On line now at donnamia.net

Monday, July 30, 2007

Italian Americans in Chicago Have Numbers, But No Voice, Therefore Are Victims

At least 350,000 Italian Americans live in greater Chicago, according to the 2000 census. Illinois ranks seventh among states -- and Cook County ranks second among the country's counties -- with the largest Italian-Americans populations.

Yet, the Chicago Sun Times, Chicago Tribune, and Chicago Herald (and TV &Radio Media) have for so long been so disrespectful to the Italian American Community, by constantly associating Italian Americans with the most Negative Portrayals. They support Negative theatrical,(Movie, TV, Theater) Portrayals, lose NO opportunity to spectacularize every little transgression by any Italian American and "Mafiaize" every incident.
Any somewhat "positive" story about Italian Americans features them as a somewhat "quaint" and "picturesque", not as leaders, pillars, or backbone of the Chicago Community.
All these years I have wondered why the Italian Community have "tolerated" this. Why they haven't assembled the leaders, and the large advertisers in those Media outlets and have a "sit down", and share the Communities disappointment.
Are we so naive that we don't realize that all other Ethnic communities do this, and get resolution.??
Now time to enjoy a "quaint' story about bocce in Chicago


Bring on the Bocce, Southland

Chicago Daily Southtown - Chicago,IL,USA
Chicago Sun Times

"Andiamo!"

Vincent Malfeo, perched atop the wooden edge of a bocce lane, throws up his left arm and shouts to his teammates at the other end.

"What's up?" he barks. "Let's-a-play the game!"

Nobody is stalling.

Malfeo, 75, is simply a taskmaster when it comes to bocce, a precision sport dating back to the Roman Empire.

The former Nabisco worker with a weathered face and tobacco-stained teeth scowls as he crouches, bending until his bottom is level with his knees.

He tosses the ball down the crushed limestone alley and watches intently until it lands just inches from its target, the smaller ball called a pallino.

Malfeo may be too serious, even grouchy in the heat of competition, but he's a flirty sweetheart between points.

"In Italy, we played on grass or stone and all over the place," he said with a sweet smile and a still-thick accent despite immigrating decades ago.

For a dozen years, Malfeo and his teammates -- his cousin Alberto Malfeo and friends Rosario DiMiele and Tony Melone -- have dominated the summer league at Mama Vesuvio's East in Palos Heights.

In the winter, they migrate a mile west on Illinois 83 to Caf-- Roma, where they drink espresso, play cards and watch soccer.

If the Southland had a Little Italy, this would be it.

At least 350,000 Italian Americans live in greater Chicago, according to the 2000 census. Illinois ranks seventh among states -- and Cook County ranks second among the country's counties -- with the largest Italian-Americans populations.

DiMiele, 71, who hails from Sassano in the Campania region, said the North Side can boast of more places for Italian Americans to gather and play bocce.

"More people from the old country up there," he said. "It's fun game. It feels like home."

Spending time with DiMiele and the boys felt like being taken back to a simpler time in a far-away place.

Out of nostalgia, they came to relive a game they played in their youth. They came for a few laughs. They came for the camaraderie.

And even if they claim otherwise, be assured they came to win.

"Nobody wanna lose," Vincent Malfeo said.

The gentlemen easily slipped into their native tongues, especially when giving directions for how to make a shot.

"It's wet," Melone said in Italian to Alberto Malfeo, of Oak Lawn, who goes by Al. "Push a little harder."

Ivaldo Basso, of Richton Park, sat on a bench and watched the game unfold. Sometimes he laughed when they taunted "corta," meaning short, or "forta," meaning too long.

"I'm from Asiago in the north (of Italy). They're from the south," said the retired welder. "We speak different languages, but we all got the same customs."

Bocce developed a strong Italian following, but it is popular in many overseas countries.

At Mama's, at least half the 160 league players have Italian roots, owner Gino Maira said.

"They're born with a set in the crib, and they have an extra chromosome named 'bocce,' " said Rita Bibeaux, a retired teacher who plays on a team with Tony's and Rosario's wives.

Immigrants from Croatia, Slovakia and Lithuania are represented, as well as Americans of Irish, German and Polish descent, Maira said.

Few can compete with DiMiele's team, which once placed third in an international tournament in Las Vegas.

Jim Healy and his team were no match for the old-timers Wednesday.

After an 11-3 thrashing (Healy's team had a three handicap, so they never actually scored), the Palos Park general contractor shrugged off the loss.

"I won't think about it tomorrow," he said. "They guys, they'll talk about it all day at coffee."

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

Ferrari Irate: McClearan Guilty of Tech Secrets Theft, But NO Penalty !

The World Motor Sport Council ruled McLaren had contravened Formula 1's Sporting Code because McLaren possessed confidential Ferrari technical documents, But deemed there was "insufficient evidence" that the team had used or benefited from the information to warrant any kind of penalty.

This is like convicting someone of robbing a bank, but no penalty because they didn't spend any of the money yet. Not that they even returned the money. The decision defies credulity.


Ferrari Ponders Further Action in Spy Case

ITV.com - UK
Monday, 30, July, 2007
---------------------------------------

Ferrari is considering appealing against the FIA's decision not to impose a penalty on McLaren in the spying case.

The World Motor Sport Council ruled last Thursday that McLaren had contravened article 151c of Formula 1's sporting code because its chief designer Mike Coughlan possessed confidential Ferrari technical documents.

But it deemed there was "insufficient evidence" that the team had used or benefited from the information to warrant any kind of penalty.

Ferrari was deeply aggrieved at the verdict, describing it as "incomprehensible" that McLaren could be found guilty as charged and yet escape without sanction.

Ferrari president Luca di Montezemolo has warned that "the story will not end here" and, in a lengthy response published on the team's website, CEO Jean Todt said the team "does not rule out" further action in addition to the ongoing legal cases against Nigel Stepney and Mike Coughlan in Italy and England.

"This decision remains very disappointing and surprising," Todt said.

"It is not acceptable to create a precedent in such an important case in which the guilty verdict for serious and persistent violation of the fundamental principle of sporting honesty does not automatically incur a penalty.

"For our part, we will press on with the legal actions currently taking place in Italy and in England, and we do not rule out taking further action."

Todt said the fact McLaren that questioned Ferrari's compliance with the bodywork regulations at the start of the season and called for a clarification of the rules was attributable to inside knowledge of his team's designs.

And he claimed the more stringent bodywork deflection tests subsequently introduced - which were believed to hurt Ferrari more than other teams - showed that McLaren had gained an advantage even if it had not incorporated Ferrari designs on its own car.

"During [the WMSC] meeting, the McLaren bosses, with no exceptions, admitted that their chief designer had obtained since back in March, prior to the Australian GP, documents from Nigel Stepney," said Todt.

"Some of this data was used to prepare a clarification request submitted to the FIA, aimed clearly at us, given that throughout the Melbourne weekend, the McLaren team principal and his closest colleagues made statements in which they threw doubt over 'some cars'.

"Therefore, such information was in fact used to obtain an advantage over us: not through an improvement in their performance, but instead through limiting ours.

"It is important to underline that the information used to try and damage Ferrari through the FIA might be only a part of the information received by McLaren."

Todt argued that possession of leaked information was sufficient grounds for a penalty, and said it was unreasonable for the burden of proof to lie with Ferrari.

"As confirmed in that decision yesterday, the violation was already there in the simple possession of the information, which in itself constitutes an enormous advantage in a sport like Formula 1," he said.

"In Ferrari?s opinion, it is like playing a hand of poker with a rival who already knows what cards you are holding.

"It remains incomprehensible that apart from possession, one must also demonstrate the effective and visible use of this information on the McLaren car.

"Actually, this very same fact, on the basis of available information which the FIA used to find McLaren guilty, shows that the offence lies in the possession without the need to prove anything else.

"The proof is there and this led to the FIA?s decision. Therefore I find it difficult to understand how the verdict makes sense.

"Furthermore, I have to say that the proof of effective use requested by the FIA is impossible for Ferrari to furnish, because of course, Ferrari does not have access to the McLaren car."

Todt accused McLaren boss Ron Dennis of reneging on an understanding they had reached to establish a better working relationship between the two arch-rival teams.

"A few weeks after the race in Melbourne, the McLaren team principal proposed that we should reach a sort of agreement to establish a better relationship between our two teams, thus avoiding any future denunciations to the sporting authority," Todt said.

"I replied that I found it impossible to believe him, because on several occasions we had seen that certain commitments had always been disregarded by McLaren.

"There was an exchange of views and, believing in their good faith, I agreed to sign this agreement on 9th June last.

"Since that time and even earlier, McLaren was perfectly aware, not only of the emails sent by their informer within our company, but also of the fact that their chief designer had stayed in contact with him and had received and continued to be in possession of a significant amount of technical information that belonged to us.

"So, on the one hand, they had come to say 'let us trust one another', and on the other they were hiding serious facts such as those just stated above, but making no effort to inform us as would have been in the spirit and to the letter of our agreement."

http://www.itv-f1.com/News_Article.aspx?PO_ID=40199

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Saturday, July 28, 2007

Italian-Venezuelans Worried By Chavez, But No Exodus

There are about a quarter of a million Venezuelan of Italian Ancestry (130,000 are registered with Italian consulates).
The Italian community is highly productive, having in large part emigrated to Venezuela in the inter-war period, and is made up of technicians, builders and engineers who help to maintain the country’s infrastructure.
Fathers and grandfathers born in Italy, in general, don't return. Sons and grandsons "count on dual nationality for the chance of a future in the European Union".
Venezuela President Hugo Chбvez’s frequent ideological statements keep the Italian Venezuelans, and most other Venezuelans on edge, and always considering other options.
Chavez seems to be a Populist, and unwilling to be a US Puppet. so I don't see the problem, but then I don't live there.


Chavez Worries Italian-Venezuelans, But No Exodus
Velino
Raffaele Bertini and Daniel Mosseri
July 27, 2007

Rome, - Every time there is an "important political event" in Hugo Chбvez’s Venezuela it is accompanied by a peak in visits to the website www.mequieroir.com. That was the word to Il Velino from Esther Bermъdez, the director of the portal that offers Venezuelans (and Latin-Americans in general) information to help plan a stay - or an entire life -- abroad.
This happened when the government decided to nationalise oil resources and again with the referendum that confirmed Chбvez in power, to cite but two examples. El Paнs reported on this phenomenon recently. And it is no accident: "Spain is the number one European destination for Latin-Americans, for evident linguistic reasons", Bermъdez explained.
And Italians on the continent? "Many are looking for a way back to Europe: it’s a phenomenon that concerns Italo-Venezuelans (as it does Italo-Argentinians, to cite one of the most significant communities) of the second and third generations."
Fathers and grandfathers born in Italy, in general, don’t return. Sons and grandsons "count on dual nationality for the chance of a future in the European Union".
Outside Europe, preferences go for Canada and Australia, Bermudez said. Information on the bureaucratic procedures required for emigration generally come from embassies and are re-elaborated by mequieroir to make them more readily understandable.
Is Italy a desirable destination for Latin-Americans? "In general, Italy is chosen as a destination for study trips. People go to learn the language and for the culture. It’s less interesting as a place to work."

The picture is substantially confirmed by a spokesman for the Italian embassy in Caracas. "There have been moments when we have received very many requests for passports. That doesn’t mean the Italians of Venezuela are planning to leave the country, but just that they want to have their documents in order," the embassy source told Il Velino.
The desire to leave is not necessarily dictated by economic consideration, since alongside high inflation there has also been strong economic growth since 2003. It is rather the ideological tendency of the Chavez government that feeds the anxiety affecting the Italian community, he said.
Among the 130,000 Italians registered with the Italian authorities in Caracas and Maracaibo, and a similar number who are not registered but who could recover their citizenship, people are not necessarily looking to return to their land of origin. "Many young people are interested in Italy as a place to study," the source said.
The Italian community is highly productive, having in large part emigrated to Venezuela in the inter-war period, and is made up of technicians, builders and engineers who help to maintain the country’s infrastructure. "Their serenity is disturbed by structural problems, such as the security issue, and by others relating to contingent circumstances, such as the frequent ideological seizures of the Venezuelan president," the source said.
The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Did "Venus Victrix" Get a "Boob Job" from Antonio Canova, Italy's Most Celebrated Neoclassical Sculptor ?

Italy's most celebrated neoclassical sculptor, Antonio Canova, is accused of cheating in one of his most famous works, "Venus Victrix", (Venus the Victorious, one of the biggest draws in Rome's Galleria Borghese) modeled by Napoleon Bonaparte's famously racy sister, Pauline, one of the beauties of the age. She sprawls elegantly on a chaise longue, naked to the waist, her head propped on one hand.
Maurizio Bernardelli Curuz, editor of Stile Arte, a fine art magazine, claims Canova did not merely allow the evidence of his eyes to dictate the motions of his chisel. Instead, he made plaster casts of her breasts to obtain a degree of realism.
Marco Vallora, a correspondent on La Stampa, noted that 2007 is the 250th anniversary of Canova's birth, and that a flood of Canova exhibitions and related events is about to be unleashed.

"There is nothing to be astonished about,It is enough to announce a major exhibition, and promises of scandals and discoveries start to pour down. Then as soon as the exhibition opens, they all cease. It's punctual, scientific, like thunder after lightning, only in this case the thunder arrives first."

Whether this is someone seeking Publicity for their Magazine, or a Publicity scheme to spike attendance at the Exhibitions, it is safe to say that never before will someone's breasts undergo such amateur "scientific scrutiny" and "analysis".


Celebrated Italian Sculptor (Allegedly)'Cheated with Plaster Casts'

Independent - London,England,UK By Peter Popham in Rome July 26, 2007

Italy's most celebrated neoclassical sculptor was a cheat, an art expert claims this week. According to Maurizio Bernardelli Curuz, editor of Stile Arte, a fine art magazine, Antonio Canova did not create one of his most famous works, Venus Victrix, by allowing the evidence of his eyes to dictate the motions of his chisel. Instead, he made plaster casts of her breasts to obtain a degree of realism closer to the work of modern British artists like Marc Quinn and Damien Hirst than to the classical masters who supposedly inspired him.

Venus Victrix, or Venus the Victorious, is one of the biggest draws in Rome's Galleria Borghese, is a portrait in white marble - covered in a thin layer of wax, to heighten the realistic effect - of Napoleon Bonaparte's famously racy sister, Pauline, one of the beauties of the age. She sprawls elegantly on a chaise longue, naked to the waist, her head propped on one hand. The draped wooden base of the work contains a mechanism to make the work rotate in front of the viewer.

But Canova's innovations did not stop there, according to Mr Curuz. The artist, he claims, created unprecedentedly realistic breasts by the simple device of obtaining plaster casts from life. "The story begins with a piece of evidence straight out of a police drama," Curuz writes. "I have in front of me the plaster cast of the breast of Pauline Bonaparte ... The plaster provides evidence on the one hand of the softness of the skin [of Ms Bonaparte], and on the other the healthy weight [of the breast] which gives the plastic material on the lower part of the soft hemisphere its characteristic curve," he writes.

The breast, in other words, is beautiful - but in a way that distinguishes it from the beauty of the classical tradition. "This is not, to sum up, the conventional breast of Greek statuary, connected to the evocation of a perfect, platonic ideal of woman. However sublime the form, it has something of the phenomenal about it, something concrete."

The clinching fact, according to the critic, is the nipple as represented in the surviving plaster cast: instead of standing proud and round, he writes, it is "slightly squashed, giving the impression of two slightly parted lips."

For Curuz this proves that Canova's illustrious model permitted the artist to slap wet plaster over her torso, in the interests of artistic perfection - but in stark contradiction of the traditions of classicism.

Mr Curuz's claims are published on the magazine's website, in a taster for a fuller article in which he promises to stand them up.

But he will have a fight on his hands. It did not escape the attention of Marco Vallora, a correspondent on La Stampa, that 2007 is the 250th anniversary of Canova's birth, and that a flood of Canova exhibitions and related events is about to be unleashed.

"There is nothing to be astonished about," he writes. "It is enough to announce a major exhibition, and promises of scandals and discoveries start to pour down. Then as soon as the exhibition opens, they all cease. It's punctual, scientific, like thunder after lightning, only in this case the thunder arrives first."

The claims are pure hokum, Mr Vallora suggests. Where is the proof, he demands, that Mme Bonaparte allowed the artist to take such astounding liberties. "Letters? Documents? Proof?... I am dubious, not so much on account of the ban on using plaster casts... but, above all, from the point of view of social convenience.

"Would Pauline have permitted the sacrilege of the artist laying hands on her like that? Or, even worse, his assistant?"

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Life After TV :Taylor and Eickenberry Find and Love Italy

Michael Taylor and Jill Eickenberry on- and off-screen mates of "L.A. Law" have done what seems to becoming a "rite of passage",
for Hollywood stars, and purchased a 350-year-old stone cottage in Italy, more precisely in Umbria in the Spoleto valley.

Tucker says that in Italy, food functions as metaphor for the good life, but its superior quality also is tangible. He contrasts Italian food, which is always fresh and local, to the long hauled food in a U.S. supermarket. Tucker's cooking has become simpler since he moved to Italy. "I don't fuss too much,I buy something good and cook it right. Cooking is 90 percent shopping -- or picking, if you have a good garden."

The Italians have much to teach Americans. They tell how they returned to Italy from one of their jaunts to find they had neither phone nor Internet service. They had missed a bill and Telecom Italia had ceased all service. They fumed for a few days and complained to their friends in Italy, who replied, "So what? Where are we going for lunch?"

Italy has seeped into the "Tuckerberry's" lives, in a most important manner, for the family has come together for the first time in a long while. Lora lives across the hall, and their children are nearby. Alison, who is a chef, cooks all of Lora's meals.

Life after TV: 'L.A. Law' Stars Share their Passion for Italy with Readers

Seattle Post - Intelligencer By Lisa Albers July 26, 2007

You may remember him as Stuart Markowitz, the distinguished lawyer and counterpart to Ann Kelsey, played by Jill Eickenberry, his on- and off-screen mate. But "L.A. Law" star Michael Tucker is signing more books than autographs these days, as he and Eickenberry follow a national book tour schedule they say is more intense than any work they've done.

Tucker, 62, and Eickenberry, 60, have done a lot: movies, TV, stage, a documentary film, and a previous book for Tucker.

"Living in a Foreign Language: A Memoir of Food, Wine, and Love in Italy" (Grove Atlantic, 252 pages, $24) is part treatise on how to have a life after TV. The narrative begins with the moment when they realize their highly successful "L.A. Law" stint is coming to a close. As Tucker explained on the phone during the Chicago leg of their book tour, "There's nothing deader than an ex-TV star."

But this couple knows how to reinvent themselves. They lived high-octane lives as celebrities -- both receiving Emmy nominations -- and much of their energy went into their careers and children. So when the lights of Hollywood dimmed, they focused on their relationship, a tactic that has held this 35-year marriage in good stead. "If you're with someone you're going all the way with, you can't lose," Tucker said. And Eickenberry, also on the phone from Chicago, agreed: "That's when life seemed to be the best, when we turned to each other."

But it wasn't until they stumbled onto their dream house in Italy's Spoleto Valley that they found what they were looking for: home.

The two purchased a 350-year-old stone cottage in Umbria. They met and became fast friends with the neighbors: a brash former New York agent, the previous owners of their cottage, and a German architect, among others. And they ate well -- Tucker is a food aficionado, so the book is full of mouthwatering descriptions. Tucker's friendly, honest writing style made this reader feel like a guest at one of their dinner parties.

Tucker says that in Italy, food functions as metaphor for the good life, but its superior quality also is tangible. He contrasts Italian food, which is always fresh and local, to the food in a U.S. supermarket. Even organic food in a specialty store has traveled many miles from its point of origin. Tucker's cooking has become simpler since he moved to Italy. "I don't fuss too much," he said. "I buy something good and cook it right. Cooking is 90 percent shopping -- or picking, if you have a good garden."

The Italians have much to teach Americans, he said. He and Eickenberry tell how they returned to Italy from one of their jaunts to the states to find they had neither phone nor Internet service. They had made arrangements, but one bill had slipped through, and Telecom Italia had ceased all service. The couple fumed for a few days and complained to their friends in Italy, who replied, "So what? Where are we going for lunch?"

It has been exciting for Eickenberry to see readers' responses to the book. "Mike has such an effortless way of writing," she said. "He's not a tortured writer; he loves the process. He even loves to go back to rewrite, as it's not a painful experience for him. He seems to revel in it."

The enthusiastic response to Tucker's book makes Eickenberry think there is a need for a different kind of lifestyle in America. "At our readings, people love talking about Italy," she said. "And so do we."

For now, however, all of their family has gathered in New York. The two actors have found gratifying work on the Broadway stage, and their children -- Alison and Max -- live in New York, along with Eickenberry's mother, Lora, who needs their care.

Not that they will abandon their Umbrian home; they plan to return as often as they can. Predating the cottage itself is a stone oven where the entire community would come together to bake bread. It's a fitting metaphor for the way Italy has seeped into the "Tuckerberry's" lives, for the family has come together for the first time in a long while. Lora lives across the hall, and their children are nearby. Alison, who is a chef, cooks all of Lora's meals.

This turn of events, said Tucker, is a fitting subject for his next book.

Lisa Albers is a Seattle-based freelance writer and editor who can be reached at lisaalbers@comcast.net
The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Naples: Where You Never Sleep Alone from 'Falling Palace: A Romance of Naples'

This Britisher found the noise of Naples at night like a warm, maternal, slightly musty embrace, and a comforting pillow of sound.
By day, the variety of sounds were a complex texture of seduction and stimulation. Benedetta derisively called this "Your wet-kiss theory of Naples," while curling her upper lip in a heatbreaking curve.
Naples, was a city of trespasses, of people who disliked boundaries and made a point of ignoring them.
I was hypnotized by a common ceremony of Benedetta and her female chums gathered over a tray of coffee and aperitifs, and all of them talked simultaneously, with great animation. Every now and then somebody would make a move to go home but the leave-taker, to my astonishment, would continue talking while heading out the door. She would keep conversing over her shoulder, be pulled back inside by the force of the rejoinders, then head outdoors again, then be pulled back. This shuttle would be repeated, Jimmy Durante-style, any number of times. Hesitating on the threshold seemed a pleasure in itself.
Benedetta's people occupied two apartments in a crumbling palazzo that were on top of the other, and overlooked a pleasant square. In the upstairs apartment, vacant save for a bed, a table and a piano, her Old uncle, Zi' Ippolito, had lived alone until his death a few weeks ago.Ippolito had a small income from some obscure source - certainly not his avocation of wedding singer - with which to meet his bachelor expenses, and he was not disposed to spread it around.

However, "When Zi' Ippolito died," she went on, "many girls and women flocked to his funeral chamber. All of them wept profusely but nobody in the family knew who they were. A florist, engaged for the funeral knew them all, at least by name. He told me that every time Zi' Ippolito fancied another woman, he sent her enough flowers to fill up her room."The women, were enchanted. They accepted the flowers as proof of his passion - they simply couldn't resist him, don't you see?" Did it make any difference that Zi' Ippolito had a "deal" with the florist to buy the flowers at five in the morning, cut-rate?

The rest of Zi' Ippolito's funeral arrangements, were left in the hands of an ageless lady, Eufemia who took charge of all such rites but she wasn't blood kin. Her principal office, was to converse with the dear departed. Such interviews, served a serious purpose, because the period just after a funeral could torment the living, who had so many unpaid debts to the deceased, so many gripes and regrets. Luckily, dead souls could be easily contacted when they had newly migrated to the next life and Eufemia reached them efficiently, without delay. She functioned as a kind of otherworldly radio transmitter and, in this, I came to realise she was like many other Neapolitan women, both old and young. I began to see that the whole city still subscribed, though only half consciously, to some very old ideas -- ideas that probably went back to Greek antiquity. There was the Orphic idea that we can induce the gods of the underworld to put us in touch with the dead.....


Thanks to Joan Fraschetta
A Place Where You Never Sleep Alone

Financial Times, UK By Dan Hofstadter, Published: Feb 18, 2006

This is an edited extract from 'Falling Palace: A Romance of Naples' by Dan Hofstadter, Alfred A. Knopf, Publisher

Whenever, after a long absence, I return to Naples, that beautiful and wounded city, I find myself looking forward to bedtime, to the first few moments of falling asleep. I always stay in one of the more populous quarters, in a room overlooking a steep, narrow street, and as I throw open my window a vast wave of sound floods over me. Settled in bed, I'm disconcerted at first by the sheer volume, by my feeling of floating helplessly in a tide of half-drowned voices, people calling or quarrelling, snatches of jokes, television commercials, soccer games, ghosts of song twisted by the wind; footfalls mingle with rasping scooters, a baby's crying with the honking of horns.

Yet soon the noises soothe me and, suspended between wakefulness and sleep, I enjoy a sensation of homecoming, of rejoining a crowd of kindred spirits, faces I have always known. The sounds summon up mental pictures and in my mind's eye I can see the one-room street beneath my window, I can see those tiny street-level flats, with their open windows and monumental, tomblike beds, and gold-embossed icons of the Madonna. I can see the old ladies gossiping in chairs along the sidewalk and the kids revving up their bikes at the corner, I can see the circolo sociale where grizzled gents play scala under a neon strip, smoking, coughing, trading affectionate insults.

Naples is one of the world's noisiest cities, yet by night those noises form a pillow of sound. They relieve me of a childhood fear, reassure me that in some sense I never sleep alone. In Naples sleep is crowded, full of faces, gestures, winks, and warnings - I feel that I drowse in a room packed with people. Yet only after I'd lived in Naples for the better part of a year did it occur to me that to be half asleep here, half exposed to a world of wanton fantasy, was to be perfectly in tune with the city's truest nature. For Naples was and, I believe, remains a place best, or perhaps only, grasped through myth and memory and half-remembered dream.

Looking back through the haze of the years, I think it was actually the crowdedness of Naples that seduced me. The city clasped me in a warm, maternal, slightly musty embrace. I remember that during one of my many later sojourns, I tried explaining this to Benedetta. I tried telling her that the sheer close-packing of people and objects delighted me - how every street and piazza was so amazingly congested, so wildly overstocked with physical and emotional inventory. I had felt this in a reliquary chapel contrived like a chest of drawers, each bearing a tiny bronze bust of the bishop whose ashes it contained; and again when I saw the bridal stores beside the cathedral, with their tempests of tulle and white lace; and yet again in a salumeria from whose ceiling an abundant fruitage of hams, sausages, and mortadellas overhung a banner-draped altar to Napoli soccer club. Wherever I went, I told her, I felt swathed by textures that seemed to breathe, as if animated by some magical force. "Your wet-kiss theory of Naples," Benedetta called all this, curling her upper lip in derision. This always unnerved me a little, because of that lip's heartbreaking curve.

Naples, I began to feel, was a city of trespasses, of people who disliked boundaries and made a point of ignoring them. I remember a compelling instance of this. Towards closing time, Benedetta and I often poked into a shop in the Via Chiaia where a couple of her female chums sold women's clothing. Usually a group of friends had gathered there over a tray of coffee and aperitifs, and all of them talked simultaneously, with great animation. Every now and then somebody would make a move to go home but the leave-taker, to my astonishment, would continue talking while heading out the door. He, or more likely she, would keep conversing over her shoulder, be pulled back inside by the force of the rejoinders, then head outdoors again, then be pulled back. This shuttle would be repeated, Jimmy Durante-style, any number of times. Hesitating on the threshold seemed a pleasure in itself.

Benedetta's people occupied two apartments in a crumbling palazzo notable for the peculiar, ungraspable shapes of its rooms. One apartment was on top of the other, and both overlooked a pleasantly decrepit square. In the upstairs apartment, vacant save for a bed, a table and a piano, her old uncle, Zi' Ippolito, had lived alone until his death a few weeks before my arrival. The rest of the family resided downstairs. Ippolito had a small income from some obscure source - certainly not his avocation of wedding singer - with which to meet his bachelor expenses, and he was not disposed to spread it around.

"When Zi' Ippolito died," she went on, "many girls and women flocked to his funeral chamber. All of them wept profusely but nobody in the family knew who they were. A florist, though, an acquaintance of ours, had been engaged for the funeral and he knew them all, at least by name. He ran a concession in the flower market by the Castel Nuovo and he told me some things about my uncle. He told me that every time Zi' Ippolito fancied another woman, he sent her enough flowers to fill up her room."

The women, Benedetta said, were enchanted. "They accepted the flowers as proof of his passion - they simply couldn't resist him, don't you see? What they didn't know - what the florist explained to me - was that he and Zi' Ippolito had a standing arrangement. My uncle always bought the flowers at five in the morning, cut-rate."

