'The South has a few pockets of poverty in a sea of affluence, whereas the North has a few pockets of affluence in a sea of poverty. The two are opposed, but the average figure would be misleading because the divide is much bigger than any average would suggest.

'Beneath this line is where you start worrying about inheritance tax - above it, you should be worried about people being let off inheritance tax in the South, explains Dorling. 'In terms of life chances, the only line within another European country that is comparable to the North-South divide is that which used to separate East and West Germany.'

It also separates the neighbouring East Midlands towns of Nottingham - which finds itself in the north - and Leicester, which is deemed to meet the criteria necessary to shed the flat caps and release the whippets into the wild.

'I thought it was an interesting decision to put us south of the line,' says Margaret Draycott, a Labour councillor in Leicester, 'but I'm going to take it as a compliment because it's based on the fact that Leicester has a lot of good things going for it.'

The figures, certainly, are in Leicester's favour. There has been a recent commercial boom, with businesses attracted by the close rail links to London and the comparatively cheap office space. The average house price here is Ј145,000 compared to Nottingham's Ј127,000. A Leicester local can expect to live to an average age of 77, while 30 miles north, the average life expectancy in Nottingham is just 72.

Over recent years, areas of Nottingham have been hit by spates of gun crime - including when 14-year-old Danielle Beccan was fatally shot in the crossfire between rival gangs three years ago. GCSE attainment is below par; teenage pregnancies are substantially above the England average; a third of adults smoke and one in five is obese.

Do the statistics translate to a tangible difference in cultural identity? Or is the divide increasingly irrelevant in an area almost synonymous with immigration? Leicester's 289,700 population is almost 30 per cent Asian and the Commission for Racial Equality estimates that it will have a 50 per cent ethnic population by 2011, making it the first UK city where whites are a minority.

Pravin Dattani, 53, understands only too well the mercurial nature of cultural identity. He runs a business selling fabrics in Leicester. He was one of the 80,000 Asians expelled from his native Uganda by Idi Amin in 1972. Asking him to define himself as northern or southern seems absurd and he greets all such questions with a sanguine smile, a half-closing of the eyes and a measured exhalation of breath.

'I have lived through a changing history in Leicester,' he says, as he rolls up reams of brightly coloured cotton. 'We are more multicultural than anything else now. When I first arrived with my family, we weren't welcomed by Leicester City Council - even though we had British passports, so we had a right to be here. They told us they didn't want Ugandan Asians taking white jobs and they didn't give us housing. So we set up our own business selling textiles. We ended up thriving and there are millions of us here now. I have three boys and one girl and they were all born and raised here and they are completely English. To me, it doesn't matter where we are on the map. It just matters that we are here.'

Clearly, it seems that the traditional stereotypes of North and South engendered by this divide are, at best, meaningless and at worst, deeply patronising. The caricature of the hearty northern pigeon fancier with a taste for bread and dripping holds no more true than the stereotyped notion of a flashy southerner who wears chinos, works in banking and calls his children after Old Testament prophets. Still, it doesn't mean that we don't enjoy poking fun at each other.

'I'd prefer to be classed as a northerner. Down south, it's all offices, expensive prices and miserable people,' says Keith Williams, 53, the chair of the Leicester branch for the Campaign for Real Ale. 'The North has a better range of beers, it's more normal, more friendly. We've been down to London a few times for the Great British Beer Festival and that's such a dismal place. The closer you get to London, the higher the house prices and the worse the beer.'

Most of the people The Observer spoke to on either side of the divide believe the line is too simplistically drawn to convey the economic mosaic of our modern British cities, all of which contain a coexistence of deprivation and wealth.

Graham Allen, the Labour MP for Nottingham North, believes that Nottingham epitomises 'a tale of two cities'. There is, he says, a prosperous, urban nucleus with two highly regarded universities and a thriving shopping centre. Then there are the working-class estates that used to feed the coalmines, the pockets of poverty, disillusionment and a chronic lack of education.

'Most of the kids on my patch arrive at school unable to speak a sentence or recognise a number,' he said. 'One of my key initiatives is to ensure, through early intervention, that these children are school-ready, so they can then be life-ready. Nottingham is sadly the UK city that gets the fewest kids into university.

'That is not a tale of North or South. The line doesn't reflect daily reality and I don't think it's a helpful thing. I'm looking for answers, for solutions, for something that attacks the inter-generational nature of these problems, whether that's in the North or the South is irrelevant: it's wherever there's deprivation. Just to say that one side of the line is deprived and one isn't... well, it might make a nice graphic, but it doesn't help me to get one more kid into school.'

If anything, it seems that, north of London, our notion of identity has retained its distinctly local flavour. The inhabitants of Leicester and Nottingham are far more likely to think of themselves in relation to their home towns than their regional origins.

When, four years ago, East Midlands airport was renamed Nottingham airport, despite being closer to Leicester, there was such an outcry from Leicester residents that managers were forced to drop any city's name from the title.

The two cities have long enjoyed a healthy rivalry that seems mostly to stem from Nottingham's appropriation of the Robin Hood legend. Leicester's most famous sons include the somewhat less dashing Engelbert Humperdinck (the singer, not the composer) and an 18th-century prison warder called Daniel Lambert who bears the dubious distinction of being one of the most obese men in history. He weighed 50 stone when he died in 1809 and the circumference of his waist measured 9ft 4in. Several residents tell me his story with barely concealed civic pride. Items of Lambert's clothing are still displayed as star exhibits in the local museums.

'If you ask people from Leicester or Nottingham where they feel they're from, it's much more rooted in communities, in a mixture of localities and ethnicities,' says John Heeley, the chief executive of the Experience Nottinghamshire tourist board. He sits in a purpose-built conference room in his offices, the walls hung with a series of photographs depicting glossy, happy, shining scenes of Nottinghamshire life.

'For some people, that identity may be a football ground where it all comes together, past and present, at 3pm on a Saturday but it's certainly not a regional identity,' he says. 'I don't think regional identity exists beyond being useful for bureaucratic, administrative reasons.

'The North-South divide is and always has been less than useful and the reason for that, I think, is that it camouflages a much more important and meaningful divide between what is basically London and the Home Counties versus the provincial, former industrial cities. It seems to be an arbitrarily drawn line.'

For Heeley, the placing of Leicester and Nottingham on opposite sides of the divide highlights the weakness of the concept. The two cities, he contends, are vastly similar. Both are forging new identities, having lost the industries that once defined them. In Leicester, the old hosiery and footwear factories have been bought up by property developers. In Nottingham, the famed Raleigh bicycle factory was demolished in 2003 to make way for a university campus extension. The coalmines were closed by the bruising and bloody battles of the 1980s. Their fates, and those of countless other post-industrial enclaves across the country, are almost interchangeable.

'It's a city that's finding its way,' says Roger Coulter, a 61-year-old restaurateur and retired estate agent. 'The old industries - the lace makers, the cigarette manufacturers - have all largely disappeared and now we're searching for things to replace them, whether that be through the development of office space or residential flats.

'One of the most celebrated descriptions of an industrial city in the 1960s was in [Alan Sillitoe's] Saturday Night and Sunday Morning which was written by a Nottingham author. It was grimy, black and summed up what life was like, but it could have just as well been set in Bristol, in Glasgow or in Derby. But it couldn't have been set in London. The Full Monty was filmed in Sheffield, but it was based on a story of unemployed car-workers from Coventry.'

Although most locals would admit to a certain tribal delight in describing themselves as northerners or southerners, it seems to be accompanied by a tacit acknowledgement that such distinctions are retrograde, to be treated with a dose of humour rather than further dignified by academic study.

Underneath the strip-lit awnings of Leicester market, Janet Bass, 67, says that the dividing line is 'a bit old-fashioned'. She has lived in Leicester since 1946, after moving from London with her family to seek a better quality of life after the Blitz.

'It's divisive isn't it?' she says, standing by a stall selling bird seed and disparate household items. 'It conjures up all sorts of cultural differences and encourages people to think of themselves as separate places, rather than just as England or Britain. If you're going to move it at all, why not get rid of it altogether?'

The multicultural ethnic mix in this corner of England brings with it a sense of being part of a broader global community. Just as the advent of the railways in the 19th century seemed to create a single nation out of a hundred localities, so the growth of cheap flights in the 21st century and the spreading tentacles of the internet, appear to have fostered a greater sense of global belonging.

'There is an awareness of the wider world,' says Heeley. 'But the more you expand your consciousness globally, the more another part of you will seek refuge in your home, in those locally rooted symbols and past-times.'

Inside the raucous Globe pub on Silver Street in the centre of Leicester, the regulars are not too fussed whether they find themselves in the North, the South or the Midlands.

'I was born in Scotland, so everything seems south to me and it doesn't really mean much,' says the landlady Janet Kerr, 45, a diminutive blonde who struggles to make her voice heard over the good-humoured din. 'But I have noticed a difference in how people drink their beer. In the South, they like their beer flat, without a head. In the North, they like it with a bit of sparkle and we pull it with a head. In Leicester, our regulars want a head on their ale, so I would say that makes them northerners.'

It seems that this is just as good a demarcation line as any. By closing time, no one really cares where they find themselves. They just want to find their way home.

Counting the cost

Ј265,000 Average cost of a house on the South coast compared with Ј159,000 in the North.

54.9 Average healthy life expectancy - the age at which ill-health sets in - in Middlehaven, Middlesbrough, against 86 years in Didcot, Oxfordshire.

10 years Boys born in Manchester likely to die this much younger than those in Kensington and Chelsea.

90 per cent of areas with highest rates of emergency hospital admissions due to alcohol are in the North.

75 per cent of NHS trusts in the north east were rated excellent or good, but three-quarters were rated fair or weak in the south east.
Rowan Walker

"Playing for Pizza" Makes Reviewer an Italian Devotee, but No Football Fan

This Reviewer from Malaysia, after having read Grisham's latest book, "Playing for Pizza" finds that she has learned two things: FIRST, Italy is the place to go to before she dies, and, SECOND, American football is a difficult game to read about.
But then maybe it's a Chick thing ?? :)


Just Forget the Football

Malaysia Star - Malaysia Review by Sharmila Nair Sunday October 27, 2007

A legal thriller master writes about playing football but wins our reviewer over with everything else but football.

PLAYING FOR PIZZA By John Grisham Publisher: Doubleday; 258 pages (ISBN: 978-0385525008)

BEFORE picking up Playing for Pizza, I had only read two of John Grisham's non-legal novels, A Painted House and Skipping Christmas. I must confess that, although the books were good, I had wished at least 70 times that I'd wake up to find out that he hadn't written them at all.

Now, don't get me wrong, Grisham is quite talented at switching from high-octane legal thriller vein to more mundane mode and writing interestingly about stuff we take for granted.

But reading a Grisham minus the due process drama is like eating non-fat chocolate cake - it's chocolate but not real chocolate, and you'll never feel the same satisfaction in the end. Know what I mean?

So, obviously, I approached Playing for Pizza which much trepidation. But I was asked to review it, so I pushed aside my initial apprehension and tried the novel.

First of all, it's an easy book to read, as it took me fewer than eight hours and only two "You're going to go blind if you keep reading like that" comments from my mother to finish it.

And when I finally had, I'd learned two things: first, Italy is the place to go to before I die, and, second, American football is a difficult game to read about.

(Thanks to Astro's ESPN and the like, you probably realise, of course, I'm not talking about the "football" that most Malaysians mean when that word is used - the Americans, being Americans, just had to be different and develop their own version that involves carrying the ball....)

The story revolves around NFL (National Football League) Hall-of-Shame inductee Rick Dockery who, from the author's description, seems like a good-looking guy with the luck of a straight man in a gay bar....

After a disastrous game that leaves him physically broken and mentally defeated, Dockery wakes up from a 24-hour coma only to face a mob of angry Cleveland Brown fans and several death threats.

We then follow our fallen hero to la bella Italy, where he is (under)paid to play American football for the Parma Panthers. In a land where American football is almost unheard of, and with a team that looks forward more to the after-practise pizza session than the game itself, Dockery finds himself leading the reluctant Panthers towards winning the Italian Super Bowl title, for which the team has never -ever - even qualified.

And this is when the trouble starts, for the average non-American reader, anyway. Grisham, unfortunately, thinks that all his readers are well versed with the terms and technicalities of this very American sport - doesn't the man know that the "beautiful game" is what the rest of the world plays, not the American version?

Halfway through the book, I was tempted to put it down and Google the football terms that the author uses, to my mind, excessively, just so that I could get a clearer picture of what the heck he's talking about. What is a 50-yard penalty? Or bootleg? Or flipped and faked?

All this unnecessary detail about the game - the man describes every move, every throw, every fall, ad nauseam - can make following the storyline very frustrating.

Perhaps, I thought to myself, after the umpteenth description of a great goal kick, this book isn't suitable for non-sports fans? So I asked my friend, a sports fanatic, if he could explain to me the game of football.

He started with Manchester United, then stopped with shrug and a "Dunno", when I added the word American in front of "football".

If a die hard fan of all things sporting couldn't tell me what American football was all about, then how was I, a bookworm, a sitcom junkie and a 60kph type of driver, ever going to follow the game just by reading about it?

And that is when I realised the secret to thoroughly enjoying this book: whenever Grisham dissected game play, I'd skim through quickly because I learnt that re-reading the paragraph seven times wouldn't bring clarity, anyway.

Once you do that, you can settle in to enjoy the man's writing. Grisham does a wonderful job of bringing Italy to life, evocatively describing the pastas, wines, cheeses, places and, even more beautifully, its people.

He is excellent at illustrating the Italian way of life just through words - so much so that, once, I could have sworn I could smell the fresh aroma of the coffee he was writing about (okay, I guess it could have been my mother brewing a cup in the kitchen).

Even with nary a courtroom scene, Playing for Pizza has almost everything it takes to be a good John Grisham novel, once you ignore the irritating football commentaries.

It's obvious that the author offers this book with a dash of love and a whole lot of camaraderie, so Playing for Pizza is well worth reading. But don't say that I didn't warn you about the football lessons, capiche ?

http://thestar.com.my/lifestyle/story.asp?file=/2007/10/28/lifebookshelf/19204620&sec=lifebookshelf

Joe Calzaghe - 'The Italian Dragon' - WBO Super-Middleweight Champ Goes for Kessler's WBA and WBC Belts

Joe Calzaghe, WBO Super-Middleweight, 35 now, of Italian-Welsh ancestry is called 'The Italian Dragon' and 'The Pride of Wales'.

His magnificent, unbeaten record of 43 fights and the fact that since he knocked out Chris Eubank, he has been a champion for 10 years means that those great American Light Heavy Weights, Bernard 'The Executioner' Hopkins (42) and Roy Jones Jr (38) and others, have ensured avoidance with excessive pay requirements

Proposed invasions of the United States by Calzaghe have never happened. After the way he demolished the American, Jeff Lacy, in Manchester in March last year, American reluctance to meet him is understandable.

Another win, predicted against Mikkel Kessler, will make it his 21st successful title defence. Only two other boxers, Dariusz Michalczewski, of Poland, with 23, and the greatest legend of them all, Joe Louis, with 25, have gone beyond 21.

Kessler, another undefeated boxer with 29 knock-outs in his 39-fight career, suggests he is worthy of creating apprehension . At 28, he is supposedly at his peak. The timing of next Sunday's televised fight is tailored for American television.


Joe Calzaghe's Dream in Own Hands

Telegraph.co.uk - United Kingdom
By James Mossop
October 28, 2007

A swarthy warrior feints with a southpaw right, fires a piston left and looks down upon a flattened Danish pastry called Mikkel Kessler. Wales erupts in jubilation.

Joe Calzaghe is the uncompromising punishment dispenser and intends dispatching his latest victim before tens of thousands of admirers somewhere between one and two o'clock in the sharp, middle-of-the-night air at the Millennium Stadium, Cardiff, next Sunday. Calzaghe aims to defend his WBO super-middleweight (12 stones) championship while removing Kessler's WBA and WBC belts.

There is one worry. The hand that is expected to end the night's business can be as fragile as glass. He fractured it when fighting Evans Ashira in September 2005, but Calzaghe disguised the pain of a redundant weapon to win one-handed. It went again in the gym shortly before he was due to meet Glen Johnson last summer.

His magnificent, unbeaten record of 43 fights and the fact he has been a champion since he knocked Chris Eubank around 10 years ago means that those great Americans, Bernard 'The Executioner' Hopkins and Roy Jones Jr and others, have ensured avoidance with excessive pay requirements.

Hands up, Joe, can you trust that fist of yours to stay firm against Kessler, the bruiser from Copenhagen? His brown eyes dropped towards the dubious metacarpals as we discussed the issue the other day. He said: "I have been boxing for 25 years and I have had this weak hand, well it's not really weak, since I was 14. I have broken my hand before but, thank goodness, everything is all right for the fight and has been all the way through 10 weeks of training.

"You only have limited protection with the 10-ounce fight gloves, so it is all in the lap of the gods. If you hit the guy on the top of the head in the first round you are going to break your hand.

"But I am not going in there thinking about it. My hands are strong and I am going in there throwing both of them."

Calzaghe is 35 now, of Italian-Welsh ancestry which means the poster boys announce him as either 'The Italian Dragon' or 'The Pride of Wales'. Another win, predicted against Kessler, will make it his 21st successful title defence. Only two other boxers, Dariusz Michalczewski, of Poland, with 23, and the greatest legend of them all, Joe Louis, with 25, have gone beyond 21.

Proposed invasions of the United States by Calzaghe have never happened. After the way he demolished the American, Jeff Lacy, in Manchester in March last year, American reluctance to meet him is understandable.

Lacy arrived as the man most likely restore a fading American scene. He was to consign Calzaghe to the archives, thrill armchair viewers from Seattle to Sarasota and pack future ringsides. But Joe took his IBF belt in style, although he later relinquished it rather than meet a nominated no-hoper.

Some may say that the absence of an American stamp on his passport means there is a credibility gap in his career. "I still think there is a possibility that I will go there," he said, "but there have not been any big super-middleweight Americans. Jones and Hopkins were ear-marked but neither of them really wanted it.

"It's just one of those things. If I never fight in America I don't see it as a big void in my career. When you look at filling a stadium with 40,000-odd thousand people that is a much bigger buzz than fighting in America in front of 4,000. I've still got a chance if it comes off with Hopkins and that would most likely be in the States. If not, so be it."

After the Kessler fight, Calzaghe plans to step up to light-heavyweight, a division where Hopkins now resides at the age of 42. Jones, another possibility, is 38 and both are hovering around retirement decisions.

Calzaghe, always supremely fit and perfectly prepared by his father-trainer, Enzo, can also see the day when the gloves are removed for the last time. What would be the ultimate fulfilment and how should we remember him?

He thought for a moment and said: "Fulfilment would be to win this fight and then go for one, maybe two, at light-heavyweight, do something in that division and then retire undefeated. That's the scenario for the rest of my career.

"I suppose I would like to be remembered as one of the best, perhaps the best super-middleweight there has been, and one of the top fighters in this country with my reign of 10 years as champion. I am proud of all of my achievements. Everyone has an opinion. Every fight is career-defining. I am my own worst critic but to dominate a fellow world champion the way I did against Lacy was not bad. I was proud of myself about that."

Now there is Kessler, another undefeated boxer with 29 knock-outs in his 39-fight career. His record suggests he is worthy of creating apprehension in the Calzaghe camp and says he has a plan.

"Ah, they all say that," snorts Enzo. "They all have plans for beating Joe. There is no way, no system for beating him. There is only one Joe Calzaghe."

Kessler clearly is not a man to respect reputations. At 28, supposedly at his peak, there is plenty of bark as we wait for the bite. Calzaghe is ready, saying: "He had better watch out because there is nothing I like more than a bit of needle. When I smell danger, my fighting instincts kick in. He has never been involved in a fight like this before."

The timing of the televised fight is tailored for American television — and insomniacs — and provides Calzaghe with another chance to impress those critics who continue to question his credentials.

To prepare himself for Kessler he has been training at midnight. This week the hard work is diminishing but there will be some fretful dieting as he sheds seven pounds to make the 12st limit. Out of training, he tops 14st, hence the resolution to turn to the 12st 7lb light-heavyweight class. "I can't wait for Friday's weigh-in," he said, "because after that I can start eating and drinking the stuff I like. I'll be irritable till then."

Saturday will be a long one. He would love to lie in bed late but admits it is impossible. He will be alert at 8am. He may try to rest in the afternoon but "the adrenalin will be racing and the fight will be on my mind. I am not like Lennox Lewis who could sleep in the changing room before a big fight".

Cometh the ungodly hour, may the hand of glass become the fist of stone.

  • Setanta Sports 1, Saturday from 8.15pm, not pay-per-view.

    www.telegraph.co.uk/mossop

  • Incredible: 63 years Later, Army Exonerates Blacks who Lynched Italian POWs !!!!!!!

    In 1944, Fort Lawton (near Seattle) an all-black unit in the segregated Army was preparing to ship out for New Guinea. While they waited, the men were barracked near a group of about 200 Italian prisoners of war who worked as laborers at the fort.

    The Blacks HIGHLY resented the Italians POWs, NOT for anything the Italians did, BUT because the Italians benefited from the US Army's SEGREGATION policies, and PRIVILEGES that were granted to the POWs, because the Italians were willing to do Labor, NOT required by the Geneva Convention.

    The Italians were permitted to "court" white local women in segregated bars, that were "off limits" to Blacks.

    The Blacks feeling black women were not as desirable as the white women, and having to work harder at gaining access to white women were angry. Also apparently, the Blacks feelings were hurt, because they could not sleep in the same barracks, or eat in the same mess hall with the white soldiers.

    Therefore, the Blacks felt these "slights" by the US authorities supposedly "entitled" the Blacks to taunt Italians, start fights with them, lynch one of them, and hospitalize 26 Italians after the Black soldiers "stormed the Italian barracks with rocks, sticks and knives".

    28 Blacks were court-martialed. Now 63 years later it seems politically expedient, and convenient historical revisionism, to excuse the Blacks conduct!!!!!! This is a gigantic Travesty!!!!!

    It is like I am not permitted entrance to a Private Club, because I can't Afford the membership, or be "Approved", and all the great looking young starlets are inside, out of my reach. So I break in with a baseball bat, and start bashing in the heads of the employees, because I am a "victim" of "class" discrimination. I am justified Right??? And the Difference is?????

    Are you going to tell me that Discrimination against the "Untouchables" in India, which is Not "racial", but "class" is OK, Or the Ashkenazi discrimination against Sephardics in Israel, which is not racial, but class, would justify riotous or terrorist activities????


    63 Years Later, Army Exonerates Black Troops

    Seattle Times By Jonathan Martin
    Staff reporter Saturday, October 27, 2007

    For more than a half-century, the convictions of 28 African-American soldiers for a riot that ended in the lynching of an Italian prisoner of war at Seattle's Fort Lawton during World War II has held an uneasy place in history.

    It was the Army's largest court-martial of the war, and it was one of the region's worst conflicts between blacks and whites.

