Friday, June 29, 2007

Quirky Italian Artist Builds "Indescrible" Tribute to Italian Culture

They don't quite know what to think about with Silvio Barile's, "creation", much like people were puzzled by the work of Somon Rodia, and his Rodia Towers in Los Angeles, that many tears later are held in the highest reverence.
A third well known Italian eccentric that is now also revered is Baldasare Forestiere and his Forestiere Underground Gardens in Fresno

Monumental Obsession

Italian-American immigrant's passion for history is set in Quikrete

The Detroit News/ Michael H. Hodges / Thursday, June 28, 2007

Visit Silvio Barile, 67, in his "Italian-American Museum" in Redford Township, and you enter a crazy-quilt landscape that is, quite literally, like nothing you've ever seen.

Let him guide you through his former pizzeria -- stacked to the ceiling with kitsch, from ceramic nuns to old Dean Martin and Connie Francis albums -- as he ticks off his artistic creations, most of which loom in the wonderland behind the store.

A short, astonishingly energetic man who moved to America as a teenager, Silvio's words spill out in accented torrents.

"OK," he says, threading past pyramids of Dei Fratelli spaghetti sauce and columns of unopened wine bottles that snake through the crowded store, "I got the Detroit David. I got a statue of Pope John Paul. There's Julius Caesar. I got Alexander the Great.

"And for the Red Wings fans," he adds with obvious relish, "I got a beautiful Stanley Cup."

All enormous. All hand-made. And all constructed out of cement.

Boiled down to its essentials, this is a tale of the relationship between an immigrant, an obsession, and several tons of concrete.

"It's out of another planet," says sculptor Sergio DeGiusti, who used to teach at Wayne State. "I've known Silvio for 30 some years. I've given lectures on him. There he is -- totally nuts."

Silvio's works are towering agglomerations in the "primitivist" style, statues with crudely crafted limbs and faces, encrusted with inlaid marbles, little dolls, clocks and bits of polished stone.

Behind the pizzeria-turned-museum, the courtyard he calls the "Appian Way" features a massive Augustus Caesar. Little figures representing Silvio's five children cluster at the emperor's feet.

Nearby is his tribute to the "Three American Kings," the boxers Rocky Marciano, Joe Louis and Muhammad Ali.

Across the alley, Silvio's backyard is even more mobbed with statuary, including the "Birth of the American Venus," which boasts an embedded Liberty Bell and a small replica of the Mayflower.

Silvio shakes his head.

"It stuns me that I did this. It was so difficult. Little Silvio helped me," he says, referring to his 25-year-old son, "but I must be a crazy person."

He did it all, he says, to remind Italian-Americans of their heritage, and Americans of their need for spiritual renewal.

"I love the people of America terribly much," Silvio says, "but I want them to become a little better, a little bit more moral."

He rails -- in his charming fashion, albeit with the sharp words of an angry prophet -- against the immorality that's overtaken American culture, the sexual exploitation of women, and the prevalence of abortion and divorce.

Yet Silvio himself is divorced.

And up near the ceiling in his cheek-by-jowl storefront museum, there's a pin-up of a blonde wearing nothing but a radiant smile.

He shrugs. "Well, sometimes I make mistakes."

His unexpectedly strong language on moral issues created problems for anthropologist John Allan Cicala, who mounted an exhibit on Silvio's work at the 1992 Michigan Folklife Festival.

Cicala was out of state when the festival opened, so Silvio himself addressed visitors.

"You can imagine how that turned out," Cicala says by phone from Newburgh, N.Y. "The festival people called me in New Jersey and said, 'Can you come over and present for Silvio? He's alienating everyone with his talk about American women being whores.'"

"If you let him, he can be offensive," says Kathy Vander, who co-produced a documentary on Silvio entitled "Silvio: A Story About Art & Pizza."

"He's old-school. You just have to know how to take him. It's kind of a whole package."

Artistically, DeGiusti places Silvio in the tradition of inspired, self-taught visionaries whose obsessions sometimes border on the insane.

He calls Silvio "an anarchist," but will tell you flat-out that his statuary -- a classic example of "outsider art," not unlike Tyree Guyton's Heidelberg Project or the Watts Towers in Los Angeles -- unquestionably has artistic merit.

"Oh God, yes," DeGiusti says, "But I've always glorified this sort of art. These people live in their own fantasy world, and they're often deeply moved by religion."

Indeed, it almost feels like Silvio's creations -- studded with references to morality and spirituality -- serve a penitential purpose, the sinner creating to the greater glory of God (and, incidentally, to the greater glory of Italy, America and the Red Wings) as a way of expiating his own sins.

And the truth is -- to build concrete towers 20-feet high with your bare hands, and haul around boulders the size of large ottomans is a cause that requires religious devotion.

"John Prusak and I moved one of his sculptures out to Cranbrook for our premiere," says Matt Cantu, referring to the Silvio documentary he made two years ago with local filmmakers Prusak and Vander. (The 30-minute film is available at www.vanderfilms.com.)

"The statue was only three-feet high," Cantu adds, "but it took us half a day. It nearly killed us."

Like DeGiusti, Cicala finds a seriousness in Silvio's creations that others might miss.

"He makes these pieces with whatever is going through his head at the time," Cicala says, "but it is conceptual. It is thought through."

Others, like Cantu and DeGiusti, see a sadness -- or darkness -- behind Silvio's maniacal devotion, but you won't get much of that out of the artist himself.

Right now he's working on an American Colisseum, as well as a tribute to Pompeii, for which he purchased some enormous quartzite boulders.

"One rock is so beautiful," Silvio says. "I'm making it 'God's Throne.'"

In these massive constructions, DeGiusti is inclined to think he spots "the melancholy of the Italian immigrant," and tips his hat to the sacrifices Silvio has weathered in their creation.

"There's a price you pay for this kind of obsession. You have to be very self-centered to do these sorts of monuments. I mean, he's out there in winter. There's this incredible drive, and this incredible self-indulgence that's costly. It's cost him friends."

DeGiusti pauses.

"Silvio," he adds, "is an opera."

Barile's works are studded with dolls, clockfaces, marbles -- and in this case, the Statue of Liberty guarded by two Roman emperors.

Silvio Barile's 'Italian-American Museum'

Where: 26417 Plymouth Road, Redford Township. It's housed in Barile's former pizzeria.
Hours: Open most days during regular business hours or whenever Barile happens to be around. There's no formal schedule, however, and no telephone.
Admission: Free

Both highly sincere and a bit of a caricature, Barile drives a Buick Roadmaster painted in the colors of the Italian flag.

You can reach Michael H. Hodges at (313) 222-6021 or mhodges@detnews.com.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Garibaldi Honored by Stamp, Celebrated on Saturday, July 21, 2007, at the Garibaldi-Meucci Museum, NYC

CELEBRATING GARIBALDI "Eroe dei Due Mondi: Hero of Two Worlds" In honor of the bicentennial of the birth of Giuseppe Garibaldi, Father of a Unified Italy, Ted H. Jacobsen, Secretary of the New York City Central Labor Council, Mason and philatelist, was inspired to design and print a personalized United States Postal Service stamp to commemorate Garibaldi's birth.
The stamp will be inaugurated on July 4 (the date of Garibaldi's birth in 1807) in the only city in North America (Canada, United States, Mexico) to be named after this charismatic soldier of liberty.
The City of Garibaldi is in Oregon, right on the Pacific Coast. Garibaldi would have been thrilled because he loved the sea. Born is Savoy Nice, in his early years he worked on his father's boat and later plied the seas delivering cargo to as far away as Russia. In his early twenties, Giuseppe would escape with his life from Italy to Brazil and Uruguay (each currently has a city named Garibaldi), having participated in a failed insurrection against the occupying Austrians in Northern Italy.
The history of Giuseppe Garibaldi is both fascinating and complex: his life in South America, his return to liberate the Two Sicilies and unite them with the Kingdom of Italy and Victor Emanuel II, his sojourn on Staten Island after the death of his beloved Anita and his return to help complete his vision for a United Italy.
In association with the Italian Heritage & Culture Month Committee of New York City, the Garibaldi-Meucci Museum on Staten Island
and the Masonic Stamp Club of New York, there will be a special stamp cancellation ceremony by the U.S. Postal Service at the Garibaldi-Meucci Museum on Saturday, July 21, 2007, from 10 AM till noon during their wine and cheese reception.
Immediately following, Dr. Frank Alduino, professor of history at Anne Arundel Community College in Maryland, will deliver a lecture on Garibaldi. For those desiring to attend on July 21, the Museum suggests a donation of $5 per person. Garibaldi-Meucci Museum 420 Tompkins Avenue, Staten Island (NYC) Tel: 718-442-1608 Fax: 718-442-8635
This message was sent by: Italian American Museum, 28 W. 44th St. 17th Floor, New York, NY 10036
The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Italy's Marco Belinelli Drafted by San Francisco Warriors at 18th

If you want to know how good Marco Belinelli is, all you need do is ask LeBron James, Carmelo Anthony and Dwyane Wade for their impressions of the Italian guard from last year's FIBA world championships.