The rest of her uncle's funeral arrangements, Benedetta told me, were left in the hands of an ageless lady, gnomelike and bewhiskered, named Eufemia. Eufemia took charge of all such rites but she wasn't blood kin and indeed Benedetta couldn't explain her relation to the family. (She may have been the daughter, if I can trust my diary, of Norma Immaculata's sister-in-law.) Her principal office, though, and this Benedetta knew first-hand, was to converse with the dear departed. Such interviews, Benedetta explained, served a serious purpose, because the period just after a funeral could torment the living, who had so many unpaid debts to the deceased, so many gripes and regrets. Luckily, dead souls could be easily contacted when they had newly migrated to the next life and Eufemia reached them efficiently, without delay. She functioned as a kind of otherworldly radio transmitter and, in this, I came to realise she was like many other Neapolitan women, both old and young.

Mulling over what Benedetta told me about her family, I began to see that the whole city still subscribed, though only half consciously, to some very old ideas -- ideas that probably went back to Greek antiquity. There was the Orphic idea that we can induce the gods of the underworld to put us in touch with the dead. Mainly there was the assumption that none of life's many chambers were totally sealed off from any of the others - everything communicated with everything else. Judges burst into song in front of defendants; old bachelors carried on like young lovers; and florists took the place of funeral orators, even if what they said could hardly qualify as a eulogy.

Then twilight came, our favourite hour, and a strange silence hung about those heights where we passed arm in arm into a different, more rarefied world. The roar of Naples subsided into a distant sibilance, the stillness broken only by the occasional mewing of a cat or the sound of two boys with a ball, and spiked grilles closed off jungle-like gardens, and the streets bent away into the shadows. Yet as we climbed still higher, shafts of sunlight washed the fronts of broad palazzi, illuminating tiny figures at the windows, and we vied with each other in pointing them out. Look, that old woman reeling in her wash . . . that child gazing at the sky . . . And when Benedetta told me that she would never let me leave her, that she would be sure to "walk away first," I pictured her moving briskly down a long stone stairway, her bare arms swinging, her hair lifted lightly by the breeze.

Now, more than two decades later, I am reminded of something strange she once said. She loved America mostly because of the movies she had seen but she did in fact visit America once, staying for a week in a borrowed Manhattan apartment. And there she was unable to get a good night's sleep. She had observed in horror films that such apartments had a second front door (what we New Yorkers call the "service entrance"), through which assailants and monsters broke, and she would wake up repeatedly, as the hours ticked away, compulsively checking that this ingress was secure. "A second door!" she exclaimed to me, shaking her head - flats in Naples had only one door, surely all that anybody needed. And it strikes me now that the way I felt about Naples was precisely the opposite. In Naples I slept easily amid apocalyptic noise because I wanted not to protect myself but to dissolve in my surroundings, like a bar of soap in the bath of the night.

Since those days with Benedetta, I have been back to Naples some 15 or 20 times, once for the better part of a year. After each sojourn, I come away with a mind drenched in the same persistent reveries. Obliged by the primacy of gesture to pay more heed to the set of a chin or the turn of a wrist than I would elsewhere, I tend to see people as figures draped or posed against a background - at times it's like living in a theatre, Meanwhile the backdrop too possesses my thoughts - the sombre gray and rose of the palazzi; the blue sea; the islands, low-lying or craggy; the volcano sliding into view in the notches between buildings or at the end of winding streets. One's consciousness, that of the natives, brims over with the landscape, which never quite forfeits its spicy hint of malediction. l curse you with fiery clouds, l bless you with the richest soil in Europe: curses and blessings, blessings and curses . . .

Perhaps that is why I have rarely ended a day in Naples without a luminous sense of where I am, a vision of the place floating lightly on my brain. And perhaps because the city is already so dreamlike, the process of falling asleep leads into a world not so different from the waking world, a realm where things can almost be touched or hefted, like a little collection of objects - here a castle, there a volcano, farther away a town felled by ashes. In Naples I still waken, on those mornings when I remember some fragment of my dream, with a sense of mysteries half understood.

This is an edited extract from 'Falling Palace: A Romance of Naples' by Dan Hofstadter, published in the UK by Profile Books at Ј16.99 on February 24 2006 (first published in the US last November by Alfred A. Knopf)

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Innocent Italian Americans Released from Prison after 30 years, Four to Get $120 Million from US

A federal judge held the FBI "responsible for the framing of four innocent men" in a 1965 gangland murder in a landmark ruling yesterday and ordered the government to pay the men $101.7 million for the decades they spent in prison. The award is believed to be the largest of its kind nationally.

US District Judge Nancy Gertner said from the bench, that the FBI had deliberately withheld evidence that Peter J. Limone, Joseph Salvati, Louis Greco, and Henry Tameleo were innocent, and that the bureau helped cover up the injustice for decades as the men grew old behind bars and Tameleo and Greco died.

"FBI officials up the line allowed their employees to break laws, violate rules, and ruin lives, said Gertner, berating the FBI for giving commendations and bonuses to the agents who helped send the men to prison for the killing in Chelsea of Edward "Teddy" Deegan, a small-time hoodlum.

As Limone, 73, of Medford, and Salvati, 74, of the North End, sat stoically with their wives and children by their side in a courtroom packed with supporters, Gertner said it was only right to publicly vindicate the men, just as they had been convicted with much fanfare nearly 39 years ago to the day.

"It was a hard road," Limone said, recounting the 33 years and two months he spent in prison while his four young children grew into adults with children of their own. "They could never give me back what I lost. All the money in the world couldn't give me 33 years.


US Ordered to Pay $101.7m in False Murder Convictions

FBI withheld evidence in '65 gangland slaying

A federal judge held the FBI "responsible for the framing of four innocent men" in a 1965 gangland murder in a landmark ruling yesterday and ordered the government to pay the men $101.7 million for the decades they spent in prison. The award is believed to be the largest of its kind nationally. (Additional sums were payable to wives and children bringing the total to $120 million)

In a decision that was as dramatic as it was stern, US District Judge Nancy Gertner said from the bench that the FBI had deliberately withheld evidence that Peter J. Limone, Joseph Salvati, Louis Greco, and Henry Tameleo were innocent, and that the bureau helped cover up the injustice for decades as the men grew old behind bars and Tameleo and Greco died.

"FBI officials up the line allowed their employees to break laws, violate rules, and ruin lives, interrupted only with the occasional burst of applause," said Gertner, berating the FBI for giving commendations and bonuses to the agents who helped send the men to prison for the killing in Chelsea of Edward "Teddy" Deegan, a small-time hoodlum.

As Limone, 73, of Medford, and Salvati, 74, of the North End, sat stoically with their wives and children by their side in a courtroom packed with supporters, Gertner said it was only right to publicly vindicate the men, just as they had been convicted with much fanfare nearly 39 years ago to the day.

"It was a hard road," Limone said, recounting the 33 years and two months he spent in prison while his four young children grew into adults with children of their own. "They could never give me back what I lost. All the money in the world couldn't give me 33 years."

Salvati said after the proceeding that he only heard about half of the judge's 30-minute ruling from the bench, because he went numb.

"The anger is past," said Salvati, who spent 29 years and seven months in prison. "You get emotional. You think about the past, and you've got to go on with your life."

His wife, Marie, who struggled to raise the couple's four children while making trips to prison in vehicles that often broke down along the way, started crying outside the courthouse and told reporters: "It was never about the money. It was about proving his innocence. We got our good name back, for us and my children and my grandchildren."

She said they will use the money to send their grandchildren and great-grandchildren to college.

"By any measure, it is fair to call this record setting and unprecedented," said David Yas, publisher of Massachusetts Lawyers Weekly. "Rarely do we see verdicts approach $100 million, and for it to happen against the federal government makes it even more unusual."

The FBI has never apologized for the wrongful conviction of the four men. A spokeswoman for the FBI in Boston referred calls to the Justice Department yesterday.

A Justice Department spokesman, Charles Miller, declined to comment on the ruling or to say whether the government will appeal.

Lawyers for the four men and their families said it would probably be about two years before they collect any money, if the government appeals and loses.

Hours after Gertner issued her ruling, US Representative William D. Delahunt, a Quincy Democrat, mentioned the decision while questioning FBI Director Robert S. Mueller III during an FBI oversight hearing in Washington, D.C.

"This is the kind of behavior that really undermines the confidence of the people and the integrity of the FBI," Delahunt said.

Mueller characterized the case as a debacle, and added: "I would suggest to you that that is isolated. Day in and day out over the years, FBI agents have been undertaking investigations and done them lawfully."

In a telephone interview later, Delahunt said he plans to file a bill in the next few months that would impose criminal sanctions against federal authorities who fail to produce information or evidence that "implicates crimes of violence."

"We can no longer rely on guidelines," he said. "The failure to implement them and comply with them has been extraordinary."

Gertner ordered the government to pay $29 million to Salvati; $28 million to the estate of Greco, who died in prison in 1995 at age 78, having served 28 years; $26 million to Limone; and $13 million to the estate of Tameleo, who died in 1985 at age 84 after serving 18 years in prison.

She awarded $1.05 million each to Salvati's wife, Marie; Limone's wife, Olympia; and the estate of Tameleo's late wife, Giovannina "Jeannete," for loss of consortium and intentional infliction of emotional distress; and $50,000 to Greco's former wife, Roberta Werner, for intentional infliction of emotional distress.

The nine children of Limone, Salvati, and Greco, and the estate of Greco's son, Louis Jr., who died in 1997, were each awarded $250,000 for loss of consortium and intentional infliction of emotional distress. Tameleo's son, Saverio "Edward" Tameleo, who was an adult when his father was convicted, was awarded $50,000 for emotional distress.

"Sadly when law enforcement perverts its mission, the criminal justice system does not easily self-correct," Gertner said. "We understand that our system makes mistakes; we have appeals to address them. But this case goes beyond mistakes, beyond unavoidable errors of a fallible system."

She added, "This case is about intentional misconduct, subornation of perjury, conspiracy, the framing of innocent men."

Later in the day, Gertner released a 223-page decision detailing her findings. She found that the government, which was sued under the Federal Tort Claims Act, was liable for the malicious prosecution of the four men, civil conspiracy, intentional infliction of emotional distress, and negligence.

After all four men were convicted July 31, 1968, of Deegan's slaying, Greco, Limone, and Tameleo were sentenced to die in the electric chair. Their sentences were later reduced to life in prison after Massachusetts abolished the death penalty. Salvati was sentenced to life in prison.

The discovery of secret FBI files that were never turned over during the men's trial prompted a state judge six years ago to overturn the murder convictions of Limone, who was immediately freed from prison, and Salvati, who was paroled in 1997.

The documents showed the FBI knew that the key witness in the case, notorious hit man Joseph "The Animal" Barboza, may have falsely implicated the four men while protecting one of Deegan's true killers, Vincent "Jimmy" Flemmi, who was an FBI informant.

Barboza had testified that Limone, a reputed leader in the Boston mob, had offered him $7,500 to kill Deegan and that Tameleo, the reputed consigliere of the New England Mafia, sanctioned the hit. He also testified that Greco and Salvati, who had prior run-ins with Barboza but weren't alleged to be members of the mob, were involved in ambushing Deegan.

Gertner, who heard testimony during 22 days of trial that ended in February and waded through thousands of documents, found there was overwhelming evidence that the FBI knew Barboza was lying, yet assured state prosecutors that his story "checked out."

Gertner found that the FBI protected Barboza and Flemmi because both provided valuable information against the mob and that the four wrongly convicted men were "collateral damage" in the war against La Cosa Nostra, more commonly known as the Mafia.

"To the FBI, the plaintiffs' lives, and those of their families, just did not matter," Gertner said.

During the civil trial before Gertner, Justice Department lawyers argued that the FBI had no duty to share internal documents with state prosecutors and insist ed the state was responsible for the prosecution of the four men.

The government argued that the FBI exercised its discretion when it offered Barboza leniency in exchange for his cooperation, then turned him over to state authorities, who independently prosecuted the four men.

But Gertner called the government's position absurd and said "the issue here is not discretion but abuse."

The judge said that the FBI developed Barboza as a witness and turned him over to the state, without disclosing the agency's documents that indicated he was lying.

Gertner also pointed out that two FBI agents testified at the trial, one of whom who vouched for the "purity" of testimony by Barboza.

Juliane Balliro, [of the Firm:, Wolf, Block, Schorr and Solis-Cohen] one of the lawyers representing the Limones and Tameleos, said the families will be required by law to pay taxes on the money. She said she believes Gertner's award was the largest single judgment against the FBI or any other federal or state law enforcement agency for wrongful imprisonment.

But "these facts are so outrageous, their conduct was so egregious that it required a level of damages that was commensurate with the facts," she said.

Medford lawyer Victor J. Garo, who represents Salvati and was credited by Gertner with helping expose the FBI's wrongdoing, said, "This is the worst I have ever seen law enforcement officials behave, and this is the clearest I've ever seen them get caught at what they were doing."

Greco's son, Edward, now 50 and living in a New Orleans nursing home while recovering from lung cancer, said by phone that his father, a decorated World War II veteran, "loved his country, and he always thought this would come out before he died.

"I'm just so glad that he was vindicated," he said.

Greco, whose life spiraled downhill after his father went to prison when he was 10 and his mother sank into a depression and abandoned him, said that if he ever collects the money awarded to him, he would like to use it to start a reading program for minority children in New Orleans.

Greco's former wife, Roberta Werner, reached by phone in Florida, said: "It's just bittersweet for me because Louie isn't here. . . . He had to die a horrible death in there not knowing if the truth was ever going to come out."

Tameleo's son, Saverio "Edward" Tamelo, was too ill to make the trip to court yesterday from the North Providence nursing home where he lives, but his grandson, Henry, came with his wife and son.

"I used to go visit my grandfather" in prison," Henry Tameleo said.

"He used to say, 'This is wrong. I don't understand.' And all he did was keep fighting and fighting. . . . Most of the family is not here to see this and hear this."

Just after Gertner left the bench, and the wrongly convicted men hugged their families and lawyers, Limone walked over to shake Tameleo's hand and, smiling broadly, said, "I told your grandfather we'd beat them."

============================================================================================================
Innocent Italian Americans released from prison after 30 years

TV3 News - Auckland,New Zealand
Fri, 27 Jul 2007 09:06a.m.
Four Italian Americans who sued the US government for wrongful imprisonment have won more than $120 million damages.
The four spent more than 30 years in prison for a mafia murder they did not commit, because the FBI withheld evidence from their trial that would have proved they were innocent.
Only two of the men are still alive, the other two died in prison, and the damages will go their families.
Lawyer Juliane Balliro says the surviving pair can start a new life.
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Thursday, July 26, 2007

Italian Culture Minister Francesco Rutelli Gets Tough with Getty over "Victorious Youth" +46 Artifacts

Times critic Christopher Knight naively acts as if "Dramatic Photo Opps" are an Italian invention, which is a little incredulous him living in "Hollywood", where All the Entertainers pay PR firms big Bucks to get them "noticed" All the time.
Knight is either disingenuous or not very well informed since while he recognizes that the "Victorious Youth" that the Italian Government is demanding to be returned to Italy, Knight seems to be unaware that for so long US Museums did not seriously question the provence of Antiquities, and ignored the wholesale "Looting" that was going on.
Very Unlawful and Very Unethical, If you come to Court with " Dirty Hands" Best Not to IQuestion others Legality, Morality, and Ethics. !!!
Knight claims Fishermen found the barnacle-encrusted statue "Victorious Youth" in international waters in 1964. End of story.
Yet Knight well knows that the fisherman were from the Adriatic coastal town of Fano, Italy (In Marche, just south of Pesaro).
But does Knight have any awareness of "The Laws of the Seas- Internal and International Waters".
This is important, since one question is exactly where did the fisherman FIND the statute, By 1967 only 25 nations still used the old three nautical miles limit, 66 nations had set a 12 nautical miles Territorial Limit,. However Beyond the 12 nautical mile limit there is an additional 12 nautical miles or 24 nautical miles from the territorial sea baselines limit, "the Contiguous Zone", in which area a state could continue to enforce laws regarding activities such as smuggling or illegal immigration.
In 1945 President Truman extended US control, to cover all the natural resources of their Continental shelf. Other nations were quick to emulate the USA. Between 1946 and 1950, Argentina, Chile, Peru, and Ecuador all extended their sovereign rights to a 200 nautical miles distance, but can be extended to 350 nautical miles . Exclusive Economic Zones is 200 nautical miles. There are also International Seabed Authority that get complex. ( As usual, The US did not entirely get it's own way and has not signed The United Nations Conference on the Law of the Sea (UNCLOS III of 1994)
Where exactly were the fishermen, how deep is the water, and how were they able to ensnare the statute in their fishing nets, when the statute usually would be silted over. Incidentally the Adriatic Sea is only 100 miles wide at that point.
I find the fisherman's case weak, but even for arguments sake, if that is true, Italy could still claim ownership because the statue was brought into Italy and then exported illegally!!
And I would argue also that is was being shipped between two parts of the Roman Empire at that time, most probably from Greece to Rome, that it was Italian property, and if an owner can not be established, it escheats to the state.
Even though the "Victorious Youth" is unquestionable Roman, and therefore is an Italian artifact, and it wasn't found off Malibu,
Knight hilarious argument is: Since America is as much a descendant of ideals forged in ancient Greece as modern Italy is, and since the Getty preserves, protects and displays the great sculpture in an exemplary manner, there isn't any ethical problem.
Christopher did you ever study Logic? Do you know what a Non Sequitur is? You are way off base!!!!!
Just because you "borrowed" Roman Judicial System, the Republic, their Aqueducts, their Engineering, their Road system, etc, the Gettty is entitled to cause their shady dealers to pick up whatever Roman Artifacts that the Getty wants ????? Really ????

The Grandstand Erected by Italy

Why is its culture minister trying to rough up the Getty? Politics. For the home crowd.

Los Angeles Times
By Christopher Knight
Los Angeles Times Staff Writer
July 25, 2007
In March, Italian senator Paolo Amato joined placard-waving citizens furious over the removal of an iconic painting from Florence's famed Uffizi Gallery. While protesting the loan of Leonardo da Vinci's "Annunciation" to an exhibition in Japan, the senator took an unusual step: He wrapped himself in chains, looped them around a post outside the museum entrance and snapped the padlock shut.

The stunt was the dramatic, even operatic conclusion to a noisy conflict raging for weeks among politicians and the public. In contrast to the United States, cultural policy is a conspicuous feature of Italian life.

If you want to understand how conspicuous, try this: Imagine Sen. Charles E. Schumer (D-N.Y.) chaining himself to the gates of New York's Metropolitan Museum to protest the loan of Emanuel Leutze's "Washington Crossing the Delaware" to a foreign museum.

Unimaginable? That's the point. The brawl over the Leonardo loan was overwrought, but in Italy it was politics as unusual.

I cite this recent cultural dust-up because it goes a long way toward explaining the otherwise bizarre behavior of Francesco Rutelli. He's the ambitious, telegenic former mayor of Rome who became head of the Italian Cultural Ministry last year.

Earlier this month, Rutelli issued an ultimatum to the Getty Trust. For years the Getty has been engaged in seesawing negotiations over disputed title to antiquities in its museum collection. Nine months ago, the Getty offered to return 26 works to Italy, citing clear evidence that the museum has no legal claim to keep them. Officials further pledged to continue fastidious examination of additional disputed works.

No deal, Rutelli said. And by the way, fork over the famous Getty Bronze by July 31 -- that's next week -- or Italy will suspend all cultural relations with the Los Angeles museum.

The threatened boycott is largely symbolic, since only modest interaction exists now. But it means no loans of art, new or old, from Italian public collections to any Getty exhibitions. It means no cooperation on research or conservation projects.

To avoid the snub, Rutelli wants 47 objects turned over immediately -- including the Classical Greek statue of a "Victorious Youth." The exquisite sculpture has been the Getty's crown jewel for 30 years.

Virtually no one expects the Getty Bronze to be handed over -- not next week, not ever. Why? Simple: Italy has no valid claim on it, legal or moral.

The legal case is virtually nonexistent. Fishermen found the barnacle-encrusted statue in international waters in 1964. End of story. Even Rutelli knows that. In a Jan. 17 Wall Street Journal opinion article, tightening the screws, the culture minister wrote, "This is not a legal question, but a question of ethics."

He didn't elaborate on the moral claim -- because, I suspect, nothing but raw emotionalism backs it up. The bronze is probably of 4th-2nd century BC origin. (Some say the sculptor Lysippos, favorite of Alexander the Great, created it, though the Getty doesn't maintain that.) Since America is as much a descendant of ideals forged in ancient Greece as modern Italy is, and since the Getty preserves, protects and displays the great sculpture in an exemplary manner, there isn't any ethical problem.

So what gives? Why is Rutelli saying, in effect, "My way or the highway"?

Look to recent Italian politics for the answer. Rome, even more than Washington, is a political swamp. (They've been at it longer.) There are more parties, factions and ad hoc coalitions than Starbucks has baristas. So bear with me for a moment as we untangle the knot.

In that same Journal article, Rutelli also wrote, "This is not a political battle with the Getty." He's right. Instead, it's a political battle raging inside Italy, for which roughing up the Getty is useful.

Rutelli, 53, is a deputy in the center-left government of Prime Minister Romano Prodi, a close political ally for two decades. Prodi's coalition government has been shaky since he narrowly defeated Silvio Berlusconi in May 2006; just nine months later, a full-scale crisis erupted. Prodi quit in February, quickly shored up a new coalition and regained office in March.

What was the crisis about? Italian foreign policy -- specifically, support for the United States.

The flash point was Prodi's advocacy for the controversial expansion of an American Army base in Vicenza. Thirty thousand peaceful protesters poured into the streets in December, followed by 80,000 in February. Then a motion in the Italian Senate to support the government's pro-U.S. foreign policy failed, much to Prodi's surprise. His precarious coalition government temporarily collapsed. It's still riven with fissures, and the left remains its most unruly faction.

Rutelli's escalating anti-Getty posturing is old-fashioned political demagoguery, pitched to voters back home. The ultimatum symbolically proclaims that powerful American interests cannot push Italy around, making the government look tough. The emptiness of Italy's legal and ethical claims for the Getty Bronze are beside the point.

Rutelli, who is married to the successful RAI television journalist Barbara Palombelli, is media-savvy. He's a former client of the American strategic polling whiz Stanley Greenberg, who also advised Bill Clinton and Tony Blair. He understands the emotional power of symbols.

So we shouldn't be surprised that the minister's final warning earlier this month was delivered during a visit to a newly restored church in the Adriatic coastal town of Fano. That's where the fishermen who stumbled on the submerged bronze sculpture in 1964 hailed from, ensuring zealous local applause for Rutelli's headline-making demand.

Prior to the razor-thin election of the Prodi government, the Getty had been making headway in its negotiations with Italy. Since then, as implementation of Italy's pro-U.S. foreign policy objectives has become more nettlesome, the government's demands on the Getty have hardened. It's no coincidence. Italy's government has something to gain and little to lose.

That includes Rutelli. His ultimatum won't stop art smuggling or end the looting of archeological treasures by nocturnal tomb raiders.

But if the deputy prime minister does want to go after his country's top job in the future -- something he tried to achieve in 2001 -- it won't hurt to have an established public profile as an outspoken champion of Italy's cultural patrimony, however bogus the details. For Rutelli, chaining himself to the Getty Bronze is a winning political stunt.

What can the Getty do about Italian politics? Not much. But given intractable circumstances, perhaps it's time for some back-channel intervention from the U.S. ambassador to Italy, Ronald P. Spogli. Conveniently, the ambassador hails from Los Angeles.

christopher.knight@ latimes.com
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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BRAVO: Prof Churchill -Faux Indian Scourge of Denver Italian American's FIRED from Colorado U.

We celebrate the good fortune of our friends, and the tribulations of our enemies.
We can now Celebrate the tribulations of Prof. Ward L. Churchill.
Prof. Ward L. Churchill, is an Imposter, because he untruly claimed to be an Indian, in order to receive special consideration as a minority Ethnic Studies professor.
He is a Bigot because he annually harasses the Italian American Denver Columbus Day Parade, encouraging followers to Slander the Marchers as Wops, and Dagos,
He portrayed the Victims of the World Trade Center 9/11 tragedy as "Little Nazi Technocrats", Although it seems that any of those would be cause for him to be fired, he actually was Fired because he engaged in wholesale Plagiarism and Fraudulent Research in his Books, Writings and lectures. !!!!!!
Churchill and his attorney try to spin the Termination as Retribution for having Unpopular Views , and called the Termination a Stifling of Free Speech and Trifling with Academic Freedom.


University of Colorado Fires Controversial Professor
The Boulder, Colo., school's regents say Ward Churchill was dismissed over fraud and plagiarism, not a post-9/11 essay.
Los Angeles Times
By Nicholas Riccardi
Times Staff Writer
July 25, 2007

BOULDER, Colo. — The University of Colorado on Tuesday fired professor Ward L. Churchill, whose controversial statements comparing victims of the Sept. 11 attacks to Nazis triggered a debate over free speech and scholarship.

The university system's regents insisted that their decision was unrelated to Churchill's 2001 essay that called workers in the World Trade Center "little Eichmanns," a reference to Nazi Adolf Eichmann, who was in charge of sending Jews to death camps.

They said they were acting because a faculty committee had found that Churchill, 59, a tenured professor of ethnic studies at the University of Colorado at Boulder, had committed plagiarism and fraudulent research in other writings.

"I'm not sure we had much of a choice," said University of Colorado President Hank Brown, whose recommendation to dismiss Churchill was upheld by the regents. "The integrity of our research is an integral part of our university."

But Churchill and his backers argued that the move was motivated by a dislike for the leftist professor's views, and that it would keep other professors from discussing unpopular subjects. "This is a political firing with academic camouflage," said Tom Mayer, a sociology professor.

Churchill's attorney, David Lane, said he'd file a lawsuit in Denver court today challenging the dismissal as a violation of the 1st Amendment. The message of the university's action, he said, "is there will be a payback for free speech."

The controversy began in 2005, when Churchill was slated to speak at Hamilton College in New York. Critics seized on a little-read essay he wrote after the Sept. 11 attacks titled "Some People Push Back: On the Justice of Roosting Chickens." In it, he argued that workers in the World Trade Center were "a technocratic corps at the very heart of America's global financial empire," and compared them to the Nazi leader who carried out superiors' orders for genocide.

Churchill was roundly attacked on the Internet and television, and his speech was canceled. The University of Colorado's Board of Regents apologized for the essay and the then-governor of Colorado called for Churchill to be fired. He was not, but did step down as chairman of the university's ethnic studies department.

The school launched an investigation of allegations that Churchill's writings on genocide of Native Americans involved research fraud. Last year, a panel found several problems in Churchill's writings, and its findings were accepted by two other faculty panels. Last month, Brown recommended Churchill's dismissal.

"We were guided by the findings of three faculty committees and 25 tenured faculty members," regents Chairwoman Patricia Hayes said of the board's decision.

After an all-day closed-door deliberation, the regents voted 8 to 1 to accept Brown's recommendation that Churchill be dismissed. In their motion, they emphasized that they supported academic freedom.

Dozens of Churchill backers, some wearing T-shirts reading "I Am Ward Churchill," booed and cursed when the vote was announced. At a news conference afterward, Churchill criticized the findings against him as fraudulent and said he was staying in Boulder and fighting to regain his position.

"I am going nowhere," he said. "I'll be here."
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Wednesday, July 25, 2007

Work is Hell at Alitalia -The Airline Italians Love to Hate

Alitalia was once a company many aspired to work for. Sharp-suited pilots laden with gold braid strode purposefully across airport concourses the world over, confident their Alitalia badges marked them out as the "creme de la creme".
Nowadays, AItalia, losing 1 million Euros a day, and offering itself for sale, has been rebuffed by several suitors, and faces a bleak future.
Part of AItalia's problem is being formerly government owned, with those attendant bureaucratic wasteful attitudes. Further the Unions are standing staunch against any job cuts, which are inevitable, while the Union claims they are currently substantially overworked.

Work is Hell at Airline Italians Love to Hate

Reuters USA
By Irene Chiappisi
Tuesday July 24, 2007

MILAN (Reuters) - Working for a failing airline many Italians love to hate is never easy, but some harassed Alitalia staff say a dud privatization has pushed their working lives to a new low.

On top of the government talking tough about letting the money-losing state carrier go bust, Alitalia employees complain they are overworked, the butt of passenger ire and frustrated in a company that is bogged down in red tape run more like a government agency than a commercial enterprise.

"Working these days has been a real hell," said one stewardess in Alitalia's green-jacketed uniform as she rushed through Linate, Milan's number-two airport, to reach a flight.

Italy scrapped its auction of Alitalia, Europe's sixth largest carrier by market value, when remaining bidders pulled out last week. It was another slap in the face for a company which once stood for national pride.

The centre-left government faces dwindling options for Alitalia, which is losing more than a million euros a day and riven by strikes among its 20,000-strong workforce.

Without a buyer it may face liquidation, since the EU has banned the Italian government from injecting any more cash into the struggling airline.

Poor staff morale and the derision of some Italians -- who joke Alitalia is an acronym for "Always Last In Takeoff Always Last In Arrival" -- are a far cry from the glory days.