    On Friday, the incident gained a new place in history. In what is believed to be an unprecedented ruling after a yearlong review, an Army review board tossed out the convictions after finding the trial was "fundamentally unfair."

    The ruling by the Army's highest administrative-review board has granted honorable discharges and back pay for four soldiers whose families petitioned for the review. And it will likely apply to the other 24 soldiers if their families also petition, according to attorneys involved in the case.

    Only two of the soldiers are still alive.

    "It's a real beautiful thing," said one of them, Samuel Snow, 84, of Leesburg, Fla.

    The decision reflects a willingness by the government to "correct the record," said Col. Dan Baggio, the Army's chief spokesman.

    "We learn by mistakes, when we do make mistakes, even when it takes a long time," he said Friday. "We feel good about getting it right."

    The unusual review by the Army's Board for Correction of Military Records began more than a year ago at the request of U.S. Rep. Jim McDermott, D-Seattle, who had read about the August 1944 incident in "On American Soil," a book by Seattle author Jack Hamann.

    Tensions with POWs

    In 1944, Fort Lawton — most of which is now Discovery Park — was an important staging ground for the war in the Pacific. Snow's all-black unit in the segregated Army was preparing to ship out for New Guinea.

    While they waited, the men were barracked near a group of about 200 Italian prisoners of war who worked as laborers at the fort.

    Tensions between the Italians and Americans both black and white rose for a number of reasons. Italians got leave to drink in off-base bars that didn't serve blacks, and also chased the same Seattle girls pursued by white soldiers.

    "It was racial, real racial," recalled Snow. "I never slept with white soldiers, or ate in a white mess hall."

    The night of the riot, some of the black soldiers and some of the Italians exchanged drunken insults and fought, Hamann said. Then a white military policeman "fanned the tensions" of the black soldiers and whipped their anger into a riot, probably because he resented the Italians for courting local women.

    The next morning, an Italian private, Guglielmo Olivotto, was found hanged in the woods. A Seattle Times story at the time said 26 Italians were hospitalized after the black soldiers "stormed the barracks of the former Axis soldiers," reportedly with rocks, sticks and knives.

    Defense obstacles

    Although only two Italians could identify their attackers, 43 black soldiers were tried in a combined trial. All of them were represented by two defense lawyers, including Howard Noyd, who is now 92 and living in Bellevue.

    Noyd recalled Friday that he had about 10 days to prepare, not enough time to even interview all the defendants.

    Defense lawyers were also denied access to an Army inspector general's investigation, which included suggestions that the white military policeman might have been involved in the lynching. Yet the prosecutors were able to draw from evidence in the "confidential" report.

    "It was a very critical point," Noyd said. "We wanted all the investigation that the government was using, and we were denied that privilege."

    In the end, 28 of the soldiers, including Snow, were convicted of rioting. Two were convicted of manslaughter in Olivotto's death.

    Snow served a year in the brig. Other soldiers served as many as 25 years.

    "... it was so egregious"

    In its ruling Friday, the Army board said the lack of preparation time afforded the defense, along with the denial of access to the inspector general's report, meant the soldiers didn't get a fair trail. The panel noted that the white military policeman, who had testified against the black soldiers, was later convicted of abandoning his post during the riot.

    Left unstated in Friday's report is mention of the racial inequities that permeated the segregated wartime Army.

    "You have to remember, it comes out of an era when racial relations were awful," said Rep. McDermott. "When you look at the facts, it was so egregious. I think the Army, for its own pride, had to say, 'We made a horrible mistake here and we have to make it right.' "

    Experts in military justice said Friday that they were aware of no larger case of military convictions being overturned.

    "I think it is terrific sign that the military justice system is reckoning with its past mistakes," said Elizabeth Hillman, a visiting law professor at the University of California, Berkeley. "Without the political pressure, this never would have happened."

    How much back pay?

    It remained uncertain Friday how much the surviving soldiers and the heirs of the deceased might end up getting in back pay and benefits because of the ruling. Baggio, the Army spokesman, said those decisions had not yet been made.

    But at the very least, the ruling will give families benefits such as a marble headstone and a flag presented by the Army to veterans, Hamann said.

    "I have to be saddened that most went to their grave knowing this injustice was done and not living to see it corrected," he said.

    After the war, Snow went back to his hometown of Leesburg to work as a church janitor and raise two children. But because of his dishonorable discharge, he couldn't get such benefits as the GI Bill for education and veterans health care.

    Friday, Snow said he could definitely use the money a settlement would bring. But he was more concerned on Friday about finally getting an honorable discharge.

    Years ago, in an effort to hide the conviction from his children — even though he considered it a racist injustice — he set fire to his Army paperwork.

    "I'm rejoicing today," said Snow. "I'm not mad at nobody. I'm just as satisfied as can be."

    Jonathan Martin: 206-464-2605 or jmartin@seattletimes.com

    Jersey Devil Bon Jovi Debuts "new" Jersey Devil Stadium

    This was a special occasion: opening night at the Prudential Center, the gleaming new arena in downtown Newark.Tthe building’s flagship team is the ice hockey New Jersey Devils.
    To celebrate the grand opening, the center - booked New Jersey’s most indefatigable rock band, Bon Jovi, to play a 10-night stand.
    Certainly Mr. Bon Jovi was pleased to play the dual role of gracious host and proud native son. "I’m the Jersey Devil, and this is my new house," he said. And for more than two hours, his band played on.

    It’s hard not to marvel at this band’s career. "Slippery When Wet," Bon Jovi’s third album, from 1986, was a career-making blockbuster, spawning three songs that helped define an era: "Wanted Dead or Alive" , "Livin’ on a Prayer" and "You Give Love a Bad Name." Then, having lit the fire, the members of Bon Jovi merely needed to stoke it with a new album every few years, and the occasional hit single.

    One need not be a record executive (though it probably helps) to admire Bon Jovi’s unabashedly practical approach. At the turn of the century, when teen-pop was ascendant, the band collaborated with the teen-pop mastermind Max Martin on a bubblegum rock song, "It’s My Life," that soon became a worldwide favorite. And when "Who Says You Can’t Go Home," a Bon Jovi song that was rerecorded as a duet with Sugarland’s Jennifer Nettles, unexpectedly topped the country chart, the band members merely shrugged and got to work on "Lost Highway" (Island), a Nashville-influenced album released in June.

    “Lost Highway" hasn’t (yet) given the band another country-radio favorite, but for now the members are part-heartedly embracing country-rock, nudging Bon Jovi away from the synth-rock sound that made it famous.Thursday’s set included "Summertime", (a 2005 Kenny Chesney song)


    Music Review | Bon Jovi

    A Brand-New Arena and a Not-So-New Rock Star

    New York Times
    By Kelefa Sanneh
    October 27, 2007

    NEWARK, Oct. 25 — The night was almost over and Jon Bon Jovi had a serious request: “Will you please rise for the playing of our national anthem?” And if you didn’t know what he meant, Richie Sambora’s 12-string guitar probably made it clear. O say does that snug-trousered cowboy still ride? Indeed, and on a steel horse, too. Thousands of New Jersey patriots helped Mr. Bon Jovi finish the chorus: “Wanted — wanted! — dead or alive.”

    As you might have guessed from the red carpet outside and the omnipresent police officers, this was a special occasion: opening night at the Prudential Center, the gleaming new arena in downtown Newark. No N.B.A. franchise calls it home, so the building’s flagship team is the New Jersey Devils, who play a sport known as ice hockey. (Apparently it’s like curling mixed with lacrosse.) And to celebrate the grand opening, the center — which may or may not come to be known by its publicist-approved nickname, the Rock — booked New Jersey’s most indefatigable rock band, Bon Jovi, to play a 10-night stand.

    Certainly Mr. Bon Jovi was pleased to play the dual role of gracious host and proud native son. “I’m the Jersey Devil, and this is my new house,” he said. And for more than two hours, his band played on (and on!). By 11:07, when the time finally came for the aforementioned “Wanted Dead or Alive,” it seemed that the people onstage (and maybe some of those in the well-padded seats, emblazoned with the Devils logo) had gone from excitement to weariness and back again.

    It’s hard not to marvel at this band’s career. “Slippery When Wet,” Bon Jovi’s third album, from 1986, was a career-making blockbuster, spawning three songs that helped define an era: “Wanted Dead or Alive,” “Livin’ on a Prayer” and “You Give Love a Bad Name.” Then, having lit the fire, the members of Bon Jovi merely needed to stoke it with a new album every few years, and the occasional hit single.

    One need not be a record executive (though it probably helps) to admire Bon Jovi’s unabashedly practical approach. At the turn of the century, when teen-pop was ascendant, the band collaborated with the teen-pop mastermind Max Martin on a bubblegum rock song, “It’s My Life,” that soon became a worldwide favorite. And when “Who Says You Can’t Go Home,” a Bon Jovi song that was rerecorded as a duet with Sugarland’s Jennifer Nettles, unexpectedly topped the country chart, the band members merely shrugged and got to work on “Lost Highway” (Island), a Nashville-influenced album released in June.

    “Lost Highway” hasn’t (yet) given the band another country-radio favorite, but for now the members are part-heartedly embracing country-rock. Thursday’s set included “Summertime,” a song from the new album that bears a faint resemblance to a 2005 country song by Kenny Chesney. (Perhaps you remember it? It was called, um, “Summertime.”) And the extended band included a violinist and a pedal steel guitarist, who spent part of the night nudging Bon Jovi away from the synth-rock sound that made it famous.

    To underscore the notion that this 10-night stand is something special, the band booked five different opening acts, each scheduled to play two nights apiece. In that sense, Bon Jovi was actually the second band to play the Prudential Center; the first, about an hour earlier, was My Chemical Romance. That band, which rose from the New Jersey emo scene, played a typically great set full of theatrical tantrums and neo-goth love songs, ending on an audacious note with the piano ballad “Cancer.” Later, Mr. Bon Jovi called My Chemical Romance “the next generation of Jersey band,” and for the encore he emerged in a My Chemical Romance T-shirt. (The other opening acts are Gretchen Wilson, Big & Rich, Daughtry and All-American Rejects.)

    Halfway through the concert, Mr. Bon Jovi announced that this extended run was the start of a world tour. “After these shows sold out, we decided that it was time to hit the road,” he said, although perhaps he was overstating the case slightly. As of Friday afternoon, tickets to eight of the remaining nine concerts were still available from Ticketmaster.

    Still, no one can deny that Mr. Bon Jovi remains an A-list rock star, in New Jersey and far beyond. He has some of what Bono has: likable self-regard, an infectious belief that his rightful place is onstage, with thousands of fans singing along. What he doesn’t have, of course, is U2. While Bono sings grand, important-sounding choruses about nameless streets and beautiful days, Mr. Bon Jovi’s solemn confessions are more along the lines of “Your love is like bad medicine.” To elaborate on this point: “Bad medicine is what I need.” Furthermore: “Oh-oh-oh.”

    When he strains for gravitas — or, maybe, for Springsteenishness — the results can be ludicrous. Exhibit A: an overlong rendition of “Blaze of Glory,” Mr. Bon Jovi’s half-twangy solo hit from 1990, which came lumbering back to life just when it seemed to have finally expired. But most of the hits work as well as ever, thanks partly to his breathy, still-boyish voice, which always seems to be delivering the same two messages: “We’re gonna make it” and “C’mere.”

    For that matter, the building put on a pretty good show, too. The sound was great, for an arena, and the nearby train station is now the site of a continuing science experiment. What happens when you cram a PATH train full of unabstemious revelers and shut the doors? Preliminary results on Thursday night were intriguing but inconclusive; expect better data by the end of hockey season.

    And what can concertgoers expect from the Prudential Center? After Bon Jovi, the arena’s schedule includes lots of hockey and college basketball, some mixed martial-arts fights, and shows by the tween-pop star Miley Cyrus (also known as Hannah Montana) and the reunited Spice Girls.

    But the presence of Bon Jovi on opening night only underscored the fact that there aren’t many young bands that can reliably play rooms this big. And all night long it was possible to marvel at the contrast between the sleek new building and the un-sleek, decidedly un-new band onstage. Good news for developers, bad news for promoters, mixed news for Newark: it seems arenas have outlived arena rock.

    Bon Jovi is playing at the Prudential Center, Lafayette and Mulberry Streets, Newark, through Nov. 10; (201) 507-8900 or prucenter.com.

    If there is Farro/Spelt --Why would you want Wheat?????

    Wheat is bland and full of chemicals and whatever, Farro/Spelt has a great nutty Flavour, Organic, Highly Nutritious, Easier to Digest.
    In a world before wheat, spelt, a kind of proto-wheat. was what people grew and ground to make flour, or didn't grind and used as a bulk vegetable in soup and the like. The Macedonians were doing it 5,000 years ago. The Italians still do - they call it farro.
    In its natural state, spelt looks like an ear of wheat carved out of wood. Before its armour-plated husk is removed, it has a kind of massive solidity. And after the husk has gone, it looks like a long, stone-coloured grain, a cross between rice and barley. And that, is what it is.

    The spelt mill is inside is all state-of-the-art hoppers, sieves, bins, brushing machines, pearlers, polisher, magnets (You don't want the odd bit of combine or tractor in our spelt), mill stones and extractor vacuums.

    There isn't much to see. The spelt goes in one end, has its husk removed ("We want to keep it in the husk as long as possible, because it protects the grain against disease and insects, and preserves the goodness in it") and wholewheat or refined flour, or pearlised grains, come out the other.

    If a person is really concerned about what they eat. Commercial wheat is full of flavour enhancers and stuff. But what are flavour enhancers? And what do they do to you? It could be salt, sand or cyanide for all we know.

    As for spelt, It's got a great nutty flavour. Mild. Unique. The flour makes great bread. And cakes, biscuits, pizza and pasta. And you can use the pearlised grains instead of rice or couscous - they soak up flavour. And it's healthy."

    It also is a substitute for wheat for people with intolerances to flour - spelt has a brittle gluten structure, which makes it easier to digest. And given its organic production and careful, low-temperature milling, the finished product doesn't lose many of its other highly nutritious qualities.

    Convinced????


    The Proto-Wheat Farm
    Matthew Fort meets a man whose life was changed by spelt in Somerset


    The London Guardian

    Matthew Fort
    Saturday October 27, 2007
    Pete Ticknell was a tyre fitter for 23 years before he discovered spelt and changed his life for ever. For those, like me, who don't know much about it, spelt is a kind of proto-wheat. In a world before wheat, it was what people grew and ground to make flour, or didn't grind and used as a bulk vegetable in soup and the like. The Macedonians were doing it 5,000 years ago. The Italians still do - they call it farro.
    In its natural state, spelt looks like an ear of wheat carved out of wood. Before its armour-plated husk is removed, it has a kind of massive solidity. And after the husk has gone, it looks like a long, stone-coloured grain, a cross between rice and barley. And that, in a way, is what it is.

    There's not much of Macedonia about Sharpham Park. It has the lushness of well-watered Somerset, and the order of a well-run farm in which a good deal of money and vision have been invested. There are White Park cattle, with pure white astrakhan coats, wiry, dark Hebridean sheep and dishcloth-grey Manx Loghtans. And then there are the fields of spelt. Actually, there wasn't much to see - the harvest had been brought in during August, and the fields were being sown, in rotation with clover and beans; this is a strictly organic operation. So off we went to Pete The Miller's pride and joy, the mill, the only organic one in Europe dedicated to spelt.

    The last time I went to a flour mill, it was the water-driven one at Golspie in Scotland, a place of ghostly beauty shrouded in flour. There was none of that here. "You've got to treat flour like gunpowder," said Pete when I told him about it. "We don't want to burn the place down."

    The mill is housed inside an old barn that's been rebuilt to order and clad in clapperboard. But if the outside has a nouveau rustic air, inside is all state-of-the-art hoppers, sieves, bins, brushing machines, pearlers, polisher, magnets ("We don't want the odd bit of combine or tractor in our spelt," Pete explained), mill stones and extractor vacuums. There isn't a trace of flour anywhere, except in the bags where it's supposed to be.

    There isn't much to see here, either. The spelt goes in one end, has its husk removed ("We want to keep it in the husk as long as possible, because it protects the grain against disease and insects, and preserves the goodness in it") and wholewheat or refined flour, or pearlised grains, come out the other.

    But the lack of romance doesn't bother Pete: he has the enthusiasm of a boy with a new toy. He's been in the job only 12 months, but it has had a profound effect on the way he lives. "I used to be a bit of a Ginsters bloke - grab the nearest convenience food and stuff it down. Now I really think about what I eat. Commercial wheat is full of flavour enhancers and stuff. But what are flavour enhancers? And what do they do to you? It could be salt, sand or cyanide for all we know."

    As for spelt, "I love it. It's got a great nutty flavour. Mild. Unique. The flour makes great bread. And cakes, biscuits, pizza and pasta. And you can use the pearlised grains instead of rice or couscous - they soak up flavour. And it's healthy."

    It was the healthier side of spelt that started Roger Saul growing the stuff at Sharpham in the first place, when he was looking for a substitute for wheat for people with intolerances to flour - spelt has a brittle gluten structure, which makes it easier to digest. And given its organic production and careful, low-temperature milling, the finished product doesn't lose many of its other highly nutritious qualities.

    "To be honest," Pete said, "it just gives me unbelievable satisfaction. It's great to be part of something that's producing great, wholesome food. I look out over the fields where the spelt is grown, it comes in here and I mill and pack it. And it goes out. How many people can say that?"

    Law Enforcement Myopia Ignores all Crime except Italian

    "American Gangster" is a film based on the life of Frank Lucas, who for 15 years operated openly in Harlem, right under the noses of the NY Police, and the FBI, who were completely ignorant of him, because they were so narrowly focused on Italians as being the "only" criminals!!!!!!!!!!
    Interestingly, Nicky Barnes, a compatriot, was far more interesting, and has already been the subject of a documentary Mr. Untouchable , a film about the most powerful black drug kingpin in New York City history. it was not until June 1977, when Barnes rather cavalierly posed for the cover of The New York Times Magazine with the headline "Mister Untouchable", that the FBI took notice.
    Only then did law enforcement widen their "fixation" from Italians and wake up.to that which was staring them in the face.
    Barnes was sent to prison for life, but Barnes became an informant. He forwarded a list of 109 names, five of which were Council members, along with his wife's name, implicating them all in illegal activities related to the heroin trade. Barnes helped to indict 44 other traffickers, 16 of whom were ultimately convicted. In this testimony, he implicated himself in eight murders.
    Then-Mayor Rudolph Giuliani sought to have Barnes' life sentence, shortened to a 30-year term. In 2003, his cooperation with prosecutors was rewarded with an early release from prison.Barnes is now in the Witness Protection Program.
    There were NO Wire Taps, only Informants. It seems like every Italian in NY is "bugged", pizza owners, street peddlers, et al!!!!!
    Law Enforcement seems like it can get more Headlines by 'busting" petty Italian criminals, since the Media will get hysterical about "Mafia", that Law Enforcement seems to be ignoring the Columbian, Mexican, and Jamaican Drug Cartels,Russian Jewish Mafia, the Israeli Kosher Nostra, and the THOUSANDS OF GANGS controlling large sections of our major cities.
    One wonders about their Priorities, their Agenda, or Political Influence!!!!!!
    Is Law Enforcement Motto: "Protect and Serve" or " Posture and Pension" ???


    Cops and Robber
    "American Gangster" and the underside of 1970s New York. Directed by Ridley Scott

    American Standard
    by John Podhoretz
    October 27,2007 Volume 013, Issue 08

    Frank Lucas, the title character of American Gangster, is a precise and controlled man. A Harlem kingpin in the late 1960s and early '70s, Lucas (Denzel Washington) dresses formally in quiet suits and ties, adheres to a rigorous schedule, provides stable employment for his family, is a hero in his neighborhood for providing community services, and lives with his mother. Lucas has become the most successful heroin dealer in New York, and is entirely invisible to the authorities. They are wedded to the idea that organized crime is the exclusive province of Italians, and that any black crook must be in the Mafia's employ.

    Lucas prizes his low profile. He upbraids one of his brothers for tricking himself out like a pimp at a Harlem nightclub because a successful and powerful man does not need to stand out. One night, and only one night, Lucas fails to heed his own advice. He has just proposed to his girlfriend, Miss Puerto Rico, and she has presented him with a $50,000 chinchilla coat and hat to wear to the championship boxing match between Muhammad Ali and Joe Frazier.

    Because of his showy gear and ringside seats, Lucas captures the attention of two police officers working in the area of drug enforcement. One is Richie Roberts (Russell Crowe), a Newark cop whose private life is as sloppy as Lucas's is disciplined but who won't take an illicit cent. The other is Trupo (Josh Brolin), a demonically dirty New York City ...

    While the principle character in this film is Frank Lucas, another character in the film Nicky Barnes, was far more interesting, and has already been the subject of a documentary Mr. Untouchable , a film about the rise and fall of a teen-age heroin junkie to the most powerful black drug kingpin in New York City history.

    In June 1977, Barnes went national when he posed for the cover of The New York Times Magazine, with the headline ?Mister Untouchable".

    Saturday, October 27, 2007

    Padre Pio a Fraud, Pope John XXIII Believed

    Documents in the Vatican archives suggesting that Padre Pio had "incorrect" relations with women, and may have faked his stigmata, the marks of the wounds of Christ, with acid.
    Vatican officials say both allegations are already well known and were fully taken into account in the beatification and canonisation process.


    Italy's Favourite Saint Was a Fraud Believed Former Pope

    London Times on Line Richard Owen in Rome October 25, 2007

    Pope John XXIII believed Padre Pio, the hugely popular Capuchin monk who was canonised in 2002, was a fraud who had "incorrect" relations with women and whose soul was in danger, according to a Vatican document unearthed by an Italian historian.

    Sergio Luzzatto, whose book on Padre Pio "The Other Christ" is to be published next week after six years of research, has also found documents in the Vatican archives suggesting that Padre Pio may have faked his stigmata, the marks of the wounds of Christ, with acid. Vatican officials say both allegations are already well known and were fully taken into account in the beatification and canonisation process.

    Mr Luzzatto said his discoveries did not detract from Padre Pio's importance in religious history or his power to attract millions of followers. He said Benedict XV and Pius XI had also been sceptical about the monk, but Pius XII had encouraged the Padre Pio cult, as did Paul VI and then John Paul II, who presided over the canonisation process.

    Mr Luzzatto told Corriere della Sera he had found a note written by John XXIII dated 25 June 1960 recording his receipt of "very serious information on PP (Padre Pio) at San Giovanni Rotondo" from a Vatican investigator, Monsignor Pietro Parente of the Holy Office, who had taken notes and made secret films.

    The note says Monsignor Parente "looked, and was, broken hearted". The Pope wrote: "I am sorry for PP, who has a soul to be saved, and I pray for him intensely. What happened - that is, the discovery because of the films - si vera sunt quae referentur (if it is true what they say) - of his intimate and incorrect relations with the women who constitute his Pretorian guard, which even now stands firm around him, leads one to think of a vast disaster of souls which has been diabolically set up to discredit the Holy Church in the world, and especially in Italy."

