Friday, June 29, 2007

Quirky Italian Artist Builds "Indescrible" Tribute to Italian Culture

They don't quite know what to think about with Silvio Barile's, "creation", much like people were puzzled by the work of Somon Rodia, and his Rodia Towers in Los Angeles, that many tears later are held in the highest reverence.
A third well known Italian eccentric that is now also revered is Baldasare Forestiere and his Forestiere Underground Gardens in Fresno

Monumental Obsession

Italian-American immigrant's passion for history is set in Quikrete

The Detroit News/ Michael H. Hodges / Thursday, June 28, 2007

Visit Silvio Barile, 67, in his "Italian-American Museum" in Redford Township, and you enter a crazy-quilt landscape that is, quite literally, like nothing you've ever seen.

Let him guide you through his former pizzeria -- stacked to the ceiling with kitsch, from ceramic nuns to old Dean Martin and Connie Francis albums -- as he ticks off his artistic creations, most of which loom in the wonderland behind the store.

A short, astonishingly energetic man who moved to America as a teenager, Silvio's words spill out in accented torrents.

"OK," he says, threading past pyramids of Dei Fratelli spaghetti sauce and columns of unopened wine bottles that snake through the crowded store, "I got the Detroit David. I got a statue of Pope John Paul. There's Julius Caesar. I got Alexander the Great.

"And for the Red Wings fans," he adds with obvious relish, "I got a beautiful Stanley Cup."

All enormous. All hand-made. And all constructed out of cement.

Boiled down to its essentials, this is a tale of the relationship between an immigrant, an obsession, and several tons of concrete.

"It's out of another planet," says sculptor Sergio DeGiusti, who used to teach at Wayne State. "I've known Silvio for 30 some years. I've given lectures on him. There he is -- totally nuts."

Silvio's works are towering agglomerations in the "primitivist" style, statues with crudely crafted limbs and faces, encrusted with inlaid marbles, little dolls, clocks and bits of polished stone.

Behind the pizzeria-turned-museum, the courtyard he calls the "Appian Way" features a massive Augustus Caesar. Little figures representing Silvio's five children cluster at the emperor's feet.

Nearby is his tribute to the "Three American Kings," the boxers Rocky Marciano, Joe Louis and Muhammad Ali.

Across the alley, Silvio's backyard is even more mobbed with statuary, including the "Birth of the American Venus," which boasts an embedded Liberty Bell and a small replica of the Mayflower.

Silvio shakes his head.

"It stuns me that I did this. It was so difficult. Little Silvio helped me," he says, referring to his 25-year-old son, "but I must be a crazy person."

He did it all, he says, to remind Italian-Americans of their heritage, and Americans of their need for spiritual renewal.

"I love the people of America terribly much," Silvio says, "but I want them to become a little better, a little bit more moral."

He rails -- in his charming fashion, albeit with the sharp words of an angry prophet -- against the immorality that's overtaken American culture, the sexual exploitation of women, and the prevalence of abortion and divorce.

Yet Silvio himself is divorced.

And up near the ceiling in his cheek-by-jowl storefront museum, there's a pin-up of a blonde wearing nothing but a radiant smile.

He shrugs. "Well, sometimes I make mistakes."

His unexpectedly strong language on moral issues created problems for anthropologist John Allan Cicala, who mounted an exhibit on Silvio's work at the 1992 Michigan Folklife Festival.

Cicala was out of state when the festival opened, so Silvio himself addressed visitors.

"You can imagine how that turned out," Cicala says by phone from Newburgh, N.Y. "The festival people called me in New Jersey and said, 'Can you come over and present for Silvio? He's alienating everyone with his talk about American women being whores.'"

"If you let him, he can be offensive," says Kathy Vander, who co-produced a documentary on Silvio entitled "Silvio: A Story About Art & Pizza."

"He's old-school. You just have to know how to take him. It's kind of a whole package."

Artistically, DeGiusti places Silvio in the tradition of inspired, self-taught visionaries whose obsessions sometimes border on the insane.

He calls Silvio "an anarchist," but will tell you flat-out that his statuary -- a classic example of "outsider art," not unlike Tyree Guyton's Heidelberg Project or the Watts Towers in Los Angeles -- unquestionably has artistic merit.

"Oh God, yes," DeGiusti says, "But I've always glorified this sort of art. These people live in their own fantasy world, and they're often deeply moved by religion."

Indeed, it almost feels like Silvio's creations -- studded with references to morality and spirituality -- serve a penitential purpose, the sinner creating to the greater glory of God (and, incidentally, to the greater glory of Italy, America and the Red Wings) as a way of expiating his own sins.

And the truth is -- to build concrete towers 20-feet high with your bare hands, and haul around boulders the size of large ottomans is a cause that requires religious devotion.

"John Prusak and I moved one of his sculptures out to Cranbrook for our premiere," says Matt Cantu, referring to the Silvio documentary he made two years ago with local filmmakers Prusak and Vander. (The 30-minute film is available at www.vanderfilms.com.)

"The statue was only three-feet high," Cantu adds, "but it took us half a day. It nearly killed us."

Like DeGiusti, Cicala finds a seriousness in Silvio's creations that others might miss.

"He makes these pieces with whatever is going through his head at the time," Cicala says, "but it is conceptual. It is thought through."

Others, like Cantu and DeGiusti, see a sadness -- or darkness -- behind Silvio's maniacal devotion, but you won't get much of that out of the artist himself.

Right now he's working on an American Colisseum, as well as a tribute to Pompeii, for which he purchased some enormous quartzite boulders.

"One rock is so beautiful," Silvio says. "I'm making it 'God's Throne.'"

In these massive constructions, DeGiusti is inclined to think he spots "the melancholy of the Italian immigrant," and tips his hat to the sacrifices Silvio has weathered in their creation.

"There's a price you pay for this kind of obsession. You have to be very self-centered to do these sorts of monuments. I mean, he's out there in winter. There's this incredible drive, and this incredible self-indulgence that's costly. It's cost him friends."

DeGiusti pauses.

"Silvio," he adds, "is an opera."

Barile's works are studded with dolls, clockfaces, marbles -- and in this case, the Statue of Liberty guarded by two Roman emperors.

Silvio Barile's 'Italian-American Museum'

Where: 26417 Plymouth Road, Redford Township. It's housed in Barile's former pizzeria.
Hours: Open most days during regular business hours or whenever Barile happens to be around. There's no formal schedule, however, and no telephone.
Admission: Free

Both highly sincere and a bit of a caricature, Barile drives a Buick Roadmaster painted in the colors of the Italian flag.

You can reach Michael H. Hodges at (313) 222-6021 or mhodges@detnews.com.

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Garibaldi Honored by Stamp, Celebrated on Saturday, July 21, 2007, at the Garibaldi-Meucci Museum, NYC

CELEBRATING GARIBALDI "Eroe dei Due Mondi: Hero of Two Worlds" In honor of the bicentennial of the birth of Giuseppe Garibaldi, Father of a Unified Italy, Ted H. Jacobsen, Secretary of the New York City Central Labor Council, Mason and philatelist, was inspired to design and print a personalized United States Postal Service stamp to commemorate Garibaldi's birth.
The stamp will be inaugurated on July 4 (the date of Garibaldi's birth in 1807) in the only city in North America (Canada, United States, Mexico) to be named after this charismatic soldier of liberty.
The City of Garibaldi is in Oregon, right on the Pacific Coast. Garibaldi would have been thrilled because he loved the sea. Born is Savoy Nice, in his early years he worked on his father's boat and later plied the seas delivering cargo to as far away as Russia. In his early twenties, Giuseppe would escape with his life from Italy to Brazil and Uruguay (each currently has a city named Garibaldi), having participated in a failed insurrection against the occupying Austrians in Northern Italy.
The history of Giuseppe Garibaldi is both fascinating and complex: his life in South America, his return to liberate the Two Sicilies and unite them with the Kingdom of Italy and Victor Emanuel II, his sojourn on Staten Island after the death of his beloved Anita and his return to help complete his vision for a United Italy.
In association with the Italian Heritage & Culture Month Committee of New York City, the Garibaldi-Meucci Museum on Staten Island
and the Masonic Stamp Club of New York, there will be a special stamp cancellation ceremony by the U.S. Postal Service at the Garibaldi-Meucci Museum on Saturday, July 21, 2007, from 10 AM till noon during their wine and cheese reception.
Immediately following, Dr. Frank Alduino, professor of history at Anne Arundel Community College in Maryland, will deliver a lecture on Garibaldi. For those desiring to attend on July 21, the Museum suggests a donation of $5 per person. Garibaldi-Meucci Museum 420 Tompkins Avenue, Staten Island (NYC) Tel: 718-442-1608 Fax: 718-442-8635
This message was sent by: Italian American Museum, 28 W. 44th St. 17th Floor, New York, NY 10036
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Italy's Marco Belinelli Drafted by San Francisco Warriors at 18th

If you want to know how good Marco Belinelli is, all you need do is ask LeBron James, Carmelo Anthony and Dwyane Wade for their impressions of the Italian guard from last year's FIBA world championships.

They probably haven't forgotten the scare Belinelli and his countrymen gave them. Belinelli scored 25 points and drilled four three-pointers, but the Americans rallied behind Anthony and overcame a nightmare first half to win.

Belinelli grew up outside of Bologna, where he played during his Italian career.Belinelli weighs just 192 pounds despite being 6-foot-5. He admitted that he would have to get stronger to match up at two-guard against the likes of James and Kobe Bryant, his favorite player. ( Kobe's dad "Jelly Bean" Bryant played basketball in Italy, where Kobe grew up, and speaks Italian fluently)
Italy is represented in the NBA by Mario Ginobli, (considered by some as Argentinean) starring for the San Antonio Spurs, Andrea Bargnani, last year's No. 1 overall pick, by the Toronto Rapters, and now Marco Belinelli with the San Francisco Warriors.

The first Italian player in the N.B.A. was also the league's first foreigner — Henry Biasatti, who played for the Toronto Huskies in the first N.B.A. game in 1946, but played just six games in the league. The last Italian in the N.B.A. was Vincenzo Esposito, who played sparingly for the Raptors in the 1995-96 season, the same season when Stefano Rusconi had a short stint with the Phoenix Suns.

Warriors grab Italy's Belinelli with 18th pick

OAKLAND, Calif. -- The Golden State Warriors selected Italian guard Marco Belinelli with the 18th pick in Thursday's NBA draft, adding another athletic scorer they expect to thrive in their uptempo game.

The 21-year-old Belinelli had been playing professionally in Bologna since 2002, and he starred for the Italian national team in last year's world championships -- including a standout game against the U.S. team.

His pedigree and performances tantalized Chris Mullin. The Warriors' top executive traveled to Italy recently and apparently loved what he saw from the skinny scorer.

"He's a young shooter, slasher, scorer, athletic guy who I've watched for a few years," Mullin said. "I think he's going to fit our system perfect. He can handle the ball well ... and play a little point forward. He's another guy that can go out there and put the ball in the basket."

This draft was a relatively novel experience for the Warriors, who stayed out of the lottery by ending their 12-year playoff drought. Their solid, exciting core reached the second round of the postseason, and most of those players will return if Mullin keeps his club together.

Golden State ran many opponents ragged as the NBA's second highest-scoring club last season, and Belinelli should fit into coach Don Nelson's game plans -- particularly if Mickael Pietrus or Matt Barnes leave as free agents.

"He is the type of guy that both defensively and offensively has a good feel for the game," Mullin said. "He shoots the ball so well, you've really got to go out and get him. He'll open up driving lanes for other people on the floor."

Belinelli has three seasons remaining on his contract with Fortitudo Bologna, but has an escape clause to join the Warriors.

Belinelli's outside shooting and ball-handling will make his valuable to Nelson -- a whole lot more valuable than Mullin's last two first-round picks, chosen before the coach returned.

Forward Ike Diogu and center Patrick O'Bryant have been NBA disappointments so far, with Diogu already traded to Indiana and O'Bryant shuttling between Oakland the Bakersfield of the D-League last season.

But Mullin has past draft successes as well. He unearthed Monta Ellis in the second round in 2005, and the prep-to-pro guard won the NBA's Most Improved Player award last season.

This story is from ESPN.com's automated news wire. Wire index

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Italy Unleashes "Dracula" on Tax Cheats !!

For years, many Italians, from small-town shopkeepers to well-heeled Milanese businessmen, had a strategy for dealing with the country's notoriously high tariffs: They evade their taxes.

Some historians claim that tax evasion in Italy has ancient origins. From the fall of the Roman Empire to the establishment of modern Italy in 1860, Italy was occupied by Arabs, Austrians, French and Spanish. Among Italians, dodging taxes constituted a sort of social resistance.

After World War II, Italy needed to rebuild its shattered and impoverished nation. As the economy started to take off in the 1950s and '60s, the government turned a blind eye to tax evasion for fear that a crackdown would cripple growth.

There may be also a cultural explanation. "We're individualistic and we like to bend the rules"

Eluding the tax man is like an inverted civic duty in Italy. Italian citizens often feel compelled to shield one another from a state they find invasive and inefficient.

At the heart of business owners' complaints is frustration with an unwieldy 591-rule tax code. The system is record keeping/paper-heavy.

Also, Italy has one of the highest tax rates in the World at 41.1 %, and exceeded only by France at 43.3 % Following are UK 36%; Germany 34.7; Canada 33.5; Japan 26.4, and the US at 25.5.
Mr. Prodi has pledged to cut the country's deficit to 2.3% of GDP this year from 4.4% last year. Much will come from smoking out tax cheats. Deputy Finance Minister Vincenzo Visco -- a cigar-chomping tax hawk nicknamed "Dracula" by political opponents, has been named by Mr Prodi to lead the charge..

Italy's tax police, the Guardia di Finanza considers the vehicle-registration database a gold mine,since there are 5,800 people in Italy who declare incomes of less than Ђ5,000 a year, but who drive cars worth more than Ђ100,000 !!!!

Another target is electricity bill registration, where if there are multiple under one name, that's a clue that a landlord is renting out apartments but not declaring the income. Last year, tax police in Genoa closed in on a 90-year-old man who had been renting 65 apartments, but hadn't declared more than Ђ500,000 in rental income over several years.

UNHAPPY RETURNS
In Italian Crackdown,
Tax Cheats Get the Boot

New Tools Help Officials
Find Chronic Evaders;
Ending a 'Vicious Cycle'
By GABRIEL KAHN and LUCA DI LEO
June 28, 2007; Page A1

ROME -- For years, many Italians, from small-town shopkeepers to well-heeled Milanese businessmen, had a strategy for dealing with the country's notoriously high tariffs: They cheated on their taxes.

While many citizens and companies profited from the ruse, they nearly bankrupted the state in the process. Now, the government is waging war on tax evasion -- a national epidemic that has weakened the country's ability to balance its budget, fund new investment and create a stable business climate.

CHEAT SHEET
The Issue: The widespread problem of tax evasion in Italy is hindering the country's economy.
The Crackdown: Italy's tax police are scouring records such as car registrations and utility bills to find signs of discrepancies in reported incomes.
What's at Stake: The government's ability to balance the budget and fund new investments.

The government of Prime Minister Romano Prodi estimates that unpaid taxes, including income from the country's sizable black-market economy, are equal to 27% of Italy's gross domestic product. That's more than the country spends on pensions and health care combined.

Italy's public debt is a staggering 106% of its GDP, and is the third largest national debt pile after Japan and the U.S. The country's sovereign debt rating has faced three downgrades in the past four years.

The result is a smoke-screen society in which people live far better than what their reported income would suggest. Only 0.8% of Italians claim to earn more than €100,000, or about $134,000, a year, yet Italy is the No. 3 market for luxury Swiss watches after the U.S. and Hong Kong.

A weak Italian political system has long worked like a gas pedal for tax evasion, accelerating an already chronic problem. A succession of unstable, spendthrift governments has been unable to cut the country's ballooning debt. Desperate for new revenue, the government has imposed taxes on everything from pornography to bingo games.

The upshot, says Giacomo Vaciago, an economics professor at Milan's Catholic University, is a "vicious cycle: The government hikes taxes, people evade more."

Official statistics offer only hints about who might be stashing funds away. Italian restaurant owners declare an annual average income of just €13,300, or $17,900 -- less than schoolteachers, who are among the worst paid in Europe, according to data from Italy's tax collection agency. Jewelry store owners declare an average of €16,600, less than the yearly rent on a small apartment in Milan.

To raise more revenue, Mr. Prodi has launched a national crackdown on tax dodging, which he said had become so pervasive in Italy as to be "incompatible with democracy." Among the new measures: making it easier for tax authorities to peek into bank accounts; limiting cash transactions for payments of only €1,000 or less; and harsher penalties for businesses that fail to issue receipts to customers.

There's a lot riding on the initiative: Mr. Prodi has pledged to cut the country's deficit to 2.3% of GDP this year from 4.4% last year. More than a quarter of the new funds, or €8 billion, he promises, will come from smoking out tax cheats. To lead the charge, Mr. Prodi has selected Deputy Finance Minister Vincenzo Visco -- a cigar-chomping tax hawk nicknamed "Dracula" by political opponents.

One morning in February, agents from Italy's tax police, the Guardia di Finanza, stormed into an elegant apartment building in central Milan and arrested Alberico Cetti Serbelloni. A businessman descended from Italian nobility, he ran a company that sold access to an online art-catalogue database. Police suspected it was a front for a massive tax-cheating operation.

In the arrest warrant, prosecutors claim that Mr. Cetti Serbelloni ran an intricate, European-wide scheme. He sold licenses to access the database to several dozen companies in and around Milan. Police claim these companies would then resell the licenses to firms in Switzerland controlled by Mr. Cetti Serbelloni. The resale to foreign companies allowed the Milan firms to qualify for a rebate on Italy's 20% value-added tax. With the rebate, the companies significantly slashed their tax burden and would give Mr. Cetti Serbelloni half of the money they effectively pocketed.

The alleged scheme -- which authorities say allowed Mr. Cetti Serbelloni and others to evade some €200 million in taxes -- helped provide the 51-year-old Mr. Cetti Serbelloni with a plush lifestyle, say police. He drove a Ferrari and was building a golf resort in Tuscany.

"We're still finding bogus transactions, even months after his arrest," says Capt. Salvatore La Bella, the tax police officer who led the investigation. After spending three months in jail, Mr. Cetti Serbelloni is now waiting for a judge to rule on whether his case should proceed to trial. His lawyer insists his client ran a legitimate business.

Though the government claims it recouped €12 billion in unpaid taxes last year, not all economists are convinced it can keep up that pace. The Organization for Economic Cooperation and Development warned in May that Italy is unlikely to make its 2007 deficit target because the government is too optimistic about its tax crusade.

Even if it misses some targets, the government hopes to chip away at a widely accepted practice in Italian society. Eluding the tax man is like an inverted civic duty in Italy. From the hairdresser who doesn't issue a receipt to the notary who signs off on a phony real-estate sale, Italian citizens often feel compelled to shield one another from a state they find at once invasive and inefficient.

"There is solidarity among tax evaders," explains Beppe Severgnini, a social commentator and author of "Bella Figura," a book about Italians. "In America, if you cheat on your taxes your neighbors won't talk to you. In Italy, they'll ask you how you did it."

Italy's Guardia di Finanza act as a sort of mobile financial-crimes unit. The 64,000-strong corps, a division of the country's law enforcement, patrol customs at the border, carry out random checks on businesses to see if financial records are in order, and conduct investigations into fraud, tax evasion and securities-law violations.

Several years ago, the tax police launched a campaign to get people to anonymously report tax cheats via a toll-free number. The move was roundly criticized in newspapers as something that tried to turn citizens into spies.

Many celebrities, from tenor Luciano Pavarotti to Olympic gold-medal skier Alberto Tomba, have been caught evading taxes and were forced to pay fines. For more than a decade, billionaire former Prime Minister Silvio Berlusconi, who controls a vast media empire, has been rung up on various charges, such as bribing tax police, false bookkeeping and tax evasion. On some of the charges he was acquitted. On others, lower court convictions were either overturned or the statute of limitations expired. He currently awaits another tax-evasion trial.