Alitalia, created after World War Two, was once a company many aspired to work for.

Sharp-suited pilots laden with gold braid strode purposefully across airport concourses the world over, confident their Alitalia badges marked them out as the "creme de la creme".

No matter how smart the uniforms, cabin crew now see little glamour in long hours and telling passengers to "buckle up".

"We work too much, over 11 hours per day, some of which are on the ground. But we get paid only for the flight hours," said the stewardess on her way through Linate.

Other staff say crews that oversee boarding often race from one gate to another at a pace that threatens safety.

Local media have been quick to ridicule the airline's extravagance. Alitalia acts a taxi service for some employees who work at its Rome base, flying them daily to work at the airline's second hub in Milan.

EASY TARGET

But frontline staff feel they are an easy target.

"The press compares our salaries with what people earn working for low-cost airlines, but they don't consider the services we, along with other flag carriers, provide," one stewardess said.

Many Italians lay much of the blame for the airline's failure to find a suitor on its staff. The National Consumers Union has said Alitalia workers often strike for no reason and the company "only eats taxpayers' money".

Italian Infrastructure Minister Antonio di Pietro has been blunter.

"When something is diseased, you need to amputate it," he said after the auction fell through, adding the flag carrier should be sold off for one token euro.

Alitalia staff already complain the airline has been turning to short-term contracts to cut costs. The result is widespread job insecurity.

Diego Onza, a 34-year-old flight attendant, said he got his first permanent job last month after 16 temporary contracts in eight years.

But one way or another, change is inevitable.

Analysts believe Alitalia's labor woes -- and the government's perceived reluctance to allow a buyer free rein to slash jobs -- have been integral to the absence from the auction of major players like Air France and Lufthansa.

A spokeswoman for Alitalia declined to comment, but one flight attendant, who did not want to be named, had a clear view.

"They cannot cut jobs unless they decide to leave the airplanes on the ground," she said.

The problem for her and other Alitalia staff is the government may decide to do just that.

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Italians Want Political Change- A Two Party System

Be careful what you Wish for... As I see it, the number of parties in Italy make matters rather dynamic (some people may say unstable),
with the ability to respond quickly to a change of circumstances.
On the other hand, for instance in the US we elect a President for 6 years, and we are stuck with them. Like in the case of George Bush, there is indisputable evidence that he had full intentions of Regime Change in Iraq Before he ran for the second term, But he ran on a platform of keeping us out of War, then proceeded to Invade Iraq on Fabricated Justification, and then in an Imperial manner, has plan after plan that fail, and keeps stubbornly pursuing Occupation despite American Public Opinion.
Also, with only two parties I'm not convinced that Lobbyists and therefore Corporations will be easier able to set the Agenda as they do in the US , mostly to the disadvantage to the average public.

Italians Want Fewer Political Parties

Peninsula On-line - Qatar
REUTERS
July 25, 2007

Rome • More than 800,000 Italians have signed a petition demanding changes to the electoral system, hoping to move Italy away from decades of political instability.

Two vans delivered the petition to a court for verification yesterday. The petition has far more than the half-million signatures needed under Italian law to force a referendum.

"Parliament, with the referendum a loaded pistol at its head, has a few months to fulfil the will of the people," said Infrastructure Minister Antonio Di Pietro.

They will put pressure on politicians to produce a new electoral law which reinforces a two-party system and reduces the power of smaller parties.

The present system was brought in under former centre-right Prime Minister Silvio Berlusconi to favour broad coalitions rather than strong single parties. The change left Prime Minister Romano Prodi with a tiny majority after his slim election win last year.

Prodi had to resign briefly in February after far-left parties in his coalition deserted him in a vote on foreign policy. He said then it was a priority to change the voting system, but no progress has been made.

The main effect of the referendum would be to hand a bundle of extra parliamentary seats in the lower house to the most successful party in an election. Under existing law, those seats are shared out between all the parties in the winning coalition.

Prodi also hopes to consolidate a more stable system by creating a single main centre-left party by merging the two existing big players into the Democratic Party. The party is expected to be created this year.

This might force the centre right to do the same, sweeping away the unstable multi-party system.

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Italians Managed Coup in Wiping out Austrian Olympic Winter Team's Dope Operation

The Italian Winter Olympic Team wizened by the "Bust" of the Austrian Team in Salt Lake in 2002, and with the Winter Olympics taking place in Turin in 2006, alerted the Italian Police, who benefiting from the much stricter laws in place in Italy, than in all other parts of Europe, allowed for warrants and raids on athletes rooms that permitted a giant expose.
It helped immeasurably that Walter Mayer, a discredited coach of the Austria team, was rather brazen in his actions in Turin.


How Italians Managed Blood-filled Coup in Wiping out Austrian Team’s Dope Operation

The most open, detailed expose of a case of systematic doping in sport was recently revealed in an investigation by the IOC and posted on its website. It is important for two reasons: first, it shows how sophisticated large-scale and well-planned drug-taking can be, even on the doorstep of an Olympic Games; and second, it raises the question of whether such an operation could be uncovered if it took place at London 2012.

The tale of the Austrian drugs bust at the Winter Olympics in Turin last year starts four years earlier, on February 26, 2002, shortly after the Salt Lake City Olympics, when various doping materials - including three blood bags and multiple infusion sets -were found by a cleaner in the chalet that had been occupied by Walter Mayer, a coach of the Austria cross-country and biathlon team, and his wife. After an investigation by the IOC, Mayer was found guilty of doping violations and declared “ineligible to participate” in any Olympics up to and including 2010.

This did not put him off. His flouting of this ruling at the next Winter Games is staggeringly brazen. Mayer admitted to an Austrian investigation that he had not gone to Turin purely as a tourist. “All who know me also know that I love to combine business with pleasure in such cases,” he said.

The truth that emerged showed that he had not only stayed in the team’s accommodation, he had helped to choose it. He was pictured in team photographs, had helped in team selection and at the start of the Games was even introduced to the media as the cross-country skiing and biathlon team head trainer. Given what is now known, it seems that he would not have been hard to spot.

When the Italian police raided the Austrians’ accommodation on February 18 in the Alps above Turin, Mayer headed for the border in his car. He was intercepted on the other side because he crashed and had to go to hospital.

Since then, the Austrian Olympic Committee has been fined by the IOC, while two biathletes and four cross-country skiers have been banned for life after IOC investigations based on police findings. Appeals have been made to the Court for Arbitration in Sport to have the bans overturned.

Significantly, this sophisticated doping laboratory was not set up in any Olympic village accommodation, but in private accommodation rented by the team. It was within the powers of the antidoping authorities in Turin merely to knock on the door and ask to take urine samples. Far better, though, they tipped off the police that the law was being flouted and the whole operation was busted.

In the UK, though, doping and DIY blood transfusions are not illegal. Therefore, in a similar situation in London 2012, the drugs testers presumably will be left waiting at the door until the laboratory has been cleared away and the athletes are ready to test.

“In Italy, this law was very helpful to us,” Professor Arne Ljungqvist, the chairman of the medical commission of the IOC, said. “It was a very good example of how we can operate - it was the entire basis of the Austrian affair, it was what allowed the police to act. We could test, they could raid.” A genuine understanding of the extent of the doping problem in cycling came about only in the Festina affair during the 1998 Tour de France - and that was mostly thanks to police work. The next year, during the Giro d’Italia, police made a number of raids on the cyclists’ hotels and again found manifold evidence that doping was taking place. In the UK, such crimes against sport probably would have remained undiscovered.

The notable exception here is Operation Puerto, the Spanish sting that uncovered systematic doping in cycling and a number of sports. “But Operation Puerto shows the problem you have if, like in Spain, the law is not on your side,” Ljungqvist said. “They have uncovered it, but they are unable to manage it. A law in place is extremely helpful.” Ljungqvist appeared in front of the German sports committee in the country’s Parliament last autumn and, as a result, the Germans amended their medical legislation to ban possession of doping substances. He is hoping to persuade the UK to follow.

On the eve of the Turin Games, there was a widespread fear that competitors failing drugs tests would be jailed, a fear that raised questions over the infallibility of the drugs tests. Such fears were misplaced.

There is a large difference between failing a drugs test and receiving a ban. And possessing doping substances and facing possible criminal charges. Athletes can contest positive drugs tests. When found in possession of an entire laboratory, as the Austrians were in Turin, it is entirely another matter.

What they found

Among the contents found by Italian police in the San Sicario chalet were syringes, needles, blood bags, butterfly valves for intravenous use, bottles of saline and devices for measuring haemoglobin levels and determining blood groups, as well as hCG and albumin, both of which are banned substances.

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Vespa: It's Cool Again

In 1946 Italy, both the economy and the roads had been ruined by World War II. The Piaggio company, which had once manufactured airplanes, set out to make a mode of transportation that was cheap, comfortable to drive for both sexes. With the Vespa - the Italian word for wasp - Piaggio ended up revolutionizing the two-wheel industry. Nearly every motor scooter made since has been based on the aerodynamic and elegant Vespa.
One of the motor scooter’s first spikes in sales came in 1953 after the Audrey Hepburn-Gregory Peck movie Roman Holiday. The enduring classic, about a princess who runs off with a reporter on his Vespa, introduced many Americans to Italian style and tragic romance.

The U.S. love affair with Piaggio’s motor scooter puttered steadily along until the 1980s, when it got crushed under the wheels of an Asian invasion and American pollution laws. Competition from Japanese brands and new U.S. emissions standards caused the Italians to withdraw the Vespa from sales in America.

Vespa re-entered the North American market in 2001 with cleaner, faster models. For a variety of reasons, that Vespa buzz has been gaining momentum in the US. On the practical side, the shiny little motor scooters don’t need much gas,their compact size makes them easy to park and automatic transmissions make them easy to drive. The new models are environmentally friendly and relatively inexpensive with a price range of $2000 to $6,000.

Both satisfied customers Carla Miller and Doug Davidson agreed that Vespas are pretty amazing. - All my friends are like ‘You have a Vespa. That’s so cute!’- Miller said. - Where I bought my scooter also sells all these fancy, high-end motorcycles,- Davidson said, "but while I was there, three people came in just to see the cute Vespas."

The Return of the Vespa

Pop City
By: Margie Romero
July 25, 2007

Thanks mainly to the impact of movies, European countries can be identified with just a few visual cues. For France it’s the Eiffel Tower and a long baguette. All you need to say England is Big Ben and the Union Jack. And Italy is easy: the Coliseum and a street full of Vespas buzzing past the Trevi Fountain.

For a variety of reasons, that Vespa buzz has been gaining momentum in the United States. On the practical side, the shiny little motor scooters don’t need much gas, you don’t get your clothes dirty on them, their compact size makes them easy to park and automatic transmissions make them easy to drive. The new models are environmentally friendly and relatively inexpensive with a price range of $2000 to $6,000.

But what we drive is not always just about the practical. If a person is judged by their ride, the constantly evolving American culture jury has recently reached a verdict: It’s cool again to own a Vespa. Like a laptop, cell phone or iPod, the less-is-more philosophy definitely applies to the iconic Italian motor scooter and other scooters as well.

With gas prices averaging $3 a gallon, giant SUVs are looking like dinosaurs. And motorcycles, once the symbol of rebellion, are now associated with an aging biker-Boomer aesthetic. These days it’s hip to be a geek, and there’s nothing geekier than a motor scooter.

From Fascism to Fashion

That necessity is the mother of invention certainly holds true for the Vespa. In 1946 Italy, both the economy and the roads had been ruined by World War II. The Piaggio company, which had once manufactured airplanes, set out to make a mode of transportation that was cheap, comfortable to drive for both sexes, and could carry a passenger. With the Vespa - the Italian word for wasp - Piaggio ended up revolutionizing the two-wheel industry. Nearly every motor scooter made since has been based on the aerodynamic and elegant Vespa.

Over the last 60 years the global Vespa market has had periods of wild acceleration, but has also hit some bumps. One of the motor scooter’s first spikes in sales came in 1953 after the Audrey Hepburn-Gregory Peck movie Roman Holiday. The enduring classic, about a princess who runs off with a reporter on his Vespa, introduced many Americans to Italian style and tragic romance.

The U.S. love affair with Piaggio’s motor scooter puttered steadily along until the 1980s, when it got crushed under the wheels of an Asian invasion and American pollution laws. Competition from Japanese brands and new U.S. emissions standards caused the Italians to withdraw the Vespa from sales in America.

Personal Mobility

But interest in motorcycles goes in, well, cycles. The Vespa re-entered the North American market in 2001 with cleaner, faster models. Locally, European Motorcycles of Pittsburgh in Wexford, is the boutique for the Vespa brand. Doug Davidson, who owns the web-hosting and software company CityNet, decided to check out the scooters there and quickly became a Vespa owner.

“At that time I was doing a lot of driving from my home in Sewickley to my business on the South Side. It was boring,” he said. “So I did some online research and decided to look at a Vespa. My goal was to find something fuel-efficient and as environmentally sound as possible – but still fun.” He ended up buying a Vespa LX-150 from European Motorcycles and he recommends both the model and the dealership.

“I learned from my research that a four-stroke engine is much cleaner-burning than the two-stroke engine found in some motor scooters. I’m happy with my ‘scoot’ because it’s good for the environment and I get around 66 miles to the gallon,” he said. A recent traffic model study in New York demonstrated that carbon dioxide emissions could be significantly reduced by incorporating more motor scooters into the commuting vehicle mix.

Davidson was initially concerned about how he would get his new two-wheeler home because he wasn’t an experienced motor scooter driver. “European Motorcycles was great,” he said. “They just put it on a trailer and delivered it to my house. I started by taking the Vespa around the block to build up my confidence. Now I go as fast as anyone in the city.” Davidson reported that the “sweet spot” for his Vespa is about 50 miles per hour but he can push it up to 65.

If you're in the market or own a vintage scooter, Vespas or other Italian brands, check out Iron City Scooters which services and restores vintage scooters and sometimes sells them.

A Scooter’s Cuter

Carla Miller, age 19 and a student at Carnegie Mellon University, was already familiar with motor scooters because her father had many. In September, she became the owner of a used Vespa, which she found on Craig’s List. “The key to buying a motor scooter is to look in the fall and winter because then people don’t seem so keen on them,” she said.

But weather aside, both she and Davidson concurred that two-wheel vehicles have many advantages. “I can park in half spots that no one else can fit into,” Miller said. “Parking is huge,” Davidson agreed. “In the Strip District I can park immediately,” he said.

Miller also finds her Vespa to be relaxing: “You don’t have to get into a hot, sticky car in the summer,” she said. While Miller said using her vintage Vespa in the winter is more like “going snowmobiling,” Davidson rides his motor scooter in any temperature.

“You just have to gear up for weather conditions,” he said. “I have electric gloves and ear plugs for the wind noise. It takes longer to get ready and you have to take it seriously, but I drive the Vespa even when it’s 30 degrees. Rain is fine, but I rode through a thunderstorm once and that wasn’t a good idea. Lightning could be a problem.”

The main disadvantage Miller has with her Vespa is that it can’t accommodate her dog, but as for carrying other stuff, Davidson reported no problems. “It has a grocery hook you can just hang your food bags on. I can get like seven or eight bags on there,” said this father of three. “I also have a decent-size duffle bag for books that also can be tied to the grocery hook. And I strap my laptop on my back. It’s amazing how much you can bring along with you!”

Both Miller and Davidson agreed that Vespas are pretty amazing. “All my friends are like ‘You have a Vespa. That’s so cute!’” Miller said. “Where I bought my scooter also sells all these fancy, high-end motorcycles,” Davidson said, “but while I was there, three people came in just to see the cute Vespas.”

http://www.popcitymedia.com/features/0725vespas.aspx
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Tuesday, July 24, 2007

"Incantesimo", One of Italy's most popular Soap Operas Saved From Cancellation by Politicians

In Europe, including Italy, there is difficulty producing sufficient "Local" Quality fare, because of the smaller audiences, and therefore smaller budgets. They are inundated by American product.
Therefore when a nine year successful series "Incantesimo" or "Enchantment", one of Italy’s best-loved soap operas, was threatened with cancellation, because of the high costs, Politicians across the spectrum came to the program's rescue.


In Italy, Politicians Agree on Saving a Soap Opera

ROME, July 22 - In a country where almost everything is fiercely divided along political lines, it came as a surprise to many when lawmakers on opposing sides of the political spectrum joined forces last week in support of a cause: "Incantesimo", one of Italy’s most popular soap operas.

Rumors have circulated that RAI, the Italian state broadcaster, would not confirm a 10th season for "Incantesimo", or "Enchantment".

On Thursday, Claudio Petruccioli, RAI’s president, said no decision had been made on the show’s future, except to finish production of the current season.

Local lawmakers immediately protested the potential loss of employment, not to mention a made-in-Italy product.

“I can’t understand why RAI would want to eliminate an entirely Italian product,- Francesco Giro, a lawmaker with the conservative Forza Italia party, told the Ansa news agency.

Members of his party in Rome said Friday that they would begin a protest in front of RAI’s main offices on Monday.

“The cancellation would have serious repercussions in terms of employment," fretted Enrico Gasbarra, the centrist governor of the province of Rome.

Rome’s center-left mayor, Walter Veltroni, said he was "close to the artists and the entire production crew of one of Italy’s best-loved soap operas."

When it was broadcast in prime time, "Incantesimo", about the convoluted lives and loves of a group of doctors, was one of RAI’s most popular series, and it was distributed in 25 countries.

But in January "Incantesimo" was moved from prime time to daytime, and from a weekly to a half-hour daily format. RAI made the move to challenge its main competitor, Mediaset - which is owned by the family of former Prime Minister Silvio Berlusconi.

“Incantesimo" went up against some of Mediaset’s most popular soaps, and still managed to snatch a 16 percent share compared with Mediaset’s daytime soap "Vivere" /"Living" which has a 20 percent share.

But RAI’s accountants, under pressure to cut costs and investments, have turned their shears to daytime programming. The show was supposed to start shooting in September at a cost of 100,000 euros, or $138,200, an episode.

Agostino Sacca, head of RAI Fiction, RAI’s production and distribution arm, defended the show and said that RAI’s cost-cutting measures would "not be resolved cutting products, especially successful ones that reached their strategic objectives."

Antonio Alessi of the Deangelis Group, which produces "Incantesimo," said, "We need answers because television production is an industrial process and needs continuity." The show directly employs about 250 people and more than twice that including outside service industries, like caterers.

“In the end, it’s a question of bureaucracy," he said. "Italians just don’t understand how the television business works."

Some commentators think RAI is not wrong to be looking at the bottom line.

In his Thursday column in Corriere Della Sera, Aldo Grasso called "Incantesimo" a product of "mediocre artistic value," and chided politicians for wanting to protect workers in a sector that provided no job security.

“We want a restless soul and a fixed income", Mr. Grasso wrote.

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Italy: A Nation of Mario Andrettis to be "Curbed"

The Pope, the Prime Minister, and the EU among others are attempting to curb Italians adventurous Survival of the Fittest attitude driving styles.

The influential Catholic Church decries "collective madness" on the roads and Pope Benedict has issued "10 Commandments" for motorists, saying cars "tend to bring out the 'primitive' side of human beings."

Prime Minister Romano Prodi, unusual for preferring bicycles even though the red Ferrari is the ultimate Italian status symbol, called for a "major moral and civic shake-up" regarding Italy's diabolical driving habits.

The EU has demanded member nations halve the number of accidents by 2010.


Italy Tries to Curb Murderous Driving Habits

Reuters Canada - Toronto,Ontario,Canada
By Stephen Brown Monday July 23, 2007

ROME (Reuters) - A gruesome spate of deadly road accidents this summer may finally destroy the Italians' belief that their agility at the wheel compensates for a cavalier attitude to safety and their reactions are not dulled by drink.

In the country with world's second highest density of car ownership, traffic accidents are depressingly common on roads clogged with irascible drivers who disdain traffic rules, park anarchically and treat pedestrians like moving targets.

But reports of [pedestrians] being mowed down by drunk drivers -- and not least the president's wife who was knocked over on a pedestrian crossing outside the palace -- have prompted Italian politicians to react.

Prime Minister Romano Prodi, unusual for preferring bicycles even though the red Ferrari is the ultimate Italian status symbol, called for a "major moral and civic shake-up" regarding Italy's diabolical driving habits.

The influential Catholic Church decries "collective madness" on the roads and Pope Benedict has issued "10 Commandments" for motorists, saying cars "tend to bring out the 'primitive' side of human beings."

That certainly seems to be the case in Rome, where the heirs to the cradle of European civilization turn surprisingly aggressive behind the wheels of their pint-sized city cars, or mounted on the buzzing mopeds that swarm the streets....

Pavements provide scant refuge, with cars parking on them and zooming mopeds using them as short-cuts. Zebra crossings at traffic lights serve as starting grids for impatiently revving scooters and motorbikes.

"In nearly 60 years of life I've never seen a driver fined for not respecting the lines," wrote Il Manifesto newspaper's Marco d'Eramo in a column. "Once, hit by a car on a crossing, I was told off by a policeman who said 'you should be more careful'."

D'Eramo said the Italian capital boasts 2.4 million cars for 2.5 million inhabitants -- and 8.47 pedestrians killed or hurt per 1,000 people versus 0.85 in London or 0.4 in Paris.

THE LAWLESS ROADS

Applying make-up or talking by mobile phone while driving is routine.....Lobby groups like "Safe Children" lament that only one in five Italians wears a seat belt, while children often sit in the back or front with no belt, let alone a car seat, and sometimes on the lap of an adult at the wheel.

This adds up to 8,000 deaths a year in road accidents plus 170,000 people put in hospital and 600,000 needing first aid, according to health ministry estimates. Comparing Italy's record with the European Union is hampered by poor data but the EU has demanded member nations halve the number of accidents by 2010.

That will be difficult in a place where the death-defying disdain for things like speed limits prompts Rome police to keep two Lamborghini Gallardo "supercars" for high-speed chases.

But faced with public outcry, and incidents like attempts to lynch a Mercedes driver who knocked over a couple on a moped in Rome, killing one of them, ministers are vying with each other to propose draconian additions to a draft law on road safety.

Suggestions include raising the charge for drunk drivers who kill to murder from manslaughter, confiscating their vehicles, banning alcohol at motorway cafes and warning against the dangers of drink-driving on the labels of liquor bottles.

"This is a national emergency," said Transport Minister Alessandro Bianchi, demanding "more severe punishments and obligatory arrest."

"MURDEROUS CITY"

The bill awaiting Senate approval will ban under-fives from riding pillion on mopeds, now a common sight, reduce the speed limit for young drivers and crack down on those using phones, doing U-turns on motorways or ignoring one-way signs.

But experts doubt new paperwork in itself will help unless laws are applied more rigorously by more visible police patrols.

They also fear interest may flag after the annual season for carnage in summer, when holidaying inebriated teenagers leaving nightclubs become victims and perpetrators.

"Road safety is not a summer problem nor just about the Saturday night carnage," said the Italian Automobile Club (ACI). "People driving on Italian roads must have the certainty that if they break the rules, they will be stopped and punished."

While praising a police campaign to double the number of alcohol tests on drivers to a million in 2007, ACI said Italy will remain woefully behind France which carried out 8 million such tests on its roads last year.

Meanwhile, wilting bunches of flowers continue to appear on street corners hit by tragedy, sometimes accompanied by a note like the one in southern Rome which read: "Thank you, Rome, for the murderous city you have become."

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Italian American Activists Slam New "Mob Candy" Magazine

The publisher, Frank DiMatteo, says "Mob Candy" not only focuses on Italian gangsters but also on Jewish and Irish mobsters.
Yet the Articles appearing on the Cover of the first Issue is:
1, Gambino Crime Family Issue
2, King of South Beach..The Chris Paciello Story
3. Joey The Hitman: Autobiography of a Mafia Killer
4. Vendetta: FBI vs Italian Americans
5. Free John Gotti Poster Inside
"Mob Candy" is Sub Titled "The Underworld Magazine of Mafia Politics, Pleasure and Power"
That's Mob as in Mafia, and Candy as in what's sweet to them: cocktails, cigars, clothing, scores (as in the spoils of robbery), and women.

Furthermore, according to Wikipedia, the idea for the magazine came from a meeting between Tyrone Christopher, an African American from Milwaukee with a background in graphic design, and Frank DiMatteo, an Italian American from Red Hook, Brooklyn, and former magazine publisher and distributor of "Screw" magazine. The two developed the idea of a glossy magazine about Italian American Mafia culture. The name of the magazine comes from a line of Mafia-inspired clothing owned by Christopher.

There are Liars, and Damn Liars. and you Mr Matteo, are a Dammed Liar!!!!!!

Be you Damned for "selling out" your heritage.

There are two brief articles below.

Italian-American Group Slams New 'Mob' Mag

Daily News By Frank Lombardi Saturday, July 21st 2007,

A new magazine called Mob Candy got a sour review yesterday from some Italian-American civic activists.

They said it is trying to cash in on leftover buzz from "The Sopranos" and perpetuating a negative stereotype of Italian-Americans as gangsters.

"This is an outrage," said James Lisa of the Italian- American Political Action Committee. "What signal are we sending to our children?"

Councilman Tony Avella (D-Queens) called on New Yorkers not to buy the magazine, which makes its debut next week.

"Yes, there's freedom of speech," he said at a press conference on the steps of City Hall. "But New Yorkers should exercise their freedom not to buy this."

The magazine's coming attractions, as touted on its Web site, include rehashed articles about mobsters such as Carlo Gambino and photos of scantily clad women. Its publisher, Frank DiMatteo, 52, is an Italian-American born in Brooklyn whose credits include having been a distributor of Screw magazine.

He denied the magazine - which he intends to publish quarterly with a sales price of $4.99 - will smear Italian-Americans or encourage criminality.

"For very educated people [to complain], they're pretty stupid," DiMatteo said. "I think that news is news. It's always been out there. All we're doing is putting it in an entertainment magazine."

flombardi@nydailynews.com

==================================================================================================================
Mobbed Up' Magazine Draws Criticism

NYSun By Grace Rauh
July 20, 2007

The chairman of the City Council's Italian-American caucus, Tony Avella of Queens, is raising a ruckus over a new magazine scheduled to hit newsstands later this month, Mob Candy.

The magazine, which, judging by its Web site, appears to be a Maxim-style publication with a "Godfather" twist, puts Italian-Americans in a negative light, Mr. Avella said, and reinforces stereotypes about their involvement in organized crime. He is planning to denounce the publication on the steps of City Hall Friday.

"This publisher is going to come out with a magazine dedicated to organized crime and, once again from what I've seen, reinforce an old stereotype that all Italians are connected with organized crime," he said. The Bayside Democrat said he is particularly galled that the magazine is "glorifying criminals."

The publisher of Mob Candy, Frank DiMatteo, said the Manhattan-based magazine not only focuses on Italian gangsters but also on Jewish and Irish mobsters. He said it features book reviews, a food section, and information about liquor, wine, nightclubs, cigars, and clothing.

Mr. DiMatteo, who grew up in Brooklyn and once published pornographic magazines, said he did not understand why there would be an objection.

"I'm Italian," he said. "It's strictly meant as an entertainment magazine."

http://www.nysun.com/article/58825

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Friday, July 20, 2007

Italians Love Americans, and HATE US Policy and Government

Italians feeling about Americans, is overwhelmingly positive. As a people, they like us. They remember our time as allies in England, and in Italy they remember our removing the Nazi horror from their country. In many villages,the older folks still remember the names and faces of those young Americans who fought beside the members of the Italian resistance in World War II. There are many monuments to American who lost his life there while fighting beside young Italian men trying to liberate their villages.
And in even tiny villages, there are newer memorials, placed there in memory and honor of those Americans who died in the World Trade Center on Sept. 11, 2001. Here, in the tiny village tears were shed, and the need was felt to place marble statement of solidarity with Americans like you and me.
There is still great affection, warmth and love for Americans.The author often finds more open affection and warmth in Italy than he finds most days in his home time.
But unless you get to know Italians very well, however, they will be too polite to ask you why any of us still support the failed leadership of our country.
But the Italians know that the US supplied troops and other support for the war in Iraq, only to find out that the basis for that war, given them by America, was not true

The Italian friends also know that America kidnapped a man off of the street of one of their cities, sneaked him out of the country and tortured him in one of the prisons in a third country we use for that purpose.

There have been so many other transgression, too numerous to mention, that have stripped the US of it's God Guy image. There is a sadness and anger for the policies of President George W. Bush and his administration.

Fortunately, however, there was an extensive 47-nation survey released by the Pew Research Center while I was in Italy. It is available online, all 129 pages of it, but let me quote a few of its findings.

“Over the last five years, America’s image has plummeted throughout much of the world, including sharp drops in favorability among traditional allies in Western Europe.”

It then goes on to explain, “Far more people express positive opinions of Americans than they do of the U.S.”


Americans Are Still Welcome Abroad

I just returned from three weeks in Italy, with a quick visit to London on the way home. If you discount folks asking if I had a good time, and if my family went too (the answer to both being yes), the most-asked question has been, “Did you experience any anti-Americanism while in Europe?”