They probably haven't forgotten the scare Belinelli and his countrymen gave them. Belinelli scored 25 points and drilled four three-pointers, but the Americans rallied behind Anthony and overcame a nightmare first half to win.

Belinelli grew up outside of Bologna, where he played during his Italian career.Belinelli weighs just 192 pounds despite being 6-foot-5. He admitted that he would have to get stronger to match up at two-guard against the likes of James and Kobe Bryant, his favorite player. ( Kobe's dad "Jelly Bean" Bryant played basketball in Italy, where Kobe grew up, and speaks Italian fluently)
Italy is represented in the NBA by Mario Ginobli, (considered by some as Argentinean) starring for the San Antonio Spurs, Andrea Bargnani, last year's No. 1 overall pick, by the Toronto Rapters, and now Marco Belinelli with the San Francisco Warriors.

The first Italian player in the N.B.A. was also the league's first foreigner — Henry Biasatti, who played for the Toronto Huskies in the first N.B.A. game in 1946, but played just six games in the league. The last Italian in the N.B.A. was Vincenzo Esposito, who played sparingly for the Raptors in the 1995-96 season, the same season when Stefano Rusconi had a short stint with the Phoenix Suns.

Warriors grab Italy's Belinelli with 18th pick

OAKLAND, Calif. -- The Golden State Warriors selected Italian guard Marco Belinelli with the 18th pick in Thursday's NBA draft, adding another athletic scorer they expect to thrive in their uptempo game.

The 21-year-old Belinelli had been playing professionally in Bologna since 2002, and he starred for the Italian national team in last year's world championships -- including a standout game against the U.S. team.

His pedigree and performances tantalized Chris Mullin. The Warriors' top executive traveled to Italy recently and apparently loved what he saw from the skinny scorer.

"He's a young shooter, slasher, scorer, athletic guy who I've watched for a few years," Mullin said. "I think he's going to fit our system perfect. He can handle the ball well ... and play a little point forward. He's another guy that can go out there and put the ball in the basket."

This draft was a relatively novel experience for the Warriors, who stayed out of the lottery by ending their 12-year playoff drought. Their solid, exciting core reached the second round of the postseason, and most of those players will return if Mullin keeps his club together.

Golden State ran many opponents ragged as the NBA's second highest-scoring club last season, and Belinelli should fit into coach Don Nelson's game plans -- particularly if Mickael Pietrus or Matt Barnes leave as free agents.

"He is the type of guy that both defensively and offensively has a good feel for the game," Mullin said. "He shoots the ball so well, you've really got to go out and get him. He'll open up driving lanes for other people on the floor."

Belinelli has three seasons remaining on his contract with Fortitudo Bologna, but has an escape clause to join the Warriors.

Belinelli's outside shooting and ball-handling will make his valuable to Nelson -- a whole lot more valuable than Mullin's last two first-round picks, chosen before the coach returned.

Forward Ike Diogu and center Patrick O'Bryant have been NBA disappointments so far, with Diogu already traded to Indiana and O'Bryant shuttling between Oakland the Bakersfield of the D-League last season.

But Mullin has past draft successes as well. He unearthed Monta Ellis in the second round in 2005, and the prep-to-pro guard won the NBA's Most Improved Player award last season.

This story is from ESPN.com's automated news wire. Wire index

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Italy Unleashes "Dracula" on Tax Cheats !!

For years, many Italians, from small-town shopkeepers to well-heeled Milanese businessmen, had a strategy for dealing with the country's notoriously high tariffs: They evade their taxes.

Some historians claim that tax evasion in Italy has ancient origins. From the fall of the Roman Empire to the establishment of modern Italy in 1860, Italy was occupied by Arabs, Austrians, French and Spanish. Among Italians, dodging taxes constituted a sort of social resistance.

After World War II, Italy needed to rebuild its shattered and impoverished nation. As the economy started to take off in the 1950s and '60s, the government turned a blind eye to tax evasion for fear that a crackdown would cripple growth.

There may be also a cultural explanation. "We're individualistic and we like to bend the rules"

Eluding the tax man is like an inverted civic duty in Italy. Italian citizens often feel compelled to shield one another from a state they find invasive and inefficient.

At the heart of business owners' complaints is frustration with an unwieldy 591-rule tax code. The system is record keeping/paper-heavy.

Also, Italy has one of the highest tax rates in the World at 41.1 %, and exceeded only by France at 43.3 % Following are UK 36%; Germany 34.7; Canada 33.5; Japan 26.4, and the US at 25.5.
Mr. Prodi has pledged to cut the country's deficit to 2.3% of GDP this year from 4.4% last year. Much will come from smoking out tax cheats. Deputy Finance Minister Vincenzo Visco -- a cigar-chomping tax hawk nicknamed "Dracula" by political opponents, has been named by Mr Prodi to lead the charge..

Italy's tax police, the Guardia di Finanza considers the vehicle-registration database a gold mine,since there are 5,800 people in Italy who declare incomes of less than Ђ5,000 a year, but who drive cars worth more than Ђ100,000 !!!!

Another target is electricity bill registration, where if there are multiple under one name, that's a clue that a landlord is renting out apartments but not declaring the income. Last year, tax police in Genoa closed in on a 90-year-old man who had been renting 65 apartments, but hadn't declared more than Ђ500,000 in rental income over several years.

UNHAPPY RETURNS
In Italian Crackdown,
Tax Cheats Get the Boot

New Tools Help Officials
Find Chronic Evaders;
Ending a 'Vicious Cycle'
By GABRIEL KAHN and LUCA DI LEO
June 28, 2007; Page A1

ROME -- For years, many Italians, from small-town shopkeepers to well-heeled Milanese businessmen, had a strategy for dealing with the country's notoriously high tariffs: They cheated on their taxes.

While many citizens and companies profited from the ruse, they nearly bankrupted the state in the process. Now, the government is waging war on tax evasion -- a national epidemic that has weakened the country's ability to balance its budget, fund new investment and create a stable business climate.

CHEAT SHEET
The Issue: The widespread problem of tax evasion in Italy is hindering the country's economy.
The Crackdown: Italy's tax police are scouring records such as car registrations and utility bills to find signs of discrepancies in reported incomes.
What's at Stake: The government's ability to balance the budget and fund new investments.

The government of Prime Minister Romano Prodi estimates that unpaid taxes, including income from the country's sizable black-market economy, are equal to 27% of Italy's gross domestic product. That's more than the country spends on pensions and health care combined.

Italy's public debt is a staggering 106% of its GDP, and is the third largest national debt pile after Japan and the U.S. The country's sovereign debt rating has faced three downgrades in the past four years.

The result is a smoke-screen society in which people live far better than what their reported income would suggest. Only 0.8% of Italians claim to earn more than €100,000, or about $134,000, a year, yet Italy is the No. 3 market for luxury Swiss watches after the U.S. and Hong Kong.