Rome's attempts to clamp down on tax evasion are part of a broader ill afflicting Europe. Tax rates on the Continent have swelled over the past half-century as governments struggle to finance a costly social welfare system that many citizens feel is their birthright. According to the OECD, in 2004, the most recent year for which data is available, the average tax burden in the European Union was 41.1% of GDP. Total fiscal pressure in the U.S., by contrast, was 25.5%, and has been decreasing in recent years.

Some historians claim that tax evasion in Italy has ancient origins. From the fall of the Roman Empire to the establishment of modern Italy in 1860, Italy was occupied by Arabs, Austrians, French and Spanish. Among Italians, dodging taxes constituted a sort of social resistance.

After World War II, Italy needed to rebuild its shattered and impoverished nation. As the economy started to take off in the 1950s and '60s, the government turned a blind eye to tax evasion for fear that a crackdown would cripple growth. Mr. Visco, the government's point man on tax evasion, believes there's also a cultural explanation.

"We're individualistic and we like to bend the rules," he said. "We try to get around waiting in lines or paying the bus fare, if we can get away with it."

Mr. Berlusconi recognized voters' frustrations with high taxes -- and glossed over the national habit of evading them. In a speech before the tax police several years ago, he said Italians shouldn't "feel guilty" about cheating if their taxes were too high. While prime minister, Mr. Berlusconi also passed numerous amnesties that allowed tax cheats to avoid penalties by paying a small fine.

Yet in some quarters of the business community, there are signs that a long-held tolerance for tax evasion is waning. The Confindustria, the powerful association of Italy's largest companies, for years resented any effort to crack down on tax evasion, considering it just one more form of government interference.

Confindustria now recognizes that rampant tax evasion is contributing to a widening imbalance within business and society. Those hit hardest are salaried employees of large companies -- Confindustria's largest stakeholders -- because taxes are directly subtracted from their paychecks, so they can't shirk them. Consequently, they are bearing a heavier burden because they pick up the tab for those who don't pay.

This tax disparity can put large companies at a disadvantage: Though Italian businesses offer their workers contracts with generous welfare benefits, it's often difficult for them to compete on salary. Workers might make more if they were self-employed and not paying taxes.

In choosing Mr. Visco, a silver-haired economics professor who also served in past governments, Mr. Prodi knew he had a determined ally. "Either we fix this, or we end up like Argentina," said Mr. Visco, referring to the Latin American country's default on its debts in 2001.

When Mr. Visco last year started looking for unpaid taxes, it was difficult to even know where to begin. Since the Italian economy is mainly made up of small, family-owned businesses, the difference between business and individual taxpayers is hazy. So he decided to go after both.

Among the key problems: Half of Italian companies claim either to be in the red or just break even. Among those that declare a profit, the vast majority declare an income of less than €50,000. "If that's the case, I don't understand why they're in business," snickered Mr. Visco.

One of Mr. Visco's first measures was allowing tax police to close any store for up to six months if it was caught not issuing receipts. Random checks ordered by Mr. Visco showed that shop owners frequently didn't give customers receipts after a purchase, pocketing the money directly instead of counting it as taxable sales. During a check in one small northern town, Trentino San Valentino, tax police found that 35% of cafes and 57% of clothing stores failed to issue receipts.

Owners of small businesses are enraged by Mr. Visco's directive. "We don't deserve this sort of harassment," says Mauro Bussoni, deputy director of the Italian association of small and medium-size companies. The penalty, he says, "is barbaric."

Many small-business associations insist the government is blowing the problem out of proportion. "Once upon a time, maybe, you could be more, let's say, elastic," says Tullio Galli, who heads a food vendors' trade association. "That's over."

At the heart of business owners' complaints is frustration with an unwieldy 591-rule tax code. The system is paper-heavy, requiring even small shopkeepers to retain piles of invoices and bills.

"The other day the tax police came in and wanted me to prove I had paid my garbage tax every month between 2003 and 2006," says Mauro Collucci, owner of a corner eyeglass shop in downtown Rome. "They gave me 15 days to find the receipts." (He says he was able to produce them.)

Government officials admit that the tax code itself is a large part of the problem. With so much paper, information is scattered everywhere, making it relatively easy for a supplier and a buyer to report only a portion of their business officially, while doing the rest off the books. Tax officials have so many receipts to go through that it's easy to lose track.

As a result, some of Mr. Visco's attention is also devoted to uniting different tax-collection databases under one roof. Rossella Orlandi is part of this effort. As one of the tax authority's top investigators in Rome, she spends much of her time hunched over a computer screen, cross-checking data that doesn't seem to add up.

Mr. Visco has tried to beef up the tax authority's computer resources. So Ms. Orlandi now can check people's income declarations against car or home purchases. The findings often set off alarm bells. For example, there are 5,800 people in Italy who declare incomes of less than €5,000 a year, but who drive cars worth more than €100,000.

"The vehicle-registration database is a gold mine," smiles Ms. Orlandi.

Another thing she looks for: Multiple electricity bills registered under one name. That's a clue that a landlord is renting out apartments but not declaring the income. Last year, tax police in Genoa closed in on a 90-year-old man who had been renting 65 apartments, but hadn't declared more than €500,000 in rental income over several years. The tax police spent months secretly interviewing his tenants and combing through bank records. When they finally confronted him with the evidence, "he just shrugged," says Capt. Filippo Capineri.

Even amid the current crackdown, tax police complain they are outgunned. Court cases against tax evaders take years to wind their way through Italy's burdened justice system, giving defendants time to sell assets and move their wealth out of reach of the authorities. Sentences almost never include jail time and tax police have limited ability to freeze assets.

As Luca Cordero di Montezemolo, chairman of Fiat SpA and Confindustria president, describes it: "Italy is a like a boat in which half the people are pulling the oars while the other half are kicking back, enjoying the ride."


Write to Gabriel Kahn at gabriel.kahn@wsj.com and Luca Di Leo at luca.dileo@dowjones.com

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Walter Veltroni, Mayor of Rome, Starts Bid to Lead Italy in Post-Prodi Era

Prodi has pledged to retire from politics when his term ends in 2011, though few political analysts expect his government to last that long. Walter Veltroni, mayor of Rome and one of Italy's most popular politicians is stepping up now, more than three months before the primary, starting his campaign to succeed Prime Minister Romano Prodi as the ruling coalition's leader and next candidate for premier.

Veltroni's leadership of the Democratic Party would boost its support by almost a third to 35 percent. Enormous consensus has formed around Veltroni. As mayor for 7 years, Veltroni is credited with improving the economy of Italy's largest city and raising Rome's profile by promoting tourism and the arts.

Veltroni is also a prolific writer, having published 17 books over three decades. Veltroni, the bespectacled film-school graduate began his political career as a communist, helping to transform the party into the more moderate Democrats of the Left.


Rome Mayor Starts Bid to Lead Italy in Post-Prodi Era


Bloomberg News By Flavia Krause-Jackson June 27, 2007

Walter Veltroni, mayor of Rome and one of Italy's most popular politicians, today starts his campaign to succeed Prime Minister Romano Prodi as the ruling coalition's leader and next candidate for premier.

Veltroni, 51, will announce in Turin his candidacy to head the new Democratic Party, a combination of the Democrats of the Left and Daisy parties, the two largest in Prodi's coalition. Leaders of both parties have endorsed Veltroni, meaning he will probably face just token opposition in an Oct. 14 primary.

Prodi has pledged to retire from politics when his term ends in 2011, though few political analysts expect his government to last that long. Veltroni stepping up now, more than three months before the primary, will help end the leadership debate and raise the profile of the new party.

``Veltroni has been pushed to the forefront as it's becoming increasingly obvious that this government is fragile and that Prodi's days are numbered,'' Antonio Noto, director of Rome-based polling company IPR Marketing, said in an interview. ``We are already entering the post-Prodi era.''

Prodi, who isn't a member of any of the nine parties in his government, lobbied to create the new party to legitimize his leadership and forge consensus among his disparate allies. Instead, Veltroni's candidacy marks a changing of the guard after a decade when politics was dominated by Prodi, 68, and Silvio Berlusconi, 70, who have each served twice as prime minister.

`Everything Changes'

With Veltroni in the picture, ``everything changes,'' Gianfranco Fini, former deputy prime minister and head of the National Alliance party, who is considered a possible successor to Berlusconi as opposition leader, said in an interview with newspaper Corriere della Sera on June 23. ``Prodi has been archived.''

With only a one-seat majority in the Senate, Prodi's grip on power has been tenuous. The loss of a foreign-policy vote in February, nine months into a five-year term, almost brought down the government. Losses in local elections last month further weakened Prodi, and his popularity has sunk to a record low amid constant bickering among his nine coalition allies, which range from communist to Catholic parties.

Prodi came to power last year by defeating Berlusconi by the narrowest margin in modern Italian history. By contrast, Veltroni crushed the opposition and was re-elected as mayor with 63 percent of the vote in 2006.

Lifting Support

Veltroni's leadership of the Democratic Party would boost its support by almost a third to 35 percent, an Ispo Ltd. poll showed. The survey had a margin of error of 3.5 percentage points. That's more than the 31 percent the Olive Tree coalition, a previous alliance of the Daisy and Democrats of the Left parties, won in the 2006 election, when Berlusconi's Forza Italia was the most popular party with 24 percent.

As mayor, Veltroni is credited with improving the economy of Italy's largest city and raising Rome's profile by promoting tourism and the arts. Time Magazine put Veltroni on the cover of its 2005 May issue devoted to the world's top mayors, whom it dubbed the ``town hall titans.'' A movie buff and arts connoisseur, he started the Rome film festival and attracted visitors with an annual all-night party featuring concerts, theater and art exhibits.

Role Model

Veltroni is also a prolific writer, having published 17 books over three decades including ``The broken dream: The ideas of Robert Kennedy'' on his childhood hero and political role model. One of his favorite quotes of Bobby Kennedy, which he often repeats, is ``GDP measures everything ... except that which makes life worthwhile.''

A former communist, Veltroni could also help appeal to the Green and communist parties that are part of Prodi's coalition and whose support the new Democratic Party would probably need to govern.

``He's the ideal candidate for us as future prime minister,'' Fausto Bertinotti, leader of the Refounded Communist party, said in an interview with La Stampa newspaper. Bertinotti pulled his party out of Prodi's first government in 1998, causing its collapse.

Leaders of the Daisy Party and the Democrats of the Left, or DS, were also quick to support Veltroni's candidacy.

`Enormous Consensus'

``I can't help but be pleased at the enormous consensus that has formed around'' Veltroni, said Daisy Party leader Francesco Rutelli, another former Rome mayor who lost to Berlusconi for prime minister in 2001.

Veltroni, who has been mayor for seven years, also has the backing of Foreign Minister Massimo D'Alema, a former center- left premier and DS leader, and Piero Fassino, the current head of the party.

It's no coincidence Veltroni picked Turin, home to Fiat SpA and his beloved Juventus soccer team, to announce his candidacy. It was in the north, Italy's industrial heartland, that the ruling coalition suffered its heaviest defeats in May local elections, losing control of key towns such as Verona.

Veltroni has never run for the post of prime minister. The bespectacled film-school graduate began his political career as a communist, helping to transform the party into the more moderate Democrats of the Left. He served as deputy prime minister between 1996 and 1998 under Prodi and then lost out in a power struggle that saw D'Alema prevail and become premier. After that setback, he ran for mayor of Rome. He is married with two children.

To contact the reporter on this story: Flavia Krause-Jackson in Rome at fjackson@bloomberg.net .

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Wednesday, June 27, 2007

Roman Jews Have Trouble Defining Intolerance

Since the end of WWII, the Jews of every city worldwide wanted a Holocaust Museum, especially in Europe.
However, in Rome there ensued a interesting debate. It was a question of whether the Museum should focus on only the Holocaust, or an elaborate complex, featuring a core exhibition space documenting European Intolerance and Genocide and three twisted arms reaching out to hold exhibits on violence in Africa, Asia and the Americas.
Rome is one of the very few cities in which such a debate could take place, since The Roman Jewish community is “very Roman,” because it is the only Jewish community in the Western world with a continuous presence for more than 2,000 years. Roman Jews do not have the usual split identity that sometimes makes other Diaspora Jewish communities identify so closely with Jewish suffering. Given that unique position, the Roman Jewish community could be expected to take a broad view of Intolerance, in the opinion of Luca Zevi, a leading Roman architect, whose father, Bruno Zevi (1918-2000) was an eminent architectural critic.
Zevi drew up plans for the new museum, the Museum of Intolerances and Exterminations, and he and his colleagues brought the proposal to Rome’s Jewish community leaders, and together they presented the plans to an enthusiastic Walter Veltroni — then Rome’s minister of culture, now its mayor — who gave Zevi the go-ahead. The future looked promising for and Rome seemed to be headed toward a serious reconsideration of history and memory.

But as the millennium approached, bureaucratic hurdles gave way to substantive obstacles, and the project got caught in the middle of an intense and revealing Jewish communal debate on the nature of intolerance. Members of the Jewish community wondered whether it might be better to commemorate the Holocaust first, before broadening to include other atrocities. Zevi argued that a museum taking a broad view of atrocities itself constitutes a commemoration of the Holocaust, and a museum that focuses narrowly on Jewish experience misses the point.

Zevi argued, at stake in the transition is more than just architectural plans. Lost was the “most deep lesson from the Shoah”: that intolerance against one group is a danger to all. For Zevi, an examination of the intolerances and genocides of our time is a direct response to the Holocaust, one that acknowledges the full implications of Intolerance rather than focusing myopically on the tragedy of Jewish experience in World War II.

Zevi lost.


How To Define Intolerance? A Roman Quandary
Museums
The Jewish Daily Forward

In late February 1997, a group of Roman artists and intellectuals met to prepare for the millennium. Unlike its cultish counterparts, this group did not expect any universal shifts to come with the year 2000. The members believed that life in the 21st-century would probably look much like it did in the 20th, and the 19th and before. Their task, as they defined it, was not to prepare humankind for redemption but to take the change of centuries as an opportunity to learn from history.

Specifically, the group envisioned a provocative learning institution that might draw meaning out of the past and stimulate critical self-reflection in the present. Following philosopher Hannah Arendt, they believed in the banality of evil and hoped to bring to Rome an awareness that violence is part of normal human experience. By the end of its February meeting, the group proposed an ambitious municipal project: a major new museum of intolerance and genocide.

Luca Zevi, a leading Roman architect and a member of the group, drew up plans for the new museum. He designed an elaborate complex, featuring a core exhibition space documenting European intolerance and genocide and three twisted arms reaching out to hold exhibits on violence in Africa, Asia and the Americas. Zevi and his colleagues brought the proposal to Rome’s Jewish community leaders, who had been developing plans for a Holocaust museum, and together they presented the plans to an enthusiastic Walter Veltroni — then Rome’s minister of culture, now its mayor — who gave Zevi the go-ahead. The future looked promising for the Museum of Intolerances and Exterminations, and Rome seemed to be headed toward a serious reconsideration of history and memory.

But as the millennium approached, bureaucratic hurdles gave way to substantive obstacles, and the project got caught in the middle of an intense and revealing Jewish communal debate on the nature of intolerance. Members of the Jewish community wondered whether it might be better to commemorate the Holocaust first, before broadening to include other atrocities. Zevi argued that a museum taking a broad view of atrocities itself constitutes a commemoration of the Holocaust, and a museum that focuses narrowly on Jewish experience misses the point.

And Rome is just the place for the Jewish community to take a universalistic approach, Zevi argued. The only Jewish community in the Western world with a continuous presence for more than 2,000 years, the Roman Jewish community is “very Roman,” he said. “Without the split identity that sometimes makes other Diaspora Jewish communities identify so closely with Jewish suffering. Given its unique position, Zevi argued, the Roman Jewish community could be expected to take a broad view of intolerance.

But the Jewish community pushed for a Holocaust museum, and the municipality gave its consent. Zevi stayed on as the project’s architect, but the design elements of his initial scheme have changed. When he presents his latest plans January 27, Italy’s Holocaust Remembrance Day, there will be no twisted arms or contorted core, only a heavy gray box, pressing down over the entrance and the whole of the building. No Museum of Intolerances, only a Museum of the Holocaust.

At stake in the transition is more than just architectural plans. Lost was what Zevi considers the “most deep lesson from the Shoah”: that intolerance against one group is a danger to all. For Zevi, an examination of the intolerances and genocides of our time is a direct response to the Holocaust, one that acknowledges the full implications of the Jewish genocide rather than focusing myopically on the tragedy of Jewish experience in World War II.

At a time when every European city seems to want a Holocaust museum, perhaps it should not be surprising that Zevi is in the minority in Rome’s debate. In the shadow of Berlin’s Jewish Museum by Daniel Libeskind and Holocaust Memorial by Peter Eisenman, London, Vienna, Paris and many smaller cities have erected their own museums and memorials. Applying architecture to the memory of the Holocaust, European cities mark their distance from World War II, demonstrating the progress of their recovery in the 60 years since the war. Serving a dual function, these new museums have taken on the tough job of redeeming European cities from the ghosts of their past and from the urban problems of their present. Expected to perform something like the “Bilbao effect,” in which Frank Gehry’s Guggenheim Museum sparked a rise in tourism and an economic renaissance in the Spanish industrial city, these new Holocaust museums are counted on to spur a rebirth that is more psychological in nature.

But in a city as old and as layered as Rome, perhaps no museum is needed to dredge up the past. In Rome, where buildings are hardly ever torn down, and the urban fabric serves as a historical record of civilizations, past and present seem to coexist in a way that some say is unique to the “eternal” city. “Rome is a town of great synthesis,” Zevi said, speaking from the architecture studio on the first floor of his family home, just four blocks northeast of the site of the new museum. “The Roman Empire, the Catholic Church, the Renaissance” are some examples of that great synthesis. The Jewish community is another.

“We are very Roman,” Zevi said, and explained that he can trace his paternal lineage back to Rome in the first centuries C.E. Speaking of the Jewish community as a “unique phenomenon,” he argued that its continuous presence in Rome allowed for the development of a Roman Jewish community that counts among the city’s great syntheses.The distinctive experience of his community, Zevi suggests, manifests itself in a Jewish identity that includes none of the outsider mentality, none of the sense of marginalization or identification with oppression that characterizes so much of the Diaspora Jewish Experience. With such an identity, the Jews of Rome should have no need to focus narrowly on the suffering of Jews; they are, Zevi suggests, in a unique position to take a universalistic approach to human rights.

Uniquely positioned as the Roman Jewish community may be, though, it remains a Jewish community with a memory of the Holocaust, and, like so many other Jewish communities, a profound need to have that memory made public. It’s not because Italian Jewish history is particularly violent, in the scheme of things — in fact, compared with Germany and its other neighbors, Italy was relatively good to the Jews during World War II. Mussolini had no personal investment in Jewish genocide, and Italy joined in only when Germany invaded, late in 1943.

But perhaps because World War II chipped away at the great synthesis that was the Roman Jewish community, or because communities are inherently interested in preserving their own, Jewish community leaders withdrew support for Zevi’s museum and lobbied for legislation enabling a Holocaust museum. Perhaps because of the new popularity of Holocaust commemoration in European cities, plans are under way for a federal museum in Ferrara, near Venice, for a memorial in Milan and for Zevi’s municipal museum in Rome.

Disappointed as he was about the failure of the Museum of Intolerances, Zevi agreed to work on the Holocaust museum, along with co-architect Giorgio Tamburini. Their plans include a heavy dark box fronted by a 10-meter-high wall of light spanning the facade of the building, with names of the more than 7,000 Italian Jewish victims of the Holocaust scrolling across it. Inside, temporary and permanent exhibition spaces, a library, classroom space and a cafeteria will host an ambitious educational program, including a collaboration with Steven Spielberg’s Shoah Foundation collection of survivor testimonies.