The easy answer is no, but it is not a complete one. The question is more complicated than it seems, so permit me if you will, to split the question, give my observations, some authoritative opinion and then my conclusion.

If you are asking about how folks there feel about Americans, it is overwhelmingly positive. As a people, they like us. They remember our time as allies in England, and in Italy they remember our removing the Nazi horror from their country.

In my village atop a mountain in Tuscany, the older folks still remember the names and faces of those young Americans who fought beside the members of the Italian resistance in World War II. There is a monument at the highest elevation of the town, dedicated to Lt. John Fox, an American who lost his life there while fighting beside young Italian men trying to liberate their village on Dec. 26, 1944.

On that same hilltop is a newer memorial, placed there in memory and honor of those Americans who died in the World Trade Center on Sept. 11, 2001. Here, in this tiny village, in the rugged mountains of northern Tuscany, tears were shed, and the need was felt to place this marble statement of solidarity with Americans like you and me.

It is so consistent with the way I am treated in Italy. There are hugs in the restaurant when we return after a year’s absence. I am given a cup of wine from the local grocer when I finish my purchases, then when I leave given a bottle of wine to take back to the house as a welcome gift.

I mean no offense to my friends here, but that is more open affection and warmth than I find most days in Fayetteville businesses.

But my Italian friends also know that America kidnapped a man off of the street of one of their cities, sneaked him out of the country and tortured him in one of the prisons in a third country we use for that purpose.

They know that they supplied troops and other support for the war in Iraq, only to find out that the basis for that war, given them by America, was not true.

Two questions

So the question becomes two. How do these people feel about you and me, the American people? And, how do they feel about American policy? There is still great affection, warmth and love for Americans. There is a sadness and anger for the policies of President George W. Bush and his administration.

Yes, that is just my opinion. I have been a visitor in Europe more than once a year, for 22 years. I talk to a lot of folks and read as much as possible while there. My qualifications as an expert on the subject, however, are certainly open to question.

Fortunately, however, there was an extensive 47-nation survey released by the Pew Research Center while I was in Italy. It is available online, all 129 pages of it, but let me quote a few of its findings.

“Over the last five years, America’s image has plummeted throughout much of the world, including sharp drops in favorability among traditional allies in Western Europe.”

It then goes on to explain, “Far more people express positive opinions of Americans than they do of the U.S.”

In answer to the question, “Do you have confidence in President George W. Bush to do what is right in foreign affairs?”, 70 percent of those surveyed in England said not much or none, as did 61 percent in Italy. Russian President Vladimir Putin had better ratings in both countries.

Support for U.S.-led efforts to fight terrorism was only 38 percent and 41 percent in England and Italy, respectively. It is viewed that we promote democracy only when it serves our national interest. And 74 percent of those surveyed in England say our government acts unilaterally without consideration of their interests.

The leaders of both countries, Berlusconi in Italy and Blair in England, are now out of office, at least in part because of their association with the Bush administration policies. It is a very public display of the danger, perhaps the folly, of following the current leaders of our country.

My conclusion? You will be welcomed with friendship and warmth in Europe. It will be expensive, as the value of our dollar continues to fall against the Euro and the Pound, but the people will be your friends if given the chance.

Unless you get to know them very well, however, they will be too polite to ask you why any of us still support the failed leadership of our country.

Denny Shaffer has received the Governor’s Award and the Order of the Long Leaf Pine for public service. He served on the City Council and as national president of the Sierra Club. He is a former member of the Observer’s Community Advisory Board who contributes occasional op-ed columns
The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Giordano Bruno in Il Campo de'Fiori, --A Dominican Friar-- Martyr to Science and Logic

Mr. Eshman, uses Friar Giordano Bruno as an example of Religions excesses, and then takes all religions (other than Jewish) to task, and yet can not accept Christopher Hitchens' new non-fiction book, "God Is Not Great: How Religion Poisons Everything."
Because Hitchens' "solution" -- to do away with religion and wait until humans somehow outgrow faith -- is reductive and absurd.

Yet Eshman's answer seems even more absurd, "to accept the power and beauty and validity of faith, and to wrestle constantly with its content and consequences" Yes, and look where 2000 years of that has got us?????
Why not, look to the example that Eshman has set out for us, that Friar Bruno (and Galileo) tried to convince us that Faith gets in the way of Science and Logic, and all that Superstitious Mumbo Jumbo, created when people were So Unenlightened, but that we Continue Blindly to follow, is contradictory to the Basic Message of Religion and Morality, 'Treat your fellow man as you wish to be treated", NOT My God is Greater than your God!!!!

Roman Holiday
The Jewish Journal
Of Greater L.A - Los Angeles,CA,USA
By Rob Eshman, Editor-in-Chief
July 20, 2007
Il Campo de'Fiori

On vacation in Rome, we lucked into an apartment with a terrace overlooking Campo de'Fiori. During the morning hours, the square is a bustling open-air market, and we would walk down and lose ourselves among the piles of cherries, white peaches and arugula.

By midday the vendors were gone and the cafes lining the square filled with tourists and locals -- mostly tourists. When the sun set, the crowd thickened and swelled as visiting college kids and young Italians drank and shouted and hustled until the produce vendors returned at the crack of dawn.

At the center of the square, overseeing the human parade, rose the imposing statue of a monk. I liked to sit on our terrace, coffee in hand (or grappa, depending on the time of day) and stare at the dark, unmoving cowl of Giordano Bruno.

A Dominican friar who wrote a series of brilliant treatises on the nature of the universe, Bruno was the first leading metaphysician of the 16th century to categorically accept that the sun was the center of the infinite universe.

The Roman Inquisition arrested and tried him. After seven years in prison, Bruno was dragged out, stripped naked, tied to a pole and burned at the stake in the center of Campo de'Fiori, by order of Pope Clement VIII. After the Italian unification put an end to Papal rule of Italy, leaders erected a monument to Bruno. To them he was the patron saint of free inquiry and a lasting symbol of theocracy run amok.

Now his stepped pedestal is the most convenient place in a busy square for young Americans to swig cheap Chianti from paper bags and finagle hook-ups.

"I'm under the statue!" I heard one young woman yell above the din into her cell phone. "You know, that guy in the middle." (Now, there is an informed tourist for you :)


Not far beyond the campo, the Roman skyline yielded up the imposing dome of St. Peter's Basilica. Early Sunday morning its bells wailed away like a giant's hammer beating the hull of an empty ocean liner. These were joined in staggered syncopation by bells in most of the 900 churches within Rome's ancient Aurelian Walls. I stumbled out to the balcony with an espresso and biscotti and stared down at Bruno, whose heavy-lidded eyes must have also just opened.

Sociologists say the reason that Italians are now Europe's least observant Catholics is that they are still recoiling from centuries of papal rule, when temporal power was vested in a succession of autocratic, hypocritical, indulgent religious leaders. But it might also be that they just hate those sleepless Sunday mornings.

Put aside the wonderful food and wine -- for a moment -- and a European vacation becomes a trip backward in time through century after century of religious fervor. What devotion laid the mosaics in Siena's duomo? What otherworldly vision raised the faзade of Notre Dame? For what heavenly reward did dukes and masons and painters and marble-cutters spend their lives and treasure creating St. Mark's? True these were symbols of power and wealth, but they were compelled and fashioned by faith.

Seeing the campo by night you would think the age of great faith had long passed. The scene is loud and raucous, all "Girls Gone Wild" and no Eternal City, not even "La Dolce Vita."

But the news beyond our terrace kept telling me religion was alive and well elsewhere: Islamic zealots in Iraq continued to blow people up. The man a mile from me in the Vatican decreed a return to the traditional Catholic Latin (Tridentine) Mass that calls for Jews to be saved, touching off another inter-religious brushfire. Democratic and Republican presidential hopefuls were lining up their pastors and prayers to prove to the American public their side was the more God-fearing. In London and Glasgow, more devout Muslims -- health care workers -- tried bombing a discotheque and an airport. Sometimes, I swear, I could look up from the Herald Tribune and see Giordano Bruno rolling his eyes.

Later in the trip, maybe as antidote to all the paintings, statues, mosaics and frescoes I'd seen, I read Christopher Hitchens' new non-fiction book, "God Is Not Great: How Religion Poisons Everything."

If Italy is among the least religious countries, the United States is one of the most -- measured by polls of church attendance, regular prayers and professed belief.
That made it all the more strange that over the past few weeks Hitchens' extended anti-religious tirade rose to the top of America's best-seller lists. (It helps that the book is funny and erudite.)

Hitchens' bottom line is that religion is "violent, irrational, intolerant, allied to racism, tribalism and bigotry, invested in ignorance and hostile to free inquiry, contemptuous of women and coercive toward children."

He spends a chapter dispensing with the idea that secular regimes have been crueler than faith-based ones, detailing the role of the clergy and organized religion in the growth of fascism and totalitarianism (and raising the valid point that religion's best defense shouldn't be, "Hey, we're not as bad as Stalin"). And he picks apart that strange argument that religion, for all its faults, has given us great art -- as if those duomos were worth a single innocent burned at the stake.

It was a bracing read, but ultimately as confining in its view of humanity as those stuffy, incense-choked chapels we visited.

True, religion in general,...has a terrible track record allowing for difference and freedom. [ Fundamentalists , be they Catholic, Protestant, Jewish, Muslim, et al have committed terrible injustices in the name, and with the excuse of fheir religion]...


But Hitchens' "solution" -- to do away with religion and wait until humans somehow outgrow faith -- is reductive and absurd.

The answer seems to me to be somewhere, like the woman said about the statue of Bruno, in the middle: to accept the power and beauty and validity of faith, and to wrestle constantly with its content and consequences.


http://www.jewishjournal.com/home/preview.php?id=17954

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Ruins of Rome are Transfixing, and The Italians are Charming

Entire Italy is a 2500 year old Museum, that can entrance you, BUT the People are Nice too. Beat that!!!

Ruined in Rome...

Huffington Post Carrine Fabius July 17, 2007

I swear, the minute I get back to L.A., I'm taking a sledgehammer to the walls in our house. Rome's got it going on in the ruins department. No words can describe the magnificence and preservation of old Roma. I'm still trying to scrape my jaw off the ground. I was there as a 16-year-old on one of those whirlwind tours by bus -- 17 cities in 21 days! Just like every other city on that trip, Rome remained a blur in my mind, even though I thoroughly appreciated that eye-opening journey

I offered to report on Los Angeles vs. Cities I Visit in Europe, and I just left Rome with a schoolgirl's crush still fresh and visible on my smiling face, so here goes.

Like L.A., Rome is a one-industry town: there are as many priests, nuns and monks walking the streets as there are actors in Hollywood. The Church is tantamount to, say, Disney or Universal Studios. Where it's writers and the like who go on strike in L.A., we witnessed firsthand a very large march called "Family Day" by hard-line Catholics in protest over not just gay unions but also non-married heterosexuals living together. The organizers feel this leads to perversion and molestation (by men of women who are not their legal spouses) and pedophilia (by men of children who are not their legal offspring). I kid you not. It was only 10 years ago that divorce became available to Italians. In the unintended consequences department, this has led to a curious decline in infidelity since Italian men now realize that their wives will leave their asses, with their children, if they don't behave.

"Italians are very conservative," our friend reminds me, when I express surprise at the march, and the high incidence of men shopping with their wives. My French husband would rather eat Wonder Bread than shop with me -- which is fine since I prefer to shop alone; but that has also meant practically NO SHOPPING AT ALL IN ROME, a crime punishable by repeated viewings of The Godfather, Part III, without benefit of I or II. Anyway, on a typical Saturday afternoon in Rome, men shop with their wives, who come out of dressing rooms to model the outfit in question for their husbands, who decide whether she should buy it or not.

Even though that's not the first thing that comes to mind when I think of Italians, I guess they are conservative -- after all, they kept Berlusconi in power longer than any other leader since 1945. Our friend explains in the same way the high incidence of people who hang their laundry to dry in the sun outside their apartments instead of using dryers, including her, even though I know she can afford to buy one. "Italians are very old-fashioned," she says.

Our friend is a fluent-in-Italian woman who comes from L.A. She moved back to Rome several years ago, back to an apartment she has owned since the early 90s. "My place is very small," she warned us several times when inviting us to stay. But like in L.A., as opposed to New York, Paris or San Francisco, her beautiful old world apartment with high ceilings, balconies and wood shutters was quite spacious for the price she paid -- although I understand this is not the norm, as apartments in coveted neighborhoods (like anywhere in old Rome) get tinier and more exorbitant, price-wise, as time goes on. Sound familiar?

In L.A., when tourists flock to Mann's Chinese Theatre, they are as likely to see Superman as Marilyn Monroe posing for pictures or walking the streets (in character) at the end of their shift. In Rome, expect to find Roman guards in character when you visit the Coliseum. With all the blood that place has seen, I made sure to steer clear of them and their steely swords, just like I do any cop in L.A.

Unlike L.A., Rome is bursting at the seams with romantic fountains and parks; everybody smokes; oftentimes, guys greet each other by kissing on both cheeks. There are parasol-shaped pine trees in Rome, which I've never seen before, as well as two-toned crows -- black and grey, as opposed to all black.

No matter how much we complain about traffic in L.A., California drivers are a zillion times more polite than their Roman counterparts. Call me a wimp, but I would never drive in Rome. The honk-honk chaos on the streets was hinted at by the chaos that greeted us at the airport, where people, 3-deep, waited at one conveyor belt delivering luggage from ten flights!

"Welcome to Rome!" my husband said after waiting obediently with the throngs while I sat comfortably with a bad shoulder, waiting for him to heft the heavy stuff. At that point, he was just making an interim report before going back to wait some more, but he had a smile on his face. And a week later, when we left for Greece, I asked him where he would live if he had the choice: Rome or Paris?

"Rome," he said after giving it some thought.

"Why?" I said.

"They're nicer, here," he said.

The ruins had cast their spell completely.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Day on Italian Sand- Costly But Elegant

Almost all Italian beaches are privately owned and immaculately groomed, with sun beds and umbrellas arranged with geometric precision. But it's a costly proposition, that most Italians feel worth the cost to make their vacation special.


Day on the Sand Costs Italians a Record Ј67
Telegraph.co.uk - United Kingdom
By Malcolm Moore in Rome
July 18, 2007

Going to the beach in Italy has become a costly pursuit with some popular spots charging a record EU 100 (Ј67) entrance fee.

Almost all Italian beaches are privately owned and immaculately groomed, with sun beds and umbrellas arranged with geometric precision.

In August, Italians decamp to the coast for a month's holiday, and many of them choose to rent out bathing huts at their favourite beach to be sure of a space.

The catch is an increasingly exorbitant entry fee, especially in the fashionable resorts of Sardinia, Sicily and Tuscany.

This year, entry fees on the island of Capri broke through the EU 100 barrier for the first time. The fee includes parking, a sun lounger and umbrella, and the use of a cabin. Fees for the top tier of beaches are on average 17 per cent higher than last year.

Consumer groups have lodged a petition with the government to open more public beaches, saying that many families cannot now afford to go to their local beach.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
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Annotico Email: annotico@earthlink.net

Stephon Marbury, Star of New York Knicks To Italy in Two Years ??

New York Knicks Star Guard Stephon Marbury, earning $ 22 million a year, made a trip to Italy with his wife in May and said the couple loved Italy. "I'm not just thinking of doing it, I'm going to do it (move to Italy)," "My wife loved it there !!!!

Marbury expects to make an impact on Italian basketball similar to the hoopla caused by David Beckham's ,English soccer star, arrival in the United States to play for Major League Soccer's Los Angeles Galaxy

Marbury could elevate the level of play immeasurably, expand fan interest exponentially in Italy, and be great for Italy for International Competition.


Marbury Says He's Italy-Bound in Two Years

'I'm going to do it . . . It's like a (David) Beckham thing,' Knick star says

MSNBC - USA
SportsTicker
July 18, 2007

Apparently, Stephon Marbury and David Beckham have something in common. Both will be taking their services overseas.

According to a report in the New York Post on Wednesday, Marbury revealed that he will play in Italy when his contract with the New York Knicks is up in two years - and compared himself with the English soccer star.

Marbury, according to the report, expects to make an impact on Italian basketball similar to the hoopla caused by Beckham?s arrival in the United States to play for Major League Soccer?s Los Angeles Galaxy

"I'm not just thinking of doing it, I'm going to do it (move to Italy)," Marbury told the newspaper. "My wife loved it there. It's like a Beckham thing.?

The veteran guard is in the middle of a 38-city bus tour promoting his discounted sneakers. But he also made a trip to Italy with his wife in May and said the couple loved the country.

Marbury, who in the past has been quoted as saying he wants to remain in New York for the rest of his career, seems to think that he will not be leaving a rebuilding Knicks squad hanging when he leaves.

The former All-Star thinks the team is ready to win right now.

"We're on the verge right now in my mind" he said.

But when pressed about his loyalty to New York, Marbury admitted that he does not think the Knicks would re-sign him at 32 years old because of his recurring knee tendinitis.

Entering his 12th season, Marbury is owed $20.1 million this season and $21.9 million in 2008-09 from New York, which has struggled to a combined 56-108 mark in its last two campaigns.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Hailing the New Caesar

Restaurateur Caesar (Cesare) Cardini was born near Lake Maggiore in Italy in 1896 , and migrated to the US after WWI. He settled in San Diego, CA, with a significant Italian Fishing population. He became owner and operator of "Caesars" Hotel and Restaurant in Tijuana, Mexico, "Caesars", just across the border, to take advantage of the Prohibition Laws, and drew Hollywood Celebrities that would escape for revelry. In the 1920s he originated the "Caesar Salad". The story goes that Cardini threw the salad together from what was left in his kitchen after a bustling Fourth of July weekend.
The "traditional" Caesar salad was whole romaine leaves, croutons, Parmesan, egg, anchovies, olive oil, lemon juice.
Aficionados have always debated whether to include the anchovies, since it was Caesar's brother Alex, that reportedly first inserted the anchovies (instead of Worcestershire sauce, when he ran out).
Purists also argue whether to serve the leaves whole or chopped. Since according to legend, it was Wallis Simpson - mistress and later wife of Prince Edward VIII - who popularized cutting the lettuce into manageable, bite-sized pieces. They also argued whether to coddle the egg or not.
But now comes the New Caesar!!!!!
Chefs in Los Angeles are substituting frisee, radicchio, arugula, (even butter lettuce), or combinations instead or/with the romaine, not only for taste variety, but to give the salad the 'tricolore" colors
Several are substituting warm polenta croutons to give it more an Italian touch.
Another chef is avoiding the Anchovies and giving it a full on Tarragon treatment. While Tarragon is used often in Italian cooking, it is more associated with French cooking. Why not Basil, Fennel, or Oregano ???


Hailing From Caesar

Butter lettuce, frissee and tarragon aren't what you'd expect in a Caesar,
but they're exactly what L.A. chefs are tossing up to give the salad a wild ride.
Los Angeles Times
By Noelle Carter, Times Staff Writer
July 18, 2007
CAESAR salad - romaine, croutons, Parmesan, egg, anchovies, olive oil, lemon juice. Aficionados have always debated whether to
include the anchovies, whether to serve the leaves whole or chopped and whether to coddle the egg - but what about the frissee, or the tarragon, or the polenta croutons?

Lately and in L.A., some great new salads are evolving from the Caesar tradition. An intriguing tangle of fris?e, radicchio and wild arugula with a bright dressing - anchovies, olive oil, lemon juice, no egg. Or butter lettuce - yes, butter lettuce - topped with crisp-tender pan-fried cubes of polenta. Whole leaves of romaine with a tarragon aioli-based dressing: there's egg but no anchovies.

At Pizzeria Mozza, the insalata tricolore from executive chef Matt Molina starts with the vivid red-green display of that frissee, radicchio and arugula topped with grated Parmigiano-Reggiano. But Caesar's influence is apparent in a light but assertive combination of lemon juice, olive oil and garlic emboldened with plenty of anchovies.

Vincenti Ristorante in Brentwood also departs from the traditional green, using butter lettuce as a strikingly different base. Pan-fried polenta cubes (crisp on the outside, deliciously tender within) garnish the salad, nestled in among strips of fresh-shaved Parmigiano-Reggiano. Chef Nicola Mastronardi said he wanted a salad that was more Italian than the traditional Caesar, and the warm polenta croutons do the job.

Which brings us back to tarragon.

Differently dressed

AT Opus, they've kept the classic romaine but totally reinvented the dressing.

"I'm a big fan of tarragon," says Opus executive chef Josef Centeno. The distinctive aromatic adds another depth of flavor to the salad. Centeno's tarragon aioli-based dressing lightly coats tender whole leaves of romaine. He's a traditionalist on the point of whole or chopped lettuce leaves; Tijuana restaurateur Caesar Cardini's 1920s original contained whole romaine leaves. (According to legend, it was Wallis Simpson - mistress and later wife of Prince Edward VIII - who popularized cutting the lettuce into manageable, bite-sized pieces.)

But Centeno's a rebel on the dressing and accouterments front. His dressing starts as a thick tarragon aioli, which he says is also great on sandwiches. Throw in a little garlic, olive oil, sherry vinegar and Pecorino Romano and Parmigiano-Reggiano cheeses and blend in an assortment of garden-fresh herbs, including dill, chives, chervil, parsley and tarragon. To finish the dish Opus style, spoon some creamy, seasoned burrata on warm, toasted baguette slices and serve them alongside.

It's not as if the Caesar has had a quiet history as a salad. It almost seems as if the one constant is change. The story goes that Cardini threw the salad together from what was left in his kitchen after a bustling Fourth of July weekend. His brother Alex reportedly first inserted the anchovies (instead of Worcestershire sauce).

Guess he hadn't thought of tarragon.

noelle.carter@latimes.com
http://www.latimes.com/features/food/la-fo-caesar18jul18,1,5052144.story?coll=la-headlines-food&ctrack=1&cset=true
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Wednesday, July 18, 2007

LAMCA Snag "Lost" Pietro da Cortona 's of " St. Martina"

The Los Angeles County Museum of Art. Pietro da Cortona's "St. Martina," a luminous image of a martyred young woman by an artist best known for his vast allegorical fresco on the ceiling of the Palazzo Barberini in Rome, The17th century Italian painting that had been hidden away in an English estate for 160 years
Cortona's works are plentiful in Italy, but the Kimbell Art Museum in Fort Worth and the Ringling Museum of Art in Sarasota, Fla., are among the few U.S. museums that own his paintings. In Southern California, the J. Paul Getty Museum has three Cortona drawings.
"St Martina" is a 37 1/2-by-30-inch oil, painted circa 1635-40, during the same period when Cortona created his masterpiece at the Palazzo Barberini. Cortona, who lived from 1596 to 1669, was also an architect, but he distinguished himself as a fresco painter who propelled European Baroque painting to a new level.

In "St. Martina," he painted a Roman virgin said to have been martyred in 226 or 228 for clinging to her Christian faith. Cortona depicted her as the embodiment of health and beauty, but she survived various tortures - including hanging by the bloody hook that she holds in the painting - and was finally beheaded. In the picture, she rests her right arm on the foot of a toppled sculpture she refused to worship.

LACMA Acquires a Baroque Gem by Cortona

The gift fulfills his wish to add "some heavy hitters, some big, big names" to LACMA's substantial holding of Baroque paintings
Los Angeles Times
By Suzanne Muchnic, Times Staff Writer
July 17, 2007

A 17th century Italian painting that had been hidden away in an English estate for 160 years has a new home at the Los Angeles County Museum of Art. Pietro da Cortona's "St. Martina," a luminous image of a martyred young woman by an artist best known for his vast allegorical fresco on the ceiling of the Palazzo Barberini in Rome, was a gift of the Ahmanson Foundation. "It's fantastic," LACMA Director Michael Govan said. "Pietro da Cortona is one of the great Roman Baroque painters. We haven't made an acquisition of this scale for some time."

J. Patrice Marandel, the museum's curator of European paintings and sculpture, said the gift fulfills his wish to add "some heavy hitters, some big, big names" to LACMA's substantial holding of Baroque paintings. "Buying a painting by Cortona is like buying a sculpture by Bernini. It's about the same level of importance, quality and beauty."

The museum and the foundation do not disclose prices paid for art in private transactions, but Nancy Daly Riordan, chairwoman of the board at LACMA, said the foundation has been "extraordinarily generous" during the last year in contributions adding up to more than $10 million. About $2 million went for improvements to the Ahmanson Building and $8 million for art, she said. The purchases include a French Neoclassical portrait by Jacques Louis David, bought at auction for $2.7 million, and an Italian Renaissance bronze by Ludovico Lombardo, acquired privately. Lauding the foundation as "the most consistent and generous donor to the museum in its history," Govan said the Ahmanson has spent about $100 million on art for LACMA since the 1960s. Although the old masters favored by the foundation tend to be less expensive than works by popular Impressionist, Modern and contemporary artists, the current value of the gifts is "off the charts," he said.

Cortona's works are plentiful in Italy, but the Kimbell Art Museum in Fort Worth and the Ringling Museum of Art in Sarasota, Fla., are among the few U.S. museums that own his paintings. In Southern California, the J. Paul Getty Museum has three Cortona drawings. The Getty and the Norton Simon Museum also have major works by Nicholas Poussin and Giovanni Francesco Romanelli, who worked in Rome during the same period.

LACMA's Cortona is a 37 1/2-by-30-inch oil, painted circa 1635-40, the period when the artist created his masterpiece at the Palazzo Barberini. Cortona, who lived from 1596 to 1669, was also an architect, but he distinguished himself as a fresco painter who propelled European Baroque painting to a new level.

In "St. Martina," he painted a Roman virgin said to have been martyred in 226 or 228 for clinging to her Christian faith. Cortona depicted her as the embodiment of health and beauty, but she survived various tortures ? including hanging by the bloody hook that she holds in the painting ? and was finally beheaded. In the picture, she rests her right arm on the foot of a toppled sculpture she refused to worship.

Marandel said the painting was unknown to scholars because it had not been published and had remained in the same English collection since the 1840s. He became aware of the artwork about six months ago when a London broker brought him a photograph of it.

"The painting found me more than I found it," Marandel said. The broker visited the museum about three years ago to offer an English painting. When Marandel politely turned him down, he sized up the collection for future prospects. The unknown Cortona got the curator's attention.

"When I went to London to see it, it was as beautiful as I thought," Marandel said. "It was difficult to go back to the Ahmanson Foundation so soon after the David and the Renaissance sculpture. I said to them, 'I don't know what we can do about this, but it's really fabulous and desirable for us.' "

The foundation officially approved the purchase Thursday. The painting is on view at LACMA in the Thornton Gallery of the Ahmanson Building.

suzanne.muchnic@latimes.com
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Berlusconi Plans to Write Screenplay - On Course for Renaissance Man?

A Cruise ship Singer, Real Estate Developer, Media Mogul, Actor, Film Producer (and even an Oscar winner), Owner of a leading soccer team, Founder of a Political Party, Prime Minister, .............. now Screen Writer ?????


Thanks to Joan Freshetta

Berlusconi Plans to Write Screenplay

By Eric J. Lyman For Reuters Hollywood Reporter Via The Scotsman June 19, 2007

TAORMINA, Italy - Silvio Berlusconi has been Italy's prime minister, the head of its largest broadcaster, the owner of a leading soccer team and has even recorded a CD. Now he plans to add a screenwriting credit to his lengthy resume.

The billionaire media tycoon said over the weekend that he plans to begin work on a screenplay for a film that would arrive in Italian cinemas next year. A spokesman for Forza Italia -- the political party Berlusconi founded -- confirmed the statements but declined to elaborate.

"This is all in a very preliminary stage," the spokesman said in a brief phone interview Monday.

As the majority shareholder in film distributor Medusa and broadcasting giant Mediaset, Berlusconi officially has producer credits for several films, including 1991 Oscar winner "Mediterraneo." He also has appeared as himself in several films and, in 2002, recorded a CD of old classics with singer and friend Tony Renis in order to raise money for charity.

But if he does write a film, it will be Berlusconi's first screenwriting credit.

Berlusconi was prime minister for seven months in 1994 and in two stretches that started in 2001 and ended in 2006. In addition to Medusa and Mediaset, Berlusconi's business holdings include leading newspaper Il Giornale, advertising firm PublItalia and AC Milan, one of Italy's top professional soccer teams.

http://news.scotsman.com/latest_entertainment.cfm?id=959022007


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"F*** Off" - No Offence Says Italian Highest Appeals Court

I'm a little disappointed, and it has created an uproar in Italy, but to keep matters in prospective, these days I hear "F***" spewing from the mouths of women in all kinds of public places, and can you get through an evenings TV programs without an utterance.
Below, you will find an article from SIX years ago, where in the United Kingdom, police officers attempting to question a citizen were repeatedly told to "f*** off". He was acquitted of breach of the peace for merely using "the language of his generation".
The Court of Cassation, Italy's highest appeals court are a source of endless delight for the national media. It should probably come as no surprise since Italy, is both the home of the Catholic Church, and the Independent minded Italian !!!!
I had very divided feelings about the verdict in the rape case cited below against a young man who continued having sex with his partner even though she changed her mind halfway through. :) :)
================================================================================================================
Thanks to Pat Gabriel

F*** OFF NO OFFENCE SAYS COURT

ANSARome, July 17, 2007

It's no longer an offence to tell someone to f*** off because the term is now so widely used, Italy's top court ruled Tuesday.