    John XXIII added: " In the calmness of my spirit I humbly persist in believing that the Lord faciat cum tentatione provandum (is doing this as a test of faith), and that from this immense deception will come a teaching of clarity and health for a great many."

    Monsignor Parente named three of Padre Pio's "most faithful female followers" as Cleonilde Morcaldi, Tina Bellone, and Olga Ieci, as well as a "mysterious countess", telling the Pope he suspected their devotion to the monk was "not merely spiritual".

    Aldo Cazzullo, a writer on religious affairs, noted that John XXIII - the former Angelo Roncalli - had "disliked and mistrusted" Padre Pio since he travelled in Apulia in the 1920s, regarding the friar's "almost medieval mystical faith" as at odds with his own modernist outlook. In the 1960 memorandum the Pope says he feels "privileged to be free of the contamination which for forty years has clung to hundreds of thousands of souls who have been stupefied and disturbed to an unbelievable degree."

    In another document which formed part of the Holy Office investigation Maria De Vito, the cousin of a local pharmacist at Foggia, testified that the young Padre Pio bought four grams of carbolic acid in 1919. "I was an admirer of Padre Pio and I met him for the first time on 31 July 1919," she wrote.

    She said she had spent a month with him at San Giovanni Rotondo. "Padre Pio called me to him in complete secrecy, and telling me not to tell his fellow brothers he gave me personally an empty bottle, and asked if I would act as a chauffeur to transport it back from Foggia to San Giovanni Rotondo with four grams of pure carbolic acid. He explained that the acid was for disinfecting syringes for injections." The Foggia pharmacist was reported to believe that the carbolic acid could be used by Padre Pio "to cause or further irritate wounds on his hands."

    A doctor appointed by the Vatican to examine the wounds carried out two examinations but was unable to find an explanation. At one stage Padre Pio was banned him from celebrating Mass, but pilgrims continued to flock to San Giovanni, where he built a hospital with donations.

    Padre Pio, whose real name was Francesco Forgione, died in 1968, and is universally revered in Italy, though especially in the South. He exhibited stigmata throughout his life, starting in 1911. The Catholic Anti-Defamation League said Mr Luzzatto was "spreading anti-Catholic libels", and that canonisation was "infallible".

    Followers of Padre Pio believe he exuded "the odour of sanctity", had the gift of bilocation (being in two places at once), healed the sick and could prophesy the future. He is said to have told the young Karol Wojtyla he would one day be elected Pope.

    http://www.timesonline.co.uk/tol/comment/faith/article2739751.ece

    Prnceton U, To Return ArtiFacts to Italy, Next is Copehagen, Cleveland, and Japan !!!!

    Princeton University Art Museum and the Italian Culture Ministry will sign an agreement resolving the ownership of 15 disputed artifacts in Princeton's collection.

    The agreement is similar to ones Italy has reached recently with the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum in New York, and the Boston Museum of Fine Art to return artifacts to Italy that were looted or stolen and then sold to top museums.

    Italy was also focusing efforts on other museums, including the New Carlsberg Glyptotek in Copenhagen, Denmark, the Cleveland Museum of Art in Ohio, USA, and the Miho Museum in Shiga, Japan.

    You may feel the Earth tilting as all this Looted Patrimony is being returned to Italy !! :)


    Italy, Princeton Museum Reach Deal to Return Disputed Antiquities

    The Associated Press
    Friday, October 26, 2007

    ROME: A U.S. museum said it has agreed to return some artifacts that Italy says were looted and smuggled out of the country, as Rome keeps pressure on museums worldwide to hand over treasures that ended up on the illegal antiquities market.

    Authorities from the Princeton University Art Museum and the Italian Culture Ministry will sign an agreement Monday resolving the ownership of 15 disputed artifacts in Princeton's collection, the museum said in a statement.

    Under the agreement, Princeton will keep seven objects and transfer legal title to eight. Four of those eight will be returned to Italy, while another four will remain at the museum on loan for four years, the statement said.

    In exchange, Italy will lend Princeton "a number of additional works of art of great significance and cultural importance," the statement said. Princeton students will also be given access to Italian excavation sites.

    Among the objects covered by the deal is a "psykter" — a Greek vase decorated with red figures that was used for cooling wine. Made in Athens around 500 B.C. — a period of unequaled mastery for pottery in the ancient world — the vase was imported by the Etruscan culture in central Italy.

    The psykter's title will be transferred to Italy, but it will be one of the four pieces that will remain on loan in Princeton for four years. The other returning objects include an ancient Etruscan statue depicting the head of a winged lion and other vases from Greece and southern Italy painted with mythological themes.

    Museum director Susan Taylor said the institution was pleased with the deal.

    "This agreement reflects and supports the research and educational mission of the university art museum, enabling us to retain a number of objects, repatriate others that belong to Italy, and have unprecedented access, on a long-term loan basis, to additional material," she said.

    The agreement is similar to ones Italy has reached recently with the J. Paul Getty Museum in Los Angeles and the Metropolitan Museum in New York to return artifacts Italy says were looted or stolen and then sold to top museums.

    Earlier this week, a top Italian negotiator in the case told The Associated Press that Rome was close to a deal with Princeton and was also focusing efforts on top institutions in Denmark, the United States and Japan.

    The Princeton agreement "is not strictly a deal to recover artifacts," said Maurizio Fiorilli, a state lawyer and lead negotiator for the Culture Ministry. "They will obtain much more than what they give us."

    Fiorilli stressed that the Italians were not questioning the museum's good faith in buying the objects and said the deal was meant to encourage cultural cooperation.

    The agreement follows the one signed by the Getty last month to return 40 artifacts and is the latest deal yielded by Rome's efforts against the illegal antiquities market, which include a high-profile trial in the Italian capital.

    Prosecutors contend the psykter, one of the most prized artifacts in the Princeton accord, was looted from the Etruscan site of Cerveteri, north of Rome, by tomb raiders and sold to Princeton by American art dealer Robert Hecht for $350,000 in 1989.

    Hecht is on trial along with former Getty curator Marion True, accused of knowingly acquiring looted or stolen antiquities. Both Americans deny wrongdoing.

    The trial grew out of an investigation into an Italian art dealer, Giacomo Medici, who has been sentenced to a 10-year prison term on art trafficking charges. Medici is appealing his conviction.

    In a 1995 raid on Medici's offices in Switzerland, police found a trove of artifacts and photos of antiquities, many in pieces and covered in dirt — a sign they were excavated well after a 1939 law that made all antiquities found in Italy state property.

    Experts have spent recent years proving that many of the objects in Medici's photos came from Italy and tracing them to museums around the world.

    Fiorilli said Italy's archaeological sleuths are now focusing on talks with other museums, including the New Carlsberg Glyptotek in Copenhagen, Denmark, the Cleveland Museum of Art and the Miho Museum in Shiga, western Japan.

    "It's not a question of who will we target next, we will check with everybody." Fiorilli said.

    He said the Glyptotek had already responded to a request for information on objects which, according to documents from the Rome trial, the museum purchased from Hecht and Medici.

    Flemming Friborg, curator of the Glyptotek, confirmed the Italians had been given information. Friborg said an exchange of objects had been discussed, though "very, very loosely."

    Fiorilli said negotiations with the Cleveland and Miho museums are still at an early stage.

    James Kopniske, spokesman for the Cleveland institution, said the museum had received a request for the return of a number of objects and has been conducting research on the artifacts.

    Hiroaki Katayama, head of the Miho's cultural department, said the museum had not been contacted by the Italians and did not believe it had any looted artifacts in its collection.

    __

    Associated Press writers Jan Olsen in Copenhagen, Carl Freire in Tokyo, Chris Newmarker in Trenton, N.J. and Marv Kropko in Cleveland contributed to this report.

    Friday, October 26, 2007

    Italian Animation Industry on Upswing

    Co-Production Italian Style

    How a new crop of international co-productions is changing the Italian animation industry. Russell Bekins lays down the rules for success.
    Animation Magazine
    By Russell Bekins
    October 25, 2007


    Obeying the Rules
    Those in the know recognize that Italy possesses a series of emerging cartoon studios who pull their weight in top-level television co-productions with countries across the European market. They may even understand that there is a startling amount of artistic talent and business savvy emerging from Turin, Rome, Pisa, Florence and Milan. What few seem to realize is that the market is maturing thanks to the very dynamic of co-production. A new crop of co-productions speaks not just to the volume of this market, but how the skills honed in co-productions have changed and matured the Italian market and created a new variety of partners and types of productions.
    Rule 1: Stare reality in the face.
    "Co-production is a necessity. The costs are high, and one country cannot absorb them all," veteran producer Giovanna Milano asserts bluntly, assessing the European market.

    Rule 2: Drop your stereotypes by the door.
    When one speaks of Italian cartoon co-productions, impish wags from the left side of the ditch are prone to giggle over the image of perhaps a Joe Pesci cartoon goombah making an offer you can't refuse. The fact that most Americans retain a view of Italy which is part Dean Martin (who couldn't even sing in Italian without an American accent) and part Godfather trilogy does not help matters. For those who still retain these images, here's a piece of advice: get a passport.

    "It's better to junk your stereotypes from the start. If you are doing co-productions you have to be open-minded," shrugs Milano, who produces the Italian-French TV series Rahan, now completing preproduction. An Italian working in France, Milano has been head of distribution at Tele Images and CEO of France Animation. She is an example of the breed of co-producer comfortable in multiple countries and production situations, and intimately familiar with the needs of broadcasters in both countries with which she is associated.

    Based on a French comic strip, Rahan recounts the adventures of a virtuous boy growing up in a prehistoric period of tension between Neanderthals and Homo sapiens. She brought the Xilam project to Italy and RAI as a no-brainer, especially with Pascal Morelli (Corto Maltese) on board to direct. "Giovanna Milano brought up a whole generation of graphic and technical talent when she was head of France Animation," says Anita Romanelli, head of animation for RAI Fiction. She has recently founded Turin-based Castelrosso Films as her pied-a-terre in Italy.

    Rule 3: Find out what the broadcasters are looking for.
    "The market has made giant steps," enthuses Luca Milano, head of marketing at RAI Fiction. "The level of artistic talent is now impressive." As to the stereotype that Italian companies have "artistic delays," Milano rolls his eyes. "Ninety-five percent of our projects arrive on time or, if late, the delay is minimal. Sometimes delivery occurs even before the due date."

    The Italian cartoon market has been nurtured principally by the decision by RAI to begin investing in animation in the 1990s. "We contribute around an average of 35 percent of the budget for new productions, leaving the producer to find other investors," explains Milano. This offers a strong incentive for companies from other countries to bring their projects to Italy, as well as for others to pay attention to Italian proposals.

    Ah, but here's the rub: RAI will often ask for Italian artistic participation, including a co-director to go with the Italian co-producer, even for their minority stake. While this often rankles, most figure it is worth the price. "Because of the long relationship with Italian studios, sharing copyright and profits is worth it," shrugs Ellipsanime producer Robert Rea.

    Rule 4: Take it to the market.
    The standard path to success has been to bring a project to RAI, get their blessing, and take it on to Cartoon Forum, MIPCOM and other venues, where one tries to catch the eye of a broadcaster or production partner in another country. Along the way, Italian companies began to learn about how other countries did business.

    "The first time I took a project to Cartoon Forum, I pitched to an empty room," laughs director Giuseppe Laganа, whose Moose! project with British Cosgrove Hall is now finishing its pilot phase. "The next year I took two projects. Nothing. Finally the third year I had learned: I took Lupo Alberto and we had a series." Lesson: For European co-productions, it helps to have a popular product already in print.

    The confrontation with the market allows for a healthy development of the project itself. Luca de Crescenza, head of Florence-based Stranemani, just returned from pitching his preschool project Glu Glu to a packed house at Cartoon Forum. He found a lot of enthusiasm, but also a series of demands he had not considered, such as stretching the five-minute show to seven minutes to suit the British market.
    This process of mixing it up leads to relationships that cross borders and form the first level of trust essential for co-productions. "We look for partners with whom we have worked before, or with a spirit similar to ours," says Stefania Raimondi, President of Turin-based Enanimation. Raimondi is co-producing Me, Myself and the Others, a fantasy series about a jumpy group of problematic jungle animals confronting decidedly human situations, loosely based on the artwork of legendary Italian illustrator Andrea Pazienza. Their partner is Germany's Motion Works, as well as the Italian studio Motus.

    Rule 5: Spend more time in preproduction ironing out the details.
    Producers stress the importance of such things as production schedules and responsibility for deliverables. French producer Robert Rea is also a fanatic for a "big" preproduction, stressing the importance of the modelization setup. "But after that you save time," he affirms. This is seconded by Giovanna Milano, who underlines the importance of finishing the literary and graphic bible and at least six screenplays before moving on. "You need your railways well aligned from the start," she says, evoking a train metaphor. Street Football producer Giorgio Welter of French Teleimages is even more emphatic: "You need at least a year before you can begin production."

    "The hardest part is the very beginning," agrees Gianluca Bellomo, whose Rome-based Cartoon One is now finishing work on the horror comedy School for Vampires. Their partner is German Hahn Studio, which has the majority stake and the artistic lead in the project under Gerhard Hahn. "It's important to agree who controls production flow, direction, story, and storyboard. It's vital to take at least a month to divide the work."

    Cartoon One has 36 percent of the production, including model pack, storyboard, animation, and music by Angelo Poggi. Gerhard Hahn has been quick to praise their work. "In a situation where everybody is complaining, I found Gianluca Bellomo's no-problem attitude very encouraging," he asserts. "Cartoon One was definitely the right choice." Bellomo is quick to return the compliment. "We have learned a great deal from them," he affirms. "Cartoon One has grown, thanks to Hahn Film."

    Well, that proves that co-production partners can like each other.

    Rule 6: Know your partner.
    Pisa-based Toposodo/Fulmini & Leopardi worked first with Ellipsanime as an animation service for Potlatch. "This started our relationship of co-production, which has become closer over time," states Topisodo partner Marco Bigliazzi. Ellipsanime producer Roberto Rea was also enthusiastic. "They have a good culture of the cartoon," he says, adding that their artistic contributions on Potlatch helped immeasurably to improve the series.

    Toposodo then took their project Birds Band to Rea and Ellipsanime and they began to develop it together, with RAI's blessing and contributions. The series relates the adventures of a group of feathered friends who live on a dirigible and scour the globe in search of animals in crisis. "The project evolved, characters were refined," Bigliazzi relates. "Peggy the Penguin was added, even though flightless, as was Nat the Bat, who is decidedly a mammal."

    "The French animation industry is far more developed than that of Italy," Bigliazzi adds. "But culturally speaking we are very similar... This is very important for stories, but also for the acting of the characters, and allows a closer creative and production process between the two countries."

    Well, I guess they like each other too.

    Rule 7: Make a mutual decision about the tools you are going to use.
    "While everything is so new for each production, the basic process is always the same," Rea insists, but in the same breath is adamant about the need for partners to sit down and agree on their tools beforehand. "Do we need a new release of this software? Sometimes you don't need it."

    Evelina Poggi, director of production for DeMas Partners, is now collaborating on the second series of Street Football with Teleimages of France. The series, in which orphan kids win the world cup of street soccer, was a smash hit especially in France. Evelina's company De Mas and Partners confronted several cultural obstacles at the start of production. "Every country has its own way of working," she asserts. "In Italy we work in digital, while the French tend to use paper. We settled on drawings on paper colored in digital for the model pack." She also credits liberal use of ftp for document exchanges.

    Teleimages producer Giorgio Welter agrees that there were perplexities in preproduction. "It was tough at first," he admits, "but now we love each other."

    Ahem.

    Rule 8: Make sure you are selling the same project.
    "Every producer has to sell the same product," insists Giovana Milano. Partners in different countries need to agree on how to present their project to the broadcasters. "You can get in trouble sometimes if you have two broadcasters who have a different vision of the show," adds Robert Rea. Horror stories abound of networks demanding changes in order to sell the show to a demographic for which it was never intended. "It sometimes happens that there is tension [between broadcasters] in Germany and France," Rea adds with that insouciance for which the French are famous.
    Rule 9: The contract should be balanced so that the partners will be able to sustain the effort over the period of the production.
    While the businessman seeks to make the best deal possible for the good of his company, the artists working under him (or her) need the reassurance that their partners will be motivated to keep up the pace and deliver quality product. "There is a myth that the contract is a thing you negotiate, throw in a drawer and forget about," laughs Richard Trigona, intellectual property lawyer and producer of the British-Italian production of Moose. "You have to be careful to define the respective roles of management and artistic direction."

    "From the middle of the project onwards, there is always a fatigue that sets in," Enanimation's Stefania Raimondi reminds us, implying that the quality of the work will suffer if there is not sufficient motivation for one party or the other to keep digging down and churning it out.

    Rule 10: Find a language in common.
    Rea says the common language of productions is "animated pidgin" English. It helps to be bilingual, if not trilingual. Rea, Giovanna Milano and Giorgio Welter are at a distinct advantage because they slip easily from one language to the other. Scripts, by the way, are written in English, French, Italian and whatever language the partner speaks.

    Rule 11: Work with a company that is equivalent in size to your own.
    This rule comes from Stefania Raimondi. Her company of 40 may be small by American standards, but it is an exception in the Italian market because they made a choice to hire all of their employees full-time instead of outsourcing their work (see the next rule). "It is important for us to work with companies of similar size because our problems will be similar," she asserts. Their partner, Motion Works, is indeed about that size.

    Rule 12: Know your own team.
    See above.

    Rule 13: Seek the solution, not the guilty parties.
    "For us," Raimondi asserts, "it is always important to seek the result when we are working, to find the solution. There are always problems, but it is important not to automatically seek out who is wrong when there is work to be done."

    Rule 14: Travel often and spend time at each other's facilities.
    "I spent most of my life on planes going to Asia," Robert Rea comments grimly. "Seoul in winter is not pleasant." He is therefore sanguine about finding partners in Europe with whom to share not just one production, but even a slate of productions.

    Rea is clear that one of the most important factors in a relationship is frequent meetings in each other's studios. "[Topsodo] came once a month to Paris for a production meeting," he affirms, "and we went once a month to Pisa. It's just a one-hour flight."

    Rule 15: One partner must always have final say.
    Both contract law and good business practice reaffirm the fact that the partner who has the majority stake has the final say. This is often moot, however, when artists get together and feel passionately about their product. "You have to look at the budget," says Giorgio Welter. "The majority partner must guide the project, and this must be understood from the beginning." This said, Welter is a still a great supporter of the "right of the word." "The real rule is to talk, talk, talk," he smiles. "When one is in the middle of a free creative process, it's normal to argue."
    Rule 16: Seek opportunities in the changing landscape.
    Rainbow Entertainment is the first international success story to emerge from Italy in recent years. Driven by the power of its Winx Club franchise, Rainbow is about to go public, boasting that the fairy-dusted television series now in its third season has grossed over a billion dollars in licensing fees. With two new series, horror comedy Monster Allergy and the action-adventure Huntik, they are moving ahead to conquer new TV markets. Perhaps the most surprising development, however, will be the December premiere of the feature Winx Club: The Secret of the Lost Kingdom. It will be the first time in years that a highly-sought-after animation product will premiere in Italy before America.

    There is also a new division of labor in the Italian market. Production companies such as Atlantyca Entertainment are driven more by the literary properties and licenses they control than the need to keep a cartoon studio running. With the fantastic success of their children's book series Geronimo Stilton, Atlantyca is now starting work on a TV series, and is looking across the pond for top-level name directors in order to assure a ready market in the states. This is good news for Italian studios, which can continue to supplement their income with services to these production companies and the projects they generate. Indeed, leading producer Enarmonia has divided its work now between its studio, which continues to do service work, and its production company Enanimazione, as has production company Toposodo with its studio Fulmini e Leopardi.

    There are also signs that Italian companies are poaching in domains where they never would have gone previously. Trigona found Moose sitting on a shelf in development at Collingswood-Hall and brought the project to life. The upcoming Spike Girls, based on the world of volleyball, may well be a co-production involving partners from Asia.

    On a corporate level, the climate is also changing. Martin Mystery was an Italian comic that Marathon produced in France and RAI helped finance. Now the Italian publishing giant De Agostini has bought French Marathon Media, and the rights to Martin Mystery along with it. So it appears that, in the name of globalization, what was originally Italian is returning to Italy as an international product.

    Street Football producer Giorgio Welter, an expatriate Italian working in France, is perhaps the most passionate when he talks about the changes occurring on the Italian scene. "In the space of three years, everything has changed," he marvels. "The proposals coming from Italy are more beautiful, more interesting. They have understood the French, European market, the international system and are making giant steps. I think in another four years their projects will be the most fascinating and creative ones on the market."

    Rule 17:And, above all, listen to mamma RAI.
    Each of the production teams has universal praise for RAI's leadership team of Luca Milano, Anita Romanelli at RAI Fiction, and Claudia Sasso at RAI 2. Aiming at quality, they have not shied away from financing projects that have no Italian partners, as is the case with the Spanish TV series of The Invisible Man.

    Giorgio Welter recounts that the second season of their very successful Street Football was held up when Rai Fiction's Anita Romanelli insisted that they make changes. After their orphan heroes won the world championship of street football (soccer) in the first season, the new season was supposed to be based on the same premise. Romanelli insisted that they instead focus on a strong antagonist who puts their sportsmanship to the test. "At the time I was not happy at all," Welter recounts. In time, he acknowledged that this was the right choice. "Now I'm happy," he smiles. "That's co-production."

    Russell Bekins has served time in story and project development for Creative Artists Agency and Disney. He now lives in Bologna, Italy, where he specializes in concept design for theme park, aquarium and museum installations.

    Italian Court Drops Murder Case of General Nicola Calipari by US Soldier Mario Lozano

    The murder case, which was dismissed on the technicality of Lack of Jurisdiction, is puzzling since murder committed vs for instance Jewish persons in Eastern Europe were tried in Israel.
    US Soldier Mario Lozano, was part of a road block in Iraq, and was supposedly aware that the just released kidnapped Journalist Giuliana Sgrena, that been negotiated by Italian Major General.Nicola Calipari, who was accompanying her to the Baghdad Airport, when Lozano raked their car with bullets, and Calipari was killed, and Segrena was wounded.
    I wanted to have compassion for Lozano,even though at 38, he was "trigger happy", but then I heard his response:
    "If it wasn't for Giuliana Sgrena, wanting to report on the terrorists and all that. .. It's her fault that this is happening -- not my fault."
    Mario.....Mario,,,,,,


    Italian Court Drops Murder Case Against US Soldier

    Reuters
    By Phil Stewart
    Thursday Oct 25, 2007


    ROME, Oct 25 (Reuters) - An Italian court on Thursday dropped a murder trial against a U.S. soldier who killed an Italian intelligence agent in Iraq for lack of jurisdiction, removing a thorn from relations between Rome and Washington.

    U.S. soldier Mario Lozano, 38, was being tried in absentia for shooting Italian agent Nicola Calipari at a checkpoint outside Baghdad airport in 2005. Calipari had been escorting a newly freed Italian hostage out of Iraq.