A weak Italian political system has long worked like a gas pedal for tax evasion, accelerating an already chronic problem. A succession of unstable, spendthrift governments has been unable to cut the country's ballooning debt. Desperate for new revenue, the government has imposed taxes on everything from pornography to bingo games.

The upshot, says Giacomo Vaciago, an economics professor at Milan's Catholic University, is a "vicious cycle: The government hikes taxes, people evade more."

Official statistics offer only hints about who might be stashing funds away. Italian restaurant owners declare an annual average income of just €13,300, or $17,900 -- less than schoolteachers, who are among the worst paid in Europe, according to data from Italy's tax collection agency. Jewelry store owners declare an average of €16,600, less than the yearly rent on a small apartment in Milan.

To raise more revenue, Mr. Prodi has launched a national crackdown on tax dodging, which he said had become so pervasive in Italy as to be "incompatible with democracy." Among the new measures: making it easier for tax authorities to peek into bank accounts; limiting cash transactions for payments of only €1,000 or less; and harsher penalties for businesses that fail to issue receipts to customers.

There's a lot riding on the initiative: Mr. Prodi has pledged to cut the country's deficit to 2.3% of GDP this year from 4.4% last year. More than a quarter of the new funds, or €8 billion, he promises, will come from smoking out tax cheats. To lead the charge, Mr. Prodi has selected Deputy Finance Minister Vincenzo Visco -- a cigar-chomping tax hawk nicknamed "Dracula" by political opponents.

One morning in February, agents from Italy's tax police, the Guardia di Finanza, stormed into an elegant apartment building in central Milan and arrested Alberico Cetti Serbelloni. A businessman descended from Italian nobility, he ran a company that sold access to an online art-catalogue database. Police suspected it was a front for a massive tax-cheating operation.

In the arrest warrant, prosecutors claim that Mr. Cetti Serbelloni ran an intricate, European-wide scheme. He sold licenses to access the database to several dozen companies in and around Milan. Police claim these companies would then resell the licenses to firms in Switzerland controlled by Mr. Cetti Serbelloni. The resale to foreign companies allowed the Milan firms to qualify for a rebate on Italy's 20% value-added tax. With the rebate, the companies significantly slashed their tax burden and would give Mr. Cetti Serbelloni half of the money they effectively pocketed.

The alleged scheme -- which authorities say allowed Mr. Cetti Serbelloni and others to evade some €200 million in taxes -- helped provide the 51-year-old Mr. Cetti Serbelloni with a plush lifestyle, say police. He drove a Ferrari and was building a golf resort in Tuscany.

"We're still finding bogus transactions, even months after his arrest," says Capt. Salvatore La Bella, the tax police officer who led the investigation. After spending three months in jail, Mr. Cetti Serbelloni is now waiting for a judge to rule on whether his case should proceed to trial. His lawyer insists his client ran a legitimate business.

Though the government claims it recouped €12 billion in unpaid taxes last year, not all economists are convinced it can keep up that pace. The Organization for Economic Cooperation and Development warned in May that Italy is unlikely to make its 2007 deficit target because the government is too optimistic about its tax crusade.

Even if it misses some targets, the government hopes to chip away at a widely accepted practice in Italian society. Eluding the tax man is like an inverted civic duty in Italy. From the hairdresser who doesn't issue a receipt to the notary who signs off on a phony real-estate sale, Italian citizens often feel compelled to shield one another from a state they find at once invasive and inefficient.

"There is solidarity among tax evaders," explains Beppe Severgnini, a social commentator and author of "Bella Figura," a book about Italians. "In America, if you cheat on your taxes your neighbors won't talk to you. In Italy, they'll ask you how you did it."

Italy's Guardia di Finanza act as a sort of mobile financial-crimes unit. The 64,000-strong corps, a division of the country's law enforcement, patrol customs at the border, carry out random checks on businesses to see if financial records are in order, and conduct investigations into fraud, tax evasion and securities-law violations.

Several years ago, the tax police launched a campaign to get people to anonymously report tax cheats via a toll-free number. The move was roundly criticized in newspapers as something that tried to turn citizens into spies.

Many celebrities, from tenor Luciano Pavarotti to Olympic gold-medal skier Alberto Tomba, have been caught evading taxes and were forced to pay fines. For more than a decade, billionaire former Prime Minister Silvio Berlusconi, who controls a vast media empire, has been rung up on various charges, such as bribing tax police, false bookkeeping and tax evasion. On some of the charges he was acquitted. On others, lower court convictions were either overturned or the statute of limitations expired. He currently awaits another tax-evasion trial.

Rome's attempts to clamp down on tax evasion are part of a broader ill afflicting Europe. Tax rates on the Continent have swelled over the past half-century as governments struggle to finance a costly social welfare system that many citizens feel is their birthright. According to the OECD, in 2004, the most recent year for which data is available, the average tax burden in the European Union was 41.1% of GDP. Total fiscal pressure in the U.S., by contrast, was 25.5%, and has been decreasing in recent years.

Some historians claim that tax evasion in Italy has ancient origins. From the fall of the Roman Empire to the establishment of modern Italy in 1860, Italy was occupied by Arabs, Austrians, French and Spanish. Among Italians, dodging taxes constituted a sort of social resistance.

After World War II, Italy needed to rebuild its shattered and impoverished nation. As the economy started to take off in the 1950s and '60s, the government turned a blind eye to tax evasion for fear that a crackdown would cripple growth. Mr. Visco, the government's point man on tax evasion, believes there's also a cultural explanation.

"We're individualistic and we like to bend the rules," he said. "We try to get around waiting in lines or paying the bus fare, if we can get away with it."

Mr. Berlusconi recognized voters' frustrations with high taxes -- and glossed over the national habit of evading them. In a speech before the tax police several years ago, he said Italians shouldn't "feel guilty" about cheating if their taxes were too high. While prime minister, Mr. Berlusconi also passed numerous amnesties that allowed tax cheats to avoid penalties by paying a small fine.

Yet in some quarters of the business community, there are signs that a long-held tolerance for tax evasion is waning. The Confindustria, the powerful association of Italy's largest companies, for years resented any effort to crack down on tax evasion, considering it just one more form of government interference.

Confindustria now recognizes that rampant tax evasion is contributing to a widening imbalance within business and society. Those hit hardest are salaried employees of large companies -- Confindustria's largest stakeholders -- because taxes are directly subtracted from their paychecks, so they can't shirk them. Consequently, they are bearing a heavier burden because they pick up the tab for those who don't pay.

This tax disparity can put large companies at a disadvantage: Though Italian businesses offer their workers contracts with generous welfare benefits, it's often difficult for them to compete on salary. Workers might make more if they were self-employed and not paying taxes.

In choosing Mr. Visco, a silver-haired economics professor who also served in past governments, Mr. Prodi knew he had a determined ally. "Either we fix this, or we end up like Argentina," said Mr. Visco, referring to the Latin American country's default on its debts in 2001.

When Mr. Visco last year started looking for unpaid taxes, it was difficult to even know where to begin. Since the Italian economy is mainly made up of small, family-owned businesses, the difference between business and individual taxpayers is hazy. So he decided to go after both.

Among the key problems: Half of Italian companies claim either to be in the red or just break even. Among those that declare a profit, the vast majority declare an income of less than €50,000. "If that's the case, I don't understand why they're in business," snickered Mr. Visco.

One of Mr. Visco's first measures was allowing tax police to close any store for up to six months if it was caught not issuing receipts. Random checks ordered by Mr. Visco showed that shop owners frequently didn't give customers receipts after a purchase, pocketing the money directly instead of counting it as taxable sales. During a check in one small northern town, Trentino San Valentino, tax police found that 35% of cafes and 57% of clothing stores failed to issue receipts.

Owners of small businesses are enraged by Mr. Visco's directive. "We don't deserve this sort of harassment," says Mauro Bussoni, deputy director of the Italian association of small and medium-size companies. The penalty, he says, "is barbaric."

Many small-business associations insist the government is blowing the problem out of proportion. "Once upon a time, maybe, you could be more, let's say, elastic," says Tullio Galli, who heads a food vendors' trade association. "That's over."