The Court of Cassation, Italy's highest appeals court whose rulings set precedents, quashed the conviction of an Abruzzo town councillor who had told a deputy mayor 'where to go' during a stormy council meeting.

In its ruling, the court said that certain obscene or sexual words or phrases had become so common that they "have lost their offensive nature".

Conservative lawmakers immediately decried the ruling as liable to "degrade the nation's civic values" and called for the judge who issued it to be sacked.

Tuesday's ruling is not the first time the Cassation judges have courted controversy with verdicts changing the official line on offensive language.

A year ago they said it was OK to hurl abuse at someone provided the other side gave as good as it got.

The court said a woman was entitled to call an acquaintance a "bastard, fool, a cretin and a drug addict" because the insults had been "mutual". "There was justification for the crime," said the judges.

It was the second case on "mutual insults" to make its way to the supreme court last year. In March, judges acquitted a woman who called an
immigrant co-worker a 'bloody n**ger'. Upholding an earlier ruling, they said the woman's reaction was justified because the man had "cursed" her family and her insult was an "equivalent" response.

Rulings by Italy's supreme court are a source of endless delight for the national media. Some cases have sparked international outcries.

The court's most notorious decision came in a highly publicized 'jeans rape' case in 1999, in which it decided that a woman who removes tight jeans, even under threat, is complicit in rape.

In another divisive ruling, the court said that bottom-patting was all right provided it was a "sudden and isolated act".

Both rulings were later reversed.

One that wasn't was the quashing last year of a rape conviction against a young man who continued having sex with his partner even though she changed her mind halfway through.

Other puzzling sentences have included giving the thumbs up for paedophiles to take porn photos of minors so long as they didn't sell them, and upholding an adultery rap against a woman who kissed a bus driver because "the time and emotion invested in the relationship betrayed marital trust".

No Offence, Officer

BBC News
Wednesday, 25 April, 2001
When is it okay to swear at an authority figure? In Scotland, apparently, there's nothing wrong with it, so long as the word is spoken rather than hurled as an insult.

It may have been impolite, but when Kenneth Kinnaird of Glasgow repeatedly told two police officers attempting to question him to "f*** off", he was merely using "the language of his generation".

Three Scottish judges have ruled that the 43-year-old be acquitted of breach of the peace on the basis that he was merely in conversation with the officers - and said the phrase, not shouted it.

Needless to say, the Scottish Police Federation is less than amused.

Yet as Lord Prosser, the senior judge points out in his ruling, the "f" word is commonplace.

How times have changed since 1960, when the centuries-old expletive so troubled the presiding judge in the Lady Chatterley's Lover obscenity trial.

However, the jury found Penguin Books - the publisher of DH Lawrence's 1928 novel - not guilty of obscenity.

Not in front of the children

Just five years later the word had its first airing on television, although not without controversy.

Kenneth Tynan, then literary editor of the National Theatre, made the breakthrough while discussing censorship on a late-night satire programme.

After he somewhat nervously quavered that there must be few "rational people in this world to whom the word `f***' is particularly diabolical or revolting or totally forbidden", the BBC switchboard jammed as outraged viewers rang to complain.

The corporation later issued a statement of regret.

According to a survey on attitudes to "bad language" released last December, the use of swear words on television and radio before the 9pm watershed is unacceptable to most adults.

In keeping with the BBC's guidelines on taste and decency, it has been left up to the reader to guess which four-letter words topped the study's list of offensive terms.

Contrary lot that we are, shock value lies less in the word actually used than in its context and frequency.

Although three-quarters of the 1,033 adults questioned had no problem with expletives uttered "in shock", the same proportion didn't like swear words used as a matter of routine.

Linguistic wallpaper

Jonathon Green, author of the Cassell Dictionary of Slang and The Big Book of Being Rude, says words that hold the power to shock are changing.

"Some 500 years ago in the Western world, religion mattered - the majority of people believed in religion and believed in God. Therefore the words and phrases deemed offensive were blasphemous.

"By the 19th century, religion was losing its grip and words that had once been standard - words to do with sex and bodily functions - were beginning to be taboo."

But today, many of these swear words have become debased because they are so commonly used.

Whereas the Channel 4 comedy Father Ted softened its liberal use of f*** by substituting an "e" for "u", films such as South Park have dispensed with such niceties all together.

Viewers may not find such language offensive themselves, but may well object if children or the elderly cop an earful, Mr Green says.

Mr Green challenges the idea that sanitising language is good manners: "It's not, it's hypocrisy."

http://news.bbc.co.uk/1/hi/uk/1295914.stm

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Tuesday, July 17, 2007

Obit: Antonio L. Valli, 81: Post WWII Immigrant, Owner of Rivera Italian Imported Foods in Chicago

It is a life of achievement and a romantic love story.


Obituaries

Antonio L. Valli: 1925 - 2007

Italian immigrant, grocer brought tastes of home to Chicago

Chicago Tribune
By Trevor Jensen
Tribune staff reporter
July 16, 2007

Antonio L. Valli came to Chicago from Italy after World War II and toiled for years pressing clothes before opening an Italian food store on North Harlem Avenue that offered then-exotic items such as capicolla and Parmigiano-Reggiano cheese.

The former owner of Riviera Italian Imported Foods, Mr. Valli, 81, died of complications from leukemia on Monday, July 9, in Evanston Hospital, said his daughter, Judy Lowrance. He lived for the last several months in Evanston, and was formerly of Deerfield.

A native of Marano in the Calabria region of Italy, Mr. Valli came to Chicago in the late 1940s and settled on Taylor Street. Calabrians who had preceded him got him a job as a steam presser at Hart Schaffner Marx, earning a $25 finder's fee, said Mr. Valli's son-in-law, Harry Lowrance.

With a co-worker at HSM, Matteo Evola, he hatched a plan to open agrocery store. Evola had some connections in the business and picked up tips from them, while Mr. Valli spent a couple years working part time for a sausage maker to learn that skill.

Evola and Mr. Matteo opened Riviera on Harlem just north of Belmont Avenue in the mid-1960s, naming it after the lush Mediterranean region of their homeland. "They always wanted to go to the Riviera, for them it was like a dream," his daughter said. "They wanted it to have a beautiful name."

Italians were in the midst of a migration to Harlem Avenue from various Chicago neighborhoods, many coming from the West Side along Chicago Avenue in the Our Lady of the Angels parish, said Paul Ciminello, who played in wedding bands with Mr. Valli and now hosts an Italian music program on WEEF-AM.

The store wasn't a sure bet; "They had no marketing analysis," his daughter said with a laugh. But stocked with an array of imported prosciutto, capicolla and mortadella, and many types of pastas, salads and olive oils, Riviera became a destination for Italian-Americans and food lovers, Judy Lowrance said.

"He imported a lot of cold cuts that no one [in America] had heard of before," she said.

Mr. Valli and Evola sold the business in 1991. It remains a well-known stop for imported foods and sandwiches.

As a teenager in Italy, Mr. Valli played the saxophone, clarinet and drums, and started his first band. He served in the Italian Navy as World War II ended and got a job as a police officer, his daughter said.

He fell in love with Rosina Scola, who lived on his street in Marano. Her mother didn't approve of the romance, and they communicated by tucking love notes in between bricks of buildings on their street, Harry Lowrance said.

Scola's father was a U.S. citizen, and her family moved to Chicago after the war. Against the wishes of her parents, the love-struck girl made her way back to Italy to reunite with her beau, and in 1948 she was married to Mr. Valli in Italy.

To the shock of his superiors -- good jobs were scarce in Italy -- Mr. Valli resigned from the police department and followed his bride back to Chicago.

Rosina Valli died in 1999, also of complications from leukemia, according to her daughter.

Working nights and weekends as a musician when he came to the U.S., Mr. Valli continued to perform with his band, the Flamingos, through the 1970s. In retirement, Mr. Valli spent many evenings reading Italian newspapers, playing cards and bocce at the Mazzini-Verdi Club in Franklin Park, said Dino Pigoni, a club member.

"He enjoyed life," Pigoni said.

Mr. Valli is also survived by three grandchildren.

Services have been held.

ttjensen@tribune.com
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Monday, July 16, 2007

Italy Awash in Historical Art - Now to have Contemporary Punta della Dogana and Palazzo Grassi

Of course the entire country of Italy is practically one gigantic live-in museum, groaning under the historical weight of ancient, medieval, Renaissance and Baroque art. Those fields offer more satisfactions than anyone could experience in a lifetime.

Some even wondered whether Contemporary Art needs a major permanent home in a place otherwise that loaded.

Yes, there are fine if comparatively modest outposts, such as Turin's Rivoli Castle, and there is the The Venice Biennale, offering extravagant global displays of new art since its founding in 1895, Rome's MAXXI, (Zaha Hadid's slippery design for a 21st century museum, hence the MAXXI acronym, appending Roman numerals to museo dell'arte , and handsomely renovated Ca' Pesaro, Venice's official Modern art museum, .

But until now, there has been the absence of a High-Profile contemporary art museum. This spring, the city of Venice entered into an agreement with Franзois Pinault, 70 ( owner of Christie's auction house and majority shareholder of luxury goods group PPR, whose brands include Gucci, Balenciaga and Stella McCartney), ranked as France's third-wealthiest citizen, with $14.5 billion in assets. The city will give him control of the Dogana di Mare, an extraordinary Renaissance-era customs warehouse.

The location is a jaw-dropper. At the tip of the Giudecca, a few hundred yards across the Grand Canal from glittery Piazza San Marco, it stands adjacent to the iconic church, Santa Maria della Salute, the ultimate masterpiece of Venetian Baroque architecture.

In return, Pinault has engaged Japanese minimalist architect Tadao Ando to renovate the unused, 37,000-square-foot customs house - suitably topped by a gilded globe that sports a windblown weather vane in the figure of Fortune. Pinault has also pledged a core group of 141 international works for a permanent installation. (His collection numbers more than 2,000 paintings, sculptures, installations, photographs and other works.) The prospects for an impressive contemporary art museum look quite good. (It's scheduled to open in 2009, in time for the next Venice Biennale.)

The church of the Salute, constructed in a superstitious effort to ward off a devastating plague, was built as an emblem of the city's 17th century piety. Its imminent new neighbor, the Center of Contemporary Art at Punta della Dogana, represents a 21st century ideal of cosmopolitan cultural tourism.

That should make his French countrymen wince. Pinault had planned to build a museum on an island in the Seine just outside Paris; but after spending $16 million on preliminary plans for the $195-million project, he failed to reach agreement with municipal authorities in Boulogne-Billancourt.

So, two years ago the collector acquired the 18th century Palazzo Grassi, the last residential palace built on the Grand Canal before the fall of the Venetian Republic, which had functioned as an art center under its prior owner, Italy's Fiat group. Pinault's plan is to organize temporary exhibitions at the Palazzo Grassi and install long-term exhibitions of contemporary art at the Punta della Dogana.

These should strike envy in England's Tate Modern, France's Pompidou Center, Netherland's Stedelijk, Denmark's the Louisiana, Sweden's Modern Museum, Germany's Ludwig Museum, Spain's Reina Sofia Art Center.

Italy's art history, present tense

The culture-rich country lacks a major museum for contemporary work, but in Venice, businessman-art collector François Pinault sets out to correct that.
By Christopher Knight, Times Staff Writer
July 15, 2007


Venice, Italy — TECHNIQUES of industrial fabrication and the appropriation of existing images have had a deep impact on artistic practice over the last 50 years. Take Laura Owens' big, lush, chromatically orgiastic painting of figures in a swirling landscape. It's one of seven works by the Los Angeles artist in a new exhibition at the Palazzo Grassi here.

In a glance your mind automatically riffles through a clotted image library — a jumble of Manet, Matisse, children's books, Edward Hicks' "Peaceable Kingdom," Hallmark greeting cards, Cézanne, textile designs, Mrs. Adams' third-grade art class and more. What you see is what you've already seen, reconfigured in surprising ways.

The inescapable tension between hand-crafted uniqueness and machine-made repetition is one current that buzzes through all 34 rooms of the provocative show. Another is more peripheral, but just as significant. Italy, it seems, is getting its first major museum of contemporary art.

England has Tate Modern, France has the Pompidou Center. In the Netherlands there's the Stedelijk, in Denmark the Louisiana. In Sweden it's the Modern Museum.

Germany can claim several important museums that do a good job with contemporary art, including the Ludwig Museum in Cologne. Spain wriggled out of Franco's dark ages with a growing commitment to new art that, in 1992, was institutionalized as the Reina Sofia Art Center.

Western Europe is home to a remarkably large number of important museums focused on the art of the past 50 to 100 years. They actively collect and they mount significant shows. In fact, there are more such museums there than in any region of comparable size anywhere in the world.

Given such abundance, overlooking the national slacker in the bunch has been easy. But everybody knows that Italy has dawdled.

Yes, there are fine if comparatively modest outposts, such as Turin's Rivoli Castle. Nearly a decade after an international competition, Rome is finally building MAXXI, Zaha Hadid's slippery design for a 21st century museum (hence the MAXXI acronym, appending Roman numerals to museo dell'arte). The Venice Biennale, offering extravagant global displays of new art since its founding in 1895, is a dowager empress of temporary international surveys.

And of course the entire country is practically one gigantic live-in museum, groaning under the historical weight of ancient, medieval, Renaissance and Baroque art. Those fields offer more satisfactions than anyone could experience in a lifetime.

So one might even wonder whether contemporary art needs a major permanent home in a place otherwise that loaded.

Wonder no more. Visit the handsomely renovated Ca' Pesaro, Venice's official Modern art museum, where the ragtag collection is mostly a sign of what might have been. Among the few notable works is a gilded, aromatic 1909 Gustav Klimt panel showing either Judith with Holofernes' severed head, or Salome with John the Baptist's. (No one's quite sure which.) The painting, acquired from an early Biennale when that show functioned as an international salon, shows the Viennese artist's affinity for Italian Byzantine mosaics, while nicely reflecting Venice's own overwhelming aura of luxurious decay. It feels like a remnant of a once lively intersection between art and life.

The absence of a high-profile contemporary art museum has been keenly felt, not least of all by Italian artists. As one just emerging into prominence said to me, without a major contemporary art museum, Italian artists suffer the lack of a window on the larger world and a mirror of their own engagement with it. Both are essential to any nation's healthy cultural life.

Now, the wait might be over.

In the spring, the city of Venice entered into a renewable 30-year agreement with François Pinault, 70, one of Europe's most active art collectors. Owner of Christie's auction house and majority shareholder of luxury goods group PPR, whose brands include Gucci, Balenciaga and Stella McCartney, the high school dropout is ranked by Forbes as France's third-wealthiest citizen, with $14.5 billion in assets. The city will give him control of the Dogana di Mare, an extraordinary Renaissance-era customs warehouse.

The location is a jaw-dropper. At the tip of the Giudecca, a few hundred yards across the Grand Canal from glittery Piazza San Marco, it stands adjacent to the iconic church, Santa Maria della Salute, the ultimate masterpiece of Venetian Baroque architecture.

In return, Pinault has engaged Japanese minimalist architect Tadao Ando to renovate the unused, 37,000-square-foot customs house — suitably topped by a gilded globe that sports a windblown weather vane in the figure of Fortune. Pinault has also pledged a core group of 141 international works for a permanent installation. (His collection numbers more than 2,000 paintings, sculptures, installations, photographs and other works.) Oddly, the identity of those works remains secret.

The church of the Salute, constructed in a superstitious effort to ward off a devastating plague, was built as an emblem of the city's 17th century piety. Its imminent new neighbor, the Center of Contemporary Art at Punta della Dogana, represents a 21st century ideal of cosmopolitan cultural tourism.

If the current exhibition featuring Owens' paintings and drawn entirely from Pinault's collection is any indication, the prospects for an impressive contemporary art museum look quite good. (It's scheduled to open in 2009, in time for the next Venice Biennale.) That should make his French countrymen wince. Pinault had planned to build a museum on an island in the Seine just outside Paris; but after spending $16 million on preliminary plans for the $195-million project, he failed to reach agreement with municipal authorities in Boulogne-Billancourt.

So, two years ago the collector acquired the 18th century Palazzo Grassi, the last residential palace built on the Grand Canal before the fall of the Venetian Republic, which had functioned as an art center under its prior owner, Italy's Fiat group. Pinault's plan is to organize temporary exhibitions at the Palazzo Grassi and install long-term exhibitions of contemporary art at the Punta della Dogana.

An in-depth exploration

"SEQUENCE 1," organized with savvy insight by the Palazzo Grassi's young American chief curator, Allison M. Gingeras, is the fourth show under Pinault's aegis and initiates a systematic analysis of the collection. (It continues through Nov. 11.) Beginning at the beginning, so to speak, the show loosely examines the persistence of painting, sculpture and drawing amid the welter of recent art.

As Owens' painting shows, the handmade versus the mass-production is a leitmotif.

In the sumptuous palazzo atrium, a wall-to-wall carpet by Italian-born, New York-based artist Rudolf Stingel is emblematic. Machine-stamped with repeated black-and-white images of a luxurious Persian rug, the carpet's pattern is slightly askew.

The woven designs appear fuzzy, the pictorial edges don't quite match up and the represented rugs, drained of color, don't line up in an exact grid. The floor visually wobbles as you traverse it, not unlike being on a vaporetto chugging along the lagoon out the window. Disorienting visitors to "oriental" Venice is a tidy introduction to the show.

The atrium also features an enormous, three-story "tree of life" by young Swiss-born New York artist Urs Fischer. Thousands of framed reproductions of Fischer's rudimentary drawings — landscapes, still lifes, portraits and abstract doodles — are suspended from its dense network of iron branches and fluorescent tubes. But mostly the hybrid work accomplishes two things: It fills a lot of space, and it recalls the 1980s work of French Conceptual artist Annette Messager, similarly assembled from thousands of suspended, framed images of body parts.

Fischer's "Jet Set Lady" is a gimmicky map of the artist's mind, in much the way Messager's is a map of the body. But little is added to the already established mix, especially given the work's evident effort, bulk and expense. The sculpture is grandiose, symptomatic of an element of empty showiness endemic to art today.

By contrast, Fischer's modest "After Jugendstil comes Rococo" is a witty riff on loopy intersections between nature and design, art and mystery, pleasure and loss. A crumpled Camel cigarette package skitters around a gallery floor, like so much urban trash blown by an idle breeze.

Closer inspection (and a nervous-looking security guard) reveals that it is being pulled along by monofilament attached to a motorized mechanism on the ceiling. Round and round it goes. Fischer doesn't hide the rickety little trick, which makes the abject sculpture even more appealing.

Fischer's piece dates from 2006, as does Stingel's "magic carpet" and Owens' chockablock painting, while the iron tree was completed in 2005. Of seven dozen works by 16 artists, two-thirds were made in the 21st century.

The knockout example is Mike Kelley's room-size stage set from 2000, which reconstructs the strange scene he found in an old, black-and-white yearbook photograph of a high-school theater club production. Kelley made up a scenario to fit the odd picture, which hangs on the wall next to a video screen.

Given adolescent American cultural assumptions, his imaginative performance posits a tortured male artist and his lay-about boyfriend at a point of relationship crisis. (We're talking high school theater here, so art's gay subtext gets pushed to the surface.) Pivotal to the action is a lumpy sculpture that looks rather like "The Maltese Falcon."

The homosexual undercurrent in John Huston's baffling 1941 movie of Dashiell Hammett's more explicit 1930 novel jumps the rails in Kelley's video, when the artist-protagonist refers to his sculptural masterpiece as "Tender Buttons." Suddenly a lesbian scenario of Gertrude Stein and Alice B. Toklas is layered into the domestic drama.

Kelley's big stage set is rendered in a range of bleak grays, which seem even more desolate than usual amid the splendid rainbow hues of Venice. When the protagonist tries to talk his used-up boyfriend into putting his head in the oven that — weirdly — occupies center stage next to their rumpled bed, you sympathize with the Freudian drama of sex and death, traced from the anonymous pages of youth.

Has any other found-photograph ever yielded such dizzyingly acute social and cultural richness as this?

There are earlier works by artists who emerged in the 1960s and 1970s, such as Martial Raysse and David Hammons, and many from the 1980s and 1990s, including Franz West, Richard Prince, Robert Gober and Louise Lawler. Younger artists include Berlin's Anselm Reyle, 36, whose acid yellow wall mural is as spatially assertive as a Dan Flavin sculpture of fluorescent lights, and New York's Kristin Baker, 32, whose explosive, humongous abstract painting on cantilevered plastic panels makes the Las Vegas Strip look timid.

"Sequence 1" is very much about now. Partly that means everything looks very expensive — and probably was.

Any new single-collector institution must suffer the sobriquet of "vanity museum," at least until such time has passed that it can prove its ambitions are larger than the merely personal. When Pinault's impressive collection arrives beneath the gilded globe of fortune at the Punta della Dogana, expect the fun to begin in earnest. Meanwhile, at the Palazzo Grassi the collector seems to be engaged in enlightened play.


christopher.knight@latimes.com
http://www.latimes.com/entertainment/news/cl-ca-palazzo15jul15,0,6368931,full.story?coll=la-home-middleright

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Saturday, July 14, 2007

Italy, France and Spain to Form "Mediterranean Union", sub-set of EU

EU Members Italy, France and Spain have formed a sub- southwestern/western european "Mediterranean Union". Very encouraging.
For those of us in the USA who look at the USA as a Singular world power, we have to realize that the European Union has the largest economy in the world, with an estimated nominal GDP of ?11.6 ($14.5) trillion in 2006 accounting for 35% of world GDP (the second largest economy is the USA, with a GDP of $13.2 trillion).The OECD has projected that in 2007 the Eurozone will take over from the US as the driver of world economic growth with its 2.7% GDP growth compared to 2.1 percent in the US.
The Founding Members of the European Union (EU)in 1951 were France, Italy, Belgium, Netherlands, Luxembourg and West Germany. Expansion took place in 1973 with Denmark, Ireland and the United Kingdom joined.
In the 1980s Greece, Spain and Portugal joined. In 1989, East Germany reunified with Germany, with the fall of the Berlin Wall.
In 1995 Austria, Sweden and Finland joined making it 15 nations
In 2004, Czech Republic, Slovakia, Slovenia, Poland, Hungry, Lithuania, Estonia, Latvia, Cyprus, Malta made it a total of 25.
In 2007 Bulgaria, and Romania made it 27 countries.

France, Italy Want Closer Ties Among Mediterranean States

EU Business
July 13, 2007

(ROME) - French Prime Minister Francois Fillon said during a visit to Italy on Friday that the two countries had pledged to work for closer ties among Mediterranean states.

"There is an urgent need for a large cooperation project for more security and more prosperity," Fillon said.

France, Italy and Spain wanted to work toward a "Mediterranean union", he said.

Fillon met with Italian Prime Minister Romano Prodi during the visit.

French President Nicolas Sarkozy has talked of a Mediterranean union involving greater cooperation on development, energy and immigration.

Prodi said the proposal would be one of the main topics of discussion at the next France-Italy summit in November.

http://www.eubusiness.com/news_live/1184346002.12

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

Friday, July 13, 2007

"So, Would you rather Sleep with an Italian or Mr. Ed?" - - NY Times

A little Bit of Humor. This article is basically about the outrageous prices now being asked for Mattresses.
Swedish mattress maker, Hastens, which stuffs its versions with horsehair and charges as much as $60,000 for them.
The justification is the average person sweats about a cup/pint each night, and most mattresses are made of foam and padding, and even NASA developed Tempur Pedic do not allow for adequate air circulation for evaporation. Horsehair is hollow tubes, nature’s air-conditioner.and that pint of sweat stays in the bed, (unless the bed can breathe).
Italian mattress company, Magniflex, offers a foam mattress for a mere $24,000

Americans are placing value on sleep that they place on other aspects of their life, after all, we spend a third of our lives in bed.

If you asked someone 10 years ago what their mattress is for, they’d say it’s where I sleep. NOW they expect it to relieve their stress, to relieve their aches and pains, to provide comfort. It’s emotional, it’s physical and it’s a status thing, too. You know what they say: sleep is the new black. Sleep isin style.” There is a paradigm shift: a good night’s sleep isn’t a sign of weakness, but something to boast about.



The Money’s in the Mattress
The New York Times
July 12, 2007

ONE hot morning in late June, I was lying flat on my back on a bed in lower SoHo, my eyelids struggling to stay aloft, when Henry Burney, a gentle guy with a borscht belt sense of humor, leaned over and asked, “So, would you rather sleep with an Italian or Mr. Ed?”

Mr. Burney is the United States sales representative for Magniflex, the Italian mattress company that makes the $24,000 foam mattress I was lying on in the Casa Poggesi bedding store on Crosby Street. His little dig was aimed at a Swedish mattress maker, Hastens, which stuffs its versions with horsehair and charges as much as $60,000 for them. But his focus in this seduction scene was less on trashing the competition than on winning me over, not just to his product but to the seemingly absurd notion of the multithousand-dollar mattress. And he was not alone.

All spring and summer, Hastens has been running an ad in magazines like Elle Decor: a photograph of the blue-and-white-checked Vividus bed topped with a puffy white down comforter, one corner pulled back invitingly, with a pair of sharp-toed stiletto shoes on the floor beside it. The come-on reads: “Who would spend $59,750 on a bed?”

Who indeed? And what is the calculus — economic or otherwise — that brings a mattress to that particular figure? Or to $24,000, in Magniflex’s case? Or $50,000, which is the sticker price of a bed being made by Hollandia, an Israeli company that opened a showroom in the Marketplace Design Center in Philadelphia last fall and a flagship store in the Mall at Short Hills, N.J., last Thursday. I mean, what the heck? Why would anybody pay that much for a mattress?

“What did that guy say when he was asked why he climbed Mount Everest?” said Pamela N. Danziger, a marketing consultant and the author of “Let Them Eat Cake: Marketing Luxury to the Masses — as Well as the Classes” and “Why People Buy Things They Don’t Need.”

“ ‘Because it’s there!’ ” she exclaimed. “I would be very interested in how many they sell at that price. I would suggest the price is more of a positioning tool, though it is true that there are a lot of rich folks. Those making over $250,000 a year are the fastest-growing households by income in the country. We know that from our survey.” (Ms. Danziger’s company, Unity Marketing, tracks the luxury market in an annual survey of the spending habits and behaviors of affluent Americans.)

Like nature, the luxury market abhors a vacuum. But certain luxury items are selling better these days than others, Ms. Danziger said. Driven, still, by inexorably aging baby boomers, all 78 million or so of them, the luxury market is most active right now, she said, with things that can be described as “experiential” and restorative, like a huge new spa bathroom or an exotic vacation. Further, some boomers are suffering the aftereffects of those exotic vacations — some may even have mounted Everest themselves. Their rotator cuffs are torn, their knees and hips are shot. They are, in fact, more achy and tired than ever — and are sleeping less, as a raft of sleep studies will attest.

“They don’t want to put their money on a new handbag anymore,” Ms. Danziger continued. “They aren’t buying that Kelly bag. A mattress really does deliver an experience to the consumer. And as you get older, sleep doesn’t come like it used to.”

After the craze over Ambien, the boomers’ last deep love, was derailed by a flurry of bad press about its potentially bizarre side effects, including sleep-eating and sleep-driving (a state that Representative Patrick J. Kennedy, Democrat of Rhode Island, may have experienced late one night in Washington last year), the mattress industry is cheerfully hurling itself into the breach, marketing mattresses to cure every ill, claiming even to put the brakes on time itself.

The narrator of a Hastens promotional video states, in a charming Swedish accent, that its beds, which start at $4,375, will give you fewer wrinkles and can slow aging.

(Hollandia turns out to be a maker of adjustable “sleep systems, ” priced from about $15,000 to $50,000, that look and feel like nothing so much as high-end hospital beds. With their German motors and 12 massage programs, they seem to acknowledge that a body ravaged by time can be only soothed, not remade. Its marketers also claim its beds cure snoring.)

Tempur-Pedic, the foam-mattress maker whose beds range from $1,200 to $7,299 (chump change on planet Hastens), sponsored a study recently that claimed, straight-faced, that Americans would rather sleep than exercise as part of their “wellness regimen,” that three out of four Americans say a good night’s sleep makes them feel younger and that a good pillow is a better “sleep accessory” — nine times better — than a “sleep partner.” More than a third of them spend as much money on their mattresses as they do on their sofas or their televisions, and 17 percent as much as on their vacations.