The architecture is heavily symbolic: The wall of light underscores the disparity between light and dark, and the heavy box evokes the weight of tragedy. But, like Libeskind’s Jewish museum in Berlin, the museum will be symbolic without being rhetorical; evocative without being literal. By his own admission, Zevi’s designs for the Holocaust museum are less ambitious and more conventional than his designs for the Museum of Intolerances. As the moral agenda of the museum scaled back, the architecture did, too.

But there’s one thing that keeps Zevi excited about the Holocaust museum. The project is sited for the grounds of a 19th-century neoclassical estate now being redeveloped into a museum park. The estate, Villa Torlonia, served as Mussolini’s country home for a short time while he was dictator, and the irony of that coincidence has not escaped public notice and may even have contributed to the municipality’s decision to site its Holocaust museum there. Appropriately for Rome, the history of the site is layered, and conflicted.

There is another aspect of the project’s site that has deeper historical resonance for Zevi. Located beneath the grounds of Villa Torlonia is a Jewish catacomb, one of five in Rome. For Zevi, the labyrinth beneath the villa symbolizes the history of Jewish struggle, the persistent undermining of authority and assertion of identity that characterize Jewish history.

Zevi’s father, eminent architectural critic Bruno Zevi (1918-2000), spoke to the Roman Jewish community in June 1974, saying that the series of wandering underground passageways “literally corroded, undermined the very foundations of the great Roman city that stretched above them,” going underground “to burst the earthly city above.”

For Bruno Zevi, the catacombs served as evidence of a historical assertion of a Jewish identity that manifests itself in the wandering of the underground passages. For Luca Zevi, the catacombs that lie beneath the site of his new museum add another level of questions to the project. The passages, which will be restored and made open to the public as part of Zevi’s museum project, will beg questions about the museum above.

Adina Lopatin researched the life and work of Bruno Zevi at his archives in Rome last summer, thanks to a Marshall-Allison Fellowship from the history of art department at Yale.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Steve Adubato, Stunod "What Are You Thinking" Asks Thomas De Seno ?

Steve Adubato is an accomplished journalist and commentator, and it was therefore that much more hurtful when I read his article on June 11, 2007 about the Soprano's finale. My heart sank. but I could not summon up the energy to respond to still another "traditore".
Fortunately, Thomas De Seno, an attorney in Asbury New Jersey said it as well as I ever could, although he was kinder than I would feel inclined, and here is his Message to Steve Adubato.

Steve Adubato, Stunod… What are you thinking?

A great many people believe they are thinking when they are really rearranging their prejudices. William Jennings

Do you know Steve Adubato? You should; he’s a model Jersey boy. Steve has been a part of my Sunday morning ritual. After going to the bakery to buy buns and rolls, my wife and I feed the kids, and then spend the morning with coffee and newspapers watching political talk shows. We usually catch Steve Adubato on channel 8 covering Jersey politics.

Steve has a PHD in communications and a Masters in politics. He owns a communications business, teaches at Rutgers, has written 2 books and won 4 Emmy Awards. He writes columns for the Star Ledger and MSNBC.com. Nationally he has done commentary on media for C-Span, CNN, Court-TV and Fox News (Fox News! My dream job!).

My thought is the cable networks are test-driving Steve on media issues. I’m betting they bump him up to political analysis soon, and eventually we’ll see news anchor Steve Adubato hosting a presidential debate. His obvious talents aside, I’m always rooting for him as a Jersey boy and a great exemplar of an Italian American man.

With the immigration debate raging right now, we are reminded that what is most important for ethnic groups, Italians included, is to assimilate into America – to be thought of as Americans first and our ethnicity second. That being true, then each ethnic group has to obliterate any old stereotypes. Culturally you can master the language, clothing, education, business and politics, but a stereotype will be the last lock on the door to assimilation if you can’t pick it. There will always be something that says “outsider” about a group with a widely accepted stereotype.

The Italian stereotype still widely accepted is that Mafia myth. Before the movie The Godfather, real organized crime had many ethnicities: Dutch Shultz, Bugsy Segal and Meyer Lansky were Jews. Dion O’Bannion and Bugs Moran were Irish. Of the Midwest Crime wave including John Dillanger, “Pretty Boy” Floyd, “Baby Face” Nelson, “Ma” Barker, Bonnie & Clyde and “Machine Gun” Kelly, none were Italian. Yet because the Godfather was so acclaimed, more than 400 feature films have been made since, where the mobsters are just Italian, despite the historical inaccuracy.

This stereotype is still “OK” in Hollywood. No other ethnicity suffers from their hurtful stereotype being politically correct. Imagine an HBO series today about a Step ‘n Fetchit Black family, a drunken Irish family, cheap Jews or dumb Poles. Those wrong stereotypes haven’t been wiped out, but they are universally reviled and controlled by making a pariah of anyone who uses them. Yet portraying Italians as murderous, awful, immoral criminals will get you an Emmy.

One problem of course is the number of Italians who embrace the stereotype, because of the media portrayal of mob life as exciting and sexy. Italians who perpetuate this lie because of the romanticism don’t realize how they hurt the rest of us. Our identifier has gone from real people like Galileo to fake people like Corleone.

Steve Adubato’s column for MSNBC.com about the Sopranos finale is a perfect example of an Italian-American sellout - perpetuating the mafia myth. Here are his worst moments: “For those of us who are Italian-American and live in New Jersey and have uncles or cousins who went away “to college” because they were somehow “connected,” "The Sopranos" has been a terribly guilty pleasure. Sometimes the series felt way too close for comfort. So provincial, yet so profound. There really are mobsters like Tony Soprano…The Sopranos" was true to life in so many ways.”

No Steve, it wasn’t. There is no one as disgustingly immoral as these people. They were like your family? Who in your family kills someone nearly every week? Who in your family killed his best friend? Who killed his cousin? Who suffocate his injured nephew? Who took over his best friend’s business? Are your wife and every friend she has too dumb to discuss cinematography after watching a movie? This doesn’t resemble your family or the family of anyone else you ever met.

Adubato justifies his perpetuation of the myth by saying “people in Nebraska will think that about us anyway.” As long as you’re speaking for us Steve, yes they will.

Consider this. It isn’t our stars like Scalia or Giuliani that are going to get hurt, nor the Italian American community as a whole. I worry about the individual.

Twenty years ago when I was in law school, three students were in the next booth at a campus restaurant. One said, “In criminal law we’re studying a case were all the defendants had these long Italian names…they were sooooo guilty!” I wonder where that student is today – a judge? A prosecutor maybe? Hopefully someone named “Adubato” never gets dragged before a jury for having a last name that makes him “soooo guilty,” and I pray no one who recently moved from Nebraska has jury duty, since they all “think that way about us anyway.” We must fight the stereotype, not embrace it.

So Steve, sfacim, I’m still a fan. I’m still rooting for you. I’m in your corner. Just do me a favor: The next time you are asked to comment about Italians within American culture, please – remember the neighborhood. The real neighborhood.

Thomas De Seno

deseno@msn.com

RAA NOTE: I hadn't heard the word "sfacim" in so long I had to look it up. It wasn't easy. Alta Vista/Babel wouldn't translate.

It wasn't in the Italian Slang Adult Section of About.com .

But it was in the "Talking like the Sopranos" section in About.com

sfacim: sfa-CHEEM; Neapolitan slang for semen and equivalent to English slang such as spunk or gism. However, it's also widely used as a term of endearment, as in "Hey, sfacim. Come over here and give your grandmother a kiss before I break your face." The closest American English slang term would be "spunky."

In the Urban Dictionary:

sfacim: Also spelled "sfaccim", it literally means "semen" or "jism", (Southern Italian dialectal word) but is also used as an insult, more or less equivalent to "bastard", or "son-of-a bitch", or even "dick-head".



In Thomas Pynchon's Gravity's Rainbow. according to Pynchon Wiki, Chapter 3 , Pg 58
sfacim-a: from "sfaciаre" = to dismantle (plus the definition in About.com)

If you REALLY want to read Steve Adubato's article on MSNBC it can be found at:

http://www.msnbc.msn.com/id/19170445/

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

Getting a Grip on Giuliani

Hordes of New Yorkers w ho call ex Mayor Giuliani a “fascist”—brings us back to the fascist issue that dogged Giuliani throughout his tenure as mayor.

Giuliani often answers the charge by accusing his detractors of ethnic bias—as if “fascist” were somehow an ethnic slur against Italian Americans.

Giuliani may be reaping what he sowed. He is cavieilier about Soprano and Mafioso Stereotypes against Italian Americans, and even costumed in the apparal at parties. Fascism is another Italian Negative Loaded term.

When you fight Negative Italian Stereotypes, you fight them all, you don't pick and choose. You never know which one is going to bite you in the butt!

The American mass media calls him “America’s mayor.” Critics often label him a fascist. Whether he’s the populist hero who “took charge” on September 11, 2001, or the frightening face of a new American Reich, it appears Rudolph Giuliani will carry George W. Bush’s torch into the 2008 presidential election. I guess this only makes sense, since, like Bush, Giuliani’s failing political career was rescued by the terrorists that attacked New York and Washington, DC on September 11.

When Giuliani emerged from the dust of the World Trade Center, it seems the national media caught a quick case of amnesia, preferring the iconic image of a hero over reality, quickly forgetting Giuliani’s dismal tenure in office and his sorry performance on the morning of September 11.

Before picking up the “hero” moniker, Giuliani was commonly referred to in the city he governed as a “fascist” and a “thug.” These accusations didn’t just come from civil libertarians. Former New York Mayor Ed Koch likened Giuliani to the former Chilean dictator Augusto Pinochet. According to Koch, Giuliani “uses the levers of power to punish any critic.” Koch went on to explain, “He doesn’t have that right—that’s why the First Amendment is so important.” ...

According to the New York Times, the Daily News and the New York Post, then attorney general candidate Eliot Spitzer went on record in October 1998, saying, “the current Mayor thinks he’s a dictator, and does not have sufficient respect not only for other branches of government, but also for the citizenry and its opportunities to speak out and be heard.”

Spitzer’s complaints,...stemmed from Giuliani’s “zero tolerance” policies, which he argued would improve the quality of life in New York by addressing small crimes such as jaywalking, drinking in public, marijuana possession and panhandling, and non-crimes...Under this policy, New Yorkers were handcuffed and dragged off to jail for drinking beer on their front stoops —the New York City equivalent of hanging out on the porch. Marijuana possession arrests increased by well over 4,000 percent. Eventually almost 70,000 people sued the city for police abuses such as strip-searching suspected jaywalkers. In 1999, James Savage, the president of the New York City police union, referred to Giuliani’s zero tolerance policy as a “blueprint for a police state and tyranny.”

The hunting of altar boys

Giuliani shored up control of the police department by appointing crony Howard Safir as commissioner. Safir then enhanced the department’s Street Crimes Unit into what New York journalist Nat Hentoff described as a “rogue” operation that made “Dirty Harry look like Mahatma Gandhi.” Fashion-wise, the unit had more resemblance to Guatemala’s notorious military death squads, wearing “We Own the Night” t-shirts, and shirts citing Ernest Hemingway’s “There is no hunting like the hunting of man” quote—quite a variation from standard issue uniforms.

This is the police unit that became notorious for shooting African immigrant Amadou Diallo 40 times as he reached for his wallet after being ordered to show identification. When New Yorkers took to the streets to protest the shooting, Giuliani told the press that people were protesting due to “their own personal inadequacies.” ...

When Safir left, Giuliani appointed Bernard Kerik to take his place. Kerik later plead guilty to accepting gifts and loans from businesses with alleged crime ties while he served as commissioner.

Little weasels

By the time September 11, 2001 rolled around, Giuliani’s approval rating, according to a Quinnipiac University poll, hit a Bush-like 37 percent. Hizzoner got downright weird, proposing a Taliban-style “decency panel,” operated out of his office, that would have the power to determine what would be considered “art” in New York City. ...

Hizzoner boasted of moving people from welfare to workfare, where thousands of people earned less than two dollars per hour replacing an equivalent number of parks department employees whose positions were downsized. During this period, 13,000 welfare-dependent City University of New York students were forced to leave school and enter the menial workfare force, where less than six percent of participants transition to real employment paying minimum wage or more.

Mega real estate developer Donald Trump described Giuliani as “maybe the best [mayor] ever.” Ralph Nader called him “the oligarch’s mayor.” Giuliani took credit for a high-end real estate boom while presiding over double-digit rises in homelessness, cutting public spending on affordable housing by nearly half and housing for the homeless by nearly three quarters.

Today, America’s mayor lives and breathes a 9/11 mantra. Forget the details of his tenure in Gracie Mansion. He’s an iconic American hero—the leader we needed when George W. Bush was AWOL on September 11.

But was Giuliani really the hero of the day?

On September 11 New York was left without an emergency command center because Giuliani, against the advice of the police and fire departments, decided to locate the center in the third World Trade Center building, above fuel tanks containing tens of thousands of gallons of fuel—this despite a 1993 terrorist attempt to topple the towers. It was this decision that put him on the street on September 11 instead of inside a command center coordinating operations. Ironically, this decision also put him in front of hundreds of press cameras, sparking his transformation into iconic, dust-covered hero.

While our hero was wandering the streets, however, there was no communication between the police department, whose helicopter pilots determined that the towers were in danger of collapsing, and the fire department, whose real heroes were rushing into the towers. And there was no communication between the police officers who identified an open stairway for escape from above the fire and the 911 operators who were telling soon-to-be-dead office workers to stay put and wait for firefighters.

Whatever possibility existed for communication between the police and fire departments, whose radios operate on different frequencies, evaporated when Giuliani visited a makeshift fire/police command center that formed in his absence and ordered to police brass to leave and accompany him uptown. This effectively put the fire department and police department leadership in different physical places with no communication between them.

Arbeit macht frei

A month after the September 11 attacks, firefighters took to the streets to protest against Giuliani’s decision to limit the number of uniformed firefighters and police officers sifting through the rubble for remains. They accused the administration of speeding up the cleanup at the cost of possibly discarding the remains of victims. Giuliani, in signature style, ordered Peter Gorman, head of the Uniformed Fire Officers Association, and Kevin Gallagher, head of the Uniformed Firefighters Association, to be arrested at the protest site. A spokesperson for Gallagher told the media that “The mayor fails to realize that New York City is not a dictatorship.” Gorman went a step further, joining hordes of New Yorkers who called the mayor a “fascist”—which brings us back to the fascist issue that dogged Giuliani throughout his tenure as mayor.

Giuliani often answers the charge by accusing his detractors of ethnic bias—as if “fascist” were somehow an ethnic slur against Italian Americans. The charge itself, however, stinks of anti-Italian-American ethnic bias, ignoring the role New York’s Italian-American community has played in democratic politics—giving the city, for example, its most revered mayor, Fiorello LaGuardia. The fascist charges don’t stem from Giuliani’s ethnicity, they stem from his actions and statements. Giuliani, in his own worlds, explains that, “freedom is not a concept in which people can do anything they want, be anything they can be. Freedom,” he explains, “is about authority. Freedom is about the willingness of every single human being to cede to lawful authority a great deal of discretion about what you do.”

And you thought George W. Bush was dangerous.

Dr. Michael I. Niman’s Artvoice articles are available at www.artvoice.com, archived at www.mediastudy.com and available globally through syndication.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Women Gondoliers in Venice Italy

VENICE STARTS COURSE FOR GONDOLIERS

ANSA Venice, June 26, 2007

Two women keen to break into one of Italy's last male bastions sought admission on Tuesday to Venice's first official course in the art of gondoliering.

One of the female candidates who joined the 127 male ones was German-born Alexandra Hai, who has fought a 10-year battle for the right to steer a gondola around the lagoon city's canals.

The other was Alessandra Taddei, a local woman who belongs to a Venetian rowing club.
Neither woman wanted to share with reporters their impressions after the first day of the week-long trials, which will decide who gets the 40 places on the gondoliering course.

"I don't want to discuss how it went this morning. We can talk about it in ten days' time," said Hai, who has had a troubled relationship with Venice's gondoliers.

She has taken the gondoliers' test four times, steering her boat along canals and performing tricky manoeuvres. But each time she has failed, allegedly because examiners' were "overly strict".

She has accused the 425-strong association of Venetian gondoliers of deliberately keeping her out because of her sex. The association refutes this claim fiercely, saying she simply isn't good enough.

Hai, 40, recently won a small victory when a court upheld her right to ferry hotel guests about in a gondola even though she has no licence. She is employed by a Venetian hotel to offer precisely this service.

But Hai evidently wants more than this and is looking to certify her credentials as an able gondolier in any way possible.
The new course being run by the gondoliers' guild lasts six months. It includes 400 hours of instruction in using the distinctive single oar that is used to propel a gondola through the water.

Students must learn how to steer the banana-shaped boats from the back and the front. They also have to take English courses, study sailing law and demonstrate perfect knowledge of Venice's canals and landmarks.

Roberto Luppi, the president of the gondoliers' co-operative, expressed great pride over the establishment this year of a 'school' for gondoliers.

"Up until now the gondolier's profession was passed down from father to son. From now on you'll have to go to a proper school," he said.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

What was The Stressa Conference, and What was It's Importance to WWII

We already know that the Victors write History (of course cast themselves in the most favorable light), and while those Historians tend to make Fiction/ Propaganda out of Fact, the Media make Fairy Tale out of Fiction (they call it Literary license).
While Anti Italians, or those wishing to deflect responsibility from themselves, for anything negative in WWII, or with other nefarious agendas,
distort beyond recognition, Italy and Mussolini's actions between 1922-1943.
The Stressa Conference in Italy in April 1935, ITALY, Britain, France Met to Attempt to Curb Hitler. Hitler had announced plans to ignore the Versailles Treaty, and quadruple his army, increase its Air Force and Navy, with submarines.
Mussolini took a tough hard line against Hitler (with his main concern of Hitler's intentions toward Austria, and then....) , while Britain 'kept the door open' with Germany in hopes of obtaining satisfactory agreements.
Within two months the UK had signed the Anglo-German Naval Agreement, by which Germany was given the green light to increase the size of its navy. The UK had not first informed its Stresa partners , which enraged Mussolini, and the front was seriously damaged.
While the USA was virulently Anti Communist, as was Britain, and France, Both Germany on Russia's West Border, and Japan on Russia's East border, also were concerned about the USSR's intentions and concluded The Anti-Comintern Pact on November 25, 1936.
The pact, which was directed against the Communist International (Comintern) in general, and the Soviet Union in particular.
"recognizing that the aim of the Communist International, known as the Comintern, is to disintegrate and subdue existing States by all the means at its command; convinced that the toleration of interference by the Communist International in the internal affairs of the nations not only endangers their internal peace and social well-being, but is also a menace to the peace of the world desirous of co-operating in the defense against Communist sub­versive activities"

In case of an attack by the Soviet Union against Germany or Japan, the two countries agreed to consult on what measures to take "to safeguard their common interests". They also agreed that neither of them would make any political treaties with the Soviet Union.

In 1937, Italy joined the Pact, thereby forming the group that would later be known as the Axis Powers.

Italy's decision was partially a reaction against Britain and France "reneging" on the Hoare-Laval Agreement, accepting Italy's annexation of two thirds of Ethiopia, and Britain's "betrayal" of the Stresa Front, the Franco-British initiative of 1935 designed to curb Hitler's Military Buildup. In particular,all three nations tried to block "German expansionism", especially the annexation of Austria, which was also in Italy's best interests to prevent.

Italy was also driven into Germany's sphere when Anthony Eden became Foreign Secretary of Britain in 1935. Previous to that Eden was British minister for League of Nations Affairs ...While Eden supported the policy of non-interference in the Spanish Civil War, and supported Neville Chamberlain in appeasements to Germany, and did not protest Hitler's reoccupation of the Rhineland in 1936. YET in February 1938, he RESIGNED because he could not accept PM Chamberlain's mere opening of negotiations with Italy.