At the heart of business owners' complaints is frustration with an unwieldy 591-rule tax code. The system is paper-heavy, requiring even small shopkeepers to retain piles of invoices and bills.

"The other day the tax police came in and wanted me to prove I had paid my garbage tax every month between 2003 and 2006," says Mauro Collucci, owner of a corner eyeglass shop in downtown Rome. "They gave me 15 days to find the receipts." (He says he was able to produce them.)

Government officials admit that the tax code itself is a large part of the problem. With so much paper, information is scattered everywhere, making it relatively easy for a supplier and a buyer to report only a portion of their business officially, while doing the rest off the books. Tax officials have so many receipts to go through that it's easy to lose track.

As a result, some of Mr. Visco's attention is also devoted to uniting different tax-collection databases under one roof. Rossella Orlandi is part of this effort. As one of the tax authority's top investigators in Rome, she spends much of her time hunched over a computer screen, cross-checking data that doesn't seem to add up.

Mr. Visco has tried to beef up the tax authority's computer resources. So Ms. Orlandi now can check people's income declarations against car or home purchases. The findings often set off alarm bells. For example, there are 5,800 people in Italy who declare incomes of less than €5,000 a year, but who drive cars worth more than €100,000.

"The vehicle-registration database is a gold mine," smiles Ms. Orlandi.

Another thing she looks for: Multiple electricity bills registered under one name. That's a clue that a landlord is renting out apartments but not declaring the income. Last year, tax police in Genoa closed in on a 90-year-old man who had been renting 65 apartments, but hadn't declared more than €500,000 in rental income over several years. The tax police spent months secretly interviewing his tenants and combing through bank records. When they finally confronted him with the evidence, "he just shrugged," says Capt. Filippo Capineri.

Even amid the current crackdown, tax police complain they are outgunned. Court cases against tax evaders take years to wind their way through Italy's burdened justice system, giving defendants time to sell assets and move their wealth out of reach of the authorities. Sentences almost never include jail time and tax police have limited ability to freeze assets.

As Luca Cordero di Montezemolo, chairman of Fiat SpA and Confindustria president, describes it: "Italy is a like a boat in which half the people are pulling the oars while the other half are kicking back, enjoying the ride."


Write to Gabriel Kahn at gabriel.kahn@wsj.com and Luca Di Leo at luca.dileo@dowjones.com

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Walter Veltroni, Mayor of Rome, Starts Bid to Lead Italy in Post-Prodi Era

Prodi has pledged to retire from politics when his term ends in 2011, though few political analysts expect his government to last that long. Walter Veltroni, mayor of Rome and one of Italy's most popular politicians is stepping up now, more than three months before the primary, starting his campaign to succeed Prime Minister Romano Prodi as the ruling coalition's leader and next candidate for premier.

Veltroni's leadership of the Democratic Party would boost its support by almost a third to 35 percent. Enormous consensus has formed around Veltroni. As mayor for 7 years, Veltroni is credited with improving the economy of Italy's largest city and raising Rome's profile by promoting tourism and the arts.

Veltroni is also a prolific writer, having published 17 books over three decades. Veltroni, the bespectacled film-school graduate began his political career as a communist, helping to transform the party into the more moderate Democrats of the Left.


Rome Mayor Starts Bid to Lead Italy in Post-Prodi Era


Bloomberg News By Flavia Krause-Jackson June 27, 2007

Walter Veltroni, mayor of Rome and one of Italy's most popular politicians, today starts his campaign to succeed Prime Minister Romano Prodi as the ruling coalition's leader and next candidate for premier.

Veltroni, 51, will announce in Turin his candidacy to head the new Democratic Party, a combination of the Democrats of the Left and Daisy parties, the two largest in Prodi's coalition. Leaders of both parties have endorsed Veltroni, meaning he will probably face just token opposition in an Oct. 14 primary.

Prodi has pledged to retire from politics when his term ends in 2011, though few political analysts expect his government to last that long. Veltroni stepping up now, more than three months before the primary, will help end the leadership debate and raise the profile of the new party.

``Veltroni has been pushed to the forefront as it's becoming increasingly obvious that this government is fragile and that Prodi's days are numbered,'' Antonio Noto, director of Rome-based polling company IPR Marketing, said in an interview. ``We are already entering the post-Prodi era.''

Prodi, who isn't a member of any of the nine parties in his government, lobbied to create the new party to legitimize his leadership and forge consensus among his disparate allies. Instead, Veltroni's candidacy marks a changing of the guard after a decade when politics was dominated by Prodi, 68, and Silvio Berlusconi, 70, who have each served twice as prime minister.

`Everything Changes'

With Veltroni in the picture, ``everything changes,'' Gianfranco Fini, former deputy prime minister and head of the National Alliance party, who is considered a possible successor to Berlusconi as opposition leader, said in an interview with newspaper Corriere della Sera on June 23. ``Prodi has been archived.''

With only a one-seat majority in the Senate, Prodi's grip on power has been tenuous. The loss of a foreign-policy vote in February, nine months into a five-year term, almost brought down the government. Losses in local elections last month further weakened Prodi, and his popularity has sunk to a record low amid constant bickering among his nine coalition allies, which range from communist to Catholic parties.

Prodi came to power last year by defeating Berlusconi by the narrowest margin in modern Italian history. By contrast, Veltroni crushed the opposition and was re-elected as mayor with 63 percent of the vote in 2006.

Lifting Support

Veltroni's leadership of the Democratic Party would boost its support by almost a third to 35 percent, an Ispo Ltd. poll showed. The survey had a margin of error of 3.5 percentage points. That's more than the 31 percent the Olive Tree coalition, a previous alliance of the Daisy and Democrats of the Left parties, won in the 2006 election, when Berlusconi's Forza Italia was the most popular party with 24 percent.

As mayor, Veltroni is credited with improving the economy of Italy's largest city and raising Rome's profile by promoting tourism and the arts. Time Magazine put Veltroni on the cover of its 2005 May issue devoted to the world's top mayors, whom it dubbed the ``town hall titans.'' A movie buff and arts connoisseur, he started the Rome film festival and attracted visitors with an annual all-night party featuring concerts, theater and art exhibits.

Role Model

Veltroni is also a prolific writer, having published 17 books over three decades including ``The broken dream: The ideas of Robert Kennedy'' on his childhood hero and political role model. One of his favorite quotes of Bobby Kennedy, which he often repeats, is ``GDP measures everything ... except that which makes life worthwhile.''

A former communist, Veltroni could also help appeal to the Green and communist parties that are part of Prodi's coalition and whose support the new Democratic Party would probably need to govern.

``He's the ideal candidate for us as future prime minister,'' Fausto Bertinotti, leader of the Refounded Communist party, said in an interview with La Stampa newspaper. Bertinotti pulled his party out of Prodi's first government in 1998, causing its collapse.

Leaders of the Daisy Party and the Democrats of the Left, or DS, were also quick to support Veltroni's candidacy.

`Enormous Consensus'

``I can't help but be pleased at the enormous consensus that has formed around'' Veltroni, said Daisy Party leader Francesco Rutelli, another former Rome mayor who lost to Berlusconi for prime minister in 2001.

Veltroni, who has been mayor for seven years, also has the backing of Foreign Minister Massimo D'Alema, a former center- left premier and DS leader, and Piero Fassino, the current head of the party.

It's no coincidence Veltroni picked Turin, home to Fiat SpA and his beloved Juventus soccer team, to announce his candidacy. It was in the north, Italy's industrial heartland, that the ruling coalition suffered its heaviest defeats in May local elections, losing control of key towns such as Verona.

Veltroni has never run for the post of prime minister. The bespectacled film-school graduate began his political career as a communist, helping to transform the party into the more moderate Democrats of the Left. He served as deputy prime minister between 1996 and 1998 under Prodi and then lost out in a power struggle that saw D'Alema prevail and become premier. After that setback, he ran for mayor of Rome. He is married with two children.