At the low end of the luxury mattress market, at least, things have been heating up. Six years ago, barely 2 percent of the mattresses sold cost more than $2,000, according to the International Sleep Products Association, a trade group for the industry, which had $6.7 billion in sales last year. By 2006 about 5 percent of purchases had crossed the $2,000 line. (The median price of a queen-size mattress was $650 last year, according to a survey by Furniture Today, a trade magazine.)

“I think it’s about time that Americans place the value on sleep that they place on other aspects of their life,” said Rick Anderson, president of Tempur-Pedic North America, adding, as every good mattress executive is wont to do, that “after all, we spend a third of our lives in bed.”

Mr. Anderson’s company has just rolled out a television campaign — with dreamy little spots of tropical islands, misty fjords and glistening jungles — that positions Tempur-Pedic as a “wellness brand” and its mattresses as “nighttime renewal aids.”

“If you asked someone 10 years ago what their mattress is for,” Mr. Anderson said, “they’d say it’s where I sleep. Now they expect it to relieve their stress, to relieve their aches and pains, to provide comfort. It’s emotional, it’s physical and it’s a status thing, too. You know what they say: sleep is the new black. Sleep is in style.” Gone are the days, Mr. Anderson suggested, when captains of industry bragged about sleeping just three hours a night. The power nap, he said, is gaining currency.

As proof, Mr. Anderson pointed to nap centers like the two that MetroNaps and Yelo operate in Manhattan, charging $12 to $14 for 20 minutes of shut-eye, and recent studies by the National Institutes of Health and Harvard about napping and productivity. (There is even a nap how-to book, out since January from Workman: “Take a Nap! Change Your Life” by Sara C. Mednick, a napping-research scientist at the Salk Institute.)

Ty Wenger, editor of Trader Monthly, a lifestyle magazine for a select segment of the self-made superrich, like hedge fund managers, agreed with this paradigm shift: a good night’s sleep isn’t a sign of weakness, but something to boast about.

“My readers are almost like athletes in the way they perceive themselves and pamper themselves,” Mr. Wenger said. “A good night’s sleep can mean millions for them the next day. How they prepare themselves for their job is the difference between brilliant and wealthy and going completely belly up. They aren’t hedonist playboys like those ’80s guys. They work out like crazy; they eat the finest food. It’s all about honing their instrument.”

Will they spend tens of thousands on mattresses?

“Absolutely,” he said. “The high end exists because there is somebody who wants to spend that kind of money. It’s like a consumer dare.”

Casa Poggesi has been offering the $24,000 Magniflex Gold for a month and a half, and as of yesterday afternoon, Mr. Burney said, no New Yorker had bought one. He added that on average, Magniflex mattresses go for $1,200 to $3,000. “But the Gold gets people in the door.”

Mr. Burney said his company had sold 53 Gold mattresses to individuals in Russia, and one to a hotel in Dubai. Its cost, he said, is largely a result of the fact that its cover is woven with 22-karat gold thread — “gold is a natural antimicrobial,” he said, as well as a barrier against dust mites and bedbugs — and has a cashmere underlayer. What’s inside the mattress is, as in most mattresses, a mysterious layer cake of stuff. Like every mattress sales agent, Mr. Burney has cross sections at the ready, along with diagrams and schematics and a pocketful of scientific-sounding terms.

“I know, none of it means anything to anyone,” said Mr. Burney, who explained that in plainer terms the Magniflex mattress is foam with holes drilled through it. So it breathes, as opposed to, say, a Tempur-Pedic mattress, he said, which has ridges so the air flows around the foam, but not through it. “People complain that the Tempur-Pedic is too warm,” he asserted.

“If you consider the average person sweats about a pint each night,” he said, pausing to let his words sink in.

WARREN SHOULBERG, the editor of Home Furnishings News, a trade publication for the furniture industry, reckons that a mattress purchase is the most “blind” purchase anybody ever makes.

“You only buy it once every 10 or 20 years,” he said, “so you are woefully unprepared and uneducated. You are confronted with this police lineup of white boxes that all look remarkably similar. The one that’s $500 doesn’t look all that different from the one that’s $5,000, or, now, $50,000, the way a Hyundai looks different from a Ferrari. The attributes that distinguish this product you can’t see.

“So you do the obligatory five-minute lie-down, but you’re incredibly self-conscious. Whatever very personal way that you sleep, you can’t do it on the floor of Sleepy’s. It’s not a product you can shop smart for, and that’s allowed the mattress companies to be all over the place. They kind of went crazy, and you’ve got to hand it to them.

“Now, there are a lot of affluent people who will pay a lot of money for a good night’s sleep. Or the perception of a good night’s sleep. I think the mattress guys are the smartest people in the whole home furnishings business. They have managed to attach an emotional element to your mattress. It’s not just layers of foam and padding.”

The Hastens store, in a classic SoHoian cast-iron building on Greene Street, is huge and white. This whiteness sets off the fetching blue and white plaid ticking that covers nearly every mattress. (The alternative is a white and taupe plaid.) Lina Schleenvoigt, the store’s young manager, listed the layers in a Hasten’s mattress: flax, wool and cotton, as well as horsehair, which has been not only cleaned but permed.

“Horsehair is hollow tubes,” she said proudly. “Nature’s air-conditioner. If you consider that you sweat one liter a night, and all that stays in the bed, unless the bed can breathe.”

Here we go again.

If the foam mattresses promise, as Mr. Burney said, better living through chemistry, Hastens, with its horse-and-fjord imagery, is the antifoam — the free-range bed. Its show pony, the Vividus, lives behind a velvet rope. With permission, I clambered aboard, and Ms. Schleenvoigt pushed down on my shoulder.

“You want to feel that the bed accepts you,” she said. “You have to open yourself to a new experience.”

“This,” she said, answering the $60,000 question, “is something without compromises. It takes 160 man-hours to make this bed. The horsehair is hand-selected, for example, and longer and straighter than what we use in the other beds. It has a deep feel, a bottomless feel.”

Not only that, she said, it comes with a brass plate engraved with your name.

I spent an hour here, rolling from bed to bed. It is true that the Vividus is very, very comfortable, but all the mattresses there are — beyond anything you can imagine, which is as it should be, considering that most of them cost more than a car. They even need maintenance like a car, specifically a massage and a flip every month for a year. “We call you and remind you,” Ms. Schleenvoigt said.

I flopped down next to Beth Fussell, who was splayed out on the Excelsior mattress ($15,500), her clogged feet hanging over the edge.

Ms. Fussell, 41, works at an architectural firm around the corner. She said she and her husband, who is also an architect, have been visiting this bed once a month for a year, and they plan to buy it in 18 months.

“What do you need in the city?” she said. “You don’t need a car. We sold our car last year. I think you need a good bed. It’s so stressful here.

“We were subletting an apartment and sleeping on a futon. I like the idea of something that lasts. The feeling of this bed is almost primal. You feel safe on this bed. You can’t forget this bed.”

It took two years of research and bed-testing for Suzanne Durand, 57, and her husband, Everett Ferri, 62, to circle in on their Hastens, the $22,950 2000T, which they bought in December. (“Lina let us take a nap one Sunday,” Ms. Durand said. “She turned up the air-conditioning, turned down the lights and gave us a comforter.”).

Her husband has had rotator cuff issues, she has sore hips and they had been buying mattresses every four or five years, they said. “I was still waking up as stiff as a board,” Ms. Durand said. “The way I rationalized the cost was that this was something that was going to last us for the rest of our lives. And I think that you wake up and feel better is worth it. And I do feel better.”

Mr. Ferri said he did ask Ms. Schleenvoigt if she would take their ’05 BMW X3 in trade.

The 2000T is the company’s best seller, said Erik Svensson, Hasten’s sales manager in the United States. As for Vividus sales, he said guardedly that “more than 15” have sold since the introduction last fall.

THERE is something about a hospital bed that works, said Sharon Kaplan, 59, who bought a $23,000 Hollandia with her husband, Arthur, 62, a few months ago. Or dueling hospital beds, which is what a Hollandia looks and works like: two single adjustable beds that sit side by side but operate independently.

The Kaplans, real estate developers who live in Philadelphia, weren’t looking for a new bed, but a friend invited them to Hollandia’s grand opening last spring, and one thing led to another. “You get to a certain age,” Ms. Kaplan said, “and it’s the one thing you can do, give yourself a good night’s sleep. I haven’t slept this well in years.”

I asked Mr. Kaplan how he rationalized the cost.

“You don’t,” he said. “It’s not possible.” And then he tried to, a bit: “I used to sleep on a $6,000 mattress. Now I sleep on one that cost $23,000. I sit on a sofa that costs as much, and I’m only on that for about 20 minutes a day.”

On a recent Monday, David Ashe, who is marketing Hollandia’s beds in the United States, was presiding over the company’s showroom in Philadelphia.

“Let me get you on a bed,” he said soothingly, leading me to a red velvet number in the showroom window. He drove the remote, elevating both my feet and my head, and Maria Rohe, another marketing manager, tucked a sarcophagus-shaped blanket around me. It had a pocket to slip the feet into and two pockets up top, for the hands. It was wicked comfy.

“Do you like the way that feels?” Mr. Ashe asked. “All our fabrics are coated with aloe vera.”

The obligatory cross section was hauled out, a stunning array of layers and mystery substances. The curly stuff was coconut fibers; the pink and cream-colored stuff, drilled with holes like a Magniflex, was a foam. “A natural foam,” Mr. Ashe hastened to say.

What’s in it? “A bunch of stuff —— ” Ms. Rohe broke in: “A proprietary blend of material.”

And then, like Mr. Burney, Mr. Ashe began tearing into Tempur-Pedic. “Take Memory Foam,” he began. “It’s synthetic, it’s dense, it doesn’t breathe, it’s hot, you end up lying in a pool of your own perspiration.”

The sweat again. How much did Mr. Ashe reckon the average person dropped in a bed each night? Was it, and I quoted Ms. Schleenvoigt, a liter?

“That’s disgusting,” he said. “I’m not sleeping with you. I’d say a cup, max.”

Fine. Now where was the $50,000 bed? We’d discussed it on the phone — its mohair cover, its built-in iPod jacks and television. I was ready.

“It’s not here,” Mr. Ashe said. “It’s in Israel. It will be here in a year. I do have a $35,000 that’s coming next week ...”

This is what’s known as the old switch-eroo.

Mr. Ashe said, in a mollifying tone, “You know, I can get you a great night’s sleep on a $17,000 bed.”

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Thursday, July 12, 2007

Why Fiat is Cool Again ! - The "New" Fiat 500 (Cinquecento)

Fiat's launch of the new Fiat 500 (known to Italians as the Cinquecento) is more than the launch of a car, Fiat officials dub it a "new beginning".
Fiat debuted in Turin on July 4th. The company flew in 7,000 people from 63 countries, including some 4,000 car dealers, 1,000 journalists and 100 financial analysts. Eight government ministers and assorted celebrities attended a show choreographed by Marco Balich, the creative director of the Winter Olympics in Turin. The car was displayed in the main squares of 30 Italian cities.
Yet with a price tag, at Ђ10,500-14,500 ($14,400-19,900), hefty for a small car, some observers question whether non-Italians will choose the new 500 over rival models made by Renault, Volkswagen and others—let alone BMW's even more expensive Mini.
But the reaction of the usually hard-bitten motoring press suggests otherwise. In recent years no small car, not even the new Mini (designed by Frank Stephenson, the man behind the new 500), has been greeted with such enthusiasm.
Only four years ago Fiat, Italy's biggest industrial group, had the look of a company that had given up the will to live. At this low ebb, Fiat's chairman, Umberto Agnelli, brother of the legendary Gianni, who had died the year before, succumbed to cancer.—but not before identifying Sergio Marchionne, a 52-year-old Italian-Canadian, as the man to inject new life into Fiat.

Since taking over in 2004, Mr Marchionne has been both effective and lucky. He has cut costs, laid off workers (not easy in Italy), increased the sharing of components between models and formed alliances with other carmakers to speed development. But his biggest stroke of luck was that even before his arrival, Fiat had once again started to make cars that people wanted to buy, such as the new Panda in 2003 and the Grande Punto in 2005. Earlier this year its European market share ticked up to 8.5%


Why Fiat is Cool Again

The Economist July 12th 2007

The launch of the Fiat 500 crowns the Italian carmaker's comeback. But will it last?


FIAT knows how to throw a good party. An estimated 100,000 people celebrated the launch of the new Fiat 500 (known to Italians as the Cinquecento) in Turin on July 4th. The company flew in 7,000 people from 63 countries, including some 4,000 car dealers, 1,000 journalists and 100 financial analysts. Eight government ministers and assorted celebrities attended a show choreographed by Marco Balich, the creative director of the Winter Olympics in Turin. The car was displayed in the main squares of 30 Italian cities.

The new Fiat 500's retro-chic styling has huge nostalgic appeal in its home country, where it is synonymous with la dolce vita of the post-war years, when the original Cinquecento motorised ordinary Italians. Yet the price tag, at Ђ10,500-14,500 ($14,400-19,900), is hefty for a small car. Some observers question whether non-Italians will choose the new 500 over rival models made by Renault, Volkswagen and others—let alone BMW's even more expensive Mini.

Fiat's top brass, however, has few doubts. “After three cathartic years to turn around the group, this is not the launch of a car, but the launch of Fiat,” gushed Sergio Marchionne, who took over as boss of the Fiat group in 2004. For John Elkann, vice-chairman of Fiat and representative of the dominant Agnelli family's interests, the revival of the little car exactly 50 years after the launch of the first Fiat 500 was nothing less than “a new beginning”.

For once, this may not just be management hype. Only four years ago Fiat, Italy's biggest industrial group, had the look of a company that had given up the will to live. So sickly was its auto division that without a Ђ3 billion ($2.8 billion) bank bail-out in 2002, the group would have faced bankruptcy. Between 2001 and 2004, the firm lost Ђ8 billion on its car business, which includes great names such as Alfa Romeo, Lancia, Ferrari and Maserati. At this low ebb, Fiat's chairman, Umberto Agnelli, brother of the legendary Gianni, who had died the year before, succumbed to cancer—but not before identifying Sergio Marchionne, a 52-year-old Italian-Canadian, as the man to inject new life into Fiat.

Since taking over in 2004, Mr Marchionne has been both effective and lucky. He has cut costs, laid off workers (not easy in Italy), increased the sharing of components between models and formed alliances with other carmakers to speed development. (The new 500 shares a floorplan and many components with the Fiat Panda and the new Ford Ka, due next year.) He extracted Ђ1.55 billion from General Motors in 2005 as compensation for unwinding an ill-considered put option to buy Fiat's car business. But his biggest stroke of luck was that even before his arrival, Fiat had once again started to make cars that people wanted to buy, such as the new Panda in 2003 and the Grande Punto in 2005. Earlier this year its European market share ticked up to 8.5%.

The new 500 raises Fiat's game further. Some analysts have questioned the impact it will have on Fiat's future, arguing that it is a niche model that will be built at a rate of “only” 120,000 cars a year. But the reaction of the usually hard-bitten motoring press suggests otherwise. In recent years no small car, not even the new Mini (designed by Frank Stephenson, the man behind the new 500), has been greeted with such enthusiasm.

But as Fiat itself shows, fortunes in the car industry can turn with extraordinary rapidity. Fiat hopes to maintain its winning streak by introducing over 20 new models by 2010. Yet it needs to be careful. Its brand is not yet strong enough to absorb more than a couple of slip-ups, and the re-launch of Alfa Romeo in America will be difficult and expensive. So is the 500 a dazzling digression, or confirmation that Fiat is back? With small cars back in fashion, the betting is on the latter.

http://www.economist.com/business/displaystory.cfm?story_id=9476104

Italian Lead Miners in Ceredigion, Wales in 1900s

Another example of Literary License and Embellishment to focus on some "slight" rifts for Controversy and Profit, and Completely ignore the Mine Owners in their HUGE and Egregious InHumane Exploitation of the Miners, both Welsh and Italian.
And the Eagerness with which the English Media give a Negative Headline to Italians, while the article content is completely contrary!!!!!!
"Boomerang" producer Dafydd (Let's call him "Daffy") Llyr James in a TV production in progress claims "bickering" between Welsh and Italians closed the mine.
However Local Historian Simon Hughes claimed there was little or no animosity between the Welsh and Italian miners, and locals even went out on strike with their foreign colleagues over pay.

Mr Hughes, who has been researching the history of lead mines in the region for 40 years, said: "The relationship between the locals and the Italians was very good.

"I don't think there was anything serious or organised in the area and what did happen, which was minor, has been embellished.

"I have a diary of a Welsh miner from the time and there's no evidence of animosity towards the Italians.

"They were not taking the jobs of local miners because the Italians were doing the jobs the locals didn't want to do." ===================================================================================================================

'Bickering' Miners in Spotlight
Claims of industrial unrest and racial conflict between Welsh and Italian lead miners in the early 20th Century could be examined in a TV drama.
BBC. News
Thursday, 12 July 2007

Producers claim there was "constant bickering" after the Italians arrived at Frongoch near Aberystwyth in 1901.

TV producer Dafydd Llyr James said there was evidence from police and newspaper reports from the time that problems between the workers existed.

However, this is disputed by one mining historian, who called it a myth.

Mr James, who is behind the planned drama for production company Boomerang, said one police report showed that more officers were sent to the mining area following a large-scale dispute between miners.

There were even reports of an explosion near where the Italians were billeted, he claimed.

Mr James, who is also an historian, said: "I'm not saying all the Italians and Welsh didn't get on, in fact, when they first arrived there was a big party and songs from both cultures were sang.

"But over time the constant bickering, misunderstandings due to the language difficulties and cultural differences led to the mine closing."

But local historian Simon Hughes claimed there was little or no animosity between the Welsh and Italian miners, and locals even went out on strike with their foreign colleagues over pay.

Mr Hughes, who has been researching the history of lead mines in the region for 40 years, said: "The relationship between the locals and the Italians was very good.

"I don't think there was anything serious or organised in the area and what did happen, which was minor, has been embellished.

"I have a diary of a Welsh miner from the time and there's no evidence of animosity towards the Italians.

"They were not taking the jobs of local miners because the Italians were doing the jobs the locals didn't want to do."

http://news.bbc.co.uk/2/hi/uk_news/wales/mid_/6291214.stm



Ceredigion's Italian Miners (edited)
Mid Wales was once a lead mining mecca. The old works may have closed down but the history is as fascinating as ever -
and we've had a very specific question about some of the people who used to work here.

Geraint from Northampton:

"I'm doing research on the Frongoch mine up by Pontrhydygroes. In 1900, the mine decided to employ 80 miners from Italy. I am trying to find out where they came from and what happened to them.... Does anybody know?"


Angela got in touch to say my ancestors lived in and worked the mines of Goginan and Cwmbrwyno old lead mines:

"An ancestor of mine (Dan Jones) wrote a small book in Welsh which I have had translated into English. Dan was born at the end of 1888, the book was written a little after the end of the Second World War, but recalls earlier times from the turn of the century onwards.

I can not imagine that there were many Italians in Bontgoch or the mining areas at that time, [He mentions only one crippled (injured in the mine) Italian organ Grinder with a Monkey that fascinated the villagers]


Comments

Giordano Sivini from Italy
The italian miners came from Bergamo area (Northern Italy), engaged from Bernardino Nogara, an Italian engineer who previously worked in a mine in Italy the area for the same Society (based in Glasgow) that controlled Frongoch. Nogara was in Pontrhydygroes in charge for the construction of the dressing plant. He lived there for two years (1899-1900) with his wife Ester. In Pontrhydygroes was born the first son, Johnny. Should Geraint from Northampton inform me about the reasons of the turbulences of the Italian miners? Thanks.

Geraint ex Aber
I am surprised at the term 'bickering miners'. Most of the disputes were directed at the company. The Welsh strikes were based on the company's policy and working practices. The Italians struck for the same reason. The Welsh animosity for the Italians was based on their being allowed to work extra hours. Many Italians had left before the strikes. One Italian was murdered, but it appears down to a bar-room brawl. The police presence was precautionary and the Chief Constable actually praised the conduct of the strikers. The perpetrators of the explosions were never caught, although a search of the Italian barracks did locate some illicit dynamite. This was however not surprising, breaches of the explosives act appear to have been common practice in the mining belt in general. The mine was fined for the insecurity of their stores. I fervently hope Boomerang do not want to sensationalise the event by playing the race card, which may get in the way of research of the actual history. There are precious few records of the events.

Eleri Davies, Penygroes, Carmarthenshire
There were a number of different strikes but mainly about money and that the Italian miners were given preference over the local men. In April 1900 there was trouble because the Italian miners worked on Saturday afternoon and were also allowed to work underground which attracted higher wages. They agreed not to work on Saturday afternoon. There were further strikes in August and November - more police were brought to the area because of all the problems. Finally in March 9th 1901, after 25 Welsh miners were laid off because of a slip in the mine, there was a dynamite explosion near! the barracks where the Italian miners were living. The Italian miners had been allowed to continue working. On the following Wednesday there was an explosion near Cwmnewyddion the home of Captain Heine when several windows were smashed, nobody was hurt in either incidents. On April 13 1901 part of the lander which carried water from the leet to the top of the wheel used for pumping was blown away. There are also reports of 6 Italians being attacked on the way home form a public house in Pontrhydygroes.

Eleri Davies, Penygores, Carmarthenshire
By the time of the 1901 census there were only 41 Italians living in the barracks on Frongoch itself. Not all of them were Italians some were of Swiss origin. One died and is buried in Llantrisant church which looks down onto the mine. However they worshiped at 'Capel Saeson' (The Chapel of the English) which was an old Weslyan Methodist chapel that had closed down. According to the sale catalogue, there were 72 beds in the barracks so it's likely that some had already left before the census. Most had left by April 1901, to north of England, south Wales and some went home. I have no information about where they came from although I know the dates of their arrival. They probably came through Liverpool - but that's a pure guess.

Steve Pitman, Stroud, Gloucestershire
My ancestors used to own the Miners Arms Hotel in Pontrhydygroes. They were there during the 1901 Census. This shows one of their borders was an Italian mining engineer from Milan (Emilio -surname unreadable). I have looked through all the 11 census pages for Ysbtty Ystwyth but Emilio is the only Italian listed in this area. My grandmother was 9 years old at the time and lived in the hotel with her parents. She used to talk a lot about her years in Ponty but I do not remember any mention of Italians being there. I am fascinated by Geraint's comment "Their stay was turbulent to say! the least!" I'd love to learn more.
http://www.bbc.co.uk/wales/mid/sites/history/pages/frongoch_mine.shtml

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Major Plan Unveiled- 27 Italy-Europe Hi Speed Rail Links, Next Milan to Lyon

I have already Reported (June 16) where Italy and SWITZERLAND opened the Loetschberg Tunnel on the route from Berne to Visp, and the world's longest overland tunnel, a 21-mile-long rail link under the Alps, dug parallel to the 36-mile Gotthard Tunnel, which will be the world's longest when it is completed in 2017, ........ and my Report (July 10) on The Brenner Tunnel between Italy and AUSTRIA, of 39 miles, near Innsbruck ? with completion due in 2022.
Now, Italy has announced a proposed high-speed railway link between Turin, Italy and Lyon, FRANCE is one of a series of crossborder rail projects for which he plans to seek EU funding. The plans will require a long tunnel through the Alps. Lyon, together with its suburbs and satellite towns,forms the second largest metropolitan area in France after Paris, and is a major centre of business, situated between Paris and Marseille.
Also proposed is a rail link from Trieste, Italy to Divaca, SLOVENIA
Italian infrastructure minister Antonio Di Pietro speaking at a Conference revealed his list for EU funding that includes 4 international projects as well as 23 national projects which qualify because they support crossborder links.
Interestingly, a rail link from Milan to the port of Genoa qualifies as an International link,
These new rail links are HIGH SPEED, and therefore will supplant/supplement previous rail links/tunnels that can support only slower trains, that labor over great elevation changes, and navigate challenging curves.
It is encouraging to see such aggressive planning on the part of Italy, to facilitate transportation for both Imports and Exports to/through all four bordering countries.


Italy to seek EU funding for Turin-Lyon high-speed railway line
Forbes Magazine
From Thomson Financial
July 12, 2007

ROME - Italian infrastructure minister Antonio Di Pietro said a planned high-speed railway link between Turin and Lyon is one of a series of crossborder rail projects for which he plans to seek EU funding.

The high-speed rail link between Turin and Lyon has faced extensive opposition from local residents and environmental groups, particularly the plans to build a long tunnel through the Alps.

'Next Wednesday I have a meeting with EU transport commissioner Jacques Barot when I will file a series of rail projects for EU funding, and not just the new Brenner Pass link,' Di Pietro said.

Earlier this week, Di Pietro agreed with Austrian authorities on the launch of a new crossborder link via the Brenner Pass to Austria.

Confirming the inclusion of the Turin-Lyon link in the EU project list, Di Pietro said the route for the railway link has yet to be finalised.

The list of projects also includes a rail link with Slovenia.

Speaking at an infrastructure conference, Di Pietro said Italy must overcome opposition from local groups and politicians to get new infrastructure in place.

In further details, infrastructure ministry officials said its list for EU funding includes 4 international projects as well as 23 national projects which qualify because they support crossborder links.

The 4 international projects are the Turin-Lyons link, a high-speed rail tunnel under the Brenner Pass, a rail link from Trieste to Divaca in Slovenia and another rail link from Milan to the port of Genoa which qualifies as an international link, the officials said.

The request for EU funding amounts to 1.2 bln eur for the international projects and 2.4 bln for the national ones, they said, adding the overall investment for the 27 projects is seen at 11 bln.

These requests for EU co-funding compare to the 8 bln eur available in EU coffers for international projects and a similar sum for national ones, all of which must be spread across all 27 member states.

On the Brenner Tunnel, the officials said the EU's crossborder infrastructure czar Karel Van Miert said this is a very good project and should get the maximum 30 pct EU funding of about 1 bln eur, half to Austria and half to Italy.

Exploratory tunnels for the Brenner link have started but the full works are only scheduled to begin in 2010, they said.

This rail tunnel is likely to be considerably longer than the present fairly short road tunnel at Brenner because high-speed trains cannot climb very steep hills, they said.

stephen.jewkes@thomson.com

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Italian Interior Minister Amato Infuriates Sicilians with Wife Beating Tradition Claim

My Sicilian female relatives are the toughest ,( but kindest ) women I ever met, and I can't imagine any of my uncles raising a hand,
or any of their wives tolerating it.
I dare say, any one of the wives could beat the crap out of wimpy Giuliano Amato, and might want to, when they hear he is accusing them of being "daisies". :) :)


Thanks to Pat Gabriel and Frashetta
Interior Minister Upsets Sicilians
Amato in trouble over wife- beating comment
ANSA Rome,
July 11, 2007
Interior Minister Giuliano Amato upset Sicilians on Wednesday by saying that wife beating was a traditional part of their culture.

Amato made the gaffe during a conference here on the integration of Muslim immigrant communities.

"No God ever authorised a man to beat a woman. It's a Sicilian-Pakistani tradition which would have us believe otherwise," the minister said.

Amato, a former Socialist premier now serving in the centre-left government of Premier Romano Prodi, went on to liken the "customs and traditions" prevalent in Sicily up until the 1970s to "those that have been imported by certain groups of Muslim immigrants". The remarks immediately landed Amato in hot water.

Opposition MP and ex-minister Stefania Prestigiacomo, who is Sicilian, threatened to sue him.

"Amato talks off the top of his head. Either he immediately apologises to Sicilians or I'll sue him for libel," she said.

Another Sicilian MP belonging to opposition chief Silvio Berlusconi's Forza Italia party also demanded an apology.

"Our island's culture acknowledges women's primary role in society and no one has the right to define a lack of respect towards women a Sicilian characteristic," lawmaker Giuseppe Marinello said.

"No such Sicilian-Pakistani tradition exists," he added indignantly.

Ignazio La Russa, the House Whip for the rightist National Alliance party, said that "in all societies in the past, chauvinism led to disrespect and sometimes violence against women but it is a huge whopper to say that in Sicily, the name of God was ever invoked to justify such abuses".

Last December, Amato offended Muslim communities with comments on the sharia, the Islam-inspired law system.

Speaking at another Rome conference on cross-cultural integration, the minister said that "sharia is an expression of a chauvinistic culture which belongs to certain backward societies".
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Biofuels Cause Skyrocketing Pasta Costs in Italy

BioFuels is a Stupid Idea.!!!!!!! American car makers have furiously fought Higher Fuel Efficiency ( and Lower Pollution standards) for decades, a MUCH Better IDEA to conserve Oil!!!!!
You have Food Costs as one of the Low Income Families Budget Busters, and Famines, and People Starving worldwide, and you turn Food into Fuel ??

Thanks to Pat Gabriel
SPAGHETTI SHOCK IN ITALY

Biofuels Boom Results in Pricey Pasta

Italian pasta makers say bad harvests and competition from biofuel manufacturers have led to a durum disaster. Consumers will be paying for it by summer's end.