    "I feel like there's a weight off my shoulders," Lozano told Reuters. "I could sleep easier now even though I have to still live with the fact I was involved in (taking) an innocent man's life."

    The Pentagon also welcomed the decision, saying it believed the case should never have gone to court in the first place.

    But the ruling drew howls of protest from Italy's political left on Wednesday, with lawmakers accusing the Rome court of dishonoring the memory of a national hero.

    Lozano, who was a gunner at a checkpoint on the road to Baghdad airport, says he opened fire on a car carrying Calipari and freed journalist Giuliana Sgrena after the driver ignored warning shots and refused to stop.

    Washington refused to hand Lozano over for trial.

    "The court has granted our request on lack of jurisdiction so we win this case," said Lozano's Italian defence lawyer Alberto Biffani, hired by the U.S. Department of Defense. "Obviously the public prosecutor can decide to appeal."

    Lozano has also blamed the Italian journalist whose release Calipari had just secured before he was shot for creating such a dangerous situation.

    "If it wasn't for Sgrena, the situation would not have happened," Lozano said. "She went out there, she wanted to mingle with the terrorists and all that. ... She knows that if she is going to talk to terrorists, she knows there is a 99 percent chance she will get caught. ... It's her fault that this is happening -- not my fault."

    Italian prosecutors had also sought to convict Lozano for the attempted murder of the journalist, who was wounded in the shooting. She told reporters at the court house that the decision not to try Lozano was "absolutely incomprehensible."

    "It's been hard because the Americans threw up many obstacles ... ," she said. "But for us Italians to renounce what we could have done to learn the truth is a denial of Italian sovereignty and I find that very serious."

    The agent's widow, Rosa Calipari, who was elected to the Senate following his death, declined comment but her lawyer called the ruling "surprising."

    "It's a wrong and unjust decision," said Sen. Massimo Brutti, who suggested the parliament's intelligence oversight committee, of which he is deputy chairman, examine the case.

    The court will not make public the reasoning behind the decision for up to two months, but Biffani said his arguments included that "Mr Lozano was part of the United States armed forces" and as such had "immunity."

    The case had strained relations between Washington and Rome, which has described the killing as an accident but has also criticized the U.S. military for leaving inexperienced troops at a poorly set-up roadblock.

    "This removes one bone of contention with the United States," said James Walston at the American University of Rome.

    But he said others remained, including the ongoing trial in absentia of 26 Americans, most believed to be CIA agents, whom Italian prosecutors accuse of kidnapping a terrorism suspect in Milan and flying him to Egypt. The Muslim cleric says he was tortured there during interrogation.

    That trial resumes in Milan on Oct. 31. (Additional reporting by Jennifer Ablan in New York and Andrew Gray in Washington)

    http://www.reuters.com/article/latestCrisis/idUSL2599292

    White Ethnic Politics: Italians, Irish & Jews and the Shaping of NY Politics--NY Times

    I expected a more insightful analysis, but was disappointed, and probably because the discussion seemed more to promote a book:
    "White Ethnic New York: Jews, Catholics and the Shaping of Postwar Politics," J. M. Zeitz, than clarify the issue.
    I first question the "easy" reference to "WHITE" Politics in referring to Italians and Jews, neither were considered white until recently.

    Ed. Koch stated the obvious, that people generally vote for political candidates similar to them - unless their person is clearly wanting.

    Pete Hamill provided an amusing story of the most important intercultural exchange of his early years: The most important factor in my childhood might have been when Mr. Caputo came into the hall of my mother’s kitchen and taught her how to make the sauce. We didn’t want to eat anything else for the rest of our lives. Part of this discussion is how the Italians taught the Irish how to eat. The Irish had the worst food in the history of the world. I didn’t realize until I was 17 that roast beef could be pink. They thought you could get trichinosis from hamburgers. Everything was charred and cremated because, who did they learn it from? The British.

    Dr. Zeitz summarized his book’s thesis: Jews, as they fought for political power, placed disputativeness and radicalism and liberalism at the heart of their identity. In coming to politics from this viewpoint, they tended to clash with Italian and Irish Catholics who emphasized order, social hierarchy and an allegiance to an organic sense of community


    White Ethnic Politics: Irish and Italian Catholics and Jews, Oh, My!

    New York Times By Sewell Chan October 25, 2007

    An Irishman, an Italian and a Jew walked into the grand auditorium of the New York Academy of Medicine on Wednesday evening - not to tell jokes (or be part of one), but to engage an audience of some 400 people in a discussion about white ethnic groups and their evolving roles in the politics and culture of New York City.

    The panelists - Edward I. Koch, mayor from 1978 to 1989; Pete Hamill, the journalist and author; and Frank J. Macchiarola, schools chancellor from 1978 to 1983 — had been invited by the Museum of the City of New York to reflect on a new book, "White Ethnic New York: Jews, Catholics and the Shaping of Postwar Politics," by the historian Joshua M. Zeitz.

    Dr. Zeitz gave a brief overview of his book’s thesis by telling two stories about how a Jew and a Catholic growing up in postwar New York recalled learning very different lessons from the same Biblical story about the destruction of Sodom and Gomorrah. The Jew learned from a rabbi the value of dissent and resistance from Abraham’s questioning of God about the decision to obliterate the two cities. The Catholic learned from a schoolteacher about the fate of those, like Lot’s wife, who defy God’s instructions.

    “Irish and Italian Catholics and Jews shared the same city streets, they shared the same institutions, to lots of people they looked the same," Dr. Zeitz said. "But they came at culture and politics from fundamentally different viewpoints."

    At their height in the mid-century decades, the three groups numbered, it is estimated, about four million - accounting for two-thirds of the city’s white population and perhaps half of the total population.

    And yet these groups often spent their lives apart. Two-thirds of Catholic children in New York City from the 1940s through the ’60s attended parish schools, while about 95 percent of Jewish children attended public ones. Separate youth organizations, professional clubs and even veterans groups highlighted the uniqueness of each group.

    Dr. Zeitz summarized his book’s thesis:

    Many second- and third-generation Jews, throughout the 20th century, as they fought for political power, placed disputativeness and radicalism and liberalism at the heart of their identity. In coming to politics from this viewpoint, they tended to clash with Italian and Irish Catholics who emphasized order, social hierarchy and an allegiance to an organic sense of community.

    The political and social struggles of the era were, about "not just power, passion and privilege," Dr. Zeitz argued, but ideology. For instance, when Mayor John V. Lindsay, a white Protestant and a Republican, faced a re-election challenge in 1969 from Mario J. Procaccino, an Italian Catholic, Mr. Lindsay tried to court voters by highlighting the theme of his own dissent on the Vietnam War - and "the right and obligation of people to protest against an unjust war."

    Mr. Koch was first to speak. Born in the Bronx, he lived there until age 7, and "thought everybody was Jewish," he said. It was during the Depression, and his family moved to Newark, where Mr. Koch’s father found a job. Their neighborhood was half Jewish and half black; neither group socialized with the other, in school or out. It was only when Mr. Koch moved back to New York and entered the City College of New York "that the people I met all races, all ethnic groups, and that we actually socialized and met friends who were other than Jewish."

    Mr. Koch has never been particularly religious, but said:

    I was always very conscious that I was Jewish. And it wasn’t anti-Semitism that caused that. I was conscious that I was Jewish and very proud of it. And then when I became politically active it all changed. When I became politically active it was in the Village and the Village was overwhelmingly Italian, the constituency. And if I was going to succeed, if I was going to win the races that were going to be waged against Carmine De Sapio and others, it would be necessary — you’d have to be a fool not to understand that it was imperative that I become as involved with the Italian community as I possibly could. And I did. I formed the local organization called the MacDougal Area Neighborhood Association to clean up the street. One thousand Italians joined it. I mean, they were so angry at everybody else ruining the neighborhood. And they appointed me the leader, they voted for me. And it wasn’t like it was a sharp lesson that you had to learn — that if you helped people, if they thought you were honest with them — that they would actually vote for you even though you were not, in this case, Italian....

    To loud applause, Mr. Koch said: "I think people have to understand, reach out, join - but don’t forget who you are. Don’t be ashamed of it. That’s all."

    Mr. Hamill - whose novel "North River" was recently published, spoke next. "I grew up in Brooklyn, in a neighborhood in which I can no longer afford to live," he said. The neighborhood was predominantly Irish and Italian, and about 15 percent Jewish.

    “I became the Shabbos goy at the synagogue," he said. "So every Saturday morning, I would go in, on my way to Holy Name Church, with my surplice on my arm and I would do whatever the rabbi would ask me to do " turn on the gas stove, whatever - and there would be a dime on the shelf at the front door, which he wouldn’t touch, and off I’d go."

    Mr. Hamill cited other "Shabbos goys": Colin L. Powell, Martin Scorsese, even Elvis Presley. Then he shared the story of the most important intercultural exchange of his early years:

    The most important factor in my childhood might have been when Mr. Caputo came into the hall of my mother’s kitchen and taught her how to make the sauce. We didn’t want to eat anything else for the rest of our lives. Part of this discussion is how the Italians taught the Irish how to eat. The Irish had the worst food in the history of the world. I didn’t realize until I was 17 that roast beef could be pink. They thought you could get trichinosis from hamburgers. Everything was charred and cremated because, who did they learn it from? The British.

    Mr. Hamill is famous for his storytelling abilities, and he did not disappoint. He recalled guys from the neighborhood, looking for movie listings in "The Tablet", a diocesan newspaper in Brooklyn, and making jokes about Cardinal Francis J. Spellman, whom Mr. Hamill called, rather irreverently, a "strike-busting fat boy."

    Mr. Hamill was equally irreverent about the Catholic schools he attended:

    They had a kind of madrassa in the morning: "Hail Mary, full of grace." It’s like these kids you see in Pakistan learning things by rote. But I ended up in a Jesuit high school and the Jesuits have one thing they gave to everybody who’s ever gone to one of these schools: doubt. They’ve probably created more atheists than communism ever did, and standards of excellence that none of us can ever approach.

    Mr. Hamill’s parents came from Belfast, Northern Island. "Both of them, particularly my mother, were determined never to do to anybody in this country what had been done to them in Northern Island, so bigotry was a worse sin to them than self-pity," he said. They were not bleeding-heart liberals, he added. The only pictures in their house were of Jesus - his hands bleeding - and Franklin D. Roosevelt.

    Unlike many white ethnics of the period, the Hamills did not flee to the suburbs. "They never wanted to flee, blacks, Latinos or anything," Mr. Hamill said. "They had none of that."

    He started reading Dorothy Schiff’s New York Post as a teenagers and aspired to be a newspaperman. Mr. Hamill summed up his talk by saying: "There were different ways to be Irish, just as there were different ways to be Jewish and Italian. It was the luck of the draw. That’s about being part of an alloy, not being separate."

    Dr. Macchiarola remarked that he, too, was a Shabbos goy, working with Abraham Wallach, the father of the actor Eli Wallach, on Bedford Avenue in Brooklyn.

    Dr. Macchiarola grew up in an Italian family, married an Irish-American and spent much of his life affiliated with Jewish institutions. He spoke of those three identities as a crucial part of his life. He recalled attending Catholic schools that dominated by the Irish - a third-grade teacher called him Murphy because he couldn’t pronounce Dr. Macchiarola’s last name. Dr. Macchiarola, now the president of St. Francis College in Brooklyn Heights, recalled:

    My father was really convinced that education was important. He had not gone to high school. He was a sanitation man. My mother didn’t graduate from high school. And I was the first in an extended family to graduate high school. My grandfather came to this country 100 years ago. We had a big family celebration [recently]. There are about 75 direct descendants - we had it at the college - and every single one of them successful, every marriage except one still intact, and nobody in the witness protection program.

    After the applause subsided, he added: "It is something that we Italians are very defensive about, that somehow because our names end in vowels, that we’re suspect. And I would say it goes all the way through the culture."

    With Mayor Koch’s support, Dr. Macchiarola became the first Italian-American to lead the city’s school system. Later in his career, he was dean of the Benjamin N. Cardozo School of Law at Yeshiva University for about five years. "From that position, I saw the enormous strength and capacity of fidelity to the book, because it was an Orthodox school; adherence to the law; tolerance, respect for others," he said.

    At the college he leads, Dr. Macchiarola keeps a mezuzah outside his office door. He also put crucifixes in all of the college’s classrooms, telling the faculty members: "This is not intended in any way to suggest anything other than who we were. We of the faith have to be reminded of who we are." The school is tremendously diverse: a student Dr. Macchiarola brought with him to the talk is a Muslim with a Puerto Rican mother and an Egyptian father; the student body president is an Arab-American, and the vice president is Italian-American.

    “We grew up with certain understandings and stereotypes, in a world of intolerance," Dr. Macchiarola said. "That world, hopefully - I believe it has changed.-

    During the question-and-answer session, Dr. Zeitz asked why white ethnic politicians have been largely dominant in the postwar era - made up of eight of the last 10 mayors, all but David N. Dinkins and Mr. Lindsay - while ethnic political clubs have weakened.

    Mr. Koch said that people generally vote for political candidates similar to them - unless the adversary is clearly head and shoulders above that person....

    Dr. Macchiarola - like many historians, in contrast to Dr. Zeitz - argued that ethnicity’s hold in New York and American society has greatly weakened. When he was chairman of a commission that redrew City Council district boundaries, the process resulted in a reduction in the number of Italian-Americans, and pretty much no one noticed, he said.

    He predicted that ethnicity would not play an important role in the 2008 national elections, as it did in 1960, when John F. Kennedy became president, and 1989, when Mr. Dinkins became mayor.

    Mr. Hamill said that the "defensiveness of the Irish" declined after 1960. He credited City College for the upward mobility that allowed the children of poor immigrants to get ahead.

    “By the time I got out of the Navy there were two kids on my block going to university, and one of them was my brother," he said.

    At one point, Mr. Hamill quipped that ethnic enclaves have largely shriveled. "If you go to Little Italy now, it’s two and half blocks long and it’s a ‘Sopranos’ theme park," he joked. Italian-Americans who moved to the suburbs "come back for nostalgia reasons and, most of all, to buy the bread."

    Dr. Macchiarola recalled campaigning for city comptroller once in the Bronx. An aide insisted that he speak before a social club, and the aide tried to egg on the crowd, saying: "You’ve got to vote for him. He’s one of us!" Dr. Macchiarola later pointed out that the crowd was Albanian, not Italian; that Albanians tended not to vote in high numbers; and that when they did vote, they tended not to like Italians. The crowd laughed.

    In city politics, a balanced ticket used to consist of a Jew, an Irishman and an Italian. Now, Mr. Koch said, it might include a white, a black and a Hispanic - and women.

    All three men seemed to share a belief in the American ideal of meritocracy, however incompletely that ideal is realized.

    “Today, there is nothing that limits you if you have the talent to reach for and convince others that, in fact, that talent is yours," Mr. Koch said.

    “This is a town where you can overcome everything if you look for the prize and go for it," Mr. Hamill said.

    Dr. Macchiarola, paraphrasing the writer Richard Gambino, said: "Italians came to America because they were told the streets were paved with gold. When they got here they discovered the streets were not paved with gold. In fact, the streets were not paved. And they were going to pave the streets."

    Thursday, October 25, 2007

    Dormant Italy-Sino Trade Growing Significantly

    With China destined to be an Economic Giant, a closeness between Italy and China is Imperative.

    The overall bilateral trade between China and Italy was $24.5 billion last year, up 32 percent from the previous year.

    Exports to China were valued at $8.6 billion, 24 percent higher than 2005.
    According to Sass, there are at least 700 Italian-invested companies in Chinese mainland.


    Sino-Italian relations now stronger: Ambassador
    People's Daily Online - Beijing, China
    October 24, 2007
    Chinese and Italian relations are getting much stronger "in every aspect", Italian Ambassador to China Richard Sass said yesterday.

    In the past, trade between the two countries was not big, cultural exchanges not that active, and there were not many Italians living in China.

    These issues had perplexed the embassy for a long time, Sass said in an exclusive interview with China Daily.

    "Thanks to the promotional work by the two countries, the situation is changing," he said.

    According to Sass, there are at least 700 Italian-invested companies in Chinese mainland.

    On the issue of bilateral trade, Sessa said the import and export of goods between the two countries have been increasing at a healthy rate in recent years.

    The overall bilateral trade between China and Italy was $24.5 billion last year, up 32 percent from the previous year.

    Exports to China were valued at $8.6 billion, 24 percent higher than 2005.

    Sessa is happy to see the growth of trade, however, he said Chinese trade surplus with Italy still exists.

    However, he said: "We will not set up any barrier for Chinese imports by ourselves."

    When asked about the potential problem of Chinese textiles entering the EU's markets, Sessa said he was very confident about local Italian textile makers.

    He said most of them focus on the high-end market, and they have their own stable of "luxury customers".

    Source: China Daily

    Tuesday, October 23, 2007

    Obit: Enrico Banducci, 85; Owned Famous "hungry i" Nightclub

    Harry Banducci was born on Feb. 17, 1922, in Bakersfield. A prodigy on the violin, he came to San Francisco when he was 13 to study music. At 17, he was getting ready for a violin recital when he decided that Harry was an unsuitable first name for a musician. Enrico Banducci "looked more important, more Italian, yes, less Bakersfield,"
    Several Jews claim Enrico Banducci, as Jewish, Not Italian.Of course he could be both, and an Italian Jew. The Second article from the West Coast News has his grandfather talking to him in Italian, but revealing two very indifferent parents, with his mother especially cruel.
    Banducci bought the 83-seat club "hungry i" that evolved from a bohemian hangout to a showcase for folk singers, such as Stan Wilson.
    That changed when Banducci hired Sahl, his first comedian, in late 1953, and gave Sahl time to develop his new brand of political satire and encouraged him to speak his mind onstage.

    "We were set free by Enrico," Sahl said "He's fearless,He was his own man. I stress that because he's the last one I met.". He gave people artistic freedom, allowed them to express themselves as they wished, without any interference from him or anybody else,
    This led to a stream of new-wave comedians performing at the hungry i, including Phyllis Diller, Dick Gregory, Lenny Bruce and Bill Cosby. One memorable 1963 double bill featured Woody Allen and a young singer named Barbra Streisand.

    In the process, the barrel-chested, mustachioed and beret-wearing Banducci became known in the press as "The Billy Rose of North Beach," with the hungry i deemed "the most influential nightclub west of the Mississippi."

    "He had an extraordinary eye for talent, and he set the standard in nightclub entertainment for 20 years,"

    Banducci "started three major revolutions in nightclub entertainment," (1) a new style for the nightclub where bohemia met elegance, (2)
    "he started satirical political comedy, (3) he started the revolution in folk music, which went around the country and around the world." .

    Enrico Banducci, 85; Owned Famous "Hungry i" Nightclub
    Los Angeles Times
    By Dennis McLellan
    Staff Writer
    October 16, 2007

    Enrico Banducci, the flamboyant San Francisco nightclub impresario whose hungry i launched political satirist Mort Sahl and played a major role in the careers of Shelley Berman, Woody Allen, Jonathan Winters and other comedians in the 1950s and '60s, has died. He was 85.

    Banducci, who was hospitalized for kidney and heart problems last month, died Oct. 9 at home in South San Francisco, said his niece, Chi Chi Banducci.

    A onetime concert violinist, Banducci bought the hungry i -- short for the hungry id -- in 1951 from Eric Nord, who had started and named the tiny North Beach club two years earlier.

    Under Banducci, the 83-seat club in the basement of the Sentinel Building on Columbus Avenue evolved from a bohemian hangout to a showcase for folk singers, such as Stan Wilson.

    But that changed when Banducci hired Sahl, his first comedian, in late 1953.

    Banducci reportedly gave Sahl time to develop his new brand of political satire and encouraged him to speak his mind onstage.

    "We were set free by Enrico," Sahl said last spring during the launch of "Enrico Banducci's hungry i: San Francisco's Legendary Nightclub," an exhibition at the San Francisco Performing Arts Library & Museum.

    "He's fearless," Sahl said. "He was his own man. I stress that because he's the last one I met."

    Sahl was soon drawing lines of customers around the block at the hungry i, which moved to its much larger and more famous basement location on nearby Jackson Street in the spring of 1954.

    "The hungry i had become by the mid-1950s the Comedy Central of its day, the main staging area of the revolutionary movement" in stand-up comedy, wrote Gerald Nachman in his 2003 book "Seriously Funny: The Rebel Comedians of the 1950s and 1960s."

    A stream of new-wave comedians performed at the hungry i, including Phyllis Diller, Dick Gregory, Lenny Bruce and Bill Cosby. One memorable 1963 double bill featured Woody Allen and a young singer named Barbra Streisand.

    In the process, the barrel-chested, mustachioed and beret-wearing Banducci became known in the press as "The Billy Rose of North Beach," with the hungry i deemed "the most influential nightclub west of the Mississippi."

    "I gave people artistic freedom, allowed them to express themselves as they wished, without any interference from me or anybody else," Banducci recalled during the exhibition's opening.

    "He had an extraordinary eye for talent, and he set the standard in nightclub entertainment for 20 years," Brad Rosenstein, curator of exhibitions and programs at the San Francisco Performing Arts Library & Museum, said Monday.

    Banducci "started three major revolutions in nightclub entertainment," Rosenstein said.

    "He crafted a new style for the nightclub where bohemia met elegance," said Rosenstein, noting that Banducci "was the first to have that brick wall behind the stage, which every club now has."

    "He also started satirical political comedy, which was virtually unknown before Mort Sahl. And, finally, he started the revolution in folk music, which went around the country and around the world."

    The Limeliters folk group launched its career at the hungry i, which also featured the Kingston Trio; Peter, Paul and Mary; and other groups.

    "He was really the first to spot many of these people -- comedians, folk singers, variety acts -- and give them a chance," Rosenstein said. "Other clubs looked at who he booked and often followed his lead."

    Banducci told Nachman in a 1999 interview, "I wanted to have a club that was fair to the artist -- like a theater -- to develop and nurture talent."

    For Banducci, that meant not putting up with that bane of stand-up comics: hecklers.

    In Nachman's book, comedian Professor Irwin Corey recalled Banducci once reacting to audience members who interrupted his act by yelling: "Stop the show. You noisy bunch of mothers! Give 'em back their money. Have respect for the acts or don't come back here."

    Nothing stopped Banducci from demanding respect for his performers. As Nachman noted, he even once "threw out an entire audience -- a Gray Line bus tour of foreigners."

    He was born Harry Banducci on Feb. 17, 1922, in Bakersfield. A prodigy on the violin, he came to San Francisco when he was 13 to study music.

    At 17, he was getting ready for a violin recital when he decided that Harry was an unsuitable first name for a musician. Enrico Banducci "looked more important, more Italian, yes, less Bakersfield," he told the San Francisco Chronicle in April.

    In 1958, he opened Enrico's Coffee House on Broadway a few blocks from the hungry i. It was later renamed Enrico's Sidewalk Cafe, and he sold it in 1988.

    At one point, Rosenstein said, Banducci had "a mini empire in North Beach" that included Mike's Pool Hall and a hamburger place called Clown Alley. He also was a part owner of the Purple Onion nightclub.