To contact the reporter on this story: Flavia Krause-Jackson in Rome at fjackson@bloomberg.net .

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Wednesday, June 27, 2007

Roman Jews Have Trouble Defining Intolerance

Since the end of WWII, the Jews of every city worldwide wanted a Holocaust Museum, especially in Europe.
However, in Rome there ensued a interesting debate. It was a question of whether the Museum should focus on only the Holocaust, or an elaborate complex, featuring a core exhibition space documenting European Intolerance and Genocide and three twisted arms reaching out to hold exhibits on violence in Africa, Asia and the Americas.
Rome is one of the very few cities in which such a debate could take place, since The Roman Jewish community is “very Roman,” because it is the only Jewish community in the Western world with a continuous presence for more than 2,000 years. Roman Jews do not have the usual split identity that sometimes makes other Diaspora Jewish communities identify so closely with Jewish suffering. Given that unique position, the Roman Jewish community could be expected to take a broad view of Intolerance, in the opinion of Luca Zevi, a leading Roman architect, whose father, Bruno Zevi (1918-2000) was an eminent architectural critic.
Zevi drew up plans for the new museum, the Museum of Intolerances and Exterminations, and he and his colleagues brought the proposal to Rome’s Jewish community leaders, and together they presented the plans to an enthusiastic Walter Veltroni — then Rome’s minister of culture, now its mayor — who gave Zevi the go-ahead. The future looked promising for and Rome seemed to be headed toward a serious reconsideration of history and memory.

But as the millennium approached, bureaucratic hurdles gave way to substantive obstacles, and the project got caught in the middle of an intense and revealing Jewish communal debate on the nature of intolerance. Members of the Jewish community wondered whether it might be better to commemorate the Holocaust first, before broadening to include other atrocities. Zevi argued that a museum taking a broad view of atrocities itself constitutes a commemoration of the Holocaust, and a museum that focuses narrowly on Jewish experience misses the point.

Zevi argued, at stake in the transition is more than just architectural plans. Lost was the “most deep lesson from the Shoah”: that intolerance against one group is a danger to all. For Zevi, an examination of the intolerances and genocides of our time is a direct response to the Holocaust, one that acknowledges the full implications of Intolerance rather than focusing myopically on the tragedy of Jewish experience in World War II.

Zevi lost.


How To Define Intolerance? A Roman Quandary
Museums
The Jewish Daily Forward

In late February 1997, a group of Roman artists and intellectuals met to prepare for the millennium. Unlike its cultish counterparts, this group did not expect any universal shifts to come with the year 2000. The members believed that life in the 21st-century would probably look much like it did in the 20th, and the 19th and before. Their task, as they defined it, was not to prepare humankind for redemption but to take the change of centuries as an opportunity to learn from history.

Specifically, the group envisioned a provocative learning institution that might draw meaning out of the past and stimulate critical self-reflection in the present. Following philosopher Hannah Arendt, they believed in the banality of evil and hoped to bring to Rome an awareness that violence is part of normal human experience. By the end of its February meeting, the group proposed an ambitious municipal project: a major new museum of intolerance and genocide.

Luca Zevi, a leading Roman architect and a member of the group, drew up plans for the new museum. He designed an elaborate complex, featuring a core exhibition space documenting European intolerance and genocide and three twisted arms reaching out to hold exhibits on violence in Africa, Asia and the Americas. Zevi and his colleagues brought the proposal to Rome’s Jewish community leaders, who had been developing plans for a Holocaust museum, and together they presented the plans to an enthusiastic Walter Veltroni — then Rome’s minister of culture, now its mayor — who gave Zevi the go-ahead. The future looked promising for the Museum of Intolerances and Exterminations, and Rome seemed to be headed toward a serious reconsideration of history and memory.

But as the millennium approached, bureaucratic hurdles gave way to substantive obstacles, and the project got caught in the middle of an intense and revealing Jewish communal debate on the nature of intolerance. Members of the Jewish community wondered whether it might be better to commemorate the Holocaust first, before broadening to include other atrocities. Zevi argued that a museum taking a broad view of atrocities itself constitutes a commemoration of the Holocaust, and a museum that focuses narrowly on Jewish experience misses the point.

And Rome is just the place for the Jewish community to take a universalistic approach, Zevi argued. The only Jewish community in the Western world with a continuous presence for more than 2,000 years, the Roman Jewish community is “very Roman,” he said. “Without the split identity that sometimes makes other Diaspora Jewish communities identify so closely with Jewish suffering. Given its unique position, Zevi argued, the Roman Jewish community could be expected to take a broad view of intolerance.

But the Jewish community pushed for a Holocaust museum, and the municipality gave its consent. Zevi stayed on as the project’s architect, but the design elements of his initial scheme have changed. When he presents his latest plans January 27, Italy’s Holocaust Remembrance Day, there will be no twisted arms or contorted core, only a heavy gray box, pressing down over the entrance and the whole of the building. No Museum of Intolerances, only a Museum of the Holocaust.

At stake in the transition is more than just architectural plans. Lost was what Zevi considers the “most deep lesson from the Shoah”: that intolerance against one group is a danger to all. For Zevi, an examination of the intolerances and genocides of our time is a direct response to the Holocaust, one that acknowledges the full implications of the Jewish genocide rather than focusing myopically on the tragedy of Jewish experience in World War II.

At a time when every European city seems to want a Holocaust museum, perhaps it should not be surprising that Zevi is in the minority in Rome’s debate. In the shadow of Berlin’s Jewish Museum by Daniel Libeskind and Holocaust Memorial by Peter Eisenman, London, Vienna, Paris and many smaller cities have erected their own museums and memorials. Applying architecture to the memory of the Holocaust, European cities mark their distance from World War II, demonstrating the progress of their recovery in the 60 years since the war. Serving a dual function, these new museums have taken on the tough job of redeeming European cities from the ghosts of their past and from the urban problems of their present. Expected to perform something like the “Bilbao effect,” in which Frank Gehry’s Guggenheim Museum sparked a rise in tourism and an economic renaissance in the Spanish industrial city, these new Holocaust museums are counted on to spur a rebirth that is more psychological in nature.

But in a city as old and as layered as Rome, perhaps no museum is needed to dredge up the past. In Rome, where buildings are hardly ever torn down, and the urban fabric serves as a historical record of civilizations, past and present seem to coexist in a way that some say is unique to the “eternal” city. “Rome is a town of great synthesis,” Zevi said, speaking from the architecture studio on the first floor of his family home, just four blocks northeast of the site of the new museum. “The Roman Empire, the Catholic Church, the Renaissance” are some examples of that great synthesis. The Jewish community is another.

“We are very Roman,” Zevi said, and explained that he can trace his paternal lineage back to Rome in the first centuries C.E. Speaking of the Jewish community as a “unique phenomenon,” he argued that its continuous presence in Rome allowed for the development of a Roman Jewish community that counts among the city’s great syntheses.The distinctive experience of his community, Zevi suggests, manifests itself in a Jewish identity that includes none of the outsider mentality, none of the sense of marginalization or identification with oppression that characterizes so much of the Diaspora Jewish Experience. With such an identity, the Jews of Rome should have no need to focus narrowly on the suffering of Jews; they are, Zevi suggests, in a unique position to take a universalistic approach to human rights.

Uniquely positioned as the Roman Jewish community may be, though, it remains a Jewish community with a memory of the Holocaust, and, like so many other Jewish communities, a profound need to have that memory made public. It’s not because Italian Jewish history is particularly violent, in the scheme of things — in fact, compared with Germany and its other neighbors, Italy was relatively good to the Jews during World War II. Mussolini had no personal investment in Jewish genocide, and Italy joined in only when Germany invaded, late in 1943.

But perhaps because World War II chipped away at the great synthesis that was the Roman Jewish community, or because communities are inherently interested in preserving their own, Jewish community leaders withdrew support for Zevi’s museum and lobbied for legislation enabling a Holocaust museum. Perhaps because of the new popularity of Holocaust commemoration in European cities, plans are under way for a federal museum in Ferrara, near Venice, for a memorial in Milan and for Zevi’s municipal museum in Rome.