Reuters
July 11, 2007
Mamma mia! The price of a plate of pasta is expected to rise 20 percent this summer as a bad wheat harvest and increasing competition from biofuel manufacturers send the price of delicate, delicious durum wheat skyrocketing.

Italian consumers, accustomed to paying 70 euro cents ($1) for a pack of the good stuff -- half the cost of a cup of coffee -- will be the first to feel the pinch, but the Italian Pasta Manufacturer's Association will be passing the costs on to export customers as well. "Pasta producers have tried, with growing difficulty that has now become no longer sustainable, to absorb the high cost differentials," the Association announced last week. "But this situation cannot go on any longer in the face of the dynamics of the durum wheat market."

Italy's famous macaroni makers are the latest to find themselves at the wrong end of competition from the booming biofuel industry, which converts corn, sugar, wheat and other crops to fuel and energy. As biofuels catch on, governments are increasing subsidies. Farmers are finding themselves in an unfamiliar position: a seller's market. Courted by food manufacturers and energy firms alike, they're raising prices and shifting production to crops that can be used to make ethanol for cars, heat homes or generate electricity.

Cooler heads have pointed out that the biofuel boom may not be singlehandedly responsible for this year's shortage. Mother Nature herself may shoulder some of the responsibility. Unusually hot weather in grain producing countries like the US, Canada, Australia, Syria and Morocco has resulted in unusually low crop yields. Europe, on the other hand, has been drenched by rain, damaging delicate durum wheat crops. The weather's one-two punch means the 2007 harvest is going to be at least 3 million tons short.

But hungry pasta fans keep eating, bringing the world's stocks to their lowest levels in a decade. European producers are in particularly dire straits. Global prices for durum wheat have spiked, to more than $350 a ton. Wheat producers in France, where wheat stocks are at their lowest levels in 20 years, said that wheat prices there have gone up 40 percent in a matter of weeks. Since pasta has only two ingredients -- durum wheat and water -- pasta producers are in a bind. "Pasta prices are going up because the price of the raw material is increasing," Cristiano Laurenza, food law policy expert at the Italian Pasta Manufacturers' Association, told SPIEGEL ONLINE.

The pasta crisis is the latest in what may soon be a regular rise in global prices. In January, Mexican consumers were hit with a tortilla crisis, as grain prices doubled and tripled the cost of tortillas and caused riots in some places. Beer prices in Germany ticked upwards in May partially due to the increased production of biofuels.

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It's My Fault Men Have More Sex Partners - Jennifer Loviglio

The only excuse I have to put this on an Italianate Site is the author has an Italian Surname.
It is however an amusing illustration about Men are from Mars, Women are from Venus.
Yes, there should be Equality of Dignity, But there is a Difference, and Vive Le Difference!
This article focuses around the Report that 30% of Men, but only 10% of women have more than 15 sexual partners in their Lifetime.
This author thought in going through her teen feminist period, this treble discrepancy needed to be evened by her own personal efforts. :)


Huffington Post Jennifer Loviglio July 11, 2007

The news last week struck me like a blow: 29 percent of men report having 15 or more female sexual partners in a lifetime, while only nine percent of women report having had sex with 15 or more men. This is all my fault. Years ago, when I was just out of high school, I identified this grievous inequity and had a chance to correct it. Would it work or would my first major political act since voting for the first time, turn out to be, like voting, kind of a letdown?

Raised by vocal first-wave feminists in the '60s and '70s, I was not only expected to change the world, I knew that I would. By the 1980s, when I was in my late teens, however, I realized I hadn't done it yet. It wasn't enough that I had clomped around in lumpen Earth shoes before anyone else, choosing comfort over fashion. And it wasn't enough that I climbed higher, rode farther and swore more than anyone else, proving that anything boys can do girls can do better.

I was still too young to be the first woman president, though I was well on my way, having interned in my senior year of high school for a female state senator. What to do in the meantime? I had long since ditched the ugly shoes and was looking to exercise the power of my womanhood in other ways. Since the political was personal -- or was it the personal was political? I was still a little fuzzy on my feminist rhetoric -- I decided how I'd make my mark. Sexual politics.

It bothered me and my friend Amber that women slept around less and leaned more toward monogamy than men. Men, it seemed to us, with our vast year or two of experience between us, were generally promiscuous and careless about sexual partners. This struck us as unfair. Not unfair in a whiny, why-can't-men-be-faithful way, but rather unfair in that it was an embarrassment to our nascent feminist ideals.

We knew we were just as strong as men. Probably smarter. And we knew we could do the same jobs. I knew this first-hand because every day I witnessed my mother walking out the door to her job in the competitive, male-dominated field of journalism, her navy clothes crisp and asexual, a pseudo-tie wrapped around her neck.

Until I could dress and act like a man the way women in the working world had to back then, I would fuck like one. My friend and I set out to turn those shameful stereotypes on their heads. We would sleep with lots of men and not only not fall in love, but kick them right out of bed. No snuggling. None of that sappy girl stuff.

Privately, I had a few concerns. For one thing, sex wasn't always that fun for me on the first or second time with a guy. I liked it better when we got to know each other and could cuddle and get into a groove. Cuddle! God, Amber would kill me for even thinking that word. Also, I was afraid of sexually transmitted diseases. I thought that guys didn't care about that stuff, so I tried to ignore my fears. And I bought some condoms.

Our game plan was to find a guy, f-ck him -- the word "f-ck" back then was rare enough to still be powerful with its ugly final consonant crack -- and get on the floor and fall into a sound sleep. Our message: you might be good enough for sex, mister, but I'd rather sleep on the floor than touch you any more than I have to.

As far as political statements go, this one looked much better on paper. In my first attempt at post-coital dismissal, I dramatically up and left the guy's apartment. Can't get any cooler and more detached than that, right? But somehow it looked like I was storming off in a huff. Plus, the guy was married and had been worried his wife would walk in on us. He was probably glad to be rid of me.

Then Amber and I went to Italy where I developed a crush on a cute French boy in our Italian class. Amber had met him once and offered to introduce us. Instead, a few days later she announced she'd had sex with him. Right afterwards, she said, she'd gotten out of bed and fallen asleep on the floor. Wasn't that great? Just like we planned it! "And oh," she said, as an afterthought. "He's all yours."

Wait a minute, when did our experiment in callous promiscuity expand to include being callous to each other? I was hurt and upset, but immediately checked myself. By feeling betrayed, wasn't I exhibiting typically female traits?

"Yes, of course," Amber said. "Guys pass women around. So we can, too." In fact, as a gesture of her largesse, she'd let me be the first one to sleep with the opaque German boy she'd been sharing cigarettes with.

I didn't take her up on the offer and the grand political experiment ended there. At least, it did for me. Amber kept fighting the good fight: having sex, sleeping on the floor and moving on.

I now know that it's not only okay to have love with intimacy, I prefer it that way. I know, further, that men and women often do have biologically different responses to sex. Finally, I know and feel confident saying that it's damn hard to fall asleep on the floor, sex or no sex.

Though I know all this, something small and defensive in me reacts when I think about the 29 percent of men who have slept with 15 or more women compared with only nine percent of women who have slept with 15 or more men. It turns out that my inner child is a feminist. Not just any feminist, but a first-wave feminist who was taught and believed that men and women could be -- and should be -- equal in every way. And that inner first-wave feminist is a bit embarrassed to admit I'm not in the nine percent.

http://www.huffingtonpost.com/jennifer-loviglio/its-my-fault-men-have-mo_b_55734.html

Award-winning writer Jennifer Loviglio writes a column about sex, politics, family and science in her local altweekly, City Paper. She does humorous commentaries on the NPR affiliate WXXI and writes about food for lifestyle magazines. She has reviewed films on the radio and reported off-beat family activities on a television news program. Loviglio has written plays about history and science for local museums and historical destinations. Her column, "The XX Files," won first place in the Association of Alternative Newsweeklies annual competition. You can read and hear more of her work at www.jenniferloviglio.com.
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Book: "The Italian Letter"- Fake Documents Used by Bush to Justify Iraq Invasion

"The Italian Letter" refers not to a single item but to many documents, including one with a Niger presidential seal, that were used by the administration to support claims that Saddam Hussein was seeking material to build a nuclear bomb. On March 7, 2003, 12 days before the Iraq war started, the International Atomic Energy Agency's director general, Mohamed ElBaradei, who later won the Nobel Peace Prize, said the Niger intelligence was based on forged documents and Hussein was not developing a nuclear arsenal.



THE ITALIAN LETTER

How the Bush Administration Used a Fake Letter to Build the Case for War in Iraq

By Peter Eisner and Knut Royce Rodale. 268 pp. $24.95

Review by By Tara McKelvey, a senior editor at the American Prospect,
and the author of "Monstering: Inside America's Policy of Secret Interrogations and Torture in the Terror War"
Washington Post
Wednesday, July 11, 2007; Page C07

"The Italian Letter" refers not to a single item but to many documents, including one with a Niger presidential seal, that Peter Eisner and Knut Royce say were used by administration officials to support claims that Saddam Hussein was seeking material to build a nuclear bomb. On March 7, 2003, 12 days before the Iraq war started, the International Atomic Energy Agency's director general, Mohamed ElBaradei, who later won the Nobel Peace Prize, said the Niger intelligence was based on forged documents and Hussein was not developing a nuclear arsenal.

The story of the letter includes a shadowy figure who peddled state secrets; an ambitious journalist from an Italian newsweekly who purchased story leads; a source code-named La Signora. There are clandestine meetings, forged letters, seduction and, inevitably, betrayal -- in short, all the makings of a spy novel. To help make sense of it all, Eisner, an award-winning newspaperman who has served as The Washington Post's deputy foreign editor, and Royce, an acclaimed investigative reporter, provide a timeline, starting with an October 1998 IAEA report stating there were "no indications" of nuclear weapons production in Iraq and ending with Vice President Cheney's November 2005 denial that President Bush had "distorted" prewar information.

Along the way, Eisner and Royce recount how policeman-turned-intelligence-peddler Rocco Martino ("something of a mixed bag, providing poor intelligence on arms deals but decent information on Islamic fundamentalism") said he had met Laura Montini (a.k.a. La Signora), a Niger Embassy secretary in Rome, at a sculpture exhibit, eventually obtained the Italian documents from her and tried to sell them for about $10,000 to an Italian journalist.

The letter, we discover, was "stamped Confidentia l," and it, along with other papers, seemed to have more in common with those Nigerian "request-for-urgent-business-relationship" e-mails than with an authentic document from Niger. But it was the "smoking gun" because it seemed to confirm a sale of "pure uranium" to Iraq. Eisner and Royce explore various theories about who perpetrated the fraud, ranging from French intelligence to Britain's M16. In the end, they seem to believe it was the Italians -- or at least rogue elements within the Italian intelligence service -- who were behind the scandal.

The authors write that "U.S. intelligence officials confirmed that this letter, the only document detailing the amount of uranium to be delivered, was critical to the administration's successful public campaign warning Americans that Iraq was a nuclear threat." In addition, they assert that the documents provided support for the infamous "16 words" about Hussein seeking uranium in President Bush's 2003 State of the Union speech. The 16 words were based on a Sept. 24, 2002, dossier compiled by the British, who -- according to Eisner and Royce -- had used intelligence based on the Italian documents. (It should be noted that this assertion, like most everything in the scandal, is disputed.)

..."The Italian Letter," [is choked with] subterfuge and "two-bit hustlers unencumbered by questions of morality..." The book is [filled with] how documents were [repeatedly] misread by the CIA and Defense Intelligence Agency)...

..."The Italian Letter" ...point out, the forgeries alone did not start the war...but the Italian letter and the accompanying documents played a pivotal role in the decision to go to war. The forged documents certainly bolstered a pro-war argument,... In fact, there were multiple sources of information stating that Hussein had nuclear weapons -- all of which, of course, were unfounded -- and an array of complex forces that contributed to the U.S. decision to invade Iraq....

http://www.washingtonpost.com/wp-dyn/content/article/2007/07/10/AR2007071001983.html

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Italy, Austria, Agree on Railway Tunnel through Brenner Pass in Alps

Now don't get this confused with my Report on June 16 where Italy and Switzerland opened the Loetschberg Tunnel on the route from Berne to Visp, and the world's longest overland tunnel, a 21-mile-long rail link under the Alps, that was dug parallel to an even more ambitious project - the 36-mile Gotthard Tunnel, which will be the world's longest when it is completed in 2017.

The Brenner Tunnel between Italy and Austria, will have a length of about 39 miles, including a detour around the Austrian city of Innsbruck — and will link the north of the continent to its Mediterranean south. The tunnel will cost 6 billion Euro, with completion due in 2022

In both cases, Italy benefits by having better transportation links to Middle and Eastern Europe for both Imports and Exports, while Switzerland and Austria get huge amounts of traffic off their narrow mountain roads, to permit villagers from being over run. Notice that they are both RAIL tunnels, facilitating COMMERCE, but keeping Tourists on the roads.


Austria, Italy Agree on Funding for Railway Tunnel through Alps
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Tuesday, July 10, 2007

An American in Italy Sees Americans as Lonely and Out of Touch

Gaither Stewart grew up in the US. After studies at UC Berkeley, he settled first in Germany, then in Italy. Following a career in journalism as an Italian correspondent for the press in several European countries. He has authored three novels and two short-story collections. He has resided in Italy, Germany, The Netherlands, France, Russia and Mexico. Today he lives with his wife, Milena, in the hills of north Rome.
So Gaither Stewart has the credentials and credibility, and he makes critical observations and poses probing questions.
And regardless of whether you disagree, and/or it makes you angry, Is there ANY merit to what he is saying, or a Lot???

He says: "Beyond politics, beyond the questions of war and peace, I wonder about Americans in general, so lonely in the universe. A whole people feeling the loneliness you feel behind locked doors. Behind walls. A kind of vacancy. What is it that other people have and we Americans do not? Or what do Americans have that others do not? Why are Americans different? I do not believe it was always that way. But it is today. And it is a mystery."

Italians say that Americans are spoiled; they have it too good; they haven’t suffered enough. Europeans often think of Americans as children, difficult children, with a childlike air of impregnability about them, whom real life has not yet touched.
Europeans really want to ask what is wrong with America. Wrong as in astray, as in to go wrong. Why Americans as individuals are different from other peoples.What is missing in Americans?
Have the US LOST our way. Has our Grand Experiment been derailed??


The Lonely American

By Gaither Stewart
Online Journal Contributing Writer
June 19, 2007

Each day I watch the TV news images of American soldiers on the streets of Baghdad and wonder if the same images are shown in the United States. If they are shown, I wonder why the people do not rise up in revolt. Each day I feel a deep sympathy for the infinite loneliness of the American soldier in Iraq.

The soldier in dust-colored camouflage uniform and helmet, his bullet-proof vest (not really bullet- proof and certainly not bomb-proof, as I see each day: five of them died yesterday in Baghdad alone), brandishing his automatic weapon, standing alone at a Baghdad checkpoint, an empty look on his face (though he is terrified and wonders how he got into this chaos), surrounded by a world he does not understand, by people speaking a language he does not understand, in the middle of a war he does not understand, this bewildered American seems to be the loneliest man in the world.

Because I am an American, I watch this soldier sadly. I think that there stands the emblem of America’s isolation in the world. And I think also that something is dreadfully wrong in a country that still has a supply of volunteers to go to the deserts to kill strangers with super weapons and drop firebombs on cities from invisible planes in the stratosphere . . . and with a 10 percent chance of being killed themselves for the worst possible reasons.

Beyond politics, beyond the questions of war and peace, I wonder about Americans in general, so lonely in the universe. A whole people feeling the loneliness you feel behind locked doors. Behind walls. A kind of vacancy. What is it that other people have and we Americans do not? Or what do Americans have that others do not? Why are Americans different? I do not believe it was always that way. But it is today. And it is a mystery.

Recently I began asking friends in Italy where I have lived for over three decades those questions. Italians say that Americans are spoiled; they have it too good; they haven’t suffered enough. Europeans often think of Americans as children, difficult children, with a childlike air of impregnability about them, whom real life has not yet touched.

But there is no clear answer. Europeans do not understand my questions. I think my questions are not clear. Few Europeans admit that they consider Americans fundamentally different from other human beings. Few admit to anti-Americanism. For most people in the world we all belong to the same species. We are all just men. We all must aspire to feeling a oneness with the world.

Still, old friends in Europe occasionally ask me what I as an American think about one thing or another. They ask because they see how different things are in America. What do I think about ordinary things like national health services and pension plans, about unemployment compensation and welfare, about electoral systems and democracy? How is it possible, some ask, that America’s powerful presidents are elected by a minority? Very often they ask about the death penalty, non-existent in Europe. Today in these times, the most frequent questions concern war.

Now, some Americans might believe my answers to such questions are obvious: that of course I as a progressive favor a national health service for America, pension plans, unemployment compensation, welfare, immigrants, a multiparty political system, democracy, oppose capital punishment and reject war.

Still, that is not my point, either. I believe Europeans really want to ask what is wrong with America. Not wrong in the ethical sense of right and wrong. But wrong as in astray, as in to go wrong, But they do not know how to frame the question. They too speak of the differences of the nation of America but I believe that without realizing it they too want to know why Americans as individuals are different from other peoples.

What is missing in Americans? For example, what do Mexican people have that Americans lack?

When I settled in Europe in the sixties, Americans were still broadly well received throughout the continent; America still had a lot of credit for its help in World War II and for the Marshall Plan, although already then admiration was mixed with envy and resentment at American success and arrogance. Here I should say straight away that Americans were then well received except by part of the skeptical European Left that, as it turned out, was right in its suspicions.

The pre-Vietnam years were still good years for Americans. America was leading the “free world” alliance against the Soviet Union: Moscow’s quashing of the Hungarian revolution in 1956 and the Prague rebellion in 1968 covered America’s spreading dark spots in matters like Watergate, the crushing of democracy in Latin America and the growing involvement in Vietnam. The existence of the “evil” Soviet Union and the Cold War gave America’s rulers a free hand as it did for another two decades.

Though as a rule most governments lie to the governed, it was precisely the great Cold War lie that poisoned America and Americans. For it was a lie. In the name of anti-Communism, everything was permitted. Everything was justified in the same way everything is permitted today in the name of anti-terrorism. America was good. God was on America’s side. Few Americans doubted. My generation hardly even considered the question of right or wrong, of good or evil. Everything was clear: Communism and the Soviet Union were evil; America was blessed by God.

The most virulent anti-Communist propaganda filled the eighties: nuclear warfare scares, statistics and testimony showing that Communism’s conquest of the world was imminent; Soviet military-economic power was a terrible thing. What a surprise then for the Soviet experts that at the end of that same decade the Berlin Wall fell and overnight the whole shebang collapsed. It was a paper tiger.

Yet, by then more Europeans had begun doubting the state of American democracy. The category of skeptics broadened. Vietnam and American support of dictatorships from Chile to Nicaragua, from Iran to the Philippines, eroded doubts among many Europeans in whose minds America was now becoming the “empire of evil.” In America, dissident voices were labeled anti-American, Communist traitors -- and today, terrorists.

In Europe today, it is no longer a question of what reactionary Washington labels the European Left’s “visceral anti-Americanism.” The sad reality is that antipathy to this America has infected many if not most Europeans.” Now it has become a question of right and wrong, of good and evil.

Though most Americans believe in the myth of their democracy, European polls show an America far down the list of developed democracies. The criteria have to do with electoral systems (no one understands the American system!), political representation, the distribution of real powers, etc. For example, surprise, surprise, Germany’s democratic parliamentary system stands at the top of many lists.

Some Americans reductively think anti-Americanism is a question of hate and envy of America. But it is not true. It is my experience and the opinion of Italians, or French, or Dutch, or Germans, or Danes, that the quality of life in Europe is simply much higher than in America perennially preoccupied with comfort and ease. This is not to say that Europeans are not greedy and avaricious for creature comforts. On the contrary. They are. Yet, because of social correctors within the market economy, because of the social state, the poor in Europe are less poor than in America.

Can any sane person believe Europe is craving for fast food joints and endless shopping malls and national flags and advertising banners waving everywhere and God on the lips of its fundamentalist leaders? Is this the progress America wants to export and go to war for?

The truth is Europeans see America as the land where the rich get richer and the poor get poorer. They see a government that does little for its citizens in a land where the word social is taboo. And God has nothing to do with it.

Nor is it true, as many Americans might like to think, that Europeans want to be like them. Italian emigration to the USA? No more! Many Italians visit America or go to shop there -- everything costs less with European currency since the dollar has been artificially devalued in order to make Europe pay for the war in Iraq. But today I know no Italian who would like to live in America. But I know many Americans who would like to live in Italy. Though it is true that a tiny minority of Europeans still hold to America and imitate it, they are not the best of Europeans.

Perhaps never before have the differences between Americans and Europeans been greater. But why? What is it? Who is at fault? Why this gulf?

Politics and economics and peace and war apart, I believe it is a question of Americans’ uncertain place in the human race. When I write here Americans, I admit I have in mind white conservative Americans of European heritage of the great American heartland. And also those who spend so much time speaking of tolerance and trying to decide which politically correct label to attach to Blacks and Indians and Latinos -- as if “African American” and “Indigenous American” and “Hispanic American” made things right. It is my experience that the majority of these Americans are not on the same wavelength as other people in the world.

Oh, the accused will gasp and say how naпve! How anti-American! How narrow-minded! How prejudiced! The fact remains that as human beings Latin Americans are on the same wavelength as other people in the world. Russians are. Arabs are. Asians are. Most black Americans and Latinos and Indians are.

So why not most white Americans? Many will be surprised -- though they shouldn’t be -- to hear that they are regarded in some of Europe in the same way they are among the ghettos of blacks and browns in LA or Miami or New York City.

And their government is largely at fault.

Their government, their society, and their lonely culture.

American tourists today cut pitiful figures traipsing curiously around Europe, seeing only quaintness and cuteness and condescendingly trying to imitate. They make countless digital snapshots but never quite get the real picture. As if living a year in a Tuscan village were bridging the gap. The local people will drink wine with you. They will reach out to you. They will try to love you. They want to be able to feel the real you. To feel that you are like them.

But, I fear, they will never understand you or even grasp why you are there. For Americans are a people of many emotions and sensations but embarrassed by feelings.

Even more. Such false relationships are symbolic of the more profound differences, the chasm separating Americans from the rest of the world. How, the European wonders, how can a majority of voters in the land of freedom support a system dedicated to crushing freedom?

How can citizens of the land of democracy vote for a government that sponsors dictatorships around the world and calls them democracy? How can a democratic nation exist in a political system of two parties, which though they have different points of departure and programs, in power are so similar as to form a one-party system? How can a people ready to go to war to export democracy sacrifice its own democracy in the process?

The mystery is why a majority of Americans who bother to vote sustain a government that fears and hates democracy and its own Constitution as ours does? Why are Americans as chained to their leaders as convicts are chained to their guards? And why do they tolerate a government that needs a wall around America?

Which leads inevitably to the danger of the gradual but inevitable degeneration of an enduring ideology based on anti-Communism, anti-Socialism, anti-terrorism, all of course with God’s special blessing and protection, straight into Fascism.

One could think that Americans are retiring from the world. That they have forgotten the rest of the human species. That they no longer even have the same weaknesses and strengths of other people. That they stand outside even themselves. Outside, and alone.

People from the prison of the former Soviet Union were once like that -- when they were let out they saw the rest of the world with astonished eyes.

I have not answered my question. I still do not know if I have posed the question correctly. We Americans want brief and concise answers to clear questions. Maybe that in itself is part of my point.

I feel ill at ease writing this. I am uncertain. I am sad....

Yet, Americans are different. In a negative sense. My gut feeling is that it is due to a lack of real connections with the rest. No wonder the national paranoia. No wonder America’s sense of loneliness.

Hopefully, Americans will begin to search for their lost kinship with the rest...

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Italy, Europe Believe USA No. 1 Danger to World Peace

36% of European poll respondents — who come from Italy, France, Germany, Britain, and Spain consider America as the No. 1 danger to world peace. Even 35% of American 16- to 24-year-olds identify their own country as the chief danger to peace.
The poll was consistent with findings by the Pew Global Attitudes Project, which found that favorable ratings of the U.S. had declined in 26 of 33 countries over the last five years.
Europeans next concerns are China, 19%; Iran 17%; Iraq 11%; North Korea 9%; Russia 5%.

U.S. Seen as Threat to Stability

In a Harris poll, 36% of Europeans in five countries name America as the No. 1 danger to world peace.
The Los Angeles Times
By Daniel Dombey and Stanley Pignal
Financial Times
July 9, 2007

LONDON — Europeans consistently regard the United States as the biggest threat to world stability, a poll reveals.

A survey carried out in June by Harris Research for the Financial Times shows that 32% of respondents in five European countries regard the United States as a bigger threat than any other state.

In the U.S. itself, North Korea and Iran are seen as the biggest risks. However, the youngest American respondents share the Europeans' view that the United States is the biggest threat, with 35% of American 16- to 24-year-olds identifying their own country as the chief danger to stability.

The level of European concern about the U.S. has remained broadly consistent over the last year. In 11 previous polls dating to July 2006 the proportion of respondents that considers the U.S. a threat to stability has ranged between 28% and 38%.

The latest poll comes in the wake of the "surge" that has increased U.S. forces in Iraq to about 160,000 troops, but has not been accompanied by political breakthroughs or a dramatic reduction of violence. During President Bush's second term, the administration has also taken a more multilateral approach to international issues such as Iran's nuclear program and North Korea's atomic bomb.

But the poll shows that the European public still considers Bush a risk.

"It is evidence of the continued estrangement between the European public and the Bush administration, in spite of a real improvement in official ties," said Ron Asmus, head of the Brussels office of the German Marshall Fund, which works to bolster transatlantic ties.

"It is proof that the next president will be confronted with the major challenge of improving America's image abroad, starting with Europe and our main allies."

Inhabitants of Spain are most concerned about the U.S., with 46% of respondents naming America as the biggest threat.

European poll respondents — who come from Spain, France, Germany, Italy and Britain — are increasingly concerned about China, which 19% perceive as the biggest threat, up from 12% last July.

Meanwhile, 17% identify Iran as the biggest threat, 11% Iraq and 9% North Korea. Only 5% single out Russia, despite increased tensions between Moscow and the West.

The poll's data on the United States indicate that 25% of Americans see North Korea as the biggest threat, followed by Iran with 23%, China with 20%, and the U.S. itself with 11%.

The poll was consistent with findings by the Pew Global Attitudes Project, which found that favorable ratings of the U.S. had declined in 26 of 33 countries over the last five years.

But the Pew poll also contrasted unfavorable ratings of the U.S. with much more positive responses in Israel, Poland, Japan, India and parts of Africa and Latin America.

The survey for the Financial Times was carried out online by Harris Interactive between July 2006 and June 2007. More than 1,000 people were polled in each country each month.
The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Germans "Conquer" Tuscan Village of Tenuta de Castelfalfi !

The Tuscan Village of Tenuta de Castelfalfi has four square miles of land, a three-star hotel, 18-hole golf course, olive groves, vineyards and scores of elegantly crumbling villas,and has been bought by the German Travel Co TUI for Ђ250m (Ј170m).

Everything from the historic castello that gives the village its name and perches above it on a rocky peak, to its old ramparts, houses and gardens, were part of the deal. Only the church was out of bounds, but the company is obliged to pay for it to be renovated.

The concept involves creating a self-contained "holiday world" within Castelfalfi's historic walls, including restaurants, boutiques, spas, an all-inclusive hotel and an enlarged golf course.

Once it has been given a makeover, Castelfalfi is expected to attract 3,200 German guests at any one time and will give the first whiff of mass tourism in a region that attracts holidaymakers precisely because of its small-scale family-run hotels.

Now here is the BIG Question? How is Germany's own "Toscana Faction" - the class of politicians and intellectuals who frequent the region - will respond to the idea of their quiet holiday paradise potentially being overrun by hordes of "fellow" Germans???

Beginning in the 1960s the Tuscan farmers and their families began to leave the village in droves to search for work elsewhere, and it has never recovered from the exodus, and there are but a few elderly that remain.

So, Castelfalfi is not going to be a "living city", not even a Theme park with imported daily "flavor", but a Spa Village, presumably with Italian employees, unless the help will also be imported Germans.....hmmmm.

Room mit ein view: German travel company buys up entire Tuscan village

· Old settlement to become resort for 3,200 tourists
· Italians sceptical over promises for the future

Castelfalfi

The tranquillity of Castelfalfi will soon be the preserve of thousands of German tourists. Photograph: Franco Silvi/EPA

It has long been part of the folklore of holidaying that they hog the sunloungers. And now it appears the Germans are commandeering villages as well.

The entire Tuscan village of Tenuta de Castelfalfi has been snapped up by the giant tour operator TUI and is due to be turned into an integrated holiday playground for German tourists within the next two years.