    But, Rosenstein said, Banducci was the first to say that he was not a great businessman, and even at the height of the hungry i's popularity, "there were always financial problems."

    The hungry i, which moved from Jackson Street to Ghirardelli Square in 1968, closed in 1970.

    Banducci, who was married five times, is survived by his daughter, Allegra; and his son, Gregory. A memorial will be held from 1 to 5 p.m. Oct. 28 at Enrico's, 504 Broadway, San Francisco.

    dennis.mclellan@latimes.com
    ==================================================================================================================
    "CONTIAMO LA MONETA"
    The West Coast News
    "CONTIAMO LA MONETA" (Let's count the money), said Enrico Banducci's grandfather to him one day in Bakersfield. His grandfather had heard that Enrico, age 13, was planning to go to San Francisco to study violin.

    His grandfather had been keeping Enrico's money for him in his safe so that his parents did not take it. Enrico had earned the money playing the violin two or three times a week since he was six years old. His father, who took no interest in his musical abilities, made him practice in the garage.

    Part of the reason he was going to San Francisco was to study violin with then-concertmaster Naum Blinder. Part of it was surely to get away from his parents, who beat him almost every day.

    "I was not an unruly kid," says Enrico. "My mother did not like me from the day I was born." In fact, she had tried to abort him.

    Enrico says that one day he was sitting under the umbrella tree where he could not be seen and was listening to his mother talking with his aunts on the back porch. The topic was abortion.

    "Oh, yes," said his mother. "I tried to have an abortion but I couldn't."

    "Who were you trying to abort?" asked one of the aunts.

    "Harry," said Enrico's mother."

    Enrico was born Harry Banducci, not Enrico Banducci. "Enrico" came latter when he got involved in the night club business.

    She told the aunts she took "Philippine black pills," drank castor oil, and was jumping down off the bed to get rid of him.

    When he heard this, Enrico said he started to cry.

    His father was a bootlegger who had a mistress and paid almost no attention to his mother. Both father and mother were frustrated, angry people who took it out on their three boys.

    One day his mother hit him over the head with a pan, knocking him unconscious for twenty minutes. This occurred, he says, because he accidentally dropped a laced doily on the floor. A neighbor who witnessed this particular incident wanted to call the police but Enrico talked the neighbor out of it, saying that it would only make things worse.

    Now if the above sounds bad, picture this: One day his mother was beating him outside when the Greek vegetable man came by and witnessed it. He was so upset by what he saw that he told his mother that he would not sell her vegetables anymore. What was Harry's crime that day? On the way home from school he had loaned his coat to a black friend who was cold and he had arrived home coatless.

    This was all back in Bakersfield in the 1920s and 1930s. Before the Hungry i. Before the Purple Onion. Before Enrico's Sidewalk Cafe ...

    When Enrico and his grandfather counted the money, it turned out he had 10,800 dollars.

    In a scene at the dinner table his father angrily opposed the move when it was announced, but by the age 13 Enrico was now a big kid—"I had a mustache already and I looked about 18 or 19"—and he simply told his father that he was going. He had in fact already purchased his train ticket.

    Once in San Francisco, it only took a few days to meet people and get connected. It took about fourteen years until the Hungry i came about. Even in San Francisco one does not open a nightclub at age 13.

    Obit: Vincent DeDomenico, 92; Helped Create Rice-A-Roni

    It is always a pleasure to report on another successful Italian American.
    But it is saddening to see that they so often are NOT involved with any activities furthering the Italian community or Heritage.


    Vincent DeDomenico, 92; Helped Create Rice-A-Roni
    Los Angeles Times
    By Dennis McLellan
    Staff Writer
    October 23, 2007

    Vincent DeDomenico, an icon of the pasta industry who was instrumental in his family-run company's creation of Rice-A-Roni, the legendary "San Francisco treat," has died. He was 92.

    DeDomenico, who later built and operated the Napa Valley Wine Train, died Thursday in his sleep at his home in Napa, Calif., said his daughter, Marla Bleecher.

    He had not been ill and had been working in his office at the train station in Napa the night before he died.

    "He was a warm, fun guy, somebody who liked a good time but whose work was his life," Bleecher said. "For him, work and play were all the same thing."

    The son of Italian immigrants who owned a family pasta company originally called Gragnano Macaroni Factory and renamed the Golden Grain Macaroni Co., DeDomenico, along with his brothers Tom and Paskey, took over the business shortly before their father died in 1943.

    In the late 1950s, DeDomenico began working on the idea of packaging dry rice and vermicelli with seasonings in one package to be sold in grocery stores and launched Rice-A-Roni.

    Rice-A-Roni quickly became associated with the City by the Bay, thanks to the company's national commercials featuring cable cars and the catchy jingle: "Rice-A-Roni, the San Francisco treat; Rice-A-Roni, the flavor can't be beat."

    "My dad was insistent on a jingle that people would remember," Bleecher said. "That's what made it successful."

    DeDomenico and his brothers bought the Ghirardelli Chocolate Co. in 1964 and soon added the main Ghirardelli plant onto the Golden Grain factory in San Leandro.

    The innovative DeDomenico helped develop microwave machines to dry pasta in the '70s.

    In 1986, the family sold its various companies to Quaker Oats for a reported $300 million.

    But after five decades in the pasta business, DeDomenico had no intention of retiring.

    "I thought, 'What am I going to do now? I like to keep busy. I'm not a golfer," he told the San Francisco Chronicle in 2002.
    "I heard someone up here had an idea for a wine train. I came up to check it out. I was looking for a fun, new thing."

    DeDomenico spent millions buying and restoring vintage rail cars and repairing the railroad's ties, trestles and bridges and creating new depots at Napa and Yountville.

    Despite opposition from vintners and landowners, he launched year-round daily dining excursions between Napa and St. Helena in 1989.

    "I never ceased to be amazed at his capacity to learn and endeavor new challenges," said Erica Ercolano, the longtime director of marketing and business development for Napa Valley Wine Train Inc.

    "He was the embodiment of entrepreneurship born of the Depression era," she said. "He was the consummate, patriarchal, fair-minded taskmaster. And the hardest-working person I will ever know."

    Ercolano said DeDomenico came to work "darn near every day. His wife would make him go on sabbatical to their place in Hawaii in January when the weather was not good here."

    But, she said, "He hated vacations. He called us every day, he faxed us every day. He loved to work."

    Aside from the train, DeDomenico also had a large cattle and farming operation in the Sacramento Valley.

    The fourth of six children, DeDomenico was born in San Francisco on Sept. 29, 1915. Three years earlier, his father had launched Gragnano Macaroni Factory, which supplied dried pasta to the city's Italian markets and restaurants.

    After graduating from high school, DeDomenico began working in his family's company full time as a salesman while attending night classes in accounting and business at Golden Gate College.

    In addition to his daughter, he survived by his wife, Mildred; their other children, Michael DeDomenico, Vicki McManus and Vincent DeDomenico Jr.; seven grandchildren; and his sister, Katherine Reichert.

    The family requests that donations in his memory be made to the Boys & Girls Clubs of Napa Valley, the Napa Valley Opera House, Queen of the Valley Hospital or St. Helena Hospital.

    A public celebration of DeDomenico's life will be held at 4 p.m. Thursday at the Napa Valley Wine Train station, 1275 McKinstry St., Napa.

    dennis.mclellan@ latimes.com
    http://www.latimes.com/news/obituaries/la-me-dedomenico23oct23,1,1962943.story?coll=la-news-obituaries&ctrack=1&cset=true

    Monday, October 22, 2007

    When Does "Offensive Speech" at Soccer Matches Become Unlawful ???

    Inter Milan's more fanatical fans called the Ultras, were fined about £20,000 and ordered to shut down the section of the San Siro where the more passionate Ultras sit for their next home match.
    The Ultras displayed two "offensive" banners during a recent Serie A match against Napoli. One read: "Naples, the sewer of Italy." And the other read: "Neapolitans with cholera". Both are references to the fact that unsanitary conditions in some parts of Naples led to a cholera epidemic in 1973.
    I thought those over the edge, while I thought amusing the banner Fiorentina fans displayed that read "You’re uglier than the Multipla", a reference to a people-carrier produced by Fiat, the Juventus club’s owners. :)

    Ultra-cautious Stand a Real Passion Killer

    The London Times Online
    Gabriele Marcotti
    October 22, 2007

    Some of the things we teach our children - “sticks and stones may break my bones, but words will never hurt me" - are downright lies. Words do hurt and it is generally accepted that we have a responsibility to do something about offensive words and insults.

    Uefa feels that way. Certain types of speech (usually racist or anti-Semitic, occasionally sectarian) are banned from football grounds. Clubs face fines and punishment if their supporters engage in them. Most seem to agree that this is only right and just. But it is worth looking at what constitutes offensive speech and to what degree footballing authorities (or even the legal system) ought to get involved.

    The issue came to the fore last week, when the Italian FA held Inter Milan responsible for the behaviour of their Ultras, who displayed two “offensive" banners during a recent Serie A match against Napoli. The Milanese club were fined about £20,000 and ordered to shut down the section of the San Siro where the more passionate Ultras sit for their next home match.

    However, Inter are appealing against the punishment. They argue that the kind of insults contained in the banners, while unpleasant, do not justify banning sections of their fan base. "Honestly, there are far worse things that go on, both inside and outside our grounds," Roberto Mancini, the Inter coach, said. "Put-downs and insults like these have always been part of the game. Without a doubt, it’s not nice, but it happens everywhere, to fans of all clubs, and I don’t think it’s worth punishing a whole load of supporters who have nothing to do with it."

    Does he have a case? You be the judge. There were two offending banners. One read: "Naples, the sewer of Italy." And the other read: “Neapolitans with cholera". Both are references to the fact that unsanitary conditions in some parts of Naples led to a cholera epidemic in 1973.

    The Italian FA’s verdict equates these statements to racist abuse, which seems a stretch, not least because Neapolitans are no more a different race from Milanese than Scousers are a different race from Cockneys.

    Sociologists may suggest that such statements are offensive because their roots lie in age-old stereotypes based on ancient power relations. In this case the wealthy North of Italy putting down the impoverished southern city of Naples.

    But whether it is racist or even just unacceptable remains to be seen. Liverpudlians are greeted with songs depicting them as thieves ("Always thieving, same old scousers") and indigents ("You look in the dustbin for something to eat/You find a dead rat and you think it’s a treat"). Chelsea supporters get the "rent boy" treatment. Southern fans call northern ones "dirty"., while northerners call the southerners "soft". And on it goes.

    Is this the kind of thing we want to ban from grounds? Neither of the Ultras’ banners were particularly funny or original, but there is a long and rich tradition of witty and cutting banners and chants. When Empoli played at home to Fiorentina, their local rivals, Fiorentina fans displayed a banner that read "Where did you get your ground . . . ikea?", a reference to the flatpack nature of the stadium. And a few years ago Juventus were greeted with "You’re uglier than the Multipla", a reference to a people-carrier produced by Fiat, the club’s owners.

    Both of those could be seen as offensive to ikea or Fiat, not to mention the fans of those clubs. The issue becomes where the line is drawn about what is offensive. A Napoli supporter took legal action against Massimo Moratti, the Inter president, as a result of the offence and “moral anguish" caused by the banners. Does he have a case? Personal offence is just that, personal. And yet Uefa and the national FAs have to legislate for masses of people, not individuals.

    The fear among some is that by prohibiting banners and slogans we are heading down the proverbial slippery slope, when any kind of negativity - from the booing of players to the questioning of a referee’s eyesight - is outlawed. And with it most of the banter that is part of football.

    It is hard not to see it as another step towards the antiseptic, sanitised, "football as just another form of entertainment" brave new world. Yet some feel that it is time that the nastiness was removed. "It was a brave decision", Carlo Ancelotti, the AC Milan coach, said. "Why can’t we be more polite towards each other?"

    The odds are, Ancelotti’s views are not shared by those fans who pay money to follow their clubs and who view those 90 minutes every weekend as an escape from the niceties of modern life. Either way, it is worth thinking long and hard about what we want our football grounds to be like. ....

    --------------------------------------

    Gabriele Marcotti is an Italian sports journalist and presenter who has an encyclopaedic knowledge of world football. He has also written two books

    Oral Histories of your Grand Parent - Parents --Before it's Too Late!!!!!!

    If you do not want to leave your kids, and their kids wondering about their ancestors, don't delay another second to get on Video (or Audio) the Autobiographies of your living relatives, and their Italian and Italian American Experience.
    It is probably the GREATEST Gift you could ever give to your progeny. Toys are fleeting. Their Heritage is Forever, IF PRESERVED!!!!!!

    Italian-Americans Should Connect with Ancestors

    Buffalo News - NY,
    October 22, 2007

    The recent Shea’s Buffalo premier of Joey Giambra’s marvelous production of "La Terra Promessa" and the airing of the film on WGRZ brought piquant memories of my family’s first years in Buffalo, as I’m sure it did for many other local Sicilian- Americans.

    The early newspaper references denigrating those of Italian descent sounded eerily similar to the complaints heard today about other minorities, yet the success stories presented in the film remind us that anyone can achieve his dream in America.

    Many descendants of Western New York’s Sicilian immigrants have lost touch with the heritage of their parents and grandparents, and the vicissitudes they faced: in their homeland; on the voyage to America; and sadly, in their adopted country.

    There is a somewhat unknown resource here that can be used to trace their roots. It is the Church of Latter-Day Saints’ Family History Center in Amherst, (and in practically every town and city in the US) which has available dozens of microfilms of original records of births, baptisms, marriages and deaths from as early as the 1600s for Sicilian villages, as well as microfilms from the Italian mainland.

    I urge Italian-Americans to take the initiative prompted by "La Terra Promessa" and to connect with their ancestors.

    Angelo F. Coniglio, Amherst


    Italian Food, America's Choice of Foreign Food

    In response to the question:
    "If you had the choice to go out to a restaurant and eat one type of food, which of these are you most likely to choose?"
    American received 28%, Italian 22%, Mexican 17%, Chinese 16% , Japanese 7%, Indian 2 %, French 1%, etc....,
    I was quite surprised how close Italian came to American, and how poorly French fared.


    Senior Citizens Prefer American Food More Than Other Adults When Eating Out

    Matures 3-to-1 more likely to choose French food, cool to Japanese

    Oct. 19, 2007 - When senior citizens, or "Matures", as Harris Interactive calls them, go out to eat they want American food. Harris found, in fact, this is the favorite food for most American adults, but no age group is as adamant about their meat and potatoes as are the oldest Americans.

    Over one-quarter (28%) of U.S. adults say American food is what they are most likely to choose if they had the choice to go out to a restaurant and eat one type of food, but senior citizens are much more adamant. For Matures (those aged 62 and older), American is tops as two in five (41%) say it is the food they are most likely to choose.

    Both Baby Boomers (aged 43-61) and Generation Xers (aged 31-42) also keep American food as their top choice (28% and 25%) respectively.

    But for Baby Boomers, Chinese moves into third place as almost one in five (19%) say it is the type of food they are most likely to choose.

    For Gen Xers, Mexican becomes their second choice as one-quarter (24%) would choose this type of cuisine.

    The youngest group, Echo Boomers (aged 18 - 30) have a different top choice as 23 percent of this age group would choose Italian food followed by one in five (21%) who say American food.

    Matures agree with the average of all adults that Italian is second choice, but these older Americans are not nearly so hot on other foreign foods, except for French. The Matures were three-to-one more likely than others to choose French food when eating out.

    Another big difference with younger eaters is the choice of Japanese food - seniors don't like it. Or, could it be a hang over from those who old enough to remember Pearl Harbor?

    These are some of the findings of a Harris Poll of 2,392 adults surveyed online between September 11 and 18, 2007 by Harris Interactive.

    "Thinking of food now, if you had the choice to go out to a restaurant and eat one type of food, which of these are you most likely to choose?"

    Food

    Choices

    ALL

    Generation

    Diff
    Matures
    versus
    All Other

    Echo

    Boomers

    (18-30)

    Gen

    Xers

    (31-42)

    Baby

    Boomers

    (43-61)

    Matures

    (62+)

    %

    %

    %

    %

    %

    American

    28

    21

    25

    28

    41

    13

    ITALIAN

    22

    23

    18

    24

    22

    0

    Mexican

    17

    17

    24

    16

    14

    -3

    Chinese

    16

    18

    12

    19

    13

    -3

    Japanese

    7

    12

    9

    5

    3

    -4

    Indian

    2

    3

    3

    1

    1

    -1

    French

    1

    1

    1

    1

    3

    2

    Middle-Eastern

    1

    1

    *

    2

    1

    0

    Other

    4

    3

    7

    4

    2

    -2

    None of these

    1

    2

    1

    *

    *

    *

    Sophia Loren Honored by City of Rome

    Loren Cries at Rome Ceremony

    Associated Press Oct 20, 2007

    ROME (AP) — Sophia Loren broke into tears at an awards ceremony Saturday as she recalled her climb to fame from the gritty Neapolitan suburb where she grew up.

    "Lady History was generous to the girl from Pozzuoli, and I thank her together with all of you," Loren said, her voice breaking with sobs, at the award ceremony in Rome's City Hall.

    The city honored Loren with the Campidoglio (City Hall) prize, describing her as "not only an icon of cinema, but a very synonym of Italy, of that Italy made up of elegance, passion, genius, humanity and beauty."

    Loren, 73, wore a low-cut, tailored outfit to the ceremony in the Italian capital, which is hosting an international film festival.

    The actress also cried two years ago when she received honorary citizenship from Pozzuoli, a seaside town outside Naples where as a youth she would watch Hollywood movies in the town's single theater.

    http://ap.google.com/article/ALeqM5hFco9wdIF0saG1oSLbupTD2_kA-gD8SDA1800

    "Discovery" Launches Tuesday with Italian Astronaut Paolo Nespoli

    NASA's space shuttle crew, is made up of six Americans and an Italian, and has a woman in charge.

    Italian astronaut Paolo Nespoli is taking a variety of specialties from his homeland into space, including the one of which he's proudest: the pressurized compartment named Harmony that will be attached to the international space station.

    Harmony was designed and built in Italy for NASA.

    Nespoli dreamed of becoming an astronaut while growing up in a small town near Milan.

    "I was a kid watching the images coming from the moon and Mission Control, of the astronauts bouncing around. That's when I decided, at least I had this dream, I wanted to be an astronaut. I always joke, Thank God I didn't say I want to be a dancer or something, because I cannot. I don't have the capabilities."

    Nespoli, 50, served his mandatory year in the Italian army in 1977 and chose to stay on. He ended up a major and a master parachutist, and spent two years in Lebanon during the 1980s as part of the peacekeeping force.

    He joined the European Space Agency's astronaut corps in 1998. This will be his first spaceflight. He will direct the spacewalks from inside the shuttle-station complex. He also will host an Italian dinner, and he's keeping the menu secret.

    He met his wife in Russia while he was training at cosmonaut headquarters.



    Discovery's female-led crew consists of 6 Americans, 1 Italian

    The Associated Press
    Saturday, October 20, 2007

    CAPE CANAVERAL, Florida: NASA's next space shuttle crew, made up of six Americans and an Italian, has a woman in charge.

    Retired Air Force Col. Pamela Melroy will sit in the coveted front left seat of the cockpit when Discovery blasts off Tuesday on a mission to deliver a new live-in compartment to the international space station.

    She is only the second woman to command a shuttle flight — and "exceedingly grateful" she wasn't the first. Ex-astronaut Eileen Collins was — in 1999 and again in 2005.

    "It's a tremendous additional burden with all the other responsibilities that you have as a commander to carry that with you," Melroy said last month. "I don't particularly care for the spotlight."

    Three of Melroy's crewmates are space veterans like herself and three are rookies.

    Here's a quick look at all seven:

    ___

    Melroy, the mission's commander, does not see herself as a female leader.

    "I am a Pam leader," she said, noting that every leader is unique. It took her a while to find her own leadership style, one she is comfortable with.

    Melroy, 46, who has degrees in science, is from Rochester, New York. She got her military start with the Air Force ROTC program in 1983. She flew the KC-10 at Barksdale Air Force Base, Louisiana, and went on to test pilot school at Edwards Air Force Base, California. She became an astronaut in 1995 and flew twice in space as the co-pilot.

    Following the 2003 Columbia disaster, Melroy focused on reconstruction of the crew module and was deputy project manager for a team that investigated crew survival issues. She retired from the Air Force earlier this year.

    Her husband, Douglas Hollett, a geologist, is vice president for Southeast Asia exploration at Marathon Oil Corp.

    ___

    Pilot George Zamka never considered spaceflight within his reach, even when he was in the Marines.

    The 45-year-old colonel and former fighter pilot was enjoying his military career when someone at test pilot school suggested he apply to the astronaut corps. It took a couple tries, but he finally was selected in 1998. This will be his first shuttle flight.

    He ranks spaceflight as risky as combat flying.

    "So how do I deal with that? I have faith in our team, in the good will of our folks to handle situations as best as they know how, that they don't take anything lightly, they don't take anything as an automatic and that they're well trained and that we have tools developed to be able to handle things. And the rest that you can't worry about, you can't control, you just don't worry about it."

    Zamka is married with a 13-year-old daughter and 6-year-old son.

    He grew up in Medellin, Colombia; New York; and Rochester Hills, Michigan.

    ___

    Dr. Scott Parazynski is the crew's chief spacewalker and outdoor repairman.

    He will use his medical skills to practice patching deliberately damaged shuttle tiles in a first-ever space demo of a high-tech caulking gun and goo.

    "The tile that you're working on, of course, is silica glass. It's very brittle so if you were to nudge the tile with the applicator tip, for example, you could make the damage a lot worse," he said. "So like in medicine, first do no harm."

    Besides being a doctor, Parazynski, 46, is an instrument-rated pilot and mountaineer. He was ranked among the nation's top 10 competitors in luge during the 1988 Olympic Trials, while still in medical school. He became an astronaut in 1992. This will be his fifth spaceflight; on his third, he flew with John Glenn.

    Parazynski is married with a 10-year-old son and 8-year-old daughter, and considers home Palo Alto, California, and Evergreen, Colorado. He is taking into space two Roosevelt medals that were presented to those who helped build the Panama Canal, "the moon shot of its era." One of the chief engineers was his great-great-grand-uncle.

    ___

    Army Col. Douglas Wheelock spent 10 days living underwater as a NASA aquanaut three years ago. Now he gets a shot at space.

    He will make three spacewalks on his first mission, something he's been aiming for ever since he became an astronaut in 1998.

    "I keep kind of kidding with the rest of the crew. I say, 'Gosh, I hope we hurry up and launch so they don't figure out they picked the wrong guy,'" he said.

    More seriously, he said: "Being able to look at the shuttle and the station silhouetted against deep space and silhouetted against the planet, I think it's going to just take my breath away."

    The 47-year-old aviator is from Windsor, New York. He is married with a 20-year-old daughter.

    Wheelock is taking into space a jersey and baseball card belonging to former New York Yankee Bobby Mercer, his boyhood hero who had surgery in December for a brain tumor. The two have since become friends.