Disappointed as he was about the failure of the Museum of Intolerances, Zevi agreed to work on the Holocaust museum, along with co-architect Giorgio Tamburini. Their plans include a heavy dark box fronted by a 10-meter-high wall of light spanning the facade of the building, with names of the more than 7,000 Italian Jewish victims of the Holocaust scrolling across it. Inside, temporary and permanent exhibition spaces, a library, classroom space and a cafeteria will host an ambitious educational program, including a collaboration with Steven Spielberg’s Shoah Foundation collection of survivor testimonies.

The architecture is heavily symbolic: The wall of light underscores the disparity between light and dark, and the heavy box evokes the weight of tragedy. But, like Libeskind’s Jewish museum in Berlin, the museum will be symbolic without being rhetorical; evocative without being literal. By his own admission, Zevi’s designs for the Holocaust museum are less ambitious and more conventional than his designs for the Museum of Intolerances. As the moral agenda of the museum scaled back, the architecture did, too.

But there’s one thing that keeps Zevi excited about the Holocaust museum. The project is sited for the grounds of a 19th-century neoclassical estate now being redeveloped into a museum park. The estate, Villa Torlonia, served as Mussolini’s country home for a short time while he was dictator, and the irony of that coincidence has not escaped public notice and may even have contributed to the municipality’s decision to site its Holocaust museum there. Appropriately for Rome, the history of the site is layered, and conflicted.

There is another aspect of the project’s site that has deeper historical resonance for Zevi. Located beneath the grounds of Villa Torlonia is a Jewish catacomb, one of five in Rome. For Zevi, the labyrinth beneath the villa symbolizes the history of Jewish struggle, the persistent undermining of authority and assertion of identity that characterize Jewish history.

Zevi’s father, eminent architectural critic Bruno Zevi (1918-2000), spoke to the Roman Jewish community in June 1974, saying that the series of wandering underground passageways “literally corroded, undermined the very foundations of the great Roman city that stretched above them,” going underground “to burst the earthly city above.”

For Bruno Zevi, the catacombs served as evidence of a historical assertion of a Jewish identity that manifests itself in the wandering of the underground passages. For Luca Zevi, the catacombs that lie beneath the site of his new museum add another level of questions to the project. The passages, which will be restored and made open to the public as part of Zevi’s museum project, will beg questions about the museum above.

Adina Lopatin researched the life and work of Bruno Zevi at his archives in Rome last summer, thanks to a Marshall-Allison Fellowship from the history of art department at Yale.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Steve Adubato, Stunod "What Are You Thinking" Asks Thomas De Seno ?

Steve Adubato is an accomplished journalist and commentator, and it was therefore that much more hurtful when I read his article on June 11, 2007 about the Soprano's finale. My heart sank. but I could not summon up the energy to respond to still another "traditore".
Fortunately, Thomas De Seno, an attorney in Asbury New Jersey said it as well as I ever could, although he was kinder than I would feel inclined, and here is his Message to Steve Adubato.

Steve Adubato, Stunod… What are you thinking?

A great many people believe they are thinking when they are really rearranging their prejudices. William Jennings

Do you know Steve Adubato? You should; he’s a model Jersey boy. Steve has been a part of my Sunday morning ritual. After going to the bakery to buy buns and rolls, my wife and I feed the kids, and then spend the morning with coffee and newspapers watching political talk shows. We usually catch Steve Adubato on channel 8 covering Jersey politics.

Steve has a PHD in communications and a Masters in politics. He owns a communications business, teaches at Rutgers, has written 2 books and won 4 Emmy Awards. He writes columns for the Star Ledger and MSNBC.com. Nationally he has done commentary on media for C-Span, CNN, Court-TV and Fox News (Fox News! My dream job!).

My thought is the cable networks are test-driving Steve on media issues. I’m betting they bump him up to political analysis soon, and eventually we’ll see news anchor Steve Adubato hosting a presidential debate. His obvious talents aside, I’m always rooting for him as a Jersey boy and a great exemplar of an Italian American man.

With the immigration debate raging right now, we are reminded that what is most important for ethnic groups, Italians included, is to assimilate into America – to be thought of as Americans first and our ethnicity second. That being true, then each ethnic group has to obliterate any old stereotypes. Culturally you can master the language, clothing, education, business and politics, but a stereotype will be the last lock on the door to assimilation if you can’t pick it. There will always be something that says “outsider” about a group with a widely accepted stereotype.

The Italian stereotype still widely accepted is that Mafia myth. Before the movie The Godfather, real organized crime had many ethnicities: Dutch Shultz, Bugsy Segal and Meyer Lansky were Jews. Dion O’Bannion and Bugs Moran were Irish. Of the Midwest Crime wave including John Dillanger, “Pretty Boy” Floyd, “Baby Face” Nelson, “Ma” Barker, Bonnie & Clyde and “Machine Gun” Kelly, none were Italian. Yet because the Godfather was so acclaimed, more than 400 feature films have been made since, where the mobsters are just Italian, despite the historical inaccuracy.

This stereotype is still “OK” in Hollywood. No other ethnicity suffers from their hurtful stereotype being politically correct. Imagine an HBO series today about a Step ‘n Fetchit Black family, a drunken Irish family, cheap Jews or dumb Poles. Those wrong stereotypes haven’t been wiped out, but they are universally reviled and controlled by making a pariah of anyone who uses them. Yet portraying Italians as murderous, awful, immoral criminals will get you an Emmy.

One problem of course is the number of Italians who embrace the stereotype, because of the media portrayal of mob life as exciting and sexy. Italians who perpetuate this lie because of the romanticism don’t realize how they hurt the rest of us. Our identifier has gone from real people like Galileo to fake people like Corleone.

Steve Adubato’s column for MSNBC.com about the Sopranos finale is a perfect example of an Italian-American sellout - perpetuating the mafia myth. Here are his worst moments: “For those of us who are Italian-American and live in New Jersey and have uncles or cousins who went away “to college” because they were somehow “connected,” "The Sopranos" has been a terribly guilty pleasure. Sometimes the series felt way too close for comfort. So provincial, yet so profound. There really are mobsters like Tony Soprano…The Sopranos" was true to life in so many ways.”

No Steve, it wasn’t. There is no one as disgustingly immoral as these people. They were like your family? Who in your family kills someone nearly every week? Who in your family killed his best friend? Who killed his cousin? Who suffocate his injured nephew? Who took over his best friend’s business? Are your wife and every friend she has too dumb to discuss cinematography after watching a movie? This doesn’t resemble your family or the family of anyone else you ever met.

Adubato justifies his perpetuation of the myth by saying “people in Nebraska will think that about us anyway.” As long as you’re speaking for us Steve, yes they will.

Consider this. It isn’t our stars like Scalia or Giuliani that are going to get hurt, nor the Italian American community as a whole. I worry about the individual.

Twenty years ago when I was in law school, three students were in the next booth at a campus restaurant. One said, “In criminal law we’re studying a case were all the defendants had these long Italian names…they were sooooo guilty!” I wonder where that student is today – a judge? A prosecutor maybe? Hopefully someone named “Adubato” never gets dragged before a jury for having a last name that makes him “soooo guilty,” and I pray no one who recently moved from Nebraska has jury duty, since they all “think that way about us anyway.” We must fight the stereotype, not embrace it.

So Steve, sfacim, I’m still a fan. I’m still rooting for you. I’m in your corner. Just do me a favor: The next time you are asked to comment about Italians within American culture, please – remember the neighborhood. The real neighborhood.

Thomas De Seno

deseno@msn.com

RAA NOTE: I hadn't heard the word "sfacim" in so long I had to look it up. It wasn't easy. Alta Vista/Babel wouldn't translate.

It wasn't in the Italian Slang Adult Section of About.com .