This is made clear in an excerpt of an Interview of Bob Santamaria by Robin Hughes, April 23, 1997 http://www.australianbiography.gov.au/santamaria/interview2.html

Bartholomew Augustine Santamaria (14 August 1915 - 25 February 1998), Australian political activist and journalist, was one of the most influential political figures in 20th century Australian history, although he never held public office, he was the unofficial leader and guiding influence of the Democratic Labor Party. Santamaria was born in Melbourne, the son of a greengrocer who was an immigrant from Sicily. He was educated at elite private schools, and at Melbourne University, where he graduated in law.

His MA thesis was titled Italy changes shirts: the origins of Italian fascism.. He also was a a strong supporter and wrote about Mussolini's regime in Italy, but denied that he had ever been a supporter of fascism. He always disliked and opposed Hitler and Nazism. Whilst being a strong supporter of Mussolini up until 1936, he attributed Mussolini's late alliance with Hitler to the failed policies of Anthony Eden, and expressed regret that Mussolini went with Hitler......

The person whom I hold as responsible for the choice that Mussolini ultimately made - was Anthony Eden. When Mussolini invaded Abyssinia, the invasion was quite unjustifiable, but Anthony Eden made a kind of crusading polemic against it to drive Mussolini out of the ranks of civilised Europeans. But Mussolini had always been very clear in the danger which Hitler represented and Mussolini had formed, with Britain and with France, an alliance called the Stresa Front and if the Stresa Front had been maintained, I don't think Hitler could have gone to war in the end. And so the ... what I regarded as the ill-judged actions in all of the circumstances of Anthony Eden, pushed Mussolini in the direction of Hitler. Now I'm not exonerating Mussolini. But it's got to be understood in its historical context.

Eden later was Prime Minister of the United Kingdom from 1955 to 1957. He is mainly remembered for his role in the Suez Crisis of 1956, which was politically disastrous from a British perspective. Eden is generally ranked among the least successful British Prime Ministers of the 20th century.

The Axis Powers originally had the SAME objectives as the Allies, to Stop Communism, except the Axis Powers were geographically closer, and in greater jeopardy of the USSR expansionist designs.

Poland's strategic position, and it's Refusal to join the Axis, ( and enrage Russia), set the stage a series of actions, the results of which were unpredictable, and always full of unintended consequences. (Ask Geo W Bush about Iraq). Poland's invasion by Germany, and splitting Poland in two with Russia, gave Germany direct access to the "Evil Empire".

Stresa Front

From Wikipedia, the free encyclopedia


The Stresa Front was an agreement made between French foreign minister Pierre Laval, British prime minister Ramsay MacDonald, and Italian leader Benito Mussolini in April 1935. Its aim was to reaffirm the Locarno Treaties, and to declare that the independence of Austria "would continue to inspire their common policy". They also agreed to resist any future attempt by the Germans to change the Treaty of Versailles.

The Stresa Front takes its name from the Stresa Conference in Italy, where it was negotiated. Benito Mussolini, the Italian fascist leader, was able to cut a dashing figure by arriving at the conference via speedboat.

The Stresa Front was triggered by Germany's declaration of its intention to build up an air force, to increase the size of its army to 36 divisions, (400,000 men - four times the army allowed by Versailles) and to introduce conscription, in March 1935.

The Stresa Front could be seen as a failure due to its vague terms and the fact that it wasn't clear what its aims were and how they should be upheld. This was designed to be vague and it ignored all references to Germany as Britain was adopting a dual policy. The tough hard line was provided by Mussolini, while Britain 'kept the door open' with Germany in order to obtain agreements. The Front omitted any references to Germany as not to antagonise Hitler and end Anglo-German negotiations. This fact could make the Stresa Front be seen as a mild success. Hitler had used tactics that made Britain and France guess at what his next move would be. However, because of the vague terms, it kept Hitler guessing at what Britain would do. However Britain didn't realize the advantage it had over Germany and this was lost with the signing of the Anglo-German Naval Agreement.

Another reason for its failure was that neither Britain, France or Italy wanted to invade Germany and the only real way in which German rearmament could be ceased was by a full scale invasion of Germany. However the British government was loathe to go with this option as they perceived that the British public opinion was that of anti-war sentiment.

The Front was not successful. Within two months the UK had signed the Anglo-German Naval Agreement, by which Germany was given the green light to increase the size of its navy to 35% of the Royal Navy and to build submarines. The UK had not discussed this with its Stresa partners and the front was seriously damaged. This highlighted the fact that the countries that made up the Stresa Front were pulling in different directions, and weakened the front. It collapsed completely with Italy's invasion of Abyssinia.

Mussolini had ambitions of controlling Abyssinia for a long time and it was a well known fact. When Britain signed the Anglo-German Naval Agreement it ended the Stresa Front as it enraged Mussolini. This was because Britain had signed the agreement without first informing him. This was particularly damaging as Mussolini knew that Italy was a small power when compared to Britain and France and this enraged him so much that it prompted action in Abyssinia. Mussolini had held back on his invasion plans as Abyssinia bordered French and British Somaliland and he didn't want to anger his allies. However he saw that Britain had betrayed him and it removed all doubts about the invasion. He also believed that such a move ended the conditions that were agreed in the Stresa Front.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Tuesday, June 26, 2007

Aussie View: Italians Two Great Passions: Football & Food

According this Aussie author, there are two things that incite the greatest passion in Italians: Football (Soccer) and Food.
Every region and small town has its own football team and regional dish, no matter how modest.
[I respectfully disagree. I find Italians are Passionate about almost EVERYTHING !!!! :) :) ] In Italy I once asked an Elderly Italian gentleman for Directions, and his Gesticulations were SO Mesmerizing, that I thought I had just witnessed the final scene to a great Opera.!!!

Made in Italy

Courier Mail - Australia
Natascha Mirosch June 26, 2007

THERE are two things in life that incite the greatest passion in Italians: football (soccer) and food.

Every region and small town has its own football team and regional dish, no matter how modest. Some are the subject of controversy over ownership but most Italians acknowledge that the best beef comes from the famous chiana cattle in Tuscany, as a T-bone steak, brushed with olive oil and rosemary and cooked over an open flame; that there is no better pizza than that found in it's birthplace, Naples; and the best, saffron-tinted risotto alla Milanese comes, naturally, from Milan.

One reason for such rich regional diversity is Italy's late unification. Until 1861, the different regions were not only autonomous with their own dialects (often still in use today), but they also produced their own cuisine based on ingredients grown or sourced locally. Climate and geography played a large part in creating difference, often isolating regions from even their closest neighbours.

"The flatlands, coastline, the Dolomites and pre-Alps are concentrated in a land that can fit almost seven times into Queensland. (But) Until trucks and transport started delivering limoncello to the north or parmesan in the south, these products were known only in the region of origin," says Mirko Grillini, chef and cookbook writer.

"For example, balsamic vinegar was always a specialty of Modena/Reggio Emilia. In Bologna (40km away) balsamic vinegar was never used."

In the mountainous north where the pastures could support dairy herds, cream, butter and cheese were used in cooking, while in the south, olive groves could be relied upon to fruit in a much poorer earth. Proximity to Austria, France and Switzerland mean the northerners' culinary influences were more middle European, while in the south, the Arabic, Greek and Spanish influences predominated.

The northern part of Italy was wealthier, too, its citizens able to afford to grow and eat polenta and rice, dried salamis and prosciutto, and rich meaty ragus. The south eked out a harder living, relying on staples such as pasta, bread and vegetables for survival.

Today regional Italian cuisine is still based on tradition and geography. "Traditionally people ate what the land was offering. Still today, you can offer to an Italian (born in Italy) a gourmet dish with whatever here we may think is 'in' and he would turn it down for a simple, down-to-earth, peasant dish," Grillini says.

While it's one of the world's most popular cuisines, Italian food has been sadly debased overseas. We more often than not submerge our pasta in sauce, overload pizza with toppings, some of which have never even made acquaintance with Italy.

"Adding a few ingredients and creating your own style of lasagne or bolognaise sauce can be a magnificent exercise, but whatever the result, it will never be a lasagne or bolognaise again.

"Traditional food that has been the same for hundreds of years is losing identity because the people who started changing things did not call the revised dishes with an appropriate name. Why else would we be seeing menus with carbonara made with cream – the ultimate offence to this beautiful Roman dish?" Grillini says. (Carbonara traditionally is made with eggs, smoked pigs cheek, pecorino and parmigiano and black pepper.)

His own city, Bologna, hasn't escaped, either. Traditionally home of plentiful and rich food, earning it the nickname "Bologna il grasso" (Bologna the fat), it is home to the ragu we have adopted and adapted for the eponymous "spag bol" that appears on 'Italian' menus all over the country. While we blithely throw all kinds of ingredients into it: dried herbs, garlic, mushrooms and vegetables, according to Grillini, the traditional ragu from Bologna is made one of two ways.

"Both start with a soffritto, a mix of finely diced celery, carrot and onion, cooked down, then for one, you add minced chicken livers and pancetta, a splash of wine and some tomato passata. In the old days it was made with horse meat because it was the most lean, but now it is made with mince for convenience. You simmer for 2-3 hours," he says.

"With the other, there is no red wine or chicken livers and you add milk, which gives it a smooth and delicate taste."

As much as the citizens of Bologna would be offended by some of the dishes we pass off as their regional sauce, so our interpretation of pizza would probably make the average Neapolitan apoplectic.

Cordell Khoury, of Beccofino in Teneriffe, says that: "Real Italian pizza rarely has more than four toppings. It should never flop under the weight of them but stay crisp and not be soggy."

For pizza purists there are only two true pizzas, the original being the marinara. Despite its name, the marinara contained no seafood, rather it was so called because it was what the bakers served to fishermen returning home from sea. The true marinara has a topping of tomato, oregano, garlic, extra-virgin olive oil and basil.

The Margherita was the first pizza to have cheese. It was created in 1889, for the visit of King Umberto I and Queen Margherita of Savo, and was meant to evoke the Italian flag: green (basil leaves), white (mozzarella) and red (tomatoes). How this has transformed into the stuffed crust meatball-topped horrors of many takeaway pizza places is hard to comprehend.

It's not all bad, though. As more of us travel and start to appreciate the less-is-more, quality-over-quantity philosophy, we are wanting more authentic Italian, food like we had on holiday in Italy. This education means we are starting to learn what al dente means, how to coat our pasta in sauce rather than piling it up on top, the simple beauty of a fig wrapped in a piece of Parma ham, the slightly smoky crust of a good wood-fired pizza.

Sam Mura of Cosi Ristorante in Clayfield says that he has also noticed a change in our attitude to Italian food, and is hopeful about the growing interest in regional Italian food and desire to try the unfamiliar. "Before, whenever I put Sardinian dishes on the menu it was hard to sell, people were reluctant to try them. Now they are more educated, they are travelling more and understanding more about regionality and are willing to try."

Mura says he can't take his malloreddus, a typical Sardinian pasta dish with sausage sauce, off the menu now.

At Va Bene, at the Windsor Hotel, a strong contingent keeps chef Angelo Morvillo cooking the dishes handed down to him by his mother. "I think that over the last 10-15 years people are coming to know and understand more about Italian food and its complexities. I have special customers, regulars who ask for tripa (tripe) and other things they may have grown up with in Italy or had when travelling there."

We are also experimenting more at home, inspired by TV chefs, cookbooks and cooking classes and, as the world becomes smaller, the possibility of tasting true Italian products such as San Danielle prosciutto, truffles and fresh buffalo mozzarella. It's a sign of the times that we are willing to pay up to $60 for a bottle of 10-year-old balsamic or $80-plus per kilo for imported prosciutto di Parma. No longer do we automatically reach for the spaghetti, either, as we are familiarising ourselves with a whole catalogue of different shapes.

"When pasta was first introduced to Australia many years ago, there was basically spaghetti and macaroni. In the past 10 years or so, many different pastas have been introduced and there are many that now outsell spaghetti," says Rosa Sirianni of Sirianni's Fine Foods. "We stock orecchiette, trofie, fusili avellinesi and cavatelli as well as squid ink pasta."

While the public may be willing to experiment with traditional regional Italian, however, chefs such as Morvillo and Mura still struggle to reproduce the kind of dishes they grew up on. Climate, processing and tradition all play a part in recreating the true cuisine of their homeland.

"Porchetta is very famous in Sardinia," says Mura. "I tried to get it here, but it's impossible – they are very hard to find. You can't really compare piglet that you cook here with the pig you can get there."

Nor is it possible to get the same sort of soft fresh cheese that goes into the typical Sardinian pastries, he says.

The compromise dish which results is often termed "modern Italian", a sensitive reworking of classics that take the basis of Italian dishes but use our own fresh local ingredients.

Nicola Robertiello, from Dell' Ugo at New Farm, says: "Really, we have to adapt here because you can't get the ingredients and the Italians will say that if you change the recipe it automatically becomes modern Italian.

"It's also about presentation – you can keep it traditional but the look on the plate will be more modern."

Whether we chose to adopt or adaptthe ethos of Italian cuisine: keep it, simple, fresh, regional and seasonal is one that all modern foodies aspire to.

Festitalia 2007, a celebration of all things Italian is on at the RNA Showgrounds on July 1; www.festitalia.com. Go to couriermail.com.au for more on Italian regionality and authentic Italian recipes.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Rome Struggles with a Rowdy, Drunken Boom in Tourism

On its face, the issue would seem to be a case of too much of a good thing - tourism in Rome is booming and has been growing steadily for five years.

As a city, Rome remains a very safe destination for visitors. The rowdiness of its night life is on par with, and often does not match, that of other major capitals. But the uniqueness of Rome's historic center and the fact that this activity is a relatively new phenomenon has prompted more and more concern.

"I don't think it is any more out of control than in any other European city. It just sticks out more in Rome because the Italians don't have that sense of night life that the tourists do. It is a juxtaposition of the traditionally calm Italian night life and what tourists and those few Italians want to do."

Rome Struggles with a Rowdy, Drunken Boom in Tourism
Monday, June 25, 2007

ROME: There is a struggle under way, in plain view, for the soul of Rome's historic center: In one corner sit the forces of restraint, etiquette and cultural preservation; in the other sit those with the unswerving desire for yet another round of drinks.

A leisurely midnight stroll on almost any summer night through Campo dei Fiori, Piazza Navona or the medieval neighborhood of Trastevere puts the issue in clear relief. It is "ladies night" at Sloppy Sam's, a popular pub on Campo dei Fiori just in front of the statue of the philosopher Giordano Bruno. Bruno was condemned to death in 1600 by the Roman Catholic Church for heresy. Shirtless male bartenders this night are serving up round after round of half-priced shots.

Around the corner, a stone's throw from where Julius Caesar met his treacherous end, the Zeta Lounge is offering two hours of "open bar" - all you can drink for one low price. Later, at around 3 a.m., an American tourist is barking through a megaphone pleading with a woman he is with to pull up her skirt and expose herself. This elicits guffaws from his group of friends, and laughs from the woman herself.

The place is quite literally soaked in booze and a growing number of Rome's residents are fed up with what they see.

"It is unbelievable," said Flaminia Borghese, president of a homeowner's group in the historic center that is demanding greater noise control and beefed up police patrols. "There is a total lack of control."

Borghese seems uniquely suited to lead a charge for decorum - she is a descendant of the House of Borghese, a family of noble and papal background. She faults the city for issuing far too many liquor permits for new restaurants and bars and the police for failing to enforce various noise-control ordinances.

"The foreigners come here because they know that they can do whatever they want," she said. "Nobody says anything."

As a city, Rome remains a very safe destination for visitors. The rowdiness of its night life is on par with, and often does not match, that of other major capitals. But the uniqueness of Rome's historic center and the fact that this activity is a relatively new phenomenon has prompted more and more concern.

"There's been a change in the style of drinking," said Dermot O'Connell, who runs "The Almost Corner Bookstore" on Via del Moro, a main thoroughfare in Trastevere and a popular nocturnal destination because of its many bars. "It is now socially acceptable to walk around with an open bottle of beer and that was not the case five years ago."

O'Connell was a resident of Trastevere until a year ago. He could not take the noise anymore and left; nor can many of those who remain, it seems. Last week, many residents staged a protest by hanging white sheets out their windows and off their balconies and pinning up posters calling on Mayor Walter Veltroni to do something.

The city says it has enacted various measures, like limiting traffic into the historic center, putting up surveillance cameras, putting more police officers on the streets and passing a law that requires all glass bottles and glasses to be replaced with plastic cups after a certain hour.

On its face, the issue would seem to be a case of too much of a good thing - tourism in Rome is booming and has been growing steadily for five years. In the month of May, two million people visited Rome and the city is predicting that more than 20 million tourists will have passed through in 2007. But there are other transformative forces at work as well - some social, some economic - that shine a light on the state of modern tourism.

"Why would you come to Rome to drink beer when you can do that anywhere else in the world? The value of Rome is its urban tissue," said Giuseppe Strappa, an architect and professor who has written extensively on the changing face of the city's historic center.

Strappa said the issue started to heat up more than a decade ago, when the city decided to transform the historic center, which he called the "best preserved" in the world, into an entertainment destination. That led many ancient palazzos to be gutted and turned into restaurants and bars. "If it continues like this for 10 years we will no longer have a historic center," he said.

Chris Felts, who owns and runs a tourist agency that focuses on backpackers and offers night tours and pub crawls, said: "I don't think it is any more out of control than in any other European city. It just sticks out more in Rome because the Italians don't have that sense of night life that the tourists do. It is a juxtaposition of the traditionally calm Italian night life and what tourists and those few Italians want to do."

There seem to be plenty of reasons for the phenomenon, ample blame to go around: Low cost airlines have put the city within reach of more tourists; the social etiquette of young Italians has changed; the city has pandered to the youth movement. Perhaps, too, the expectation of Rome's residents that their city center be a quiet, well-bred place is out of date.

Others see it more simply. "The piazzas are public places," Marco DeSantis, 24, said while stealing sips from a huge can of Italian beer one night. "They are for everyone."

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Italy Opens First Women-Only Beach - - Progress, Profit, or Personal Advantage?

The author touts this First Woman Only Beach near Rimini on the Adriatic Coast as a blow vs male chauvinism.
Yet, only until you read down to the last paragraph do you realize that this is a For Profit Enterprise, and One Male is Permitted on the Beach, and that is the Owner, and with a typical chauvinism says: "The lifeguard must be a man. You clearly need a man to save women in the sea. It’s a question of muscles." :) :) :)

Italy Opens First Women-Only beach

Telegraph.co.uk - United Kingdom
By Felix Lowe
June 26, 2007

Italy’s long-standing tradition of male chauvinism has been delivered a bitter blow with the opening of the country’s first women-only beach.



Visitors to Beach no 134 on the 50-mile stretch of coastline linking Rimini to Riccione on the Adriatic coast are welcomed with a large sign of a macho man covered with a pink cross saying "No Men".

The sandy beach, which is also closed to children, has been dubbed the "Pink Beach".

Its opening was attended by the newly-anointed Lara Croft model Karima Adebibe, promoting the Tomb Raider Anniversary for Eidos Interactive, the video games publisher.

The man ban is accompanied by a restriction on loud disco music and traditional beach food such as deep-fried squid and chips.

Healthy salads and fresh fish make up the beach club menus, while lessons in deportment, manicures, pedicures, keep-fit classes and cookery lessons from a well-known chef are the order of the day.

While fitness instructors and the beach DJs are all women, the rules have been broken for one lucky male specimen - in the lifeguard chair.

Fausto Ravaglia, the owner of the beach and the businessman behind the idea to ban men, said: "The lifeguard must be a man. You clearly need a man to save women in the sea. It’s a question of muscles."

Calling it a "beach harem", Italian newspaper La Stampa said the woman-only beach reflected a growing demand for female rights in Italy.

http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/06/25/wbeach125.xml

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Saturday, June 23, 2007

Italians Design Circular, Compact, Atached to Ceiling, Movable Kitchen - Really??