    ___

    Stephanie Wilson will be making her second shuttle flight in just over a year.

    Her main role will be to operate the robotic arms aboard Discovery and the international space station during spacewalks and construction work.

    Wilson, 41, an engineer, is among only a handful of black women who have ever served in NASA's astronaut corps.

    She worked on the Titan IV rocket for the former Martin Marietta Astronautics Group in Denver during the late 1980s. Following graduate school, she joined Jet Propulsion Laboratory in Pasadena, California, helping with the operation of NASA's Galileo spacecraft.

    She became an astronaut in 1996.

    An avid stamp collector, Wilson was thrilled when the post office in her hometown of Pittsfield, Massachusetts, made a cancellation stamp in her honor after she returned from space last year. She called it "very humbling and very neat."

    She is single.

    ___

    Italian astronaut Paolo Nespoli is taking a variety of specialties from his homeland into space, including the one of which he's proudest: the pressurized compartment named Harmony that will be attached to the international space station.

    Harmony was designed and built in Italy for NASA.

    Nespoli dreamed of becoming an astronaut while growing up in a small town near Milan.

    "I was a kid watching the images coming from the moon and Mission Control, of the astronauts bouncing around. That's when I decided, at least I had this dream, I wanted to be an astronaut. I always joke, Thank God I didn't say I want to be a dancer or something, because I cannot. I don't have the capabilities."

    Nespoli, 50, served his mandatory year in the Italian army in 1977 and chose to stay on. He ended up a major and a master parachutist, and spent two years in Lebanon during the 1980s as part of the peacekeeping force.

    He joined the European Space Agency's astronaut corps in 1998. This will be his first spaceflight. He will direct the spacewalks from inside the shuttle-station complex. He also will host an Italian dinner, and he's keeping the menu secret.

    He met his wife in Russia while he was training at cosmonaut headquarters.

    ___

    Daniel Tani is making the trip to spend some time at the international space station.

    He will change places with astronaut Clayton Anderson, who has been living on the station since June and will return to Earth aboard Discovery. Tani will remain on board until the next shuttle flight, currently targeted for December.

    Tani is eagerly awaiting his first long-duration mission. He visited the space station in 2001, but stayed only as long as the shuttle did.

    "I view being an astronaut like being a race car driver or something else that is really so cool that given the opportunity, you would jump on it," said Tani, 46, a mechanical engineer. "I kind of view people, humans, in two categories. One who would go do anything to go into space and the other group who would do anything ... to not have to go into space, to not take that risk."

    Tani's grandparents immigrated from Japan, and his parents were interned during World War II. Tani grew up in Lombard, Illinois.

    He met his wife while golfing in Cork, Ireland, where she was the marketing director. They have two young daughters.

    ___

    On the Net:

    NASA: http://spaceflight.nasa.gov

    http://www.iht.com/articles/ap/2007/10/21/america/NA-FEA-GEN-US-Space-Shuttle-Crew.php

    Friday, October 19, 2007

    NIAF Chairman Dr. A. Kenneth Ciongoli Has Choice Words for Media!!!!!

    As overjoyed as NIAF Chairman Dr. A. Kenneth Ciongoli was with the success of the Annual Gala. He had pointed remarks:
    1. He commented on, whenever the Press is around at an Italian affair, all they want to do is talk about Pasta, that trivializes the event.
    2. He commented that "Italian Americans have risen to the top of every facet of American importance. How did it happen? We didn't choose group interests; we chose American interests. We chose to become Americans and percolated to the top."
    3. He Denounced the Media's pandering to the lowest possible denominator by their avid association of Italian Americans with the HBO television show "The Sopranos" in the press. "No one seems to notice that these supposed Italian Americans are all vulgar beyond belief. ... The show is about nothing that we understand to be our experience," he said, to thunderous applause.
    Bravo for Dr Ciongoli. !!!!!


    Italian Americans Salute Success

    Washington Times - Washington,DC,USA
    Christina Ianzito
    October 15, 2007


    We promised not to mention the scrumptious food served at the National Italian American Foundation's 32nd anniversary awards dinner, held on Saturday night at the Hilton Washington and Towers. "The press wants to talk about pasta," NIAF Chairman Dr. A. Kenneth Ciongoli moaned as he hosted pre-dinner cocktails in a small VIP room crowded with reporters and photographers awaiting the evening's superstar guests: presidential candidate Rudolph W. Giuliani, Speaker of the House Nancy Pelosi and film director Martin Scorsese.

    "The message," Dr. Ciongoli insisted, is that "Italian Americans have risen to the top of every facet of American importance. How did it happen? We didn't choose group interests; we chose American interests. We chose to become Americans and percolated to the top." As evidence, he pointed toward Italian-American Supreme Court Justices Samuel A. Alito Jr. and Antonin Scalia, mingling nearby along with actresses Ellen Pompeo and Susan Lucci, the latter in a strapless pink dress. Miss Lucci noted that she's only half-Italian, "but I think if you have any Italian in you, it becomes dominant, and happily so."

    Mr. Giuliani and Mrs. Pelosi first appeared on a "red carpet" walk in the crowded foyer before dinner. Many at the black-tie party shoved for a spot to point their cell-phone cameras at them while Secret Service agents called for order....


    The evening's message — that Italian Americans are a well-assimilated and powerful mainstream force — was amplified later in the cavernous ballroom where 3,000 guests (paying $400 apiece) cheered, sometimes wildly, as a long and eclectic list of big-name guests — Jerry Vale, Gen. Peter Pace, Gina Lollobrigida, Dion, Yogi Berra, D.C. Arizona Gov. Janet Napolitano — made spotlighted entrances to their seats onstage. (When Mr. Giuliani appeared, the crowd chanted, "Ruuu-dy, Ruuu-dy.")

    The meal that followed — Oh, how can we not? — featured antipasto with prosciutto and polenta, penne pasta with pesto and filet mignon with porcini wine sauce and was accompanied by an homage to the late tenor Luciano Pavarotti, and a speech by
    Dr. Ciongoli denouncing the association of Italian Americans with the HBO television show "The Sopranos" in the press.

    "No one seems to notice that these supposed Italian Americans are all vulgar beyond belief. ... The show is about nothing that we understand to be our experience," he said, to thunderous applause.

    This sentiment, of course, may explain why the celebrated director of movies like "Mean Streets" and "Casino" showed up this year (after finally getting an Academy Award) to accept accolades from NIAF and announce the organization's new Jack Valenti Institute to fund Hollywood internships for Italian Americans. In his speech, Mr. Scorsese lauded the late Motion Picture Association of America chieftain's creation of the ratings system, which, he said, "preserves artistic freedom."

    William Novelli, CEO of AARP, was honored for his public advocacy work, and Connie Stevens, the self-described "little short blond Italian girl from Brooklyn," accepted an award for humanitarian service.

    Mr. Giuliani, mayor of New York at the time of the September 11 attacks, was introduced with a short film showing the twin towers collapsing. "America's mayor," the narrator said, "took charge of his troops, barely escaping death himself." The Republican presidential contender's own remarks were less weighty: he noted that his Manhattan-bred father's revenge for having to live with his wife's family in Brooklyn "was to make me a Yankees' fan." The most "wonderful thing about America," he added, is that it "doesn't require you to give up your heritage."

    http://washingtontimes.com/article/20071015/FAMILY/110150021/1004/metro

    Thursday, October 18, 2007

    Sanctuary of Rome's Second King Found, Numa Pompilius, Successor of Romulus, Dates to 715 -673 BC

    Numa Pompilius, a member of the Sabine tribe, was elected at the age of forty to succeed Romulus, the founder of Rome. He reigned from 715-673 BC, and is said by Plutarch to have been a reluctant monarch who ushered in a 40-year period of peace and stability. He was celebrated for his wisdom, personal austerity and piety.
    Numa Pompilius was also known to have established religious practices and observance in the emergent city state, instituting the office of priest or pontifex and founding the cult of the Vestal Virgins. The temple or sanctuary lay between the Palatine and Velian hills, close to the Colosseum, the Arch of Titus and Via Sacra, and had probably been dedicated to the Goddess of Fortune.
    Numa Pompilius is also credited with dividing Rome into administrative districts, and according to Plutarch organised the city’s first occupational guilds, -forming companies of musicians, goldsmiths, carpenters, dyers, shoemakers, skinners, braziers, and potters.
    The unearthing of the temple proved there were still "remarkable discoveries" to be made in the Forum and Palatine Hill areas.


    Unearthing Rome's King
    London Times
    Richard Owen -
    October 8, 2007
    Italian archeologists have uncovered the ruins of a 2,700 year old sanctuary which they say provides the first physical evidence of Rome at the time of Numa Pompilius, Rome’s legendary second king, in the 8th century BC.
    Numa Pompilius, a member of the Sabine tribe, was elected at the age of forty to succeed Romulus, the founder of Rome. He reigned from 715-673 BC, and is said by Plutarch to have been a reluctant monarch who ushered in a 40-year period of peace and stability. He was celebrated for his wisdom, personal austerity and piety.
    Clementina Panella, the archeologist from Rome’s Sapienza University who is leading the dig, said Numa Pompilius was also known to have established religious practices and observance in the emergent city state, instituting the office of priest or pontifex and founding the cult of the Vestal Virgins. She said the temple or sanctuary her team had uncovered lay between the Palatine and Velian hills, close to the Colosseum, the Arch of Titus and Via Sacra, and had probably been dedicated to the Goddess of Fortune.
    The dig began a year ago, with the help of 130 students and volunteers. The wall of the temple was found seven metres below the surface, together with a street and pavement and two wells, one round and one rectangular. Both wells were “full of thousands of votive offerings and cult objects”, including the bones of birds and animals and ceramic bowls and cups.
    Dr Panella said there was no doubt that the objects dated from the period of Numa Pompilius. However there were no statues or figures because Numa forbade images of the gods in his temples, arguing that it was “impious to represent things Divine by what is perishable”.
    Numa Pompilius is also credited with dividing Rome into administrative districts, and according to Plutarch organised the city’s first occupational guilds, “forming companies of musicians, goldsmiths, carpenters, dyers, shoemakers, skinners, braziers, and potters”.
    Corriere della Sera said the unearthing of the temple proved there were still “remarkable discoveries” to be made in the Forum and Palatine Hill areas. Last year Andrea Carandini, Professor of Archeology at La Sapienza, announced that he had discovered the remains of a royal palace dating to the time of Romulus.
    He said the palace, built around a courtyard, had a monumental entrance and ornate furniture and tiles, and was ten times the size of ordinary homes of the period.
    Also last year Dr Panella, who has been excavating in the Forum for twenty years, discovered a sceptre which belonged to Emperor Maxentius, who ruled for six years until 312AD — towards the end of the Roman state.
    Maxentius drowned in the Tiber during the battle on the Milvian bridge against his brother-in-law, Constantine, who attributed his victory over Maxentius to divine intervention and converted the Roman empire to Christianity.
    Maxentius’s supporters are thought to have hidden the sceptre after the defeat. It was found wrapped in silk and linen in a wooden box together with battle standards and lance heads.

    NIAF Chairman Kenneth Ciongoli Challenges New York Times and Washington Post at Gala

    In addition to those Italian Americans mentioned in my previous Report, such as Supreme Court Justices Antonin Scalia and Samuel Alito. Speaker of the House, Nancy Pelosi, AARP Head William Novelli, Film Director Martin Scorese.Prez Candidate Rudy Giuliani, and New York Yankee great Yogi Berra.
    Also there was CNBC anchor Maria Bartiromo, actressess Susan Lucci, Connie Stevens and Ellen Pompeo, Songster Jerry Vale and Super Bowl-winning coach Dick Vermeil, Mary Margaret Valenti (widow of Jack Valenti, longtime head of the Motion Picture Association of America and former aide to President Johnson).among others.
    I was disappointed in Justice's Scalia's rather tepid show of pride in his Italian Heritage: " I'm not a professional Italian American. I've never traded on it. But yeah, I'm an Italian American."
    On the other hand Maria Bartiromo nearly lost it when asked whether she defined herself as an Italian American. "Are you kidding?" she said. "Every Columbus Day I host the parade, I emcee the gala. I'm very proud of my heritage. I am third-generation Italian and I consider myself Italian as well as American. . . . The reason I work as hard as I do is I watched my father in the kitchen of the restaurant he owned sweating with a bandana on his head. "
    And I take my hat off to NIAF Chairman Kenneth Ciongoli who accused the Media, and specifically Media Giants New York Times and The Washington Post of negatively misportraying Italian Americans.
    Our Leading Italian American organizations NIAF, OSIA, UNICO,,have been too polite in the past. It's about time he took the gloves off!!!!!


    At Italian American Gala, It's Just One Big Happy Famiglia

    Washington Post By Sridhar Pappu
    Staff Writer
    Monday, October 15, 2007

    Here they were: two avatars of Italian Americans past and present, standing in the Cabinet Room of the Hilton Washington. One was the diminutive Hall of Famer, the catcher of the Yankees when the boys from the Bronx were perennial World Series champions, when the team drew generations of Italian American devotees to superstars with names like Rizzuto and DiMaggio. The other was the slender, deep-pool-eyed beauty whose head we've come to associate with a moving ticker across the bottom of our television screens. "How about the Yanks?" said CNBC anchor Maria Bartiromo, draped in diamonds and a low-cut purple gown, of the Yankees failure to reach this month's American League Championship Series. "What happened?"

    "It happens," Yogi Berra said softly.

    This was perhaps one of the few downbeat moments during the 32nd annual National Italian American Foundation Gala charity benefit. Organizers and attendees could argue that this occasion marked an apex of sorts for Italian Americans. They count among their ranks the leader of the House of Representatives, the leading Republican presidential candidate, two Supreme Court justices and a legendary film director who this year won his first Academy Award. The NIAFers had something to crow about, and damned if they weren't going to do just that.

    "In my remarks," said NIAF Chairman Kenneth Ciongoli at the VIP cocktail party preceding the Saturday night event, "I'm going to accuse the New York Times and The Washington Post of miscovering this event every year." (He did.) "We are important as a role model for 21st century immigrants. Now tell me where you're from."

    After hearing the reporter's response about his ethnic background, Ciongoli, a neurologist and author, said: "If Indians (the ethnicity of the the journalist) had all these positions of power, The Post would be going, 'Aaarrrgh, look at all these positions.' If Italians had stayed all Democrats or all Republicans, we wouldn't have those positions."

    The three most notable honorees -- House Speaker Nancy Pelosi (D-Calif.), former New York mayor Rudy Giuliani and director Martin Scorsese Others were actresses Connie Stevens and Ellen Pompeo and AARP's chief, William Novelli -- didn't arrive in the pre-party room until after the press was ushered out. But hey, there were Jerry Vale and Supreme Court Justice Samuel Alito Jr.! And there was Susan Lucci You want celebrity, how about Super Bowl-winning coach Dick Vermeil?

    And of course there was Bartiromo, the evening's master of ceremonies, who nearly lost it when asked whether she defined herself as an Italian American.

    "Are you kidding?" she said. "Every Columbus Day I host the parade, I emcee the gala. I'm very proud of my heritage. I am third-generation Italian and I consider myself Italian as well as American. . . . The reason I work as hard as I do is I watched my father in the kitchen of the restaurant he owned sweating with a bandana on his head. " After turning to greet Supreme Court Justice Antonin Scalia, Bartiromo underscored her point about work ethic: "Justice Scalia. There you go!"

    When asked to work from that same reflection point, Scalia, standing near the bar, said: "Well, the food is awful good. It's hard to get rid of that. I'm not a professional Italian American. I've never traded on it. But yeah, I'm an Italian American."

    When the big three were introduced to the ballroom crowd, along with several others on the dais, it was clear they were among friends. Never mind that Giuliani was recently booed when his mug appeared on the Yankee Stadium Jumbotron during "God Bless America." Here "America's mayor" found only standing ovations and chants of "Rudy! Rudy! Rudy!" Pelosi and Scorsese each felt that same love upon their arrivals and following their speeches (although Giuliani did draw whispers of "Which one?" after mentioning that Berra had attended his wedding).

    The dais revealed the well-known political divisions among the prominent guests. While Giuliani sat between the two conservative Supreme Court justices, Pelosi hung with the Hollywood crowd on the opposite side, sitting with Scorsese, Pompeo and Mary Margaret Valenti (widow of Jack Valenti, longtime head of the Motion Picture Association of America and former aide to President Johnson).

    That divide seemed to diminish when the honors themselves began. Each had a video introduction retracing the narrative lines of his or her Italian heritage. Moreover, in their speeches recipients seemed to work from the same playbook, telling stories about their parents or grandparents, about Brooklyn and Baltimore and Manhattan's Little Italy.

    "It's become chic, I understand," Scorsese said of his old Manhattan neighborhood, transformed by real-estate fever. "It's all gone."

    Taking a break from his turn onstage, Giuliani was asked about whether the Italian American experience should be used as a template for other immigrant groups.

    "I think the Italian American model is a very good model in terms of assimilation, but I can think of a lot of other examples, too," Giuliani said. "Cuban Americans. Irish Americans. African Americans. The Italian American example is a good one for those who love their heritage, and when they become Americans, they realize this is what it's all about."

    Wednesday, October 17, 2007

    Cinematheque and Cinecittà Holding, brings Contemporary Italian Cinema to American Viewers.

    American Cinematheque and Cinecittа Holding, an Italian organization that promotes Italian films internationally, have come together again this year to present the Fourth annual Cinema Italian Style. The film festival is meant to publicize contemporary Italian films abroad by showcasing some of the best Italy has to offer at American Cinematheque
    Showcased this year are "Napoleon and I", depicts the French leader through the eyes of an Italian assassin, and "The Orchestra of Piazza Vittorio," a documentary about the formation of a multi-ethnic orchestra, named after the Piazza in Rome where it formed and reflects its aura.
    Cinecittа and the Cinematheque are looking to find collaborators to expand the event to other major US Cities.

    Cinema proves itself polyglot at American Cinematheque

    Cinema Italian Style, at American Cinematheque, brings contemporary Italian cinema to American viewers.

    Daily Trojan
    University of Southern California
    By Rachel Grice
    October 17, 20007
    Paparazzi bulbs flash incessantly as the elegantly dressed momentarily stop their stroll down the red carpet to pose before making their way into the theater.

    Busy waiters negotiate their way through the open-air courtyard, offering guests delicious hors d'oeuvres from trays precariously balanced on a single hand.

    The noise of fervent conversations being carried on in some foreign language mingles with the smoke from cigarettes held daintily in the hands of perfectly dressed women.

    This is cinema, Italian style.

    American Cinematheque and Cinecittа Holding, an Italian organization that promotes Italian films internationally, have come together again this year to present the fourth annual Cinema Italian Style. The film festival is meant to publicize contemporary Italian films abroad by showcasing some of the best Italy has to offer at American Cinematheque's two theaters: the Egyptian Theatre in Hollywood and the Aero Theatre in Santa Monica. In addition to the film screenings (see "Napoleon and I," right), the festival also includes Q&A panels, receptions and an awards presentation, uniting celebrities and American filmmakers with key members of the Italian film industry.

    The idea for Cinema Italian Style was born out of Silvia Bizio's passion for Italian films. Bizio, an international film correspondent for the Italian newspaper La Repubblica, along with her friend Camilla Cormanni, who is in charge of special events for Cinecittа Holding, noticed the half-hearted attempts of their contemporaries to promote Italian cinema abroad and wanted to change the way foreigners perceived their country's films.

    "We want distributors to realize there is a market for Italian films in America," said Bizio, who has also written the book "Cinema Italian Style."

    So Cinecittа partnered with American Cinematheque to create an event that would draw not only Italians and Italian-Americans, but would also foster an appreciation for Italian films in a broader American audience.

    The festival started small - in 2004, American Cinematheque owned only one theater, the Egyptian - but the turnout was encouraging. The following year, it added the awards ceremony and began showing films at the Aero.

    This year, the event has drawn its largest audiences yet. "The Orchestra of Piazza Vittorio," a documentary about the formation of a multi-ethnic orchestra, premiered to a full house on the second night of the festival.

    Another notable change over the past four years is the increasing support from major Italian studios, actors and even private donors.

    Though the festival has always received the support of the state and Gov. Arnold Schwarzenegger, individual donors like fashion designer Alberta Ferretti, motorcycling gear manufacturer Dainese and handbag designer Valextra, have taken notice of the festival's growing success and become involved.

    Producer Dino de Laurentiis said that cinema is one of the most important ambassadors of culture, and Cinema Italian Style has proven that films are universal.

    The president of Cinecittа Holding, Alessandro Battisti, said, "Our industry is enjoying a remarkably good moment, thanks to some talented young directors able to touch audiences beyond our domestic borders."

    Bizio attributes increased cultural awareness to the nature of films themselves. "Cinema can speak many languages," she said. "And the form can speak to anyone."

    Though the festival currently only shows the films in Los Angeles, Bizio hopes Cinecittа and the Cinematheque will be encouraged to expand the event to other cities.

    "People need to be encouraged to look at life from a different perspective," Bizio said. "It will bring us closer together."

    NIAF Gala Brimgs Out Italian American Celebs

    The NIAF three-tiered head table of luminaries included Supreme Court Justices Antonin Scalia and Samuel Alito. Speaker of the House, Nancy Pelosi, who is second in succession to the presidency. Other honorees included William Novelli, head of the influential AARP, and famed film director Martin Scorese.
    The evening's favorite was Rudy Giuliani, who already has made history as the first Italian-American to mount a sustained presidential candidacy. New York Yankee great Yogi Berra got the heartiest welcome.

    Italian-Americans on Center Stage in Washington

    BaltimoreSun by Don Frederick October 15, 2007

    At a marathon gala in Washington Saturday night, a packed ballroom reveled in the successes of a long list of Italian-Americans.

    A three-tiered head table of luminaries that looked out upon the black-tie gathering included Supreme Court Justices Antonin Scalia and Samuel Alito. One of those honored at the banquet was Nancy Pelosi, who as Speaker of the House is second in succession to the presidency. Other honorees included William Novelli, head of the influential AARP, and famed film director Martin Scorese.

    Judged by the crowd's reaction, however, the evening's favorite was Rudy Giuliani, who already has made history as the first Italian-American to mount a sustained presidential candidacy and hopes to achieve another milestone by moving into the White House in about 15 months.

    Not all that much has been made of the precedent-setting nature of Giuliani's campaign, as we have noted before. But it clearly was on the minds of this audience, which greeted him with loud applause and shouts of approval -- first when he was introduced at the dinner's start and later when he took the podium to recieve an award for public service.

    The event was sponsored by the non-partisan National Italian-American Foundation, and a buoyant Giuliani responded with some non-political -- and frequently humorous -- remarks.

    He made a point of mentioning that he came from Brooklyn. Responding to the predictable claps sparked by the comment, he cracked: "That's a cheap applause line anywhere in the world."

    He did not elaborate that when he was seven, his parents relocated him to Long Island. But he did reveal why he does not at least occasionally speak Italian, a language he said he can read and understand.

    He recollected that as a young man he visited the home country and, while in Florence, ordered a meal in Italian. His waiter bore with him for a bit, but eventually could not resist some advice. He informed Giuliani: "There is no reason for you to ruin my language when I speak your language fluently."