But it was in the "Talking like the Sopranos" section in About.com

sfacim: sfa-CHEEM; Neapolitan slang for semen and equivalent to English slang such as spunk or gism. However, it's also widely used as a term of endearment, as in "Hey, sfacim. Come over here and give your grandmother a kiss before I break your face." The closest American English slang term would be "spunky."

In the Urban Dictionary:

sfacim: Also spelled "sfaccim", it literally means "semen" or "jism", (Southern Italian dialectal word) but is also used as an insult, more or less equivalent to "bastard", or "son-of-a bitch", or even "dick-head".



In Thomas Pynchon's Gravity's Rainbow. according to Pynchon Wiki, Chapter 3 , Pg 58
sfacim-a: from "sfaciаre" = to dismantle (plus the definition in About.com)

If you REALLY want to read Steve Adubato's article on MSNBC it can be found at:

http://www.msnbc.msn.com/id/19170445/

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Getting a Grip on Giuliani

Hordes of New Yorkers w ho call ex Mayor Giuliani a “fascist”—brings us back to the fascist issue that dogged Giuliani throughout his tenure as mayor.

Giuliani often answers the charge by accusing his detractors of ethnic bias—as if “fascist” were somehow an ethnic slur against Italian Americans.

Giuliani may be reaping what he sowed. He is cavieilier about Soprano and Mafioso Stereotypes against Italian Americans, and even costumed in the apparal at parties. Fascism is another Italian Negative Loaded term.

When you fight Negative Italian Stereotypes, you fight them all, you don't pick and choose. You never know which one is going to bite you in the butt!

The American mass media calls him “America’s mayor.” Critics often label him a fascist. Whether he’s the populist hero who “took charge” on September 11, 2001, or the frightening face of a new American Reich, it appears Rudolph Giuliani will carry George W. Bush’s torch into the 2008 presidential election. I guess this only makes sense, since, like Bush, Giuliani’s failing political career was rescued by the terrorists that attacked New York and Washington, DC on September 11.

When Giuliani emerged from the dust of the World Trade Center, it seems the national media caught a quick case of amnesia, preferring the iconic image of a hero over reality, quickly forgetting Giuliani’s dismal tenure in office and his sorry performance on the morning of September 11.

Before picking up the “hero” moniker, Giuliani was commonly referred to in the city he governed as a “fascist” and a “thug.” These accusations didn’t just come from civil libertarians. Former New York Mayor Ed Koch likened Giuliani to the former Chilean dictator Augusto Pinochet. According to Koch, Giuliani “uses the levers of power to punish any critic.” Koch went on to explain, “He doesn’t have that right—that’s why the First Amendment is so important.” ...

According to the New York Times, the Daily News and the New York Post, then attorney general candidate Eliot Spitzer went on record in October 1998, saying, “the current Mayor thinks he’s a dictator, and does not have sufficient respect not only for other branches of government, but also for the citizenry and its opportunities to speak out and be heard.”

Spitzer’s complaints,...stemmed from Giuliani’s “zero tolerance” policies, which he argued would improve the quality of life in New York by addressing small crimes such as jaywalking, drinking in public, marijuana possession and panhandling, and non-crimes...Under this policy, New Yorkers were handcuffed and dragged off to jail for drinking beer on their front stoops —the New York City equivalent of hanging out on the porch. Marijuana possession arrests increased by well over 4,000 percent. Eventually almost 70,000 people sued the city for police abuses such as strip-searching suspected jaywalkers. In 1999, James Savage, the president of the New York City police union, referred to Giuliani’s zero tolerance policy as a “blueprint for a police state and tyranny.”

The hunting of altar boys

Giuliani shored up control of the police department by appointing crony Howard Safir as commissioner. Safir then enhanced the department’s Street Crimes Unit into what New York journalist Nat Hentoff described as a “rogue” operation that made “Dirty Harry look like Mahatma Gandhi.” Fashion-wise, the unit had more resemblance to Guatemala’s notorious military death squads, wearing “We Own the Night” t-shirts, and shirts citing Ernest Hemingway’s “There is no hunting like the hunting of man” quote—quite a variation from standard issue uniforms.

This is the police unit that became notorious for shooting African immigrant Amadou Diallo 40 times as he reached for his wallet after being ordered to show identification. When New Yorkers took to the streets to protest the shooting, Giuliani told the press that people were protesting due to “their own personal inadequacies.” ...

When Safir left, Giuliani appointed Bernard Kerik to take his place. Kerik later plead guilty to accepting gifts and loans from businesses with alleged crime ties while he served as commissioner.

Little weasels

By the time September 11, 2001 rolled around, Giuliani’s approval rating, according to a Quinnipiac University poll, hit a Bush-like 37 percent. Hizzoner got downright weird, proposing a Taliban-style “decency panel,” operated out of his office, that would have the power to determine what would be considered “art” in New York City. ...

Hizzoner boasted of moving people from welfare to workfare, where thousands of people earned less than two dollars per hour replacing an equivalent number of parks department employees whose positions were downsized. During this period, 13,000 welfare-dependent City University of New York students were forced to leave school and enter the menial workfare force, where less than six percent of participants transition to real employment paying minimum wage or more.

Mega real estate developer Donald Trump described Giuliani as “maybe the best [mayor] ever.” Ralph Nader called him “the oligarch’s mayor.” Giuliani took credit for a high-end real estate boom while presiding over double-digit rises in homelessness, cutting public spending on affordable housing by nearly half and housing for the homeless by nearly three quarters.

Today, America’s mayor lives and breathes a 9/11 mantra. Forget the details of his tenure in Gracie Mansion. He’s an iconic American hero—the leader we needed when George W. Bush was AWOL on September 11.

But was Giuliani really the hero of the day?

On September 11 New York was left without an emergency command center because Giuliani, against the advice of the police and fire departments, decided to locate the center in the third World Trade Center building, above fuel tanks containing tens of thousands of gallons of fuel—this despite a 1993 terrorist attempt to topple the towers. It was this decision that put him on the street on September 11 instead of inside a command center coordinating operations. Ironically, this decision also put him in front of hundreds of press cameras, sparking his transformation into iconic, dust-covered hero.

While our hero was wandering the streets, however, there was no communication between the police department, whose helicopter pilots determined that the towers were in danger of collapsing, and the fire department, whose real heroes were rushing into the towers. And there was no communication between the police officers who identified an open stairway for escape from above the fire and the 911 operators who were telling soon-to-be-dead office workers to stay put and wait for firefighters.

Whatever possibility existed for communication between the police and fire departments, whose radios operate on different frequencies, evaporated when Giuliani visited a makeshift fire/police command center that formed in his absence and ordered to police brass to leave and accompany him uptown. This effectively put the fire department and police department leadership in different physical places with no communication between them.

Arbeit macht frei

A month after the September 11 attacks, firefighters took to the streets to protest against Giuliani’s decision to limit the number of uniformed firefighters and police officers sifting through the rubble for remains. They accused the administration of speeding up the cleanup at the cost of possibly discarding the remains of victims. Giuliani, in signature style, ordered Peter Gorman, head of the Uniformed Fire Officers Association, and Kevin Gallagher, head of the Uniformed Firefighters Association, to be arrested at the protest site. A spokesperson for Gallagher told the media that “The mayor fails to realize that New York City is not a dictatorship.” Gorman went a step further, joining hordes of New Yorkers who called the mayor a “fascist”—which brings us back to the fascist issue that dogged Giuliani throughout his tenure as mayor.

Giuliani often answers the charge by accusing his detractors of ethnic bias—as if “fascist” were somehow an ethnic slur against Italian Americans. The charge itself, however, stinks of anti-Italian-American ethnic bias, ignoring the role New York’s Italian-American community has played in democratic politics—giving the city, for example, its most revered mayor, Fiorello LaGuardia. The fascist charges don’t stem from Giuliani’s ethnicity, they stem from his actions and statements. Giuliani, in his own worlds, explains that, “freedom is not a concept in which people can do anything they want, be anything they can be. Freedom,” he explains, “is about authority. Freedom is about the willingness of every single human being to cede to lawful authority a great deal of discretion about what you do.”