A Kitchen that you take with you when you move, circular in shape, compact, and hangs from the ceiling ???????

For a Kitchen that's in Flux, Turn to Those Space-Savvy Italians

Philadelphia Daily News - Philadelphia,PA,USA
From Copley News Service By Christine Brun Friday, Jun. 22, 2007
Leave it to the Italians to craft the best of contemporary design for kitchens every time, and the latest from Giugiaro Design doesn't disappoint. Technology, ergonomics, flexibility and multifunctionality are at the heart of a new kind of "made in Italy" innovation.

The round island shape (photo) is called Flux and is planned, as are all European kitchen cabinets, to move with the homeowner. It is designed to be fixed to the ceiling and contains a place for many of the key jobs in a good working kitchen.

For washing and food prep there is an integrated sink. "Integrated" is one of the new buzz words in the design of appliances that means the item is fluid in appearance. For instance, an integrated dish-washing machine means that there are no dials or buttons for operating the appliance visible on the outside so that the appliance blends in with the rest of the cabinetry.

This island is super-accessorized and features a washing area integrated into the countertop, a wall-mounted faucet, a cutting board, snack top, knife holder, electrical outlets, lighting, an outlet for a juicer and an induction cooktop.

Everything revolves around the totemlike stem in a way that makes it possible for several people to work at the island at one time. It is possible to accommodate the food preparation, dish washing and cooking in one sleek shape. This design would be ideal for modern loft living, where the functional circle could be placed anywhere in the space, or for a one-room vacation home.

High-tech materials are welded together in what is described by the designers as "a new kitchen for contemporary, trendy environments, with soft, sinuous lines." The body is aluminum melamine, and stainless steel is used in this hard-working and practical idea. The eating surface is offered in melamine or in a more organic wood butcher-block version.

Scavolini, one of the largest kitchen companies in Europe, commissioned this dynamic design. Because Europeans often live in much smaller spaces, designers have been called upon for generations to distill items down to their essence. This was the credo of Mies van der Rohe and the concept that less is more.

It is possible to copy the concept of the design, even if you can't duplicate the exact shape and sleekness. You'll need a power source and a place to run the plumbing in the center of the work hub, but that's not difficult. Then you'll need to search out the most efficient sizes for sinks, cooktop, ventilation hood, dishwasher and lighting.

Nothing bulky will do, so be prepared to pay a little extra for the smallest size model of dishwasher or cooktop. Products that are in less demand usually cost a bit more, and in the United States appliance manufacturers tend to make their models bigger instead of smaller.

Some manufacturers offer a two-burner add-on unit that could be the tiniest way to build-in the cooking function. Small convection/microwave models are made by virtually all microwave manufacturers.

As urban living and downsizing grow ever more desirable and second homes more prolific, many more slim-sized appliances will be brought to the American marketplace from both Europe and Japan. And you can bet we'll be seeing a lot more of the creative, flexible design of Italians in years to come. *

Christine Brun, ASID, is a San Diego-based interior designer and the author of "Big Ideas for Small Spaces." Send questions and comments to her by e-mail at cbaintdes@hotmail.com.

http://www.philly.com/dailynews/features/8126062.html

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Skewering Tarantino's Critique of Italian Films

Last week, ageing bad boy of American film, Quentin Tarantino, upset the Italians - when he lambasted their cinema as "depressing".
Raymond Gill, an Australian, says that Tarantino's whining is way over blown, and goes on to cite "The Formula" that is so common to Australian, American, British, Scandanavian and French movies in a very amusing manner.


Typecasting in the Dark
The Age - Melbourne,Victoria,Australia
Raymond Gill
June 23, 2007

We follow a formula, but when it comes to stereotypes, the French take the gateau (cake) , writes Raymond Gill.

LAST week that ageing bad boy of American film, Quentin Tarantino, upset the Italians - not a difficult thing to do - when he lambasted their cinema as "depressing".

"Recent [Italian] films I've seen are all the same. They talk about boys growing up, or girls growing up, or couples having a crisis, or vacations of the mentally impaired," he whined, sending the Italians into a capriciosa of outrage - which is a lot more entertaining than some of their movies lately.

This is not something Tarantino could have whined about Australian movies, since no middle-class couples in crisis or people on holiday have ever been featured on our screens - unless there's a drug angle or indigenous sub-plot to add a bit of true-grit. Australian films can be reduced to crude stereotypes, too, since as a nation of cinematic story-tellers, we seem to be terrified of characters that, say, drive Volvos or order swordfish carpaccio.

All Oz films revolve around two themes. One theme is all about quirky, low-life but loveable alcoholics who decide to take on the big end of town by opening a takeaway store after narrowly winning a lawn bowls tournament. The other theme is about quirky, low-life but loveable heroin addicts who decide to take on the big end of town by opening a takeaway store after narrowly winning a High Court battle.

All Australian films are a variation on these themes. Take out the drugs and add some transsexuals and you have Priscilla. Take out the transsexuals and add some fat chicks and you have Muriel's Wedding. Keep a few fat chicks, dress them in muslin, take out the transsexuals and you have Picnic at Hanging Rock. Just as all chic US films in the 1950s were set on the Riviera with Grace Kelly, all chic Australian films in the 1990s are set in or near Yarraville with Bill Hunter.

How many of us consider the nationality of a film when deciding on that night's cultural repast at Video-Ezy? If you want a mindless car chase and the click click click of typewritten locations: "The Pentagon, Eleven hundred hours", or a portrait of f----d suburbia, or an uplifting story of a handicapped basketball player making it to the finals, you go for the Yanks. If you want something witty but depressing set in a housing-estate you go for the Brits. And if you feel like a compelling examination of female madness or incest on a country estate - which let's face it we so often do after a hard week - we'll head to the Scandi section faster than you can say Festen.

But it is French cinema that is most at home with cultural stereotyping since all French films are about overly attractive wives married to angst-ridden, handsome, middle-aged men with mistresses pretending they're gay in a hilarious workplace sub-plot and end up with all their friends having nervous breakdowns at a dinner party in a nice apartment.

This is what makes French films great: the reliability that when you set out for the Rivoli or the Nova you know what you are about to see is going to be light, frothy and feature lots of extremely attractive women with scarves thrown creatively around their necks, who do not chew gum, and are never seen picking up children in SUVs.

Casting is simple in French films since all male leads feature Gerard Dippydoo, Phillippe Noiret (until he died) and Daniel Auteuil (looking amusingly confused) as they try to deal with all the attractive women in their lives.

Auteuil upset the carte de pommes somewhat by appearing in a serious award-winning political movie, Hidden, last year. But just in case you thought the French had a broader repertoire of story telling, let me remind you that this film was really an Austrian film masquerading as French, since it was part of the oeuvre of Michael Hanneke, a man who could not make a souffle-light laugh-fest in a million years, even if he was shooting in the 16th arrondissement.

No, the French take the gateau when it comes to the perfect date movie and not only because of the content but also the length. French directors still know how to make a 90-minute flick.

Unlike the Americans, whose average film-length is now getting close to three hours. This not only impedes your enjoyment by forcing you to calculate the babysitter's fee at the critical juncture but it means that a date movie has actually turned into a relationship movie since three hours in a darkened room implies emotional commitment. Which is something else you will never see in a French movie.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

Which State has Two/Both Italian American US Senators ???

Political Trivia for June 23-25
By CQ Staff, CONGRESSIONAL QUARTERLY

New York Times By Bob Benenson and Greg Giroux, CQ Staff June 22, 2007

When asked to name a place identified with Italian-Americans, most people would pick New York City’s Little Italy, Boston’s North End or South Philadelphia, home to the fictional boxer Rocky Balboa. Maybe they'd even pick Chicago or San Francisco.

But they probably wouldn't say Wyoming. Yet when appointed Republican John Barrasso is sworn in next week to succeed the late Republican Craig Thomas, he will join Republican Michael B. Enzi in Wyoming’s delegation — and give the state two Italian-American senators. How many states previously have had two senators of Italian roots serving in the Senate at the same time?

a. 0
b. 1
c. 3
d. 5

Answer: a. Wyoming, according to the National Italian American Foundation, will be the first state to be represented simultaneously by two Italian-American senators.

A listing on the Web site of the Order Sons of Italy in America shows that four current senators besides Enzi and Barrasso have family ties to Italy: Republicans Pete V. Domenici of New Mexico and John Ensign of Nevada and Democrats Mary L. Landrieu of Louisiana and Patrick J. Leahy of Vermont.

The site also lists 23 Italian-Americans currently serving in the House, including Speaker Nancy Pelosi (nee D’Alesandro) of California, 13 other Democrats and nine Republicans.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
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Annotico Email: annotico@earthlink.net

What Were They Thinking??? Invitation to Annual Italian Market Festival - "Enjoy a Weekend of Rhythm & Blues." ????

People go to Ethnic festivals to enjoy elements of the culture being honored..
Why would the Promoters Feature Rhythm & Blues, rather than Opera or Folk Music, or Italian and Italian American Pop Favorites.???????

LETTERS: Some Thoughts on Ethnicity


Philadelphia Daily News Philadelphia,PA,USA Friday , June. 22, 2007

On May 19-20, the annual Italian Market Festival was held. The front cover of the brochure invited all to "Enjoy a weekend full of rhythm & blues." I was perplexed. People go to ethnic festivals to enjoy elements of the culture being honored. Often these elements have disappeared, or are certainly not a part of mainstream culture. This includes food, dress, customs, traditions and, of course, music.

Often, even the younger, more Americanized generations of these cultures are unfamiliar with and underexposed to their own traditions.

So why would the Italian Festival pass up the golden opportunity to expose Italian and non-Italian-Americans alike to the wonderful traditions of opera and classical music?

Rhythm and blues is out of place at an Italian festival, and I'm not sure most African-Americans would disagree. Italians don't go to Odunde expecting to see Frankie Avalon and Bobby Rydell performing. Nor does anyone go to a German festival expecting to enjoy French wines. The only (somewhat known) ethnic Italian-American featured during the festival was disc jockey Bob Pantano.

Sponsor Sorrento Cheese needs to get with the program. Philadelphia's Italian Market is Old World. That is its identity, and its appeal. The Italian Festival, held just once a year, should feature the Old World music of Verdi, Puccini, Pavarottl and Mario Lanza. Ciao tutti!

Nicola Argentina, Philadelphia

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

Prodi's Future Tenuous; Italy's Political Future Complicated Inbox

Prodi's demise is predicted monthly, but he has survived and has in fact been rather successful in his first year in office, even though
all attempts at reform have been sabotaged by special interest groups.
Incredibly, Prodi has essentially only one ally, and a reluctant one at that: Silvio Berlusconi.who were he to retire, the leadership of the opposition would fall to Foreign Minister Gianfranco Fini, and Prodi's days would be numbered.

The Italians wanted to oust Berlusconi, and because there was no alternative they voted for Prodi. Today they would like to see the center-left government voted out of office, but not as long as Berlusconi heads the opposition

The dissatisfaction level in Italy with their politicians, and their self indulgence, usually very high is increasing.
In that Environment, Politicians across the political spectrum will be attempting to fill the Centrist void in Italian politics - in other words who can attract the constituency of the Democrocia Cristiana, the now defunct Democratic Christian Party, that once dominated Italian Politics.
So far no one has successfully managed the tight rope act of creating a liberal economic party that also promotes social values acceptable to the Vatican.

DISSATISFACTION GROWS WITH ITALY'S POLITICAL CASTE

How Long Can Prodi Hang On?

Rumors of the political death of Italian Prime Minister Romano Prodi appear to be greatly exaggerated -- "Il Professore" is hanging on in office despite a razor-thin majority and a lack of vision. But are Italians tiring of their pampered political caste?

Der Spiegel By Alexander Smoltczyk in Rome June 19, 2007

Gravity appears to function in a similar way in Italian politics as it does in animated cartoons. In a cartoon, when the hero runs off a cliff he keeps on going as if nothing has happened, only crashing to the ground when he notices the abyss below. Romano Prodi seems to have decided not to look down.

Week after week, the newspapers declare the 67-year-old Italian prime minister to be finished politically -- deceived by his allies, duped by his own intelligence services and considered completely incompetent by his fellow business professors.

Last week Prodi announced, once again, that he has the government's firm support. And to those in his coalition government who were urging him to take action, he said: "Here is the push forward you are demanding." Then he announced his plan to increase the pensions of some retirees by ?50-70. These are the visions of Romano Prodi.

There are easier jobs than his. Prodi, a native of Bologna and former president of the European Commission, has been in office for more than a year now. The economy has gained some momentum, and yet when Prodi's name comes up in the country's political back rooms, he is usually referred to in the past tense.

Italian cartoonist Giorgio Forattini depicts Prodi as a square-headed country pastor whose cross has been replaced by a hammer and sickle dangling on a chain in front of his belly. It is easy to poke fun at this affable man, at his seemingly endless sentences, his demonstrative ease and his composure so complete it borders on sleep.

And yet, for someone whose political prospects were unpromising after his narrow election victory last year, Prodi has in fact been rather successful in his first year in office. Newspaper articles about Italy have moved from the gossip columns to the political pages, and Italy is once again being taken seriously in Brussels. Interior Minister Giulio Amato is German Interior Minister Wolfgang Sch?uble's favorite counterpart in Europe. "Grazie, Italia," US President George W. Bush said when he recently visited Rome, partly in appreciation for Prodi's military help in Lebanon.

In the wake of the recovery in the euro zone, the Italian economy is also predicted to grow by 1.9 percent this year. In 2007, the national deficit will be well below the critical 3 percent level, something that hasn't happened in a long time.

A Sense of Dissatisfaction

Nevertheless, the sense of excitement about the future which Italians felt last summer after the end of Silvio Berlusconi's five-year reign has evaporated. To this day, no one really knows exactly what the Prodi government stands fo

In its first stab at reform, Prodi's government attempted to boost competition in certain professions, such as lawyers, taxi drivers and pharmacists. But that was the extent of it. Judicial reform, a proposed law on conflicts of interest, reform of election law -- all of these reforms have been stifled, postponed or torn to pieces by the coalition parties' efforts to take center stage and melodramatic resistance from the opposition, both within and outside parliament.

Urgently needed investments in universities, transportation and healthcare were sacrificed in favor of cost-cutting measures. And the gentle increase in the retirement age, from 58 to 61, that the EU Commission, International Monetary Fund and Organization for Economic Cooperation and Development have been demanding for years appears to be impossible to carry out.

Prodi has essentially only one ally, and a reluctant one at that: Silvio Berlusconi. If the politician-cum-business tycoon were finally to retire and perhaps hand over the leadership of the opposition to former Foreign Minister Gianfranco Fini, Prodi's days would be numbered. He is, in a sense, at the mercy of his predecessor.

The Italians wanted to oust Berlusconi, and because there was no alternative they voted for Prodi. Today they would like to see the center-left government voted out of office, but not as long as Berlusconi heads the opposition.

There is a palpable sense of dissatisfaction in Italy -- in prison reforms that have put thousands of criminals back on the streets, and in a judiciary that is merciless when dealing with the weak and weak when dealing with the strong.

In the last communal elections, Prodi's election coalition, The Union (L'Unione), suffered significant losses in the north, the country's center of power.

"These voters saw that the French voted twice in the space of three weeks, and that, within 48 hours, the winner had formed a government consisting of only 15 cabinet ministers, half of them women. They compare the situation in France with the Italian political landscape, which is divided over everything from a proposed civil union law to the best way to use surplus revenues." These are not the words of a member of the opposition, but of Piero Fassino, head of the Democrats of the Left.

Ironically, the reform-oriented Prodi government has increased the number of cabinet posts to 26 ministers and 87 junior ministers -- because each of the 14 coalition parties and minor groups wanted a piece of the pie.

Part 2: Shameless Self-Enrichment

A new book about the shameless practice of self-enrichment that transcends party affiliations in politics comes at an inopportune time for Italy's political elite. The book, called "The Caste," was written by Gian Antonio Stella, a columnist with leading Italian newspaper Corriere della Sera, and fellow journalist Sergio Rizzo. Since it was published, everyone has been talking about the "costs of politics," from President Giorgio Napolitano to the seamier daily talk show hosts.

------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

COMPARISONS OF ANNUAL SALARIES OF MEMBERS OF THE EUROPEAN PARLIMENT (in Euros)

Italy 149,215; Germany 84,108; UK 82, 380; France 63, 093; Spain 39, 483

-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Italy has the largest number of members of parliament among industrialized countries, and by far the best-paid Members of the European Parliament. The leftist president of the Campania region spends 12 times as much money representing his region as German President Horst Kohler does for his whole country.

In the upper house of Italy's parliament, there are eight barbers for the senators, who also enjoy perks such as tennis lessons, vacation houses and limousines. Under Berlusconi, even aircraft were available to senators -- if the expense accounts are to be believed, they were apparently in the air for 37 hours a day. Since this scandal came to light, a trace of 1992 has been in the air once again. At the time, "Mani pulite," a campaign to uncover corruption, swept away large sections of the political caste -- at least temporarily.

"The Caste" was even the subject of the annual general meeting of the Italian manufacturers' association, Confindustria. The group's president, Luca Cordero di Montezemolo, received a standing ovation after criticizing the "costs of politics" and the self-involved nature of politicians. He described his vision of a different Italy, one with a slimmed-down government and a thoroughly liberalized labor market and tax system.

For some observers this was not so much a plea for change as a campaign manifesto. According to a poll taken after the speech, almost a third of all Italians said they would like to see Montezemolo, who is also the head of automakers Ferrari and Fiat, elected prime minister. Romano Prodi sat in the front row and attempted to maintain his composure.

Italians are beginning to yearn once again for a populist or, better yet, a nonpartisan man (or woman) of action. Unlike the 1990s, this time the pressure on politicians is not coming from the left but from the center.

At an event on May 12 dubbed "Family Day," more than half a million Italians demonstrated for Christian values and family-friendly government policies. Their spokesman, former union leader Savino Pezzotta, promised that his alliance could very well play a useful role in politics in the future -- a statement politicians on both sides clearly understood as a threat.

The key question revolves around who can fill the great void in Italian politics -- in other words, who can attract the constituency of the Democrazia Cristiana, the now defunct Christian democratic party which once dominated Italian politics. So far no one has successfully managed the tightrope act of creating an economically liberal party that also promotes social values acceptable to the Vatican. The fragments of the center can be found in all camps, from the neo-Christian Democrats to Minister of Culture Francesco Rutelli's Margherita Party. Prodi, who is on friendly terms with former German Chancellor Helmut Kohl and began his career in the cabinet of former longtime Prime Minister Giulio Andreotti, is a dyed-in-the-wool Christian Democrat.

Prodi, for his part, hopes to succeed in committing a portion of the center to his pet project of establishing a party modeled after the Democratic Party in the United States. According to his vision, the two most important parties in his coalition -- the Democrats of the Left and the Margherita -- would miraculously join forces in this new party.

Preparations for the planned inaugural convention this fall have already led to emotionally charged scenes. The two parties Prodi hopes to unite are in fact like fire and water. The Democrats of the Left, led by Piero Fassino, have their roots in Italy's proud and venerable Communist Party, while Margherita sees itself as the political heir of the equally venerable Christian Democratic movement.

But even such impossibilities appear incapable of disturbing "il Professore" Prodi's composure. There are similarities between his government and Italy's state-run airline, Alitalia. In 2006, the carrier was losing ?2 million a day and was being forced to a standstill every few weeks by tiny trade unions. Based on rational criteria, the airline should no longer exist. But Alitalia stays in the air, and most of its flights even arrive on time.

Besides, it is by no means the case that everyone in Italy is upset about the country's political troubles. The northern Italian economy is booming, Fiat has been back in the black again for some time and, as a result of a skillful merger with UniCredit, the world's sixth-largest bank was just created in Milan, with Germany's HypoVereinsbank as a junior partner.