    Since then, Giuliani declared to laughter and a few disappointed "ohhhs," he dares not utter the native tongue of his immigrant grandparents (on both sides of his family).

    He did his part to add to the lore of New York Yankee great Yogi Berra (who, during the introductions of those arrayed at the head table, may have gotten the heartiest welcome).

    One of the perks of being mayor of New York, Giuliani related, was getting to know some of the Yankee players he rooted for as a boy. He got to know Berra well enough, he said, to invite him to his wedding (presumably, his third, to current wife Judith). According to Giuliani, at the reception Berra was asked about the size of his family growing up. Replied (in this telling) the Hall of Fame catcher and master of malaprops: "I had three brothers, including myself." ..... The crowd howled.

    Pelosi, who was raised in Baltimore's "Little Italy" neighborhood and whose father, Thomas D'Alesandro Jr., and brother, Thomas D'Alesandro III, both served as mayor of the city, also received a public service award. She fondly recalled the tight-knit community of her youth. But, as is her wont, she was more constrained than Giuliani in offering personal reminscences.

    She did interject a hint of partisanship, noting that as she was growing up, her family was "staunchly Democratic." And, we had to wonder if her reference to her "husband of 44 years," Paul Pelosi, was the slightest of digs at Giuliani's more checkered marital past.

    Amid the prolonged (four-hour) celebration of achievements by Italian-Americans, one historical footnote went unremarked upon.

    John Pastore, a Democrat from Rhode Island, in 1950 became the first Italian-American elected to the U.S. Senate. Since then, many have followed in his footsteps. But this year marks the first time that both senators from a single state are of Italian heritage. That occurred after Republican Craig Thomas' death in June. He was replaced by John Barrasso, who teams with Mike Enzi to comprise this particular state's Senate delegation...........And that state would be ... Wyoming.........Only in America.

    Don Frederick is a political editor in the Washington bureau of the L.A. Times. He wrote this for Top of the Ticket, the Times' political blog.

    Drown Your Pasta in Sauce: The New Fad ??

    Drown Your Pasta in Sauce, and you might wind up with something more akin to Minestra, which is a broth or thin soup,(with a thick sauce?). But then he also suggests that we also add in-season vegetables.
    For those of you who are more adventurous than me.........

    Serving Pasta? Forget What You Learned
    New York Times
    By Mark Bittman
    October 17, 2007

    LET me propose that you start cooking pasta in a way that might make you the laughingstock of your foodie friends: make more sauce, and serve it on top of less pasta. Do exactly what you’ve learned not to do.

    Instead of a pound of pasta for two to four people, make a half, or even a third of a pound. Instead of a cup or two of sauce, make it four cups, or more. Turn the proportions around.

    What do you wind up with? Pasta more or less overwhelmed by sauce, which you can view as a cardinal sin or as a moist, flavorful one-dish meal of vegetables with the distinctive, lovable chewiness of pasta. (There is, of course, a tradition of this kind of pasta dish in Italy, but it falls more under the category of minestre, which is closer to soup.) It’s also an easy way to significantly increase your intake of vegetables without adding too many refined carbohydrates, and may, if you’ve abandoned it, get you back into pasta again.

    Obviously this won’t work with every sauce — you don’t want to pull this trick with creamy or cheesy ones, or those based on meat — but it works with just about every vegetable you can think of, and with many fish preparations as well.

    To understand why this may get you branded as a heretic, think back to the 1970s, when Americans needed even more help cooking than we do now.

    Thanks to Marcella Hazan, Giuliano Bugialli and others, we discovered how to cook Italian food at home. And for the first time, many of us were venturing to Italy in search not only of Renaissance art and medieval villages but of the incredible cuisine.

    What we found was exactly what Ms. Hazan had been telling us: Americans, even Italian-Americans, drowned their pasta. We poured on ladlefuls of thick tomato sauce and tossed two or three quarter-pound meatballs on top for good measure. We made the pasta itself irrelevant.

    We also learned we overcooked it, undersalted the water and often used the wrong shape. But as much as I owe Ms. Hazan and her peers, for the first 20 years that I cooked pasta, I always felt as if I was about to be arrested for violating some canonical law.

    In the old country, the sauce was used to barely moisten and flavor the pasta. There are a couple of possible explanations for this. One is that Italians were neat. “For centuries, most people ate pasta with their hands,” said Kevin Wells, who translated and annotated the 1570 cookbook “Opera dell’arte del cucinare” by Bartolomeo Scappi. Little or no sauce, he said, was “a matter of decorum.”

    Another is that there were not always other options. “Poor people dressed pasta with little or nothing,” said Andrea Graziosi, a University of Naples professor. “The legend says they used to hang a herring, and each member of the family would rub his or her slices of bread on it to get flavor.”

    When some of those Italians immigrated to the United States they found a continent that was producing food like no continent before. And, said Mr. Graziosi, “they overused what they found both because they felt richer and could not use what they had at home.”

    “The consequences are the incredible distortions — to the Italian eye — of Italian-American cuisine,” he said. You want meat sauce, with meat on top? You’ve got it, in spades.

    As the years went by, though, a kind of “if it’s Italian, it must be good” mentality developed here, and home cooks began enjoying pasta with a minimum of sauce. (We also began undercooking it, just to show that we could take al dente one ridiculous step further.)

    But today, barely moistened pasta often doesn’t make sense. Even setting aside the extreme recommendations of the Atkins diet, it’s widely agreed that highly refined grains — a group that includes the semolina flour from which the best-tasting dry pasta is made — do us little nutritional good. From the point of view of the body, there’s little difference between pasta and white bread (and, for that matter, biscotti); neither has much in the way of protein, vitamins, micronutrients or fiber, and all are digested quickly and may ultimately be stored as fat.

    I am not suggesting that we return to oversauced baked ziti with sausages, mozzarella-laden lasagna or spaghetti under three handball-size meatballs. Rather, I’m recommending that we exploit our astonishing supply of vegetables (still evident at this time of year), augmented if you like with a bit of meat for seasoning.

    There are recipes here, but many people won’t need them. The other day, I arrived at a friend’s house in time to cook lunch. We had chickpeas, broccoli rabe and garden tomatoes. I parboiled the broccoli rabe, just until it became bright green; I then chopped and sautéed it in olive oil with garlic, dried chili flakes and a couple of cups of chickpeas. I added two or three chopped tomatoes. Meanwhile, I half-cooked about a third of a box of farfalle (undoubtedly a more legitimate cook would tell me I was using the “wrong” shape) in the water I had used for the greens.

    When the tomatoes broke down and the broccoli rabe was tender, I dumped in the drained pasta, after saving some cooking water. I added a little of the liquid and simmered the mixture until the pasta was done. I garnished it with basil and a little more olive oil. Although it was not soupy, we used spoons because the broth was so good. Total working time was about half an hour, and a better one-dish lunch I could not imagine.

    I’ve been playing with this style of pasta for months: a load of briefly sautéed spinach with garlic, raisins, pine nuts and a bit of stock; well-roasted mixed vegetables, mashed or puréed, with lots of olive oil; braised endive and onion; bok choy with black beans and soy sauce (with fresh Chinese egg noodles, naturally). The list is long.

    Give it a shot. There is no downside — except maybe a bit of mockery from the pasta police (who I’m sure will arrive, in my case, later this morning).

    Tuesday, October 16, 2007

    From Puglia to Newcastle UK, Mario De Giorgi, Gustatory Success Story

    Mario De Giorgi, juggled three jobs at once, (a steel worker, cook, and produce supplier) when he first arrived in Newcastle UK from Puglia Italy in 1956.Now Mario, has passed the family business on to his children who run the Gusto group, operating some of the city’s most stylish and enterprising eating places. Like him, they were brought up on a diet of hard work and fine food and to worship family life.
    Mario remembers when he first came to Newcastle, he was surprised not only was the food bad, but it seemed the English were opposed to good food. Mario often survived on milk and cornflakes.
    Mario had difficulty getting housing during those early days, and valued his Italian friends dearly, because even more than a decade after WWII, the English snubbed Italians.
    One exception was Anne, an English young lady, who worked in the office where Mario worked. She’d never really had a boyfriend and her mother was always going on at her about how she would never get married. She remembers looking out of the window of her office, and seeing a group of men, and spotted Mario, then she went home and said, ‘Don’t worry mother, I’ve just met the man I’m going to marry’.”
    Mario never stood a chance in the face of such determination and dedication.!! :)


    Inner Steel of an Italian Made Good
    The Journal Evening Gazette
    by Iain Laing and Alastair Gilmour
    15 October 2007

    It’s hard work being an entrepreneur, especially when you juggle three jobs at once. reports on Italian enterprise.

    THE Number One Slinger says he’s going to write a book before he retires. It’s going to be the truth about immigrants and their value to a country’s economy.

    The former CA Parsons crane driver is better known as Mario De Giorgi, long-time owner of the renowned Don Vito’s Italian restaurant in Newcastle.

    He should know about immigration, he’s been working in the North-East for 50 years and has passed the family business on to his children who run the Gusto group, operating some of the city’s most stylish and enterprising eating places. Like him, they were brought up on a diet of hard work and fine food and to worship family life.

    Mario, still stylish at 74 years old, first arrived in Britain in 1956. Unromantically for a nation of romantics, he and 60 others from his home town of Galatone in Puglia, southern Italy, worked in the steel industry in Swansea. He had been invited by his friend and former next-door neighbour. “Mario, why don’t you come and see us?” he had implored. The young Mario responded to the bidding, never dreaming that a whole new life was about to unfold.

    “I got stuck somehow and one week went by and another week went by,” says Mario, who continues to do his shift at Secco, the award-winning Newcastle restaurant, café and bar complex that his children Cristina, Joseph and Aldo have been building up in recent years.

    “I got a job through the other Italians, but after five months there was no more work – all finished. My friend said there was work in Middlesbrough at Dorman Long and some of them went there. We Italians love work, that’s how it should be. I got a job at Jarrow Steelworks. I looked it up on the map and thought, ‘that’s not far off and if we go back we go back together’.

    “Newcastle then was really down – this was 1957 and I was surprised at the conditions. The food then was bad, the culture here was against good food, but I ate it anyway. I lived on milk and cornflakes.

    “I was walking along Pilgrim Street near the Odeon and I saw someone walking on the other side. He looked at me and I looked at him ­ he was Italian and I’m Italian, so we crossed the road and got chatting. I made a very good friend of him. I tried to find a lodge in Newcastle but in those days nobody would open their doors to Italians – it was after the war and not like it is today.

    “Anyway, this friend of mine said, ‘I’ve got this bedsit, why don’t you come and stay with us?’ I travelled from Newcastle to Jarrow every day. At the same time I was getting to know more about management and was meeting managers from the Consett Iron Company.

    “They said, ‘We want to talk to you about a job’. They wanted to bring 42 Italians to the steelworks. I said if you want Italians you’ve got to build something for them; there’s plenty of land here, they’ll need a washroom, showers and things like that.”

    Mario was evolving into something of a diplomat and a negotiator on his countrymen’s behalf. He says: “I kept them under control; you know what it’s like when you’re young. I helped them with the police and gave them character references. I advised them about schools, jobs, their rights and everything else and that here they were just the same as everybody else. I told them if you want to work here you have to learn English law and culture; it’s not easy, you don’t have to be a naughty boy any more.

    “Seven months later the job collapsed and they had to finish all of them. Someone in immigration tried to sent them back to Italy. My friend and I got to know at midnight that the next morning a bus was coming to take them back to Italy.

    “They couldn’t speak English and everybody was complaining, saying ‘we don’t want to go, we’ve got money in the bank, we want to stop here’.

    “At nine o’clock I went to the Italian consulate in Mosley Street in Newcastle. He said it was illegal, they can’t force the Italians to go back. We took the responsibility for them to find jobs. Some of them went home, though.”

    Another huge influence was about to enter the handsome young Puglian’s life – Anne, who was training to be a draughtswoman. Cristina De Giorgi takes up the story.

    “They met at Consett Iron Works.” she says. “She was working in the office where the wages were made up and the paperwork was done for new starters. She’d never really had a boyfriend and her mother was always going on at her about how she would never get married. She remembers looking out of the window at this group of men, not knowing who they were and spotted my dad, then went home and said, ‘Don’t worry mother, I’ve just met the man I’m going to marry’.”

    When the pair eventually got married; he kept a promise to his parents that they would register their intent in Italy and have the ceremony there.

    Not content with one source of income – remember, “the Italians love work” – the enterprising Mario was also working in a Newcastle club, the Downbeat, which, under the guidance of Michael Jeffreys was attracting some of the best musical talent to Newcastle from all over the UK and America. Jeffreys also managed an emerging band called The Animals, but was later to die in a helicopter crash.

    “The Downbeat was very very busy and got well known,” says Mario. “Michael Jeffreys was very clever as far as music was concerned. Every other week he would bring in musicians from London – Alan Price I remember was one.

    “After the Downbeat they decided to open a place in High Bridge called Club Marimba. I had the job in the factory and used to work in the club at nights and the weekends, cooking.”

    Anne was also one to roll up her sleeves, working at the steelworks during the day, as a cinema usherette at nights and selling ice-cream from a trailer at the weekends, travelling as far afield as Berwick and only stopping when they ran out or it got dark, whichever came first. Mario had spells at Pelaw Brick Works and at Stobswood and Widdrington in Northumberland, juggling days in manufacturing and nights at the stove.

    “I decided to change jobs and worked in Parsons,” he says. “It was good job, good money and I learned a lot. I stuck it there for nearly ten years.

    “They were assembling a machine brought over from Milan which took two-and-a-half years to build. I would work with them (the Italian engineers) and looked after them and would take them out on a night time. I was also an interpreter for them.

    “Every part of that machine passed through my hands; I was number one slinger driving a 300-tonne crane – a fantastic machine. At this time the head man from Milan said, ‘You’re not going to stop here, come to Milan’. To tell you the truth, I was nearly ready to go, but by this time we had four children. They took me to Milan and showed me around. They treated me like a king, showed me the schools my children would go to; if my wife wanted a job they would get her a job; everything was organised because they wanted me there and they knew what I was worth to them.

    “My wife said, ‘Mario, Italians bring their children here to learn English – and we’re taking ours there?’. I thought it wasn’t right too, my children were too young and did I want to take my children out of school? So, I decided to go into business here.

    “Italians have got to have progress; they’re not content to work just two hours, they just want to make as much cash as possible at the end of the week. If you have one you want two and if you have two you want three. We want our children to do well, take them on holiday, buy them a car.

    “In those days in 1972 in Newcastle, you couldn’t buy pasta or purée, nothing like that. I decided to get a delicatessen van and I used to go to London on a Monday every week to buy pasta and everything. I supplied all the Italian restaurants in the North-East and all the Italian families who were living here right up to Berwick, across to Carlisle, Middlesbrough, Alnwick, Consett, Bishop Auckland, Spennymoor, all around.”

    The De Giorgi entrepreneurial brain had plenty of time to think about the future and how to generate custom and, crucially, how to cultivate and retain it.

    “One year I did 152,000 miles in the van – that’s how much I was on the road,” he says.

    “Downstairs from what is now Secco was a place called Don Vito’s; I was cooking there and also supplying them. They owed me £15,000 or £16,000 and I couldn’t see any way of getting that sort of money back, so I decided to buy a share of the business. I eventually bought them out. From that I bought the building.

    “The public in those days had never been much outside the country and didn’t really know continental food. Don Vito’s had different food – people would say, ‘What’s garlic, what are mussels?’ Some of them used to come in and ask what I was eating and I’d say, ‘Come in, have some, it’s mussels’ and they would run out. We had a few good years; it was top-class food and not too expensive – a very good business.”

    Mario and Anne’s children have now picked up the apron strings, save for Maria who is a headmistress at a private school in London. Joseph, who had helped his father in kitchens from the age of seven, qualified as a chef and was a natural to ease into the business.

    He also designed Popolo, which evolved out of Don Vito’s, and the Secco collection of Bar, Blue Room and Ristorante Salentino. Aldo, despite the lure of a university place, decided he wanted to work in a restaurant and is now responsible for front-of-house and staff training. Cristina had to be persuaded to change career after earning a degree in Business Information Technology, later gaining an MA.

    Joseph is also the leader of the Newcastle Convivium of Slow Food, an organisation which protects good quality traditional food from the rise of fast food restaurants, by using only fresh and seasonal produce.

    Mario says: “They started to develop the business in a different way.

    “We sold Popolo, then Intermezzo and Paradiso and started to develop a new Don Vito’s at the Ouseburn.”

    This is a £1m-plus café and restaurant development featuring two triangular, timber-framed buildings on either side of a historic, listed slipway to the Ouseburn.

    Cristina says: “We’re looking at a 2008 opening. The architects’ plans are all drawn up, the model is made and the contractors instructed. We’re just waiting for site access. It’ll be two businesses, a roadside café and a riverside restaurant/bistro.

    “At Secco we put the café and restaurant together so people could sit where they wanted. We looked at places in Italy and how they don’t have that snobbery approach between a pizzeria and a restaurant and that you can get anything you want. Cutomers might be drinking a £50 bottle of wine but still want pizza. It gives us and them much more flexibility – and every week it’s getting busier.”

    Mario De Giorgi’s milk and cornflakes have been long consumed, the dreary days tramping up and down the country are mere memories – and there’s even a photograph on the Secco wall of him and Al Pacino during a chance meeting in New York.

    It was apparently a long chat, no doubt about immigrants and their value to a country’s economy. And probably pasta.

    . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

    The Questionnaire

    What car do you drive?

    Volvo V70 – I need the space for my six grandchildren.

    What’s your favourite restaurant?

    Don Vito’s will always be my favourite restaurant as it was my first establishment and it was where all my family worked together which resulted in our joint love of food.

    Who or what makes you laugh?

    My grandchildren.

    What’s your favourite book?

    I enjoy Mario Puzo and am currently reading Omerta.

    What was the last album you bought?

    The last record I bought was in 1960 – Dominico Madugnio singing Volare.

    What’s your ideal job, other than the one you’ve got?

    I cannot imagine doing anything other that what I am doing now.

    If you had a talking parrot, what’s the first thing you would teach it to say?

    Bon Giorno.

    What’s your greatest fear?

    Leaving my family before I reach 100 as I have always promised.

    What’s the best piece of business advice you have ever received?

    When I left Italy in 1956 my mother and father said to take three things with me; honesty, respect and fidelity and it would stand me in good stead – they were right!

    What’s the worst piece of business advice?

    In business I was never given anything – not even advice.

    What newspapers do you read, other than The Journal?

    Mirror, Express and La Reppublica.

    How much was your first pay packet and what was it for?

    When I was I was seven years old I got seven lire for cutting grapes – less than a farthing.

    How do you keep fit?

    Swimming – mostly in the Ionian Sea – and climbing the stairs in Secco.

    What’s your most irritating habit?

    I am always right!

    What’s your biggest extravagance?

    My home in Italy.

    Which historical or fictional character do you identify with/admire?

    Al Pacino.

    Which four famous people would you most like to dine with?

    Frankie Dettori, Silvio Berlusconi, Romano Prodi, Tony Blair.

    How would you like to be remembered?

    As a man who managed to be both an incredibly gifted entrepreneur as well as being an amazing son, husband, father, grandfather and friend.

    Monday, October 15, 2007

    "The Day of Battle" : The Unnecessary Italian Campaign in WWII

    The Americans, FDR, and Eisenhower, correctly argued that the The Italian Campaign would be a diversion, and a mistake. They felt that a assault on France directed at Berlin was the most direct and beneficial strategy.
    Churchill the architect of the greatest Debacle of WWI: The Gallipoli Campaign, for which he was shunted aside for 25 tears, now was able to be the architect of the greatest Debacle of WWII: The Italian Campaign. However a Good Public Relations can make a Genius out of a Bumbler.


    Bravery and Blunder
    Volume Two in a monumental history shows raw GIs and inexperienced generals in a schoolhouse of war.

    THE DAY OF BATTLE

    The War in Sicily and Italy 1943-1944 By Rick Atkinson Henry Holt. 791 pp. $35

    Washington Post Reviewed by Robert Killebrew
    Sunday, October 14, 2007

    The airborne operations were a disaster. British gliders plummeted into the sea, American paratroopers were scattered all over the island. Seaborne landings went scarcely better: Troops plunged into murderous fire, often as not on the wrong beach. But somehow it worked. Grimly, tenaciously, groups of infantrymen bent over against the fire and shouldered forward into Sicily.

    This is a season for remembering World War II. "Saving Private Ryan," "Band of Brothers" and Ken Burns's TV epic "The War" remind us that the generation that bore the battle is slipping away.

    Now comes Rick Atkinson's monumental The Day of Battle, a history of the Sicilian and Italian campaigns, the second book in his planned trilogy of the U.S. Army at war in Europe.

    It shoves sentimentality aside and shows us, plainly, how unskilled the army was in 1943, its rawness and profligacy a perfect reflection of an outraged and rapidly mobilized democracy. Atkinson forces us to remember that even in a "good" war, error and waste march alongside bravery and sacrifice.

    In An Army at Dawn, Atkinson followed the army from its almost comic-opera landings in French North Africa through its baptism in war at the hands of Rommel's Afrika Corps. The Day of Battle picks up from there, with the British and American armies regrouping in Tunisia while the allies debate their next step.

    The Americans argue for an allied buildup, to be followed eventually by an invasion of Europe through France. But Winston Churchill champions an immediate invasion to knock the Italians out of the war and relieve pressure on the Soviets. The British prime minister sways FDR, leading to the Sicily invasion and the costly campaign up the Italian boot, where names like Salerno and Anzio join in the American memory with Antietam and Gettysburg.

    Beginning in 1943, war in the Italian theater is fought over mountains and valleys that favor German defenses. The weather is dreadful: blazing heat in summer, rain, snow and bottomless mud in winter. Stripped repeatedly of troops for the Normandy invasion in 1944, the Italian campaign gradually becomes a holding action, a sideshow. But to the soldiers who fought there, and to the U.S. Army's leaders, it was a bloody schoolhouse of war.

    Modern readers may be repelled by the amateurishness of the American generals, most of whom had been majors and lieutenant colonels just a few years earlier. Atkinson is unsparing of their blunders. Eisenhower allows the Germans to slip away from Sicily. Patton is high-strung, profane and unpredictable. Mark Clark is duplicitous. Yet they learn and grow. Eisenhower emerges after Italy as the indispensable leader of the war in Europe. Patton becomes a byword for bold, slashing attack. Clark matures in command. Soldiers, as always, pay the butcher's bill: Friendly antiaircraft fire shoots down our own paratroopers; battles are mismanaged at Gela, Brolo and Troina, where the fabled First Division -- the Big Red One -- gets mangled.

    After Sicily, the allies land at Salerno and later at Anzio, where cautious generals concede the high ground to the Germans, who then shell the stalled beachhead for months. (Afterward, two GIs in a Bill Mauldin cartoon stand on the hills and marvel, "My God! Here they wuz and there we wuz.") As the allies drive northward to relieve the Anzio beachhead, their way is blocked by the mountaintop abbey of Monte Cassino, which must be taken.