And you thought George W. Bush was dangerous.

Dr. Michael I. Niman’s Artvoice articles are available at www.artvoice.com, archived at www.mediastudy.com and available globally through syndication.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Women Gondoliers in Venice Italy

VENICE STARTS COURSE FOR GONDOLIERS

ANSA Venice, June 26, 2007

Two women keen to break into one of Italy's last male bastions sought admission on Tuesday to Venice's first official course in the art of gondoliering.

One of the female candidates who joined the 127 male ones was German-born Alexandra Hai, who has fought a 10-year battle for the right to steer a gondola around the lagoon city's canals.

The other was Alessandra Taddei, a local woman who belongs to a Venetian rowing club.
Neither woman wanted to share with reporters their impressions after the first day of the week-long trials, which will decide who gets the 40 places on the gondoliering course.

"I don't want to discuss how it went this morning. We can talk about it in ten days' time," said Hai, who has had a troubled relationship with Venice's gondoliers.

She has taken the gondoliers' test four times, steering her boat along canals and performing tricky manoeuvres. But each time she has failed, allegedly because examiners' were "overly strict".

She has accused the 425-strong association of Venetian gondoliers of deliberately keeping her out because of her sex. The association refutes this claim fiercely, saying she simply isn't good enough.

Hai, 40, recently won a small victory when a court upheld her right to ferry hotel guests about in a gondola even though she has no licence. She is employed by a Venetian hotel to offer precisely this service.

But Hai evidently wants more than this and is looking to certify her credentials as an able gondolier in any way possible.
The new course being run by the gondoliers' guild lasts six months. It includes 400 hours of instruction in using the distinctive single oar that is used to propel a gondola through the water.

Students must learn how to steer the banana-shaped boats from the back and the front. They also have to take English courses, study sailing law and demonstrate perfect knowledge of Venice's canals and landmarks.

Roberto Luppi, the president of the gondoliers' co-operative, expressed great pride over the establishment this year of a 'school' for gondoliers.

"Up until now the gondolier's profession was passed down from father to son. From now on you'll have to go to a proper school," he said.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

What was The Stressa Conference, and What was It's Importance to WWII

We already know that the Victors write History (of course cast themselves in the most favorable light), and while those Historians tend to make Fiction/ Propaganda out of Fact, the Media make Fairy Tale out of Fiction (they call it Literary license).
While Anti Italians, or those wishing to deflect responsibility from themselves, for anything negative in WWII, or with other nefarious agendas,
distort beyond recognition, Italy and Mussolini's actions between 1922-1943.
The Stressa Conference in Italy in April 1935, ITALY, Britain, France Met to Attempt to Curb Hitler. Hitler had announced plans to ignore the Versailles Treaty, and quadruple his army, increase its Air Force and Navy, with submarines.
Mussolini took a tough hard line against Hitler (with his main concern of Hitler's intentions toward Austria, and then....) , while Britain 'kept the door open' with Germany in hopes of obtaining satisfactory agreements.
Within two months the UK had signed the Anglo-German Naval Agreement, by which Germany was given the green light to increase the size of its navy. The UK had not first informed its Stresa partners , which enraged Mussolini, and the front was seriously damaged.
While the USA was virulently Anti Communist, as was Britain, and France, Both Germany on Russia's West Border, and Japan on Russia's East border, also were concerned about the USSR's intentions and concluded The Anti-Comintern Pact on November 25, 1936.
The pact, which was directed against the Communist International (Comintern) in general, and the Soviet Union in particular.
"recognizing that the aim of the Communist International, known as the Comintern, is to disintegrate and subdue existing States by all the means at its command; convinced that the toleration of interference by the Communist International in the internal affairs of the nations not only endangers their internal peace and social well-being, but is also a menace to the peace of the world desirous of co-operating in the defense against Communist sub­versive activities"

In case of an attack by the Soviet Union against Germany or Japan, the two countries agreed to consult on what measures to take "to safeguard their common interests". They also agreed that neither of them would make any political treaties with the Soviet Union.

In 1937, Italy joined the Pact, thereby forming the group that would later be known as the Axis Powers.

Italy's decision was partially a reaction against Britain and France "reneging" on the Hoare-Laval Agreement, accepting Italy's annexation of two thirds of Ethiopia, and Britain's "betrayal" of the Stresa Front, the Franco-British initiative of 1935 designed to curb Hitler's Military Buildup. In particular,all three nations tried to block "German expansionism", especially the annexation of Austria, which was also in Italy's best interests to prevent.

Italy was also driven into Germany's sphere when Anthony Eden became Foreign Secretary of Britain in 1935. Previous to that Eden was British minister for League of Nations Affairs ...While Eden supported the policy of non-interference in the Spanish Civil War, and supported Neville Chamberlain in appeasements to Germany, and did not protest Hitler's reoccupation of the Rhineland in 1936. YET in February 1938, he RESIGNED because he could not accept PM Chamberlain's mere opening of negotiations with Italy.

This is made clear in an excerpt of an Interview of Bob Santamaria by Robin Hughes, April 23, 1997 http://www.australianbiography.gov.au/santamaria/interview2.html

Bartholomew Augustine Santamaria (14 August 1915 - 25 February 1998), Australian political activist and journalist, was one of the most influential political figures in 20th century Australian history, although he never held public office, he was the unofficial leader and guiding influence of the Democratic Labor Party. Santamaria was born in Melbourne, the son of a greengrocer who was an immigrant from Sicily. He was educated at elite private schools, and at Melbourne University, where he graduated in law.

His MA thesis was titled Italy changes shirts: the origins of Italian fascism.. He also was a a strong supporter and wrote about Mussolini's regime in Italy, but denied that he had ever been a supporter of fascism. He always disliked and opposed Hitler and Nazism. Whilst being a strong supporter of Mussolini up until 1936, he attributed Mussolini's late alliance with Hitler to the failed policies of Anthony Eden, and expressed regret that Mussolini went with Hitler......

The person whom I hold as responsible for the choice that Mussolini ultimately made - was Anthony Eden. When Mussolini invaded Abyssinia, the invasion was quite unjustifiable, but Anthony Eden made a kind of crusading polemic against it to drive Mussolini out of the ranks of civilised Europeans. But Mussolini had always been very clear in the danger which Hitler represented and Mussolini had formed, with Britain and with France, an alliance called the Stresa Front and if the Stresa Front had been maintained, I don't think Hitler could have gone to war in the end. And so the ... what I regarded as the ill-judged actions in all of the circumstances of Anthony Eden, pushed Mussolini in the direction of Hitler. Now I'm not exonerating Mussolini. But it's got to be understood in its historical context.

Eden later was Prime Minister of the United Kingdom from 1955 to 1957. He is mainly remembered for his role in the Suez Crisis of 1956, which was politically disastrous from a British perspective. Eden is generally ranked among the least successful British Prime Ministers of the 20th century.

The Axis Powers originally had the SAME objectives as the Allies, to Stop Communism, except the Axis Powers were geographically closer, and in greater jeopardy of the USSR expansionist designs.

Poland's strategic position, and it's Refusal to join the Axis, ( and enrage Russia), set the stage a series of actions, the results of which were unpredictable, and always full of unintended consequences. (Ask Geo W Bush about Iraq). Poland's invasion by Germany, and splitting Poland in two with Russia, gave Germany direct access to the "Evil Empire".

Stresa Front

From Wikipedia, the free encyclopedia


The Stresa Front was an agreement made between French foreign minister Pierre Laval, British prime minister Ramsay MacDonald, and Italian leader Benito Mussolini in April 1935. Its aim was to reaffirm the Locarno Treaties, and to declare that the independence of Austria "would continue to inspire their common policy". They also agreed to resist any future attempt by the Germans to change the Treaty of Versailles.

The Stresa Front takes its name from the Stresa Conference in Italy, where it was negotiated. Benito Mussolini, the Italian fascist leader, was able to cut a dashing figure by arriving at the conference via speedboat.

The Stresa Front was triggered by Germany's declaration of its intention to build up an air force, to i