The North's savvy businesspeople will continue to dream up new market strategies, no matter what politicians in Rome decide to do. And the South will likely continue to ignore the justice system. In both cases Rome, with its own problems, is far away. And whether a politician succeeds or fails is accepted with equanimity. One simply looks the other way.

Translated from the German by Christopher Sultan

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
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Annotico Email: annotico@earthlink.net

Azzurrini Garner Spot for 2008 Beijing Olympics vs Portugal on Penalty Kicks 4-3

The Italian Under 21 Soccer Team was favored to win the 2008 European Championships, in the Netherlands, their sixth title, but they never really recovered from the disappointment of opening-day defeat against Serbia. A 2-2 draw with England followed, and although Pierluigi Casiraghi's team beat the Czech Republic 3-1 in their final outing, it was only good enough for third place in Group A, but not the Playoffs..

Some have accused Italy of coming into the tournament with a superiority complex, turning up in the Netherlands to collect their trophy but Casiraghi claims only that things did not go according to plan.
It was critical for Italy to beat Portugal, to qualify for the 2008 Beijing Olympics.
The Italians made it more difficult for themselves, because they were reduced to 10 men from the 74th minute, after Giuseppe Rossi was dismissed after receiving a second yellow card. Italy survived several near miss late attacks, including overtime. This close-fought contest ended 0-0, but then Italy won on penalty kicks. 4-3.

Italy has taken part in 14 Olympic tournaments and were bronze medallists in Athens three years ago.

Italy win Olympics Place after Under-21 Play-off
Reuters
Friday June 22, 2007

AMSTERDAM (Reuters) - Italy won a ticket to the 2008 Beijing Olympics after beating Portugal 4-3 on penalties in their European Under-21 championship play-off in Nijmegen on Thursday, despite being reduced to 10 men from the 74th minute.

Italy goalkeeper Emiliano Viviano saved a spot-kick by Portugal's Manuel Fernandes then Antunes hit wide, sending the Italians through.

After a close-fought contest for much of the game Italy's Giuseppe Rossi was dismissed after receiving a second yellow card for arguing with a match official, and having earlier been booked for a late challenge on Silvestre Varela.

However, Portugal failed to break the deadlock in extra-time.

European Under-21 semi-finalists qualify for the 2008 Olympic Games in Beijing although England are excluded because the International Olympic Committee only counts Britain as a member.

As England were one of the teams to reach the semi-final, Portugal and Italy, who came third in groups A and B, played for a chance to join Belgium, Serbia and the Netherlands in China.

Italy have taken part in 14 Olympic tournaments and were bronze medallists in Athens three years ago.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.ItaliaUSA.com [Formerly Italy at St Louis] (7 years)
Italia Mia: http://www.ItaliaMia.com (3 years)
Annotico Email: annotico@earthlink.net

Friday, June 22, 2007

"Commission on WWII Treatment of Italian Americans" Included in Immigration Bill

In the On again, Off again Immigration Bill, a "Commission on Wartime Treatment of European Americans" will be created, consisting of “two members each representing the interests of Italian-Americans and German-Americans.” One task of the Commission is “a recommendation of appropriate remedies.” This could include reparations for former German and Italian resident aliens and their relatives.

The author of the article below of Italian ancestry is both Heartless (being a Right Wing Republican) and Monumentally Stupid!!!!

He appears to be totally ignorant of "Una Storia Segreta" and appears to me unaware that:
600,000 Italian Americans, 400,00 German Italians, and 120,00 Japanese Americans were Required to Register as Enemy Aliens
Thousands of Italian and German Americans were Interred/Jailed/Imprisoned
Italian Americans were required to Evacuate the West Coastal area with No Place to Live, No Jobs, No Biz, No Nothing
Not provided with Housing, Meals, Clothing,in an Evacuation Center, with Social Activities.
Boats, Biz, Houses , Property Confiscated,
Nighttime Curfews, preventing Restaurant work, the spine of the Italian Community, Etc, Etc, Etc,

Fonte seems to have no problem with the $20,000 in Reparations paid to Japanese Americans, even though most refused to sign Loyalty Oaths, and only 25% of the eligible males that could serve in the US Military were willing to. They preferred the Camp.

On the other hand, 6-800,000 Italian Americans served in the US Military in WWII.

The next question is will we choose our two representatives wisely. Will they be uninformed, posturing, self aggrandizing persons, OR informed crusaders like Larry Di Stasi, whose Traveling Exhibit first informed the Public about that which was locked away in Secret Files.

Tony LaPiana was was energized by that Exhibit and was basically responsible for getting Congress to Pass Legislation De Classifying Information, resulting in an Apology from Congress and the President.recognizing the Travesty.

These are my Nominations. Can you think of any better?

See: "Una Storia Segreta" :
http://www.segreta.org/
Amazon Books: http://www.amazon.com/Una-Storia-Segreta-Evacuation-Internment/dp/1890771406

Raindrops Keep Falling
The amnesty bill opens the door to WI enemy-alien reparations.

National Review Online - New York,NY,USABy John FontJune 21, 2007
The Senate immigration bill could mean reparations for German Nazis. No, I'm not making this up. Look at Title IX, the “Study of War Time Treatment of Certain People,” also cited as the “Wartime Treatment Study Act,” Sections 901-916, pages 409-415 available through the Heritage Foundation.
Let me offer some background: When fascist Germany and Italy declared war on the United States two days after the Pearl Harbor attack, German and Italian citizens living in the United States became enemy aliens. Likewise, American citizens living in Germany and Italy became enemy aliens. The Americans and the two Axis powers repatriated and exchanged many of each other’s citizens, but some enemy aliens were interned in all three countries. In the United States, the vast majority of Italian and German citizens were not interned. The Senate immigration bill would establishes a Commission on Wartime Treatment of European Americans to investigate U.S. policies that the bill describes as “devastating to the Italian American and German American communities.”Section 903 declares that, the “term German Americans” includes “resident aliens of German ancestry” who numbered about 300,000 in total. The same definition is used for the term Italian American... According to the Grand Bargainers, not only were U.S. policies “devastating” to “Italian American” and “German American communities,” but, in addition, they tell us: “The detrimental effects are still being experienced today.” Nonsense. Does any serious person actually believe this? I never heard a word of this “devastation” from either of my grandmothers, who were both technically “enemy aliens,” or from scores of older Italian relatives, or from anyone in the “Little Vitalizes” anywhere in the U.S. As in any government policy, there are bureaucratic mishaps and high-handedness here and there, but the language of the immigration bill (“devastating,” “detrimental,” “many who suffered”), implies that there were major human rights violations against American citizens of European descent during World War II. This is simply false, and is clearly different from the internment of Japanese American citizens...
[Note: Bureaucratic mishaps and High-handedness, include the "Big Brother" of the Patriot/Fascist Act, the Abuses and Indefinite Incarcarations of Abu Magrib, and Guantanimo, Special Renditions for Torture Purpose.

Then we have Inaded the wrong country, 400,000 dead, 4 million Refuges, and 36 million living in Misery. Some Mishap????]
The would-be Commission on Wartime Treatment of European Americans is to consist of “two members representing the interests of Italian-Americans and two members representing the interests of German-Americans.” They will, no doubt, be drawn from a tiny group of activists who have been working for the past several years to achieve the coveted status.... One task of the Commission is “a recommendation of appropriate remedies.” This is an open invitation for reparations for former German and Italian resident aliens and their relatives....
The commission is also called upon to provide an “assessment of the continued viability of the Alien Enemies Act” — ...
The bill also calls for “public education programs related to the United States Government’s wartime treatment of European Americans.” The subtext is that our schools should recognize yet another group allegedly victimized by an American democratic regime..... My Hudson colleague John O’Sullivan recently quoted the famous British historian, Louis Namier, “In a drop of rain can be seen all the colors of the rainbow.” That’s your immigration bill.
— John Fonte is a senior fellow at the Hudson Institute.
http://article.nationalreview.com/print/?q=ZjZhM2YzNDljZjM4MTIyZDFkZmZmMTNlNmExMjY0NjE=

The ANNOTICO Reports Can be Viewed (and are Archived) on:
Italia USA: http://www.italiausa.com/ [Formerly Italy at St Louis] (7 years)
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Blog: http://annoticoreport.com/
Annotico Email: annotico@earthlink.net

Accepting Negative Italian Stereotypes Hurts Blacks Also, Warns Black Award Winning Writer

Gregory Kane of BlackAmericanWeb.com was stunned to see how many black folks rocked "The Sopranos." Some of those black folks he considers pretty sharp, who would be the first to sniff out -- and condemn -- anything even remotely resembling the stereotyping of African-Americans.
He says:"I don't want Hollywood stereotyping black folks, and I don't want Hollywood stereotyping any other ethnic or racial group either. And if one ethnic or racial group is fair game for stereotyping, then all groups should be. Black fans of "The Sopranos" couldn't make that connection."

But one Italian-American did. His name is Mark Di Ionno. His column forThe Newark Star-Ledger. (ANNOTICO Reports June 10,11/07)about the final episode of "The Sopranos" and the vicious stereotyping of Italian-Americans pretty much said it all.
Di Ionno said the show "makes many Italians embarrassed, and is damaging to their image."
"Worse, it gives some impressionable Italian-American young men - a role model for acting like wannabe goons. Don't believe it? Cruise the bars at Seaside this summer and watch the boys from Staten Island, North Jersey and South Philly act it out."
But what grabbed Kane's attention was that Di Ionno pointed out that young Italian-American men aren't the only ones acting out stereotypes of their ethnic group. Di Ionno tells the stories of how hard Tracy Morrow, ("Ice-T"), and Sean Combs ("Puff Daddy/P Diddy/Diddy") try to "bury deep" their rather uneventful and middle class backgrounds, and assume a "Mobster" persona.
Kane then goes on to warn the Black American Community of embracing this Black Negative Stereotype, or celebrating ANY Negative Stereotype.

Commentary: Why Are Some of Us More Comfortable with Negative Stereotypes of Ourselves than the Truth?
Black AmericanWeb. com Dallas,Tx,USA By Gregory Kane Thursday, June 21, 2007
It's been over two weeks since the season finale of "The Sopranos," and people are still talking about the ending.
That includes a lot of black folks, many of whom were diehard fans of the HBO series about an Italian-American mob family. I was stunned to see how many black folks rocked "The Sopranos." Some of those black folks are ones I consider pretty sharp, who would be the first to sniff out -- and condemn -- anything even remotely resembling the stereotyping of African-Americans.
So exactly why were some of these same black folks ardent watchers of "The Sopranos"?
I don't know how "The Sopranos" ended, because I only watched one episode of the show. It was what I expected: Another tired, overdone Hollywood production that stereotyped Italian-Americans as Mafiosi. I tuned out as soon as I tuned in. My logic was simple: I don't want Hollywood stereotyping black folks, and I don't want Hollywood stereotyping any other ethnic or racial group either.
And if one ethnic or racial group is fair game for stereotyping, then all groups should be.
Black fans of "The Sopranos" couldn't make that connection. But one Italian-American did. His name is Mark DiIonno. He writes a column for The Newark Star-Ledger. His column about the final episode of "The Sopranos" and the vicious stereotyping of Italian-Americans pretty much said it all.
DiIonno said the show "makes many Italians embarrassed, and is damaging to their image. Worse, it gives some impressionable Italian-American young men - a role model for acting like wannabe goons. Don't believe it? Cruise the bars at Seaside this summer and watch the boys from Staten Island, North Jersey and South Philly act it out."
Young Italian-American men aren't the only ones acting out stereotypes of their ethnic group. DiIonno tells the story of Tracy Morrow, a black man who grew up in an integrated, middle-class, two-parent household in Summit, N.J. After his parents died, Morrow lived with an aunt in Los Angeles. It was while in Los Angeles that Morrow became involved with drugs, gangs and pimping.
We know Morrow as Ice-T.
DiIonno said biographies of Ice-T mention the gangbanging and drug dealing and the pimping, but "leave out the 13 years in Summit, going to Brayton School and the junior high, playing on safe playgrounds ? being a nice, regular middle-class kid in a nice town, guided and cared for by well-meaning people. That wouldn't fit the stereotype of who Tracy Morrow became: Ice-T, gangsta rapper."
Amen to that, DiIonno. No wonder black devotees of "The Sopranos" couldn't recognize the show's relentless and ruthless stereotyping of Italian-Americans. Many of us also buy into how we stereotype ourselves.
Apparently Ice-T has no problem with bios that portray him as a gangbanger, drug dealer and pimp while downplaying his middle-class upbringing. It's as if he's ashamed of it. Sean "Puff Daddy/P Diddy/Diddy" Combs downplays the fact that his mom moved him from "the 'hood" to suburbia, where he had two paper routes. His mom sent him back to Manhattan to attend an all-boys prep school. Even when his family lived in Harlem, Combs went to a predominantly white Roman Catholic school and became an altar boy.
At a symposium held at the Milton S. Eisenhower Institute in Washington, D.C. last December, I talked about how uncomfy some black folks get by linking the phrase "middle class" with the word "black." Panelists were supposed to talk about why the media were no longer covering stories about race and poverty, but I challenged the premise.
I told those assembled that I did two different Lexis Nexis searches of news stories. One had the words "black and poor." The other had the words "black and middle class." It turned out the media, far from ignoring stories about race and poverty, had a wealth of them.
There were more stories with the words "black and poor" in a one-year period than there were with the words "black and middle class" in a five-year period.
It's stories about the black middle class the media don't want to cover, not stories about the black poor. Because that's the stereotype: Black folks as poor folks. Never mind that the percentage of blacks in poverty has decreased sharply since the 1960s. And that's largely due to the efforts of black Americans taking advantage of educational and employment opportunities.
We should be proud of that. We should be celebrating that. Instead, it seems we're ashamed of it.
"The Sopranos" made many Italian-Americans embarrassed, and rightly so. Why is a middle-class upbringing so embarrassing to some black folks?
* *
Gregory Kane is an award-winning columnist for the Baltimore Sun. In 1997 he was a finalist for the Pulitzer Prize for his reporting on slavery in the Sudan. That work won him the 1997 Overseas Press Club Award.http://www.blackamericaweb.com/site.aspx/sayitloud/kane621

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Blog: http://AnnoticoReport.com
Annotico Email: annotico@earthlink.net

Wednesday, June 20, 2007

A View of America from Italy and Europe Why Did the Favorable Impression Erode so Severely !!!

This commentator tries to explain to us, why the US who Views itself as the Greatest Advocate of Humanitarianism and Democracy around the Globe, is in fact Socially Not very good to it's own People, becoming Fascist at Home, actually supports a myriad of Puppet Dictators while carrying on an Arrogant Imperialist, Colonialistic Policy In Far Reaches of the World.

Now don't be Defensive. We don't improve by ignoring our Shortcomings.

Keep in mind, that Europe is deeply effected Economically ,Physically and Psychologically from the Death and Destruction of both WWII, and WWI . America escaped the wrath of both, and very few are still alive to remember the Depression. It creates a different mind set.


The Lonely American
By Gaither StewartOnline Journal Contributing WriterJune 19, 2007
Each day I watch the TV news images of American soldiers on the streets of Baghdad and ...wonder why the people do not rise up in revolt.
Each day I feel a deep sympathy for the infinite loneliness of the American soldier in Iraq... standing alone at a Baghdad checkpoint, an empty look on his face (though he is terrified and wonders how he got into this chaos), surrounded by a world he does not understand, by people speaking a language he does not understand, in the middle of a war he does not understand...
Because I am an American, I watch this soldier sadly. I think that there stands the emblem of America’s isolation in the world. And I think also that something is dreadfully wrong in a country that still has a supply of volunteers to go to the deserts to kill strangers with super weapons and drop firebombs on cities from invisible planes in the stratosphere . . . and with a 10 percent chance of being killed themselves for the worst possible reasons.
Beyond politics, beyond the questions of war and peace, I wonder about Americans in general, so lonely in the universe. A kind of vacancy. What is it that other people have and we Americans do not? Or what do Americans have that others do not? Why are Americans different? I do not believe it was always that way. But it is today. And it is a mystery.
Recently I began asking friends in Italy where I have lived for over three decades those questions.
Italians say that Americans are spoiled; they have it too good; they haven’t suffered enough. Europeans often think of Americans as children, difficult children, with a childlike air of impregnability about them, whom real life has not yet touched.
But there is no clear answer. Europeans do not understand my questions. I think my questions are not clear.
Few Europeans admit that they consider Americans fundamentally different from other human beings. Few admit to anti-Americanism. For most people in the world we all belong to the same species. We are all just men. We all must aspire to feeling a oneness with the world.
Still, old friends in Europe occasionally ask me what I as an American think about one thing or another. They ask because they see how different things are in America. What do I think about ordinary things like national health services and pension plans, about unemployment compensation and welfare, about electoral systems and democracy? How is it possible, some ask, that America’s powerful presidents are elected by a minority? Very often they ask about the death penalty, non-existent in Europe. Today in these times, the most frequent questions concern war.
Now, some Americans might believe my answers to such questions are obvious: that of course I as a progressive favor a national health service for America, pension plans, unemployment compensation, welfare, immigrants, a multiparty political system, democracy, oppose capital punishment and reject war.
Still, that is not my point, either. I believe Europeans really want to ask what is wrong with America. Not wrong in the ethical sense of right and wrong. But wrong as in astray, as in to go wrong, But they do not know how to frame the question. They too speak of the differences of the nation of America but I believe that without realizing it they too want to know why Americans as individuals are different from other peoples.
What is missing in Americans? For example, what do Mexican people have that Americans lack?
When I settled in Europe in the sixties, Americans were still broadly well received throughout the continent; America still had a lot of credit for its help in World War II and for the Marshall Plan, although already then admiration was mixed with envy and resentment at American success and arrogance. Here I should say straight away that Americans were then well received except by part of the skeptical European Left that, as it turned out, was right in its suspicions.
The pre-Vietnam years were still good years for Americans. America was leading the “free world” alliance against the Soviet Union: Moscow’s quashing of the Hungarian revolution in 1956 and the Prague rebellion in 1968 covered America’s spreading dark spots in matters like Watergate, the crushing of democracy in Latin America and the growing involvement in Vietnam. The existence of the “evil” Soviet Union and the Cold War gave America’s rulers a free hand as it did for another two decades.
Though as a rule most governments lie to the governed, it was precisely the great Cold War lie that poisoned America and Americans. For it was a lie. In the name of anti-Communism, everything was permitted. Everything was justified in the same way everything is permitted today in the name of anti-terrorism. America was good. God was on America’s side. Few Americans doubted. My generation hardly even considered the question of right or wrong, of good or evil. Everything was clear: Communism and the Soviet Union were evil; America was blessed by God.
The most virulent anti-Communist propaganda filled the eighties: nuclear warfare scares, statistics and testimony showing that Communism’s conquest of the world was imminent; Soviet military-economic power was a terrible thing. What a surprise then for the Soviet experts that at the end of that same decade the Berlin Wall fell and overnight the whole shebang collapsed. It was a paper tiger.
Yet, by then more Europeans had begun doubting the state of American democracy. The category of skeptics broadened. Vietnam and American support of dictatorships from Chile to Nicaragua, from Iran to the Philippines, eroded doubts among many Europeans in whose minds America was now becoming the “empire of evil.” In America, dissident voices were labeled anti-American, Communist traitors -- and today, terrorists.
In Europe today, it is no longer a question of what reactionary Washington labels the European Left’s “visceral anti-Americanism.” The sad reality is that antipathy to this America has infected many if not most Europeans.” Now it has become a question of right and wrong, of good and evil.
Though most Americans believe in the myth of their democracy, European polls show an America far down the list of developed democracies. The criteria have to do with electoral systems (no one understands the American system!), political representation, the distribution of real powers, etc. For example, surprise, surprise, Germany’s democratic parliamentary system stands at the top of many lists.
Some Americans reductively think anti-Americanism is a question of hate and envy of America. But it is not true. It is my experience and the opinion of Italians, or French, or Dutch, or Germans, or Danes, that the quality of life in Europe is simply much higher than in America perennially preoccupied with comfort and ease.... Yet, because of social correctors within the market economy, because of the social state, the poor in Europe are less poor than in America. Can any sane person believe Europe is craving for fast food joints and endless shopping malls and national flags and advertising banners waving everywhere and God on the lips of its fundamentalist leaders? Is this the progress America wants to export and go to war for?
The truth is Europeans see America as the land where the rich get richer and the poor get poorer. They see a government that does little for its citizens in a land where the word social is taboo. And God has nothing to do with it.
Nor is it true, as many Americans might like to think, that Europeans want to be like them. Italian emigration to the USA? No more! Many Italians visit America or go to shop there -- everything costs less with European currency since the dollar has been artificially devalued in order to make Europe pay for the war in Iraq. But today I know no Italian who would like to live in America. But I know many Americans who would like to live in Italy. Though it is true that a tiny minority of Europeans still hold to America and imitate it, they are not the best of Europeans.
Perhaps never have the differences between Americans and Europeans been greater. But why? What is it? Who is at fault? Why this gulf?
Politics and economics and peace and war apart, I believe it is a question of Americans’ uncertain place in the human race....
Many will be surprised -- though they shouldn’t be -- to hear that they are regarded in some of Europe in the same way they are among the ghettos of blacks and browns in LA or Miami or New York City.
And their government is largely at fault.
Their government, their society, and their lonely culture.
American tourists today cut pitiful figures traipsing curiously around Europe, seeing only quaintness and cuteness and condescendingly trying to imitate. They make countless digital snapshots but never quite get the real picture. As if living a year in a Tuscan village were bridging the gap. The local people will drink wine with you. They will reach out to you. They will try to love you. They want to be able to feel the real you. To feel that you are like them.
But, I fear, they will never understand you or even grasp why you are there. For Americans are a people of many emotions and sensations but embarrassed by feelings.
Even more. Such false relationships are symbolic of the more profound differences, the chasm separating Americans from the rest of the world....
Or, the average European wonders, how can a majority of voters in the land of freedom support a system dedicated to crushing freedom? How can citizens of the land of democracy vote for a government that sponsors dictatorships around the world and calls them democracy? How can a democratic nation exist in a political system of two parties, which though they have different points of departure and programs, in power are so similar as to form a one-party system? How can a people ready to go to war to export democracy sacrifice its own democracy in the process?
The mystery is why a majority of Americans who bother to vote sustain a government that fears and hates democracy and its own Constitution as ours does? Why are Americans as chained to their leaders as convicts are chained to their guards?....
Which leads inevitably to the danger of the gradual but inevitable degeneration of an enduring ideology based on anti-Communism, anti-Socialism, anti-terrorism, all of course with God’s special blessing and protection, straight into Fascism.
One could think that Americans are retiring from the world. That they have forgotten the rest of the human species. That they no longer even have the same weaknesses and strengths of other people. That they stand outside even themselves. Outside, and alone.
People from the prison of the former Soviet Union were once like that -- when they were let out they saw the rest of the world with astonished eyes.
I have not answered my question. I still do not know if I have posed the question correctly. We Americans want brief and concise answers to clear questions....
Yet, Americans are different. In a negative sense. My gut feeling is that it is due to a lack of real connections with the rest. No wonder the national paranoia. No wonder America’s sense of loneliness.
Hopefully, Americans will begin to search for their lost kinship with the rest. For it will always be true as the English poet John Donne wrote, “No man is an island, apart from the main.”
Gaither Stewart grew up in Asheville, North Carolina. After studies at the University of California at Berkeley and other American universities, he settled first in Germany, then in Italy. Following a career in journalism as Italian correspondent in several European countries, He has authored three novels and two short-story collections. He has resided in Italy, Germany, The Netherlands, France, Russia and Mexico. Today he lives with his wife, Milena, in the hills of north Rome.
http://onlinejournal.com/artman/publish/article_2101.shtml