In a move which would no doubt make the Tuscany-loving author EM Forster turn in his grave, the exquisitely beautiful but rundown medieval settlement north of Siena, and close to Florence and Pisa is soon to be renamed Toscana Resort Castelfalfi.

"The Germans have conquered our village!" declared the local paper, Il Tirreno, following news of the sale.

Complete with four square miles of land, a three-star hotel, 18-hole golf course, olive groves, vineyards and scores of elegantly crumbling villas, Castelfalfi is believed to have been bought for €250m (£170m).

Everything from the historic castello that gives the village its name and perches above it on a rocky peak, to its old ramparts, houses and gardens, were part of the deal. Only the church was out of bounds, but the company is obliged to pay for it to be renovated.

The concept involves creating a self-contained "holiday world" within Castelfalfi's historic walls, including restaurants, boutiques, spas, an all-inclusive hotel and an enlarged golf course.

Once it has been given a makeover, Castelfalfi is expected to attract 3,200 guests at any one time and will give the first whiff of mass tourism in a region that attracts holidaymakers precisely because of its small-scale family-run hotels.

It is unclear how Germany's own "Toscana Faction" - the class of politicians and intellectuals who frequent the region - will respond to the idea of their quiet holiday paradise potentially being overrun by hordes of their compatriots. Karl Born, a German professor of tourism and former member of TUI's governing board, told Focus magazine that the tour company's move was an attempt to fill a "gap in the market".

"Tuscany is a dream destination. Many holidaymakers want to go there, but have not been able to find exactly what they want," he said.

Golf and spa opportunities are considered by the mass market tourism industry to be particularly underdeveloped in the region.

For the village, being owned is nothing new. For hundreds of years its tenant farmers produced their olive oil, wine, cereals and tobacco for the noble family to whom it belonged. But in the 1960s the farmers and their families began to leave the village in droves to search for work elsewhere, and it has never recovered from the exodus.

Which might explain why TUI's dramatic move, described as its biggest ever development, has met with little opposition from the five remaining Castelfalfians.

"I'll wait to see how it will be," 74-year-old resident and retired hunting watchman Camillo Carli told the German newspaper Die Welt. "I'm old so it doesn't really affect me - it's more something that will impact on the young."

His son-in-law, Andrea Mechacci, said he saw the sale as a big chance. "If it remains as it is, then the village is dead," he said. Any life German tourists brought with them would be welcome, he added.

However, Valentino Morelli, who was born in Castelfalfi and keeps a holiday home there, told Die Welt: "I only hope that they have the financial means to see this through. But I will not be selling up even if they make me an offer."

There will be very little that is Italian about the Castelfalfi experience apart from the location. Forget soaking up the atmosphere of lively markets, watching courting young couples making out on the hillside or milling with the elegant locals and black-clad widows in the village square.

Paola Rossetti, the mayor of Montaione, the administrative district to which Castelfalfi belongs, cautiously welcomed the purchase, but said the authorities would keep a close eye on how the village was developed. "We will not allow everything to happen," she said. "The Germans can come, on condition that Castelfalfi remains the paradise that it is."

TUI says it wants to offer its guests the full rural experience - including locally produced fruit, vegetables and wine. Its boss, Michael Frenzel, said the village would be "self-sufficient as far as possible through the use of renewable energy".

But many in the Montaione region are sceptical, remembering a string of earlier attempts to rejuvenate the ghost village.

In every decade since the 1970s one investment project after the other has failed. The last attempt at the start of the 1990s looked hopeful. A hotel, golf course and restaurant were built and a spa was also planned, but the ideas collapsed due to lack of funds and since then virtually nothing has happened. House facades have been rudimentarily kept up and gardens tended, just in case another investor was to drop in, but in general Castelfalfi is in dire need of renovation.

TUI Travel, Europe's largest tour operator, is probably its surest bet yet.



The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
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Annotico Email: annotico@earthlink.net

Boeing 787 "Dreamliner" Dream Began in Italy, Will Reap Rewards

Boeing has won more than 600 orders for the "Dreamliner" 787, mid-size, long-haul jet will burn less fuel, be cheaper to maintain and offer more passenger comforts than comparable planes flying today. Even it's fierce competitor Airbus expressed admiration.
But the "Dreamliner 787 would not have been possible except for Italy's Alenia/Finmeccanica focus and specialisation in composite materials since the 1980s, which have enabled Alenia/Finmeccanica to reach "points of technological excellence" and superiority in the field.
50% of the the "Dreamliner" 787 will be built of carbon fiber supplied by Alenia/Finmeccanica making it light enough to save 20% on fuel costs, an ecstatic Boeing chief James McNearney called "a dream come true".
The 787 — will be the world's first large commercial airplane made mostly of carbon-fiber composites, which are lighter, more durable and less prone to corrosion than aluminum.

Alenia's relationship with Boeing goes back to the early 1960s when it made fuselage panels for the DC-9. Today, Alenia supplies parts for Boeing's 777 and 767 jets. It supplies Boeing with the outboard flap for the 777, the longest piece of composite structure on the 777, and until Boeing's 717 went out of production earlier this year, Alenia built the fuselage.

But the 787 represents a new way of doing business for Alenia. Just as Boeing has outsourced most of the manufacturing work, Alenia has outsourced a significant amount of work to suppliers in Italy and in other parts of Europe.

For the 787, Alenia will itself manufacture fuselage sections, numbered as 44 and 46, of the Dreamliner, which will be in the middle of the plane. So on land near this city of Grottaglie, near the port city of Taranto Puglia, inside the heel of Italy's boot, on what only a year ago were groves of more than 1,000 olive trees, some 4 centuries old, a huge new factory has taken root. It is so big that 24 U.S. football fields could fit under its roof. Happy to report the 1,000 Olive trees were not destroyed, BUT replanted in nearby communities.

Alenia has a plant in Foggia (also in Puglia) that will supply the horizontal stabilizer for the 787, the winglike structure on the tail, which is about 65 feet long and, like the fuselage and wings of the 787, it will be composite.

Another Alenia plant at Pomigliano (in Campania, 9 miles N of Naples) will supply frames and shear ties for the Dreamliner. Some machined parts will come from the Alenia plant at Nola. (also in Campania, 16 miles ENE of Naples, better known as the origin of the "Feast of the Giglio" dates back to 409AD)

At one time, Alenia had nearly 200 of its Italian engineers working in Everett (Seattle Washington) with Boeing on the 787 program. Most have returned to Italy.

However, Boeing while impressed with the creativity, and engineering know how of the Italians, was surprised by the speed at which Alenia moved on the building of the Grottaglie manufacturing center, with an area the size of two dozen American football fields and 40 million pounds of structural steel in its bones, AND produced the first pre-production fuselage sections for the 787.Dreamliner project , in a year and a half! Says Antonio Perfetti, Alenia Aeronautica’s chief operating officer. “This was not expected from ‘those Italians.’ ”

And on another topic, I have to say that I was disapointed that Italy was not more involved with the Airbus. I did not realize that Airbus Industrie, has long courted Alenia to become a full partner, but the company has steadfastly (yet politely) refused. Hugel points out that Alenia has developed new manufacturing capabilities and experience to be attractive to both Airbus and Boeing. Hugel says. “Why apply them to only 50 percent of the market when you could get 100 percent?”

Predictably, Alenia also does a lot of work for Airbus. It is the largest non-Airbus European partner on the 555-passenger A380, supplying Airbus with most of the plane's center fuselage section.

Alenia Aeronautica is a descendant of airplane builders Fiat and Aeritalia, and is pleasant to see that all of the 787 work to be done in Italy will be south of Rome, the headquarters.

See the articles below from the Los Angeles Times, ANSA, and the Seattle P-I (The most informative)
For those who REALLY want to know what goes on behind the scenes, read "Alenia’s Gamble" in Air Space Magazine. http://www.airspacemag.com/issues/2007/june-july/Alenia.php


Boeing's First 787 Has Big Debut
Thousands gather to watch the rollout of the completed Dreamliner. The firm has orders for more than 600 of them.

Los Angeles Times
From The Associated Press
July 9, 2007

EVERETT, WASH. — Boeing Co. unveiled its first fully assembled 787 on Sunday to an audience of thousands who packed into its wide-body assembly plant for the plane's extravagantly orchestrated premiere.

With flight attendants on stage from each airline that has ordered the jet, the giant factory doors opened wide as the plane slowly moved into view to the strains of a song composed specially for the 787, which Boeing calls the Dreamliner.

Boeing has won more than 600 orders from customers eager to hold the jet maker to its promise that the mid-size, long-haul jet will burn less fuel, be cheaper to maintain and offer more passenger comforts than comparable planes flying today.

The 787 — Boeing's first all-new jet since airlines started flying the 777 in 1995 — will be the world's first large commercial airplane made mostly of carbon-fiber composites, which are lighter, more durable and less prone to corrosion than aluminum.

The first test flight is expected to take place between late August and late September. The plane is set to enter commercial service next May after Japan's All Nippon Airways receives the first of the 50 it has ordered.

Boeing has won 677 orders for the new plane, selling out delivery positions through 2015, two years after Airbus expects to roll out its competing A350 XWB.

In a rare tip of the hat to the competition, Airbus congratulated Boeing on the 787, whose commercial success has chipped away at the edge the European plane maker once held over its Chicago-based rival.

"Even if tomorrow Airbus will get back to the business of competing vigorously, today is Boeing's day — a day to celebrate the 787," Airbus co-Chief Executive Louis Gallois said in a letter to Boeing Chairman and CEO James McNerney.

The 787 that debuted Sunday will serve as the first of six flight-test airplanes, while two other planes will be used for static and fatigue tests.

Boeing hired former "NBC Nightly News" anchor Tom Brokaw to serve as master of ceremonies for the 787 debut, which was broadcast live on the Internet and on satellite television in nine languages to more than 45 countries. The company set out 15,000 seats for spectators at the 787 factory.
Thanks to Pat Gabriel and Fraschetta

DREAMLINER BOOST FOR ITALY

(ANSA) - Rome, July 9 - Boeing's revolutionary new Dreamliner 787 will provide a major boost for the Italian aerospace industry, officials said Monday.

The fuselage and other components of the new 'plastic' airliner have been built by Alenia Aerospazio, the aerospace
unit of Italian industrial group Finmeccanica.

Speaking as the Dreamliner was rolled out near Seattle, Finmeccanica chief Pier Francesco Guarguaglini told ANSA: "This is an important day for aeronautics and for Finmeccanica because it sees the birth of one of the most significant commercial successes in history".

He said Alenia's [a sister company of Finmeccanica] level of specialisation in composite materials were the fruit of targeted investment since the 1980s which have enabled Finmeccanica to reach "points of technological excellence" in the aerospace field."Thanks to the experience we have gained we will be able to achieve a position of leadership, bringing further important projects and business opportunities," Guarguaglini said.

Some 26% of the Dreamliner is Alenia's and will be produced in two plants in the southern Italian region of Puglia, at Grottaglie near Taranto and in Foggia.

"It's a really great day for Boeing's industrial collaboration with Alenia," said Boeing Italia chief Rinaldo Petrignani, noting that a plant the size of 15 soccer pitches had been set up at Grottaglie "in record time".

The airliner, billed as a response to Airbus's giant A380, is 50% built of carbon fiber making it light enough to save 20% on fuel costs.Boeing chief James McNearney called it "a dream come true".

As the A380 has struggled with delays that have hit orders, the Dreamliner has already spurred 100 billion dollars' worth of orders, he noted.

Ps. The reason 787 was shown yesterday cause it was 7/ 8/07

-------------------------------------

Boeing Dream Begins in Italy In Europe, Home of Airbus

Seattle P-I By James Wallace P-I Aerospace Reporter Wednesday, June 28, 2006

GROTTAGLIE, In Italy , Europe, the home of Airbus, is playing a key role in the development of The Boeing Co.'s 787 Dreamliner.

On land near this city inside the heel of Italy's boot, on what only a year ago were groves of more than 1,000 olive trees, some 4 centuries old, a huge new factory has taken root. It is so big that 24 U.S. football fields could fit under its roof.

The factory is owned and operated by Alenia Aeronautica, one of Europe's major aerospace companies, and will be used exclusively to produce two middle fuselage sections of Boeing's 787 Dreamliner.

"This program is in our heart," Giovanni Bertolone, chief executive of Alenia Aeronautica, said of the 787. "This adventure is a new way of working together. We are demonstrating advanced composite technology."

The Dreamliner will be the world's first large commercial jetliner with a composite airframe, including the fuselage. The program represents an evolutionary change from the way Boeing has built jetliners. Instead of Boeing doing most of the work, its partners such as Alenia Aeronautica are responsible for manufacturing the composite wings and fuselage.

Alenia has not yet started to manufacture the 787 fuselage sections that it is responsible for. But much of the high-tech tooling that will be needed is already in the factory.

"What I've been hoping to see for so long is now a reality," said Guglielmo Caruso, 787 program director for Alenia Aeronautica.

Alenia will manufacture fuselage sections, numbered as 44 and 46, of the Dreamliner, which will be in the middle of the plane.

The manufacturing process will begin in what's known as a clean room inside the factory, where an automated machine will lay down layers of carbon fiber material on a mold, or mandrel, in the shape of the fuselage barrel.

For section 46, for example, about 4,000 pounds of carbon fiber material will be used. That section will be nearly 19 feet in diameter and about 33 feet long. Fuselage section 44 will be the same diameter but about 28 feet long.

Because they are composite, each of these sections or barrels can be made as one large pressure vessel. For that, an autoclave is needed, and the Alenia plant has Europe's largest, measuring about 64 feet long and 28 feet wide.

The autoclave is essentially a giant oven that uses pressure and heat to cure the carbon fiber material. Each Alenia fuselage barrel will spend from six to eight hours in the autoclave. Alenia made sure its autoclave was big enough to accommodate longer fuselage sections that will be used later when Boeing stretches the Dreamliner to carry more passengers.

There are a number of other steps in the manufacturing process before a fuselage barrel is finished. Alenia executives said the entire process will initially take months, but they expect to cut the time by half.

Employment at the plant is expected to peak at about 500 in 2008.

Alenia's relationship with Boeing goes back to the early 1960s when it made fuselage panels for the DC-9. Today, Alenia supplies parts for Boeing's 777 and 767 jets. It supplies Boeing with the outboard flap for the 777, the longest piece of composite structure on the 777.

Until the plane went out of production earlier this year, Alenia built the fuselage for Boeing's 717.

Alenia also does a lot of work for Airbus. It is the largest non-Airbus European partner on the 555-passenger A380, supplying Airbus with most of the plane's center fuselage section.

But the 787 represents a new way of doing business for Alenia. Just as Boeing has outsourced most of the manufacturing work, Alenia has outsourced a significant amount of work to suppliers in Italy and in other parts of Europe.

Alenia also formed a 50-50 partnership with the U.S. company Vought, which is headquartered in Texas. The joint company, Global Aeronautica, has built a new plant in Charleston, S.C., where the two Alenia 787 fuselage sections will be joined, along with the forward fuselage section made by Kawasaki in Nagoya, Japan, and the center wing box made by Fuji at its Nagoya plant.

This entire Italian-Japanese-made fuselage section will then be flown to Boeing's Everett plant for final assembly of the Dreamliner. This will happen next year, with the first 787 flying by late summer of 2007.

Alenia, which is wholly owned by Finmeccanica, a global defense and aerospace company based in Italy, has other plants in this part of southern Italy that are involved in the 787 program.

The Grottaglie 787 plant is near the port city of Taranto. Alenia has a plant in Foggia that will supply the horizontal stabilizer for the 787, the winglike structure on the tail.

The horizontal stabilizer is about 65 feet long and, like the fuselage and wings of the 787, it will be composite.

Another Alenia plant at Pomigliano will supply frames and shear ties for the Dreamliner. Some machined parts will come from the Alenia plant at Nola.

At one time, Alenia had nearly 200 of its engineers in Everett working with Boeing on the 787 program. Most have returned to Italy.

Boeing has a handful of its people at the Alenia plant. Their work includes helping make sure the Large Cargo Freighter -- a modified 747 used to ferry the bulky pieces to fuselage assembly hub in Charleston -- can land at the airstrip next to the Alenia plant. That runway is being lengthened from about 5,800 feet to more than 10,000 feet to accommodate the freighter.

At least there are no more olive trees to remove. When they were dug up to make way for the 787 factory, they were not destroyed but replanted in nearby communities.

The extended runway will be finished before the end of the year. And the first Alenia-built 787 fuselage barrels, along with the horizontal stabilizer, should be in Charleston sometime in the first quarter of 2007.....

P-I aerospace reporter James Wallace can be reached at 206-448-8040 or jameswallace@seattlepi.com.
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Monday, July 9, 2007

Fiat "500" Got Italians UP off Scooters, Now Getting Swedes DOWN out of Guzzlers

The Fiat "500" got Italians off their Scooters, and into cars in 1947, and sold 500,000 of them, and 30 years after production stopped, 10% are still on the road.
The reintroduction of the new Fiat "500' may very well be successful again, but this time, because it will be accomplishing getting people out of their big non-green cars, and the Scandanavians seem to be a particularly good target market.
Ironic, formerly, Fiat was moving prospects UP, now their moving prospects DOWN, with basically the same car.!!!

Fiat's New Look For Iconic 50s Favourite

Fiat has unveiled a new 500 model to mark the car's 50th birthday.

And the Italian car maker is hoping its new compact can do for it what the iPod did for Apple.

New look for 50-year-old 500
New look for 50-year-old 500

The iconic predecessor of the new machine did more than any other car to get Italians off their Vespas and behind the wheel.

When it was introduced in 1957, the Fiat 500 cost 450,000 lire - the equivalent today of Ј150.

The price of the new model has not yet been released but reports have estimated it to be between Ј7,000 and Ј10,000.

Fiat aims to sell 50,000 by the end of the year, and already has 25,000 dealer orders.

The car was designed by Frank Stephenson, famous for the successful redesign of the Mini.


He has retained the iconic shape of the original, but added some modern twists.

Customers will be able to pick out designs to personalise the body, including paintings of flowers or flames.

Fiat's Chief Executive Officer Sergio Marchionne hopes the new design will help the company build on its recent return to profitability.

He told Turin daily La Stampa that the firm had been inspired by the iPod's cutting-edge melding of value and elegance.

"I want Fiat to become the Apple of automobiles. And the 500 will be our iPod," he said.

Of the five million original 500s, more than 500,000 are still on the road, some 30 years after production was halted.

http://news.sky.com/skynews/article/0,,30400-1273801,00.html


Green Swedes Turn off Big Cars

Big Saab and Volvo station wagons could be going out of fashion in their homeland of Sweden, according the International Herald Tribune, as the Italians relaunch a tiny but iconic car.

The IHT reckons the popularity to date of big Saabs and Volvos means that Sweden has the highest level of "pollution-emitting" cars in the EU. It says such stats are "forcing Swedes to weigh a delicate trade-off between support for their cherished automakers and their rapidly greening mindset".

Olle Maberg, a retired executive from Volvo who drives a large Volvo 4x4 admits to the IHT: "As global warming becomes more evident it will get more and more embarrassing to drive around in a big and heavy car like this."

Perhaps the Swedes could turn to the tiny Fiat 500. The Times reports that the "iconic" Cinquecento is being relaunched by the Turin carmaker 50 years after the original model hit the streets.

It says the old Fiat 500 "symbolises for many Italians the postwar years of economic boom and the dolce vita." At the launch of the new model, which was attended by the prime minister, Romano Prodi, Fiat claimed: "The new Fiat 500 will be the iPod of cars."

The Guardian says the new model is "sleeker" but slightly bigger than the old one.

http://blogs.guardian.co.uk/news/archives/2007/07/05/green_swedes_turn_off_big_cars.html

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The ANNOTICO Reports Can be Viewed (and are Archived) on:

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In Italy: The Great Debate: Is Garlic In or Out???

The great debate is between Taste and Social propriety. There is the additional aspect of the Medicinal value of Garlic..


In Italy, is Garlic In or Out?
USA Today
From Associated Press
June 22, 2007
ROME (AP) — Look around the kitchen of Filippo La Mantia's hip restaurant in downtown Rome and you'll see oranges, fresh basil, olive oil. But no garlic.

"I will never use garlic!" declares the Sicilian chef as he demonstrates how to make a flavorful pasta dish — octopus linguine with orange juice and almond pesto — without the ingredient he hates.

A quintessential element of traditional Italian and Mediterranean cooking, garlic is at the center of a gastronomic dispute in this nation that prides itself on its food. To critics it is just a stinky product that overwhelms more delicate flavors. Admirers say garlic enhances taste, gives a dish an extra punch — and is also good for the health.

"Garlic is the king of the kitchen," says Antonello Colonna, another prominent Italian chef. "To eliminate it is like eliminating violins from an orchestra."

Critics have started a ferocious campaign for garlic-free dining, and the debate has moved out of culinary circles. Corriere della Sera, Italy's top daily, devoted a page to the matter this week, listing celebrities in each camp under the headline: "The Crusade of Garlic Enemies."

They have a high-profile campaigner in former Premier Silvio Berlusconi, whose aversion to garlic and obsession with minty breath are legendary. During his five-year stint, Palazzo Chigi, the premier's palace, was rigorously garlic-free.

"He considers garlic very dangerous for the environment, his personal environment," said Carlo Rossella, who heads the news department for one of Berlusconi's Mediaset channels. "Berlusconi doesn't like bad smells. Garlic is considered by Berlusconi a bad smell."

Rossella, who says he is allergic to garlic, has been compiling a list of garlic-free restaurants and hopes to persuade "distinguished" restaurants to come up with separate garlic-free menus.

"Garlic for me is a sort of persecution," he laments. "They put garlic in almost any dish: With meat, with fish, everywhere. It's not politically correct to impose garlic on everybody."

Food critic Davide Paolini counters that certain dishes — such as the aglio, olio e peperoncino (or garlic, oil and hot peppers) pasta — simply cannot be cooked without it. He has launched a survey on his website to ask readers where they stand on the debate.

"It's nonsense dictated by people who want to keep their breath under control," he told The Associated Press. "But it's a real, genuine smell. It's not stink."

The bulbous herb has long been a mainstay of Italian cuisine, from steaks in Tuscany to dishes of the poor south, where cooking is traditionally less rich in butter and cream and garlic's pungent flavor often accompanies simple vegetable dishes.

Garlic's therapeutic qualities also have been proclaimed, including for heart disease, cancer and infections, but there's no agreement in the scientific community. A study published in February in the Archives of Internal Medicine found garlic had no effect on cholesterol in people whose levels already were elevated.

Fearing the no-garlic campaign might hurt producers, farmers associations have weighed in. One leading farming group, Coldiretti, put out a statement lamenting the "controversy over the use of garlic" and maintaining it contributes to Italians' longevity.

Italians consumed 108 million pounds of garlic in 2006, up 4.3% from the previous year, according to Coldiretti. Italian production, however, was down from 65 million pounds in 2005 to 62 million pounds in 2006, while imports were up from countries like Turkey, China and Egypt.

La Mantia's customers love his garlic-free dishes — his trattoria has been a success story in Rome since it opened four years ago.

"You can cook perfectly well without it," he said. "I use a lot of different ingredients — mint, basil, capers, orange, lemons — to make up for it."

Moments after scooping his pasta from the pan and sprinkling it with thin almond slices, he says: "And that is how we do it."

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Seven Wonders of The World - Ancient and Medieval

Only One of the Seven Ancient Wonders of the World (BC) has physically survived, The Great Pyramid of Giza.
But the Great Pyramid of Giza was NOT included on the Seven Medieval Wonders of the World.
On the Seven Medieval Wonders of the World were both the Colosseum, and the Leaning Tower of Pisa
And from the Seven Medieval Wonders of the World Only the Colosseum, and the Great Wall of China repeat on the Seven Current Wonders of the World

The SEVEN MEDIEVAL Wonders of the World
STONEHENGE .... Stonehenge is composed of earthworks surrounding a circular setting of large standing stones. Archaeologists believe the standing stones were erected around 3200 BC, although the Stonehenge complex was built in several construction phases spanning 3,000 years, although there is evidence for rudimentary activity dating back to around 8000 BC..
COLOSSEUM... is a giant amphitheatre in the centre of the city of Rome Italy. Originally capable of seating around 50,000 spectators, it was used for gladiatorial contests and public spectacles, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. It was built just east of the Roman Forum, with construction starting between 70 and 72 AD under the emperor Vespasian. The amphitheatre, the largest ever built in the Roman Empire, was completed in 80 AD under Titus, with further modifications being made during Domitian's reign.

The Colosseum remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century ? well after the traditional date of the fall of Rome in 476. The building was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.Although it is now in a severely ruined condition due to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome and is one of the finest surviving examples of Roman architecture. It is one of modern Rome's most popular tourist attractions

CATACOMBS OF KOM el SHOQAFA ...in Alexandria, Egypt The necropolis consists of a series of Alexandrian tombs of the Pharaonic funeral cult with Hellenistic and early Imperial Roman influences. A circular staircase leads down into tombs that were tunneled into the bedrock during the age of the Antonine emperors (2nd century AD).

GREAT WALL OF CHINA ...is the world's longest human-made structure, stretching over approximately 4,000 miles) from Shanhai Pass in the east to Lop Nur in the west, along an arc that roughly delineates the southern edge of Inner Mongolia. It is also the largest human-made structure ever built in terms of surface area and mass.

While the First walls were built from the 5th century BC to 221 BC, by the states of Qi, Yan and Zhao, they were merely earthen. In 220 BC the first Emperor of China, Qin Shi Huang conquered those states, unified China, had all walls separating those states destroyed, and built a wall that was much further north than the current wall, and little of it remains. Later, the Han, Sui, Northern and Jin dynasties all repaired, rebuilt, or expanded sections of that wall at great cost to defend themselves against northern invaders.

The Great Wall concept was revived again during the Ming Dynasty following the Ming army's defeat by the Mongols in the Battle of Tumu in 1449. The Ming adopted a new strategy to keep the Mongols out by constructing walls along the northern border of China. Acknowledging the Mongol control established in the Ordos Desert, the wall followed the desert's southern edge.

PORCELAIN TOWER OF NANJING...also known as the "Temple of Gratitude", is on the south bank of the Yangtze in Nanjing, China, and was constructed in the 15th century. Warfare and subsequent destruction overtook it in the 19th century, and it is now under reconstruction

From an octagonal base about 97 feet in diameter, the tower's nine stories rose pyramidally to a height of about 260 feet. The brilliant white porcelain bricks that faced the tower were what made it so unforgettable. By day, the bricks glittered in the sun, and at night they were illuminated by perhaps as many as 140 lamps hanging around the exterior of the pagoda. Worked into the porcelain panels were colorful stoneware tiles with green, yellow, white, and brown glazes forming images of animals, landscapes, flowers, and bamboo.

HAGIA SOPHIA..... was first a patriarchal basilica, later a mosque, now a museum, in Istanbul, Turkey. Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and one of the most beautiful buildings in the world. It was the largest ever cathedral built in the world for more than a thousand years, until the completion of the Seville Cathedral in 1575, during the Renaissance

LEANING TOWER OF PISA ....is a campinile of the cathedral of Pisa. Although intended to stand vertically, it began to lean in south easterly direction soon after construction in 1173. It is 183 ft high, the tower has 294 steps, weighs 14,500 metric tonnes, and leans at 5 degrees, which means it is 4.5 metres off vertical which means it is 14.75 feet off vertical at the top.

The construction started to sink after completing the third of 8 floors, and in order to compensate engineers built the higher floors with one side taller than the other, this made the tower lean in the other direction, and because of this the tower actually is curved.

Other sites that have been mentioned include: Taj Mahal, Saladin Cairo Citadel, Ely Cathedral , and Cluny Abbey

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The SEVEN ANCIENT Wonders of the World
Wonder Date of construction Builder Notable features Date of destruction Cause of destruction
Great Pyramid of Giza 2650-2500 BC Egyptians Built as the tomb of Fourth dynasty Egyptian pharaoh Khufu. Still standing -
Hanging Gardens of Babylon 600 BC Babylonians Herodotus claimed the outer walls were 56 miles in length, 80 feet thick and 320 feet high (although some archaeological findings suggest otherwise). After 1st century BC Earthquake
Temple of Artemis at Ephesus 550 BC Lydians, Persians, Greeks Dedicated to the Greek goddess Artemis, it took 120 years to build. Herostratus burned it down in an attempt to achieve lasting fame. 356 BC Arson
Statue of Zeus at Olympia 435 BC Greeks Occupied the whole width of the aisle of the temple that was built to house it, and was 40 feet (12 meters) tall. 5th-6th centuries AD Dismantled by Christian rulers to discourage paganism
Mausoleum of Maussollos at Halicarnassus 351 BC Persians, Greeks Stood approximately 45 meters (135 feet) tall with each of the four sides adorned with sculptural reliefs. Origin of the word mausoleum. by AD 1494 Damaged by an earthquake and eventually disassembled by European Crusaders
Colossus of Rhodes 292-280 BC Hellenistic Greece A giant