    And so the beautiful abbey becomes the abattoir of the European theater. Through the wet and miserable months of January to May 1944, German paratroopers in the rubble hold off repeated attacks by American, British, French, New Zealand, Indian, Gurkha, Moroccan and Polish troops.

    The U.S. 34th Division loses nearly 80 percent of the men in its rifle battalions; by the time the battered Poles raise their flag over the ruins on May 18, the allies have suffered around 54,000 casualties, the Germans about 20,000 -- imprecise numbers because many of the dead are still lost, pounded into the mud and rubble or in forgotten graves. How unbearably anonymous and squalid was their fate; yet Atkinson captures the dignity of those condemned to it. A dying Pole tells his comrades, "You don't know how dreadful death can be. Now I shall have to miss the rest of the battle." At the fighting's height, an enemy voice breaks into the radio net of the Coldstream Guards. "You are all brave," the German says. "You are all gentlemen."

    With this book, Rick Atkinson cements his place among America's great popular historians, in the tradition of Bruce Catton and Stephen Ambrose. Though The Day of Battle's tone is appropriately somber -- the story of civilian deaths in Italy from allied bombing and German executions is especially sickening -- its underlying theme is optimistic, even triumphal. Atkinson skillfully conveys the growing power of the U.S. Army, pouring men and materiel forward in an inexhaustible stream and, at the front, the toughening of American troops as they advance and beat hell out of an expert and implacable enemy.

    This is gritty history. A sergeant in the 141st Infantry writes home about his friends: "There are so many of them sleeping under the sod, waiting for us, the living, to pick up and carry on." But the GIs understand the stakes, perhaps more clearly than any American soldiers before or since. Capt. Henry Waskow, whose death in Italy is the subject of correspondent Ernie Pyle's finest wartime dispatch, tells his sister in a final letter that he is not afraid to die, because "I will have done my share to make this world a better place in which to live. Maybe when the lights go on again all over the world, free people can be happy and gay again."

    Military historians will long debate whether the Italian campaign was necessary. The final lines stabilized north of Rome, and there was no breakthrough until the last months of the war. The day Rome fell, the big news was the Normandy invasion. Many of the generals who learned their trade in Sicily and Italy -- Eisenhower and Patton among them -- would fight in France, leaving Clark and his weather-beaten infantry in the northern Italian mountains. But as Atkinson's history makes clear, it was Sicily and then Italy that became the American Army's bitter finishing school for battle. And after Salerno, Anzio and Cassino, the tide turned against Nazi Germany in the West. The errors the generals made, and the price paid by the troops, would already have receded into history but for the remaining few who keep yellowing letters and faded pictures -- and but for this fine book, a fitting testament to the GIs of the Fifth Army and the Italian campaign. *

    Robert Killebrew is a retired U.S. Army colonel who writes and speaks on defense issues.

    Veltroni Elected Italy's New Centre-Left Party's Leader

    Rome Mayor Walter Veltroni, appears headed to a landslide victory in a vote to elect the leader of Italy's new centre-left Democratic Party, with 74.6 percent of the vote

    The merger between the socialist Democrats of the Left (DS) and the Daisy party made up of progressive Christian Democrats to create the country's biggest political force, the brainchild of Prodi, was agreed in April.

    Currently former prime minister Silvio Berlusconi's right-wing Forza Italia is Italy's largest single party.

    Prodi, 68, has pledged to step down in 2011 at the end of his term -- if he survives that long.

    Veltroni, 52, is a former communist-turned-social democrat who, along with the reform-minded wing of the old Christian Democrat party, has long dreamt of a large US-style party that would at last give the country's centre-left a stable majority.



    Italy's Veltroni Elected New Centre-Left Party's Leader: Projections

    AFP Sunday, October 14, 2007

    ROME (AFP) — Rome Mayor Walter Veltroni appears headed to a landslide victory in a vote to elect the leader of Italy's new centre-left Democratic Party, according to first projections from poll organisers.

    Veltroni, 52, polled 74.6 percent of the vote Sunday according to a sampling of 100 ballot papers from each of 1,000 polling stations chosen.

    The official result is expected on Monday.

    After polling stations closed at 1800 GMT, organisers predicted an "extraordinary" three million strong voter turnout.

    The strength of the predicted victory and the high turnout could set Veltroni up as the likely heir apparent to Prime Minister Romano Prodi.

    The ballot -- open to any official resident of Italy over the age of 16 who made a one euro donation -- was organised to elect the first leader of the new Democratic Party, born of a merger of the former Democrats of the Left (DS) and the Daisy party of progressive Christian Democrats.

    The same projections put Families Minister Rosy Bindi in second place with 14.1 percent and Enrico Letta, undersecretary in the prime minister's office, in third with 11 percent. The other two candidates received 0.1 percent each.

    Casting his vote after supervising a wedding ceremony at Rome's townhall, Veltroni said: "It's a fantastic day for Italian democracy. We have in these primaries chosen to create a new party -- a choice absolutely unique and unprecedented in European politics."

    Prodi, who heads a shaky 12 party centre-left coalition which has already narrowly survived one vote of confidence, said that left-wing leaders across Europe were "very interested in the Italian experience: how to move forward traditional parties without repudiating their principles."

    The Democratic Party is seeking to become Italy's largest political grouping. Former prime minister Silvio Berlusconi's right-wing Forza Italia is currently Italy's largest single party.

    Voters in Sunday's party poll picked both the DP's leader as well as regional secretaries and 2,400 delegates to national and regional constituent assemblies from among 35,000 candidates.

    Veltroni has insisted throughout his campaign that he would not undermine the 68-year-old Prodi's position but bring stability to the executive.

    "This evening, we confirm our full support for the Prodi government to guide and transform the country," Veltroni said after the first projections were announced.

    Prodi echoed those sentiments: "We started together and we have grown together."

    But Italian commentators doubted whether that cordial spirit would last.

    Il Sole-24 Ore financial newspaper wrote: "It is hard to see how Veltroni's ambition -- to become head of the government -- can sit comfortably alongside the demands of Prodi -- the actual head of the government."

    Rome's daily Il Messaggero said on Sunday that many politicians "saw the 'new-born party' as the natural hitman for a 'dying government', the victim of Prodi's unpopular choices which have seen it crash in the polls."

    Veltroni is a former communist-turned-social democrat. He has long dreamed of a large US-style party that would at last give Italy's centre-left a stable majority. Reform-minded elements in the old Christian Democrat party take a similar view.

    Friday, October 12, 2007

    Another Study Finds Italians Live the Longest

    The Primary Factors are the quality of life, as well as people's healthy diets.
    Interestingly, more than 55,000 British people currently receive their state pension in Spain, along with 35,000 in Italy.


    Italians and Spaniards 'Live the Longest'
    People living near the Mediterranean coast have the highest life expectancy in Europe, according to new figures.
    Retire to the Sun
    12th October 2007

    Research by the Academy of Healthy Ageing found that in Italy, men and women were expected to live to an average age of 71 and 76 respectively, reports the Typically Spanish website.

    The Italians were closely followed by the Spanish, as men were likely to reach an average of age of 70, while a typical woman could live to 75.3 years old.

    This was attributed to numerous factors, such as the quality of life in Spain and Italy, as well as people's healthy diets.

    People in these countries were said to enjoy a better quality of life than those in other EU member states.

    These findings could be of interest to people who are planning to retire to Spain and Italy, as the two countries are highly popular with those who are thinking of moving abroad.

    According to government statistics, more than 55,000 British people currently receive their state pension in Spain, along with 35,000 in Italy.

    http://www.retiretothesun.com/?page=news_article&location=1&article=18314855

    Bravo Columbus! But Also Celebrate Italians in Music.Literature, Science, Sports, Politics , etc

    Nick Clooney, Syndicated Columnist is the Father of George Clooney, and the Brother of Rosemary Clooney.
    Clooney recognizes the achievement of Columbus, But on this day, Clooney suggests we should take the opportunity to salute ALL those of Italian ancestry, because of the enormous influence Italy has had on this country, in Music.Literature, Science, Sports, Politics , etc
    But in this article, Clooney chooses to focus on Italian American contributions to American Popular Music


    Italians Gave Their Music to America

    Cincinnati Post

    Column by Nick Clooney
    October 12, 2007

    Happy Columbus Day, everyone. Forget last Monday. That was only Faux Columbus Day. We all know this was the actual day the Great Navigator made landfall in the New World back in 1492.

    This is also the day we should take the opportunity to salute those among us of Italian ancestry. I'm not exactly sure why. It is true that Chris was born in Genoa, Italy, but as we know from our history books, Columbus' great adventure was bankrolled by the King and Queen of Spain, Ferdinand and Isabella.

    [RAA NOTE: What does Steinbrenner get credit for Reggie Jacksons accomplishments, because he paid Jackson's Salary??]

    Still, Italy claims him and I think we are all happy to recognize the enormous influence Italy has had on this country. For my own part, from my school pal at St. X., Vito Rossi, to my Newtown friend Angelo Bianchi, to cute Jean Ricardi, whom I was too shy to call for a date, to our Augusta neighbor Al Cigolotti, to my brother-in-law Dante DiPaolo, Italian-Americans have been a recurring theme throughout my life. Yours, too, I'll bet.

    Much of this week, I have been focusing on the Italian-American influence on our popular music. I could have chosen literature or science or sports or politics with just as much success, but I was nagged by the sound of music. Of course, the overwhelming contribution of Italian singers, composers and musicians to the world's classical music needs no drum beating from this corner.

    From the time my friend Walt Sheppard told me that "Giussepe Verdi" meant "Joe Green" in English, I have never been intimidated by the work of those geniuses. Any fellow named Joe Green who can write that kind of superlative melody line is all right with me.

    Now to popular music. It is impossible to imagine what shape the hit parade would have taken over the last 75 years without the likes of Tony Bennett (Benedetto) or Frank Sinatra or Dean Martin (Crocetti) or Perry Como.

    Try to chart the music we sang and danced to and whistled without the names of Henri Mancini or Frankie Laine (LoVecchio) or Vic Damone (Farinola) or Mario Lanza (Cocozza) or Julius LaRosa or Johnny Desmond (Giovanni Desimons) or Al Martino or Guy Lombardo and his brothers or Louis Prima or Ray Anthony (Antonini) or Jerry Vale (Vitaliano) or Ralph Martiere, who was born in Naples, or the Four Aces, three of whom were of Italian ancestry.

    My impression was that when rock and roll hit in the mid-1950s, the influence of Italian artists, with their emphasis on melody, intonation and lyrics, diminished. Research proved that impression to be only partly correct. In fact, two Italian-American women helped break the male stranglehold on No. 1 hits as the 1950s and 1960s morphed into the 1980s and 1990s. Connie Francis (Concetta Franconero), then the more controversial Madonna (Madonna Louise Ciccone).

    The men were not shut out of the new music by any means. Who doesn't remember Annette Funicello's movie beau Frankie Avalon (Avallone)? We should add one more successful than most in bridging the gap between jazz and classic pop on the one hand and rock and roll on the other, Bobby Darin (Cassotto).

    The falsetto strains of Frankie Valli (Castelluccio) marked the era as did the emphatic bar lines of Dion (DiMuccio) and the Belmonts. Sonny Bono had his moment in both music and politics. Bobby Vee (Velline) had a long run, as has Jon Bon Jovi (Bongiovi).

    The subject is personal to our family, too, in spite of our largely Irish-American roots. My sister Rosemary's major singing career was launched by a novelty tune called "Come On -A My House," which she sang in a caricature of an Italian-American accent. She learned it from bandleader Tony Pastor (Antonio Pestritto), for whom she and our sister Betty worked. In fact, Rosemary went back to that pseudo-Italian accent twice more - "Botch A Me" in 1952 and "Mambo Italiano" in 1954 - with great success.

    Most of the emphasis here has been on artists, but how about the songs themselves? How many knew the Elvis 1960 hit "It's Now or Never" was actually "O Sole Mio"? Or that Brenda Lee's No. 1 hit that same year, "I Want to be Wanted," was really "Per Tutta La Vita"?

    Without the unique Italian seasonings, our pop stew would have been bland, indeed. Do I hear a "Bravo!" somewhere?

    E-mails sent to Nick at nickclooney@cincypost.com will be forwarded to him via regular mail.

    Thursday, October 11, 2007

    Beppe Grillo, Italian Comedian, Fights Corruption and Big Spending

    Beppe Grillo is an Italian comedian who’s fed up with the corruption in the Italian government / politics, and who has decided to use the Internet/His Web Site to mobilize the Italian people and to reform his country. In a short amount of time, his website has become the most popular website of Italy, with some 160,000 visitors each day.
    When he decided to organize a get-the-hell-out day, 330,000 people showed up. If he would run for office himself, he would get elected in a heartbeat (if he’d qualify for office that is). Furthermore, there are some 260 Beppe Grillo groups in Italy. He encourages other Italians to become active, to run as independents, if they want to receive his endorsement.
    Beppe may have touched a nerve, at the right time...... Stay Tuned.....


    Comedian Beppe Grillo Tries Fights Corruption and Big Spending

    The Van Der Galiën Gazette - Netherlands By Michael van der Galiën October 11th, 2007

    I assume that most of you have never heard of one Beppe Grillo since the far majority of readers of this blog are Americans. Therefore a short introduction: Beppe Grillo is an Italian comedian who’s fed up with the corruption in the Italian government / politics and who has decided that it’s time to act. Instead of letting the ruling class get away with their corruption and idiotic spending Beppe Grillo confronts them with their behavior and tries to mobilize the country to get rid of them. In a short amount of time, his website has become the most popular website of Italy. Luckily for us, it’s also available in English.

    Beppe uses his website to mobilize the Italian people and to reform his country. He encourages other Italians to become active, to run as independent candidates for office, but ” I have already put in writing and I repeat once more that I don’t intend to form political parties. What I am committing to in the next few months is to use the blog and assign a symbol to promote the civic lists that have the characteristics and the commitments that I will publish,” he writes.

    He encourages other individuals to run for office, to form a list, and he’ll support them when they do. They aren’t, however, allowed to be a member of one party or another; they have to be completely independent if they want to receive his endorsement. They’re also not allowed to have a criminal record, of course. This way he hopes to - in the end, because we’re talking about municipal elections right now - clean the Parliament from some 23 members who should be in jail instead of in Parliament where they use their office to enrich themselves and their families and friends.

    For those of you who are wondering whether he’s successful let me only say this: not only is his website the biggest and most popular of Italy with some 160,000 visitors each day, when he decided to organize a get-the-hell-out day, 330,000 people showed up. If he would run for office himself, he would get elected in a heartbeat (if he’d qualify for office that is). Furthermore, there are some 260 Beppe Grillo groups in Italy - these groups consist out of individuals who have been inspired by the comedian and who do dedicate their free time to improving Italy.

    The Dutch newspaper the NRC Handelsblad explains why Grillo is so popular: some 60% of Italians answered with “disgust,” “anger” and “mistrust” to the question “what word comes to mind when you think about politics?”

    Beppe’s approach is simple: he wants to reform Italy by starting at the individual, neighborhood and municipal level. Over time, the revolution has to impact the central government as well. For now it seems that his work may very well pay off. Lord knows Italy needs a true reformer.

    More on Beppe in the coming days.

    Italy has Most Migrants of Industrialized Countries in Last 150 Years

    While 28 million Italians have left Italy since 1861, more than 3.5 million Italians live abroad today.

    In addition, some 60-70 million people of Italian origin and with connections to the country live in different parts of the world.

    The majority of emigrants don’t stray too far from home. Nearly 60% of Italians living abroad live in Europe, although just over a third have settled in the Americas. The most popular destination is Germany, where 16.2% of Italy’s emigrants live. Argentina is next, home to 14.1% of Italian ex-pats, followed by Switzerland with 13.9%.


    Millions of Italians Living Abroad

    Report reveals about 28 million have left country since 1861
    Tandem
    Corriere Canadese
    Canada's Cosmopolitan News Paper
    Oct 14,2007-Oct 21,2007

    More people have emigrated from Italy than any other industrialized country over the last 150 years, creating a vast population of Italians scattered around the world, according to a report published on Thursday.

    The ‘Italians in the World Report 200,’ established by the Catholic immigration organization, Migrantes, notes that 28 million Italians have left the country since 1861, and more than 3.5 million Italians live abroad today.

    In addition, some 60-70 million people of Italian origin and with connections to the country live in different parts of the world.

    The report, which looked at data from several sources, found that the majority of emigrants don’t stray too far from home. Nearly 60% of Italians living abroad live in Europe, although just over a third have settled in the Americas. The most popular destination is Germany, where 16.2% of Italy’s emigrants live. Argentina is next, home to 14.1% of Italian ex-pats, followed by Switzerland with 13.9%.

    Over half of Italian emigrants are unmarried and a comparatively high number have kids. Eighteen per cent of the Italian population resident abroad is under the age of 18.

    The same percentage, 18, is over 65, with 410,000 Italians collecting a pension abroad, totalling 1.184 million euros. Women account for 47% of Italians abroad around the world, although this percentage is higher in the Americas, where the number of women surpasses the number of men. In keeping with a decades-old pattern, the majority of emigrants are from Italy’s poorer, southern regions, where jobs are harder to come by. Of the 3.5 million Italian foreign residents, 2 million are from southern Italy: 600,000 are from Sicily, 400,000 from Calabria and more than 300,000 from Puglia. A million foreign residents are from northern Italy and the remaining 500,000 are from the central regions. But while emigrants in the 19th and 20th centuries were often from the working classes in search of blue-collar jobs, that is no longer the case today.
    In fact, most Italians moving abroad are either professionals or aspiring professionals, and an above-average number of Italians — nearly 45,000 — attend university abroad. Germany is the most popular destination, followed by Austria, Britain, France and Switzerland.
    This is only the second edition of the Migrantes report, which was set up last year, in the wake of the 2006 elections, during which Italians living abroad were allowed to vote for the first time. The amendment to the Italian constitution that gave Italian residents abroad the vote was approved in 2000, with the support of both political blocs.

    Laws implementing the change were approved a year later under the Silvio Berlusconi government.

    The vote of Italians abroad turned out to be crucial in the April 2006 general election, where Berlusconi’s centre-right coalition appeared to have won control of the Senate until the foreign votes were counted.

    Although Italians abroad don’t pay taxes, the money they send home is thought to generate indirect earnings of around 100 billion Euros each year.

    "Babe" Ciarlo, Italian American, Hero of Ken Burns "The War"

    A story that needs no introduction, and guaranteed to grab your heart.


    The Soldier Who Should Have Lived
    Greensboro News Record - Greensboro,NC,USA
    By Thomas Nelson
    Wednesday, Oct. 10, 2007

    Babe was like a character in a novel. And then I realized he was no character. And this was no novel.

    As I watched Ken Burns’ epic documentary, "The War," on UNC-TV recently, it set me to thinking about a lot of things. My father, actually my mother, too, served in the Second World War. He served as a sailor and she as a nurse.

    I suppose for cosmopolitan flair I should mention they fought on our side, our being American. But this is not about my parents. It’s about a guy named Babe whom I only met two weeks ago. Ken Burns introduced me, in my kitchen, through my television. I really don’t know, or rather I don’t remember, Babe’s last name. It was Italian American. I remember that much about it. Babe had a lot of sisters and, as the youngest of that brood, and the only boy, he was tagged with the name of Babe. A family has to love a guy to name him Babe. They must have really doted on him. I feel sure about it.

    Babe burrowed into my mind the moment I met him. I keep thinking about him the way a person keeps thinking about a sharply drawn character in a good novel. Day after day he sticks with me. But he is not a character of fiction. He was once as alive as you or I until fate claimed him. Babe was killed fighting with the American army against the Nazis in Italy. Yet he was once real and vital and younger, a lot younger, then than I am now.

    Those of you who watched "The War" know Ken Burns tells the story of America’s involvement in World War II through the eyes of those who were there. There are numerous veterans and those who knew them in this documentary. Each tells a story of World War II. Many are first-hand accounts, some touching, some horrific, some just matter-of-fact. Babe’s story is told through his sisters’ words and through Babe’s letters home from the front line of war. Babe was drawn as caring, kind and constant until that day in 1944.

    I found myself partial to Babe’s story among all the compelling stories in "The War." I followed his progress from Pearl Harbor Day to his final day on a muddy road in Italy. He was my favorite actor in a real-life drama that read like a suspense novel. I wondered: Why did Babe enlist? What was his motivation? I tried to get into his mind as he had gotten into mine. Was he scared? He must have been scared but his character never reveals fear. Babe’s letters home to his family are relentlessly upbeat. Would he survive the war? I kept imagining his character walking up the front steps of his Connecticut home into the arms of his family. The American in me really did believe it would end happily ever after for Babe.

    I even imagined his sisters, all those sisters, kissing him, throwing their arms around him. Welcome home, Babe, welcome home.

    Authors don’t kill characters like Babe. At least, American authors don’t. But it was not Americans writing this larger-than- life epic called World War II. Other people had put their pen to page, and the premise of their story would be murderous and its final chapters dark as they often are in the literature of the Old World. This was a foreign novel written by foreigners. Among these outsiders, I rooted for Babe like I would for my own son. Come on, Babe, you can make it. You got this far. You can make it. But he didn’t.

    I find myself very angry that a noble, finely drawn character such as Babe was wiped off the page so close to the end of the story, just when you felt sure he would survive.

    Only, Babe is not a finely drawn character on an author’s page and the war that claimed him was no novel. If only it were so.

    The writer is an associate professor at the Elon University School of Communications.

    http://www.news-record.com/apps/pbcs.dll/article?AID=/20071010/NRSTAFF/71009025

    "The Day of Battle" WWII Italian Campaign -USA Review - Another Churchill Debacle

    Winston Churchill has the rare and dubious distinctions of having been the Architect of the Biggest Disaster in each of the World Wars.
    In World War I it was Gallipoli. In World War II it was the Italian Campaign.
    FIRST, the ITALIAN CAMPAIGN: Churchill called Italy the "soft underbelly" of Europe. The only thing soft was Allied thinking.The Italian campaign was hard - to endure, to survive, to understand.

    Their goals were modest (knock Italy out of the war) or pointless (seize Rome, despite its lack of military significance) or uninspiring (tie up German troops).As many Allied Field Officers observed throughout the Entire Campaign: "We got them just where they want us."

    SECOND, Churchill, as First Lord of the Admiralty, his previous Greatest Gaffe, the Plan at Gallipoli (near the Dardanelles,Turkey) was intended to end World War One early, which became one of the Allies great disasters.
    Gallipoli, the ill-starred military campaign that all but destroyed Churchill's career in 1915. After Gallipoli, Churchill's reputation plummeted, and he was attacked as a shameless egotist, an erratic policy-maker who lacked judgement, and a reckless amateur strategist with a dangerous passion for war and bloodshed.
    England with a dearth of Leaders after Chamberlain the Appeaser's fall from grace,in 1939. Churchill resurrected his reputation through a stupendous public relations campaign in which or