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

Tuesday, June 19, 2007

Being Italian is a Full-time Job: Beppe Severgnini in "La Bella Figura"

It is Not only interesting how differently people in your own culture view and review a book, But even more interesting the thoughts of those from an entirely different Culture. This is from The Hindu in India.
Be sure you read down far enough to review the 4 "I"s and the 4 "G"s of being Italian. It's got to make you smile!!!!!!

Being Italian is a Full-Time Job
Where cars are an extension of the womb

The Hindu By D. Murali Tuesday, June 19, 2007

Being Italian is a full-time job, begins Beppe Severgnini in ‘La Bella Figura’ (www.landmarkonthenet.com). The book, ‘an insider’s guide to the Italian mind’, is a 10-day tour of 30 places, including Malpensa, Milan, Rome, Naples and Sardinia. “Don’t trust the quick smiles, bright eyes and elegance of many Italians. Be wary of everyone’s poise,” cautions the author, a columnist for Italy’s daily ‘Corriere della Sera’.

He describes his country as “an offbeat purgatory, full of proud, tormented souls each of whom is convinced he or she has a hotline to the boss.” Italians are prepared to give up a lot for the sake of beauty, even when it doesn’t come in a miniskirt, frets Severgnini.

“We judge books by their covers, politicians by their smiles, professionals by their offices, secretaries by their posture, table lamps by their design, cars by their styling and people by their title,” he writes. No different, closer home.

Do you know why Italy’s “superb concierges, military police – the excellent carabinieri – exceptional traders and mediocre scam merchants” are in demand all over the globe? Because of the trademark warm welcome. “Lukewarm is the average temperature of Italian social relations,” explains the author. “The thermostat is sensitive and the mechanism kicks in to connect hotel guest and porter, seller and buyer, candidate and voter, inspector and inspected.”

The courtesy is not as superficial as in other countries, nor passionate as some non-Italians believe it to be. “It’s a combination of intuition (this is what the customer wants), professionalism (this is what I’m supposed to do), kindness (thou shalt coddle thy neighbour as thyself), shrewdness (a happy customer is a less demanding customer), and good sense (it takes just as much effort to be rude as it does to be polite).” Useful lessons.

Severgnini is eloquent about the cars on Italy’s roads. They “don’t just talk. They make comments, insults, protests, insinuations, and lectures.” For instance, “a short, sharp beep means ‘I saw that parking space first!’ or ‘Wake up! The light’s just changed!’” Similarly, they can chirp, ‘Here I am’ to a child coming out of school; wail disconsolately, ‘Who left this car in front of my garage door?’

Italy has 72 cars for every 100 residents, one learns. In January 2005, births registered were about 45,000; vehicle registrations were nearly five times as many. “Cars aren’t used for transport… They are an extension of the womb that comes after the stroller and before the easy chair.”

The alternative uses of the car are growing, informs Severgnini. “In our cars, we telephone, argue, deal, wait, drink, confess our sins, warm our hands, slake our thirsts, listen to music, catch up on the news and fiddle with the instruments… Cars are still where people woo and seduce.” So much so, to some, “performance in a car is more important than the performance of a car.”

The book wraps with 4 "I"s in the Italian mind that can confuse: intelligence (“overused to the point of exasperation”), intuition (“almost uncanny”), intentions (“not always accompanied by good groundwork”), and intimacy (“admirable, but sometimes you don’t know when to stop”).

And there are 4 "G" s that are enviable: genius (“in everyday behaviour”), gusto (“keen enjoyment… good taste”), guts (the way they “tackle life’s complications”), and generosity (“a foreigner is never an outsider in Italy”).

Helpful insights, you’d agree.

http://BookPeek.blogspot.com

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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"The Caste" Book on Corruption in Italy

I am always in favor of exposes, in hopes that it will Slow the degree of Corruption, anywhere and everywhere.
This review however treats Corruption as typically Italian, when in fact the infractions reported are petty ante compared to even our own US,
Not only have we Not recovered from the Billion $ Frauds of the Tech Bubble, but the Financial Page continues to read like a Crime Report of Continuing Corporate Fraud.
Chicago, has little room to talk, always having had the title of the most corrupt city in the US, and still with it's Daly Machine , that would rate kudos from Tammany Hall, and Boss Tweed, et al.
Lord Conrad Black, is on Trial in Chicago for using the Hollinger Co as his own Piggy Bank , for substantially upwards of $60 million . His partner David Radler has already plead guilty. They owned and published the Chicago Sun Times.
In Los Angeles, the Mayors and Council Members in a number of the Suburbs are continually being marched off to Prison.
Roland Arnall the US Ambassador to Netherlands has been Indicted for his role in Plundering AmeriQuest, now in Bankruptcy, after they already previously paid a $325 Million Fine for other Transgressions.
Oh Yes, On this Sunday's "60 Minutes", it exposed Paul Bremer,The US Diplomat in Charge in Iraq, of having turned over $ 1.2 million to a used car salesman, that he appointed as Head of Iraqi Procurement to purchase Military Supplies. $400 million went to buy obsolete equipment, the other $ 800 million went missing. No body seems to be much interested in a thorough investigation since it seems that too many people benefited.
There is little auditing of Haliburton (Dick Cheney's old firm) and it's Subsidiaries Overcharging, and Charging for work Not done in the Billions in Iraq.
As hard as the Italians tried, they could NEVER match the Greed and Avarice in the US.
Almost forgot. Today's edition of the Los Angeles Times, page 3, Headline screams" Brazil Scandals need Scorecard". But thus it has always been in Latin America and Asia.
But Chicago, taking a High and Mighty stand???????? That's Laughable !!!!!

Book Rips Cover Off Corruption in Italy

Chicago Tribune
By Alessandra Rizzo
Associated Press
June 19, 2007

ROME -- Lawmakers pocketing wads of state money. A presidential palace whose upkeep costs four times more than Buckingham Palace's. A justice minister who hires his friend, a fish trader, as a consultant on prison construction.

In Italy -- a country never reputed for the probity of its political class -- abuse of office is rampant, according to a best seller portraying an overpaid, power-hungry elite swilling taxpayers' money like Chianti.

"The Caste," which has sold a remarkable 465,000 copies since its publication in May, is stoking an atmosphere that some compare to the eve of the "Clean Hands" scandal of the 1990s, which wiped out much of the ruling class.

"You know what really, really makes me mad? Having to work to support these parasites," said Beppe Grillo, a comedian known for his sharp anti-establishment criticism.

"Calling them 'the caste' is a compliment," he wrote on his Web site. "Their name is scum."

The book came out just as the government was asking Italians to tighten their belts for the good of the country. Many citizens already were deeply disillusioned by scandals and acrimony between the center-left bloc of Premier Romano Prodi and the opposition led by conservative Silvio Berlusconi.

"They are a caste that feels above the society they claim to serve," write the authors, Gian Antonio Stella and Sergio Rizzo, political reporters for Italy's top daily, Corriere della Sera.

The book claims government ministers regularly award lucrative consultant jobs to cronies regardless of their expertise.

It notes that as justice minister, Roberto Castelli awarded a consultancy contract worth $267,000 to oversee jail construction to his friend, a fish trader. Castelli argued that the friend brought "a new mentality to the job." A court ordered him to refund half the money.

Since the book appeared, other instances of alleged misbehavior have added to the outrage. This month, a senator came under heavy criticism and offered to resign for using an ambulance as a taxi to beat traffic jams caused by President Bush's visit to Rome.

"The Caste" and the many debates it has provoked have stung Prodi's government into action. It has appointed a panel of Cabinet ministers and other officials to write legislation to eliminate unnecessary state bodies, cut salaries, curb the number of consultants and be more transparent about public salaries.
- - -
Abuses by the numbers Among the waste and abuses alleged in "The Caste":

*In 2004, the governor of the Campania region spent $1.2 million in entertainment expenses, 12 times what was spent for entertainment in 2006 by Germany's president.

*The Quirinale presidential palace has more than 1,000 employees and its upkeep is four times that of Buckingham Palace.

*Italian lawmakers each receive more than $5,300 a month in state funds to pay aides but often pay out a quarter of that and pocket the rest.

http://www.chicagotribune.com/news/nationworld/chi-caste_tuesjun19,1,909888.story?coll=chi-newsnationworld-hed&ctrack=1&cset=true
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Monday, June 18, 2007

Real Italian Actors or Pretenders??

The US went through an Interesting period when Italians Anglicized their names to be more accepted and assimilated, while Non Italians adopted Italian names to be more accepted as "cultured " (dancers singers, painters), or as "leading men" (great lovers).
Who among the following were of Italian Ancestry?
Peter Falk, Yvonne DeCarlo, Guido Panzini, Edward G. Robinson, Anthony Quinn, The Romanos, Henry Winkler (The Fonz).
See article below for your score.

Will The Real Italian American Actor Please Stand Up?

Italalians R Us. com by Cookie Curci

Peter Falk, the veteran actor who portrays TV's cunning inspector Colombo, does such an excellent job at imitating the Italian American sleuth that most TV viewers believe Peter Falk to be of Italian descent. In reality, Falk is Russian and Polish, with a mix of Hungarian and Czech further back in his ancestry. So, contrary to Falk's public image, he is not Italian American but a mixture of very hardy Eastern European stock.

On the other hand, there are those actors, who, in real life, are of Italian heritage but because of a changed name and the roles they choose to play, are rarely linked to their Italian ancestry. For example, actor Alan Alda, "Hawkeye" of TV's M.A.S.H. fame, was born Alfonso D'Abruzzo. When the actor's father, Robert Alda, entered show business he changed his Italian surname to better assimilate into American culture.

Actress Yvonne DeCarlo, "Lily Munster" of TV's "The Munsters", was born Peggy Middleton, but changed her average sounding name to the more exotic, Italian sounding, Yvonne DeCarlo.

During the 1960s, when Jack Paar was king of late night television, he had as a regular guest on his show an Italian born golf pro by the name of "Guido Panzini". Audiences, especially Italian Americans, fell in love with the handsome and hilarious Italian golf pro from Salerno, Italy. Panzini returned again and again to the show, week after week, the Italian community embraced the comedian with great affection believing him to be from the old country. Until it was revealed that the whole thing had been a clever ruse and the Italian golf pro was, in reality, Irish American comic Pat Harrington Jr. Harrington had all the gestures, mannerisms and the Italian accent down so well he fooled just about everyone, including Italian Americans.

Mannerisms, images, and an association with playing sinister character roles influenced how an audience perceived the ethnic background of their favorite stars. During the 1930s and '40s, one of Hollywood's popular dramatic actors was Edward G. Robinson (Emanuel Goldenberg), the actor was not Italian but but he portrayed so many mobsters with ethnic surnames that fans mistakenly believed him to be of Italian descent. Another actor from that era was Italian American Richard Conte who chose to keep his original family name and, perhaps, because of it, and his dark, ethnic, looks, was typecast throughout his career as a streetwise tough guy and mobster boss. He is best remembered for his work in "Oceans 11" and The Godfather trilogy.

One of TV's most prolific actors, during the golden age of television, was Anthony (Tony) Caruso. During TVs western genre, Caruso, the son of Italian immigrants, was cast in so many Native American roles, that most TV viewers believed the actor to be Native American.

Anthony Quinn is a vintage Hollywood actor with strong, ethnic, good looks commonly believed to be Italian American. His work with famous director Federico Fellini, and Italian born actresses Anna Magnani and Sophia Loren added to that belief. In realty, Quinn is of Mexican-Irish descent.

Everybody loves Raymond, especially Italian American TV viewers who can well relate to Ray's Italian American family, his brother Robert, his wife Debra, his father Frank and mother Marie. However, despite all the realism, Ray Romano is the only actor on the series who's heritage is Italian American. Henry Winkler did such a convincing job of acting like the cool, motorcycle riding "Fonzie" Fonzarelli on "Happy Days", that fans believed him to be Italian. Truth is, Winkler couldn't ride a motorcycle and he was no more Italian than Richie Cunningham.

Actor Ernest Borgnine won an Oscar for his portrayal of a lonely Italian American bachelor in the academy award winning film, "Marty". Borgnine whose family names are Borgnino - Bonselli has his family roots in Italy, but after "Marty", perhaps afraid of being typed cast, few of his roles reflected his Italian heritage. Most fans know him best as the comical Lt. Commander McHale from TV's "McHale's Navy" (1962-66).

Richard Crenna's looks and name never typed cast him. For that reason, few fans knew the actor was Italian American and that his parents came from Tuscany, Italy. His television character roles included Luke McCoy on TV's "The Real McCoys". And Walter Denton on the "Our Miss Brooks" series. But the role that brought him a unique cult following of fans was his characterization of Colonel Trautman in the film series "Rambo", starring Sylvester Stallone. Stallone like many of the current actors chose to light up the marquee with his original ethnic name.

The first famous Italian American actor to change his name for the screen was, of course, the great silent screen star Rudolph Valentino. Whose real name was Rodolfo Alfonzo Raffaelo Pierre Filibert Guglielmi di Valentina d'Antonguolla. No matter his name, his dark Latin good looks were unmistakable and irresistible to female fans. Moviegoers of the 1930s and 40s, put stars like Valentino high on a pedestal, for that reason common names had to be changed to attract fans to the box office. Today's Hollywood is just the opposite, they want to create the illusion that their stars are just like the average guy or gal next door. Otherwise stars such as Ray Romano may have easily become Ray Roberts and Joe Mantegna-Joe Martin?.

Many Italian American actors changed the family surname on the advice of their agents. Oscar winning actress Anne Bancroft was in real life born Anna Maria Louisa Italiano. Penny Marshall, Laverne DiFazio, of "Lavern & Shirley", was born Carole Penelope Masciarelli, Connie Stevens was Concetta Rosalie Ingolia, Robert Blake was born Michael Gubitosi, Nicholas Cage-Nicholas Coppola, Vince Edwards was Vincent Zoino, Talia Shire was born Talia Coppola, James Darren-James Ercolani, Rock star Madonna was born Louise Veronica Ciccone, Tony Danza was Anthony Iadanza, Bobby Darin-Robert Cassotto and Dean Martin was Dino Crocetti. Italian Actress Sophia Loren was born Sofia Villani Scicoloni, a name that would leave little room for her co-stars on the marquee.

Hollywood has a large number of actors of Italian descent who have maintained their ethnic identity and achieved stardom despite having names that are not easily spelled or pronounced. These actors light up the marquee with their ethnicity: Robert De Niro, Al Pacino, Sylvester Stallone, John Travolta, Leonardo DiCaprio, Danny DeVito, Joe Mantegna, Dennis Farina, Scott Baio, Susan Lucci, Annette Funicello, James Gandolfini, Ray Liotta, Joe Pesci, Ben Gazzara, Tony Franciosa and Danny Aiello.

However, there is one thing all these Italian American stars have in common, the fact that because of their strong ethnic names and looks, they have not been asked by Hollywood to portray the President of the Untied States, or anyone in high political office. Hollywood still continues to typecast the ethnic looking actor in roles that are generally restricted to comedy buffoons, cagey detectives, pizza parlor owners, or mobster roles. The rare exception to this rule came when actor Joe Mantegna was offered the role of Supreme Court Justice, Joe Novelli, on the TV series "First Monday". Lets hope this sets a standard in the media for casting American Italian actors in powerful roles that inspire respect, and not fear, from America's viewing audiences.

We all know there is no proof or reasoning behind these portrayals; no psychological study or research that proves Italian Americans are prone to a lack of intelligence and yet these kinds of stereotyping are accepted by the Italian community more readily then the mobster characterizations.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Obit: Gianfranco Ferre, 62, Italy's Architect of Fashion

Italian designer Gianfranco Ferre, died at age 62, was known as the "architect of fashion" that came about thanks a combination of (1) the degree in architecture he obtained in 1969 from Milan's Polytechnic Institute that inspired his designs that were (2) structured, sculpted shapes, and (3) for his groundbreaking tenure at Christian Dior.

Born Aug. 15, 1944, in Legnano, in northern Italy, Ferre worked and lived in India for several years. Ferre started his career as an accessories and jewelry designer, and then moved on to clothes. He started his own company in the mid-1970s, but his major leap came in 1989, when he was tapped by Bernard Arnault to be the top designer for Christian Dior. At the time, it was almost unheard of for a non-French designer to take the reigns of the venerable Parisian house.

Ferre stayed on at Dior until the fall of 1996, when he returned to Milan to tend to his own men's and women's collections. In 2002, Ferre sold Gianfranco Ferre to It Holding, but he stayed on as creative director.

Gianfranco Ferre, 62, Italy's Architect of Fashion, Dies of Cerebral Hemorrhage
Canadian Press

MILAN, Italy (AP) - Italian designer Gianfranco Ferre, known as the "architect of fashion" for his structured, sculpted shapes and for his groundbreaking tenure at Christian Dior, died Sunday, a hospital said. He was 62.

Ferre was taken to the San Raffaele hospital in Milan on Friday after suffering a massive brain hemorrhage. The hospital, in a statement authorized by Ferre's family, said he died at 9 p.m. Sunday.

Ferre started his career as an accessories and jewelry designer, and then moved on to clothes.

His unofficial title as Italy's architect of fashion came thanks to the degree in architecture he obtained in 1969 from Milan's Polytechnic Institute that inspired his designs.

He started his own company in the mid-1970s, but his major leap came in 1989, when he was tapped by Bernard Arnault to be the top designer for Christian Dior. At the time, it was almost unheard of for a non-French designer to take the reigns of the venerable Parisian house.

Ferre stayed on at Dior until the fall of 1996, when he returned to Milan to tend to his own men's and women's collections.

Ferre's style was based on simple and structured lines, and the white blouse became one of his trademarks. His suits were used by businesswomen around the world looking for a sophisticated look.

For the evening, Ferre often made important dresses with ample skirts supported by layers of crinolines.

In 2002, Ferre sold Gianfranco Ferre to It Holding, but he stayed on as creative director. His spring-summer 2008 menswear collection is scheduled to be presented next week in Milan.

Born Aug. 15, 1944, in Legnano, in northern Italy, Ferre worked and lived in India for several years. His passion for travel and world cultures was often reflected in his collections.

http://www.canada.com/topics/entertainment/story.html?id=d8b2ef9c-cd7b-449d-98c6-d6f8d834b122&k=65435

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Sunday, June 17, 2007

Roberto Benigni Brings "Hell" to Italy in Tour of "Tutto Dante"

Roberto Benigni in his traveling show, called "Tutto Dante," is an unlikely hit featuring the 14th-century "Inferno," which has been filling up theaters and sports arenas throughout Italy.
"The Inferno," is the first and most popular of the three-part allegory "The Divine Comedy" of a search for God (Hell, Purgatory, Paradise).
Dante, is studied in all Italian middle and high schools, and well known and appreciated by all Italians. Benigni, however is one of Dante's greatest devotees and promoters.
Benigni's performance begins with the stand-up comic act. sparing few popular current targets, then segues smoothly toward Dante, through a sketch that illustrates a nearly lost tradition he picked up from his native small town in Tuscany, where locals compete in demonstrating their virtuosity in verse, turning the most mundane of topics into rhyme.
From there he sheds the comedian's skin and begins his introduction to "The Divine Comedy," with the line that every Italian knows by heart: He explains the beauty of the rhyming Dante poem. Phrase by phrase, he introduces his audience to the complexities of the 24 rings of the "Inferno" through Dante, who is guided on this spiritual and moral journey by the noble Virgil, the ancient Roman author of "The Aeneid."

Then Benigni illustrates the fifth canto, or chapter, that describes the tragic love story between Francesca and Paolo, condemned for the sin of lust to pass eternity in the first of the descending rings of hell.

Benigni chose to concentrate on Canto V because it is the best known and would attract the most people to a discussion of Dante in a popular setting. "Adolescents love it because it talks about love and sex," he said. "Dante wants to clarify to himself the nature of love, and he says that if you are mistaken about that sentiment then you are mistaken with your whole life."

Benigni has thus far turned down numerous offers to bring "The Divine Comedy" to Hollywood, American theaters or Broadway because "the beauty is in the poetry, and you would lose the words, the sense, the rhythm, the music."

Still, he says, in some way he would like to bring Dante to the United States, because Dante is under appreciated and badly represented. "He is portrayed as old, Catholic, imperialist and medieval," he said. But when Americans do understand him, he said in typical Benigniesque hyperbole, "they fall in love until death. It's like seeing a cherry tree when it blossoms."

Hell Is Beautiful? Benigni's Fired Up Over Dante's 'Inferno'

By Sarah Delaney
Special to The Washington Post
Sunday, June 17, 2007

ROME When he comes onstage, he resembles the Roberto Benigni that Americans came to know in 1999, the one who hopscotched on the backs of the chairs at the Oscars to claim his prize for "Life Is Beautiful." He runs in stage right, wearing the slightly goofy grin that shows up in most photographs, and starts in with lightning-quick banter that spears politicians, the pope and whoever else might be in the news that day.

But as the evening proceeds, the familiar rascal becomes earnest student, kindly professor and, finally, tragic actor who sheds believable tears to the verse of Dante Alighieri, father of Italian literature and unsurpassed hero for the Tuscan-born comic.

This is the other Roberto in his traveling show, called "Tutto Dante," an unlikely hit featuring the 14th-century "Inferno," which has been filling up theaters and sports arenas throughout Italy, "just like Bruce Springsteen," as Benigni says.

The idea to bring Dante, studied in all Italian middle and high schools, to popular venues comes from the 53-year-old Benigni's conviction that the Florentine poet (1265-1321) is thoroughly modern and that his personal quest is universal. "When you fall in love with Dante, you see that he is mysterious and popular all at once, like the universe, or like Bach -- simple and complex at the same time," he said in an interview.

"The Inferno," the first of the three-part allegory of a search for God (Hell, Purgatory, Paradise), is the most popular, Benigni said, "because it's human, it's deep, it convinces us of how horrible we can be and we can recognize ourselves." But the "Paradiso," he says, "represents the highest that man can reach."

Benigni explains: "In Dante, there is mystery and poetry, it's entertaining, and he shows us all the human passions. But he doesn't say it from an old man's or moralist's viewpoint. He's not trying to teach us how to live because he wants to understand himself. And he tells us, humbly, that we, too, can make this journey. And it's a journey that is longer, more difficult, more innovative and more important than Armstrong's journey to the moon.

"In Dante we find all the techniques of cinema, with an extraordinary precision, depth and clarity," he adds. "He invented the rapid movement, all the techniques of narrating a story, of set design, and film editing like [American filmmaker D.W.] Griffith in 'Birth of a Nation,' but he invented it 700 years before. He is so modern you jump off your seat -- special effects, he invented them!"

Benigni's performance begins with the stand-up comic act. The one-man-show format deprives Benigni of a bag of tricks Italian television audiences know well -- grabbing the crotch or jumping into the arms of the variety show host/straight man while proclaiming, "Ti voglio bene," or, very loosely, "I love you." The absence of such trademark antics are generally forgiven when he doesn't stray too far from his roots in political satire (typically delivered with a bite but not a snarl).

His favorite targets, former Italian premier Silvio Berlusconi and the Catholic Church (despite a brief youthful stint as a seminarian), are not spared in the first part of the performance, nor is the current center-left Italian government. In a recent performance before 4,000 people in Rome, he got laughs and applause when he suggested an unlikely alliance between the largest gay rights lobby and Italy's Catholic bishops conference. And he struck the right chord when he said he was made nervous by the presence of Giulio Andreotti, 88, a perennial political figure, whom he called the only living contemporary of Dante.

The show segues smoothly toward Dante, through a sketch that illustrates a nearly lost tradition he picked up from his native small town in Tuscany, where locals compete in demonstrating their virtuosity in verse, turning the most mundane of topics into rhyme. From there he sheds the comedian's skin and begins his introduction to "The Divine Comedy," with the line that every Italian knows by heart: "Nel mezzo del cammin di nostra vita, mi ritrovai per una selva oscura, chи la diritta via era smarrita." ("Midway in the journey of life, I woke to find myself in a dark wood, where the right road was wholly lost and gone.") He explains the beauty of the rhyming Dante poem, making liberal use of adjectives like "extraordinary," "beautiful" and "marvelous." Phrase by phrase, he introduces his audience to the complexities of the 24 rings of the "Inferno" through Dante, who is guided on this spiritual and moral journey by the noble Virgil, the ancient Roman author of "The Aeneid."

Benigni illustrates the fifth canto, or chapter, that describes the tragic love story between Francesca and Paolo, condemned for the sin of lust to pass eternity in the first of the descending rings of hell.

The story is ageless. Francesca is unhappily married to Paolo's brother; they innocently read the story of Lancelot and Guinevere until passion overcomes them. They are both killed by the cuckolded husband, Gianciotto, who ends up in a lower ring reserved for those who commit the much more serious crime of fratricide.

"It shows us that we have to be educated in love, in respect. If no one tells us, no one teaches us, how can we know?" he asks.

After the lesson, Benigni recites from memory the poem in the original medieval Italian called "vulgar" because Dante broke ground by writing in spoken Italian, rather than the Latin used for literary purposes.

Through the piteous description of the passion-bound couple's demise, Benigni is completely transformed in face and demeanor, and is overcome, like Dante, with compassion for their cruel fate. The audience is left spellbound, before breaking into enthusiastic applause. He cites "Chaplin, the prince" as his model, and said that for an actor, "the comic and the tragic always touch." He said the ancient Greek and Latin principles -- explain, entertain and move -- still apply to his idea of theater.

Benigni chose to concentrate on Canto V because it is the best known and would attract the most people to a discussion of Dante in a popular setting. "Adolescents love it because it talks about love and sex," he said. "Dante wants to clarify to himself the nature of love, and he says that if you are mistaken about that sentiment then you are mistaken with your whole life."

He has thus far turned down numerous offers to bring "The Divine Comedy" to Hollywood, American theaters or Broadway because "the beauty is in the poetry, and you would lose the words, the sense, the rhythm, the music."

Still, he says, in some way he would like to bring Dante to the United States, because Dante is underappreciated and badly represented. "He is portrayed as old, Catholic, imperialist and medieval," he said. But when Americans do understand him, he said in typical Benigniesque hyperbole, "they fall in love until death. It's like seeing a cherry tree when it blossoms."

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Annotico Email: annotico@earthlink.net

My Dear: A Nice Glass of Boxed Wine, Vintage June 2007 ?

Wine in a Plastic bottle, or Wine in a Can, BUT Wine in a BOX ??? Screw tops weren't bad enough!!!! ??
Then too, a Freshness Date with a Best when Served By clearly printed on the package ?? What happened to Vintage???
A Wine with a name of "Fish Eye"???
As a validation for Boxed Wine, they cite that Australians drink about half their domestic wine from boxes. That's a Recommendation???
Aussies drink Anti Freeze out of the Auto Radiator!!! :) :)
But I was surprised to see that there are several offerings from Italy...... like Delicato, Domus Vini, Podere Vaglie, Tavernello, Campesino Primitivo, Mauro Primitivo, Rossa Salento, Serarossa, among others. I have no evidence that they are being consumed domestically, rather than being exported!! :)
Franzia is the largest selling boxed wine, (Sold by the Franzia family in 1973) and Target its biggest customer.
Thanks to Pat Gabriel

Boxed Wines Face The Six-Week Challenge

The Wall Street Journal
By Dorthy J. Gaiter and John Brecher
June 15, 2007
Boxes Battle Bottles For Young Drinkers; Letting the Air Out

We were surprised to see an ad for wine "casks" during this year's Oscars. Boxed wines and the Academy Awards don't seem like a natural match, even in a year in which "Borat" was nominated. It turned out that the ads were just the beginning of an aggressive, $4.5 million television campaign by the makers of FishEye wine. Among their claims: that the wine stays fresh in its bag-in-box for six weeks. To us, that sounded like a challenge. Having slowly filled our refrigerator with partially emptied boxes of wines over the past month and a half, we're happy to say we survived the experiment and we're back with a full report.

Boxed wines have been around for some time now and are far more common in some countries than the U.S. Australians, for instance, drink about half their domestic wine from boxes, according to Australian statistics. The big player in the field is the Wine Group, based in San Francisco, which is the world's third-biggest wine company by volume because of its ubiquitous Franzia boxed wines. People ask us all the time if we've found a boxed wine we like and the answer is that, even though we've conducted broad blind tastings and there's certainly nothing inherently wrong with a boxed wine, we've found the wine inside the boxes generally to be unpleasant. Over the years, we've written positively about two boxed wines: Target's Australian Chardonnay Wine Cube (2005) and Carmenet Winery "Vintner's Collection" Cabernet Sauvignon (2002), which is no longer produced. Both were packaged in three-liter boxes.

Pumping Up the Volume

The most common size of wine in a box is five liters -- that's almost seven regular bottles of wine -- and we'd guess the demographic those wines attract are our parents. But with America's increasing interest in wine and more of a willingness among wine-drinkers to experiment -- consider the rise of screwcaps, for instance -- the people at the Wine Group clearly figured the time was right for something new, so they introduced FishEye in three-liter boxes with heavy promotion.

We first ran across FishEye, in regular bottles, as part of a tasting of the house brands of big chain stores last year. Back then, it was an exclusive offering at Harris Teeter grocery stores and we wrote that it was "consistently disappointing." Others must have disagreed, however, because the Wine Group says the brand sold so well that the company decided to put it in a box and roll it out nationally. (It is also still available in bottles.)

Why a three-liter size instead of five? "The smaller size is a signal that it's different. Consumers need a signal that something has changed," Laurie Jones, a Wine Group spokeswoman, told us. Clearly, the company's eye is on a younger, more-affluent demographic, too -- just look at where the ads are placed: "Desperate Housewives," "Lost," "Brothers and Sisters," "Boston Legal" and "Grey's Anatomy," although, really, we just can't imagine Dr. McDreamy offering Meredith a glass of wine from the box in his refrigerator. We can, however, see The Chief, still missing his wife, tapping the cask a glass at a time over a couple of weeks.

In any case, the target consumer, the Wine Group says, is "influential 25-40 year old wine drinkers." And Ms. Jones says sales are strong: Wine Group is expecting to sell about a million nine-liter cases of FishEye this year, including both boxes and bottles. "Everyday wine drinkers are using this as their house wine," she said. "It used to be a big magnum of Mondavi in the refrigerator door." Indeed, according to ACNielsen, sales of premium three-liter box wines, including brands such as Hardys, FishEye and Black Box, rose 43.4% by volume for the 52-week period ending April 7.

FishEye claims -- and other boxed wines make similar claims -- that its wines will keep well for six weeks after opening because the plastic bag inside the box collapses and therefore keeps out air. We decided to test the claim. We bought seven boxes of FishEye Chardonnay (vintage 2005, "best when consumed before Nov. 6, 2007"). They cost $16 each, or about $4 per regular bottle. Our idea was that we would open one every week for six weeks and empty about a sixth of the contents. Then we'd taste the six boxes against a newly opened box six weeks later. We opened the first box, found the pour spout and tapped the bag. Then we tasted the Chardonnay and it was OK, but harsh. We decided that we couldn't very well perform our test with this wine because it didn't taste that good to us to begin with, so then we tried FishEye's 2006 Pinot Grigio, which was fairly pleasant and not too sweet (though it smelled and tasted more like Sauvignon Blanc), and its Shiraz, which was tasty -- "soft and pleasant, with integrated acidity and nice fruit." The Shiraz seemed perfect for our experiment. (All of the boxes cost $16.) While FishEye doesn't say the boxes need to be refrigerated, we did this because these simple wines, even the Shiraz, are better with a chill.

Over the next six weeks, we opened one box of Shiraz every Friday and poured out about one-sixth of all of them that were open. (The Shiraz was vintage 2004, "best when consumed before Dec. 1, 2007.") Because we had the Chardonnay anyway, we went ahead and conducted the experiment with those boxes, too. Soon, our refrigerators were groaning under the weight of boxed wines.

A Pleasant Surprise

At the end of the experiment, first we tasted the box of Pinot Grigio we'd tried weeks earlier. It was still pleasant, with some lemon, peach and kiwi. It tasted somewhat watery, but not at all oxidized. It didn't taste like it had been open for six weeks.

Then we put all of the boxes of Chardonnay and Shiraz on a table. We had noted on the bottom of the box when each was opened. We asked a friend to serve them so we wouldn't be able to tell which boxes were lightest and which were heaviest, and therefore we were able to taste the seven wines blind: from one open for six weeks to one just opened fresh.

The Chardonnays, on the whole, continued to taste pleasant enough but a bit harsh. Three smelled and tasted notably sulfuric. All tasted of pineapple -- sometimes sweet pineapple and sometimes watery pineapple. One was clearly the best. It tasted riper, fresher and cleaner than the rest. This turned out to be the newest box, the one we had just opened. But our second favorite was the wine we'd opened the third week of the experiment, and our third favorite was the very first we'd opened, all those weeks before. Overall, the boxes we opened first and last were the best; the boxes opened in the middle weeks were the ones that tasted and smelled less fresh. But none of the boxes tasted oxidized or obviously off. We've tried some wines by the glass at tony wine bars that tasted far more over the hill.

We sampled the Shirazes next. Once again, none of them was obviously oxidized. The difference among them was that a couple tasted vibrant and alive -- these were wines we would take to a picnic ourselves -- while others had the same basic tastes, but they'd lost life and seemed somewhat dull and flat. In any event, none of them tasted as sweet, alcoholic and heavy as many jug wines on the market and even many under-$20 wines in bottles.

When we checked the bottom of the boxes, it turned out that our favorite Shiraz had been opened in week No. 4 and our second favorite had been the very first cask we opened. Our third favorite was the freshest box. Once again, it appeared that the boxes from the fifth and sixth weeks -- those open for one week and two weeks -- were the most problematic. Call it a dumb period.

So, the bottom line: It's true. The wine really does keep for six weeks. It has its ups and downs in your refrigerator, but it will keep fine. Would we keep a box of wine in our refrigerator for six weeks? Well, no. Today, there are so many interesting, affordable wines on the shelves that we'd rather taste several wines than one wine in a big box. That said, the FishEye Shiraz, at the equivalent of $4 a bottle, is a perfectly nice wine for a party this summer -- and, yes, if you have any left over, you can keep it around until the dog days of summer without it turning hairy.

You can contact us at wine@wsj.com1.
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Romans had their Aqueducts, Modern Italians their Bottled Water

Paradoxically, Italy is a country where plenty of clean water flows freely from public taps and fountains in the streets of cities like Rome.
However, Last year, Health conscious Italians downed 178 litres of bottled water each - more than four times that of their counterparts in Britain and above that of other bottled water guzzlers such as France and Germany.
Fortunately, about 120 companies battle it out in Italy, and thirsty Italians can chose from as many as 270 brands of bottled water, driving down prices.
Derisively, Italian comedian Beppe Grillo calls bottled water - "putting rain in a bottle and then making you pay for it"

Bottled Water: Rain in a Bottle?

Independent Online - Cape Town,South Africa By Deepa Babington June 15 2007

Legend has it that the ancient Romans refreshed themselves with the bubbly water that springs out of an extinct volcano near Naples, a reference to which can be found even in philosopher Pliny the Elder's works.

A marketing dream perhaps, but not enough to stop the company that bottles that water, Ferrarelle, from sliding into losses a few years ago as competition heated up in Italy's bottled water market.

Now in the hands of a new owner, Ferrarelle has begun an ambitious plan to return to its glory days. But competition has become even more cut-throat and today it is one of about 120 companies battling it out in Italy, which boasts the world's largest per capita consumption of bottled water.

Thirsty Italians can chose from as many as 270 brands of bottled water, driving down prices and margins over the past few years.

"If you enter a big store today, you don't buy its water because it's good, you buy it because it has a lower price," said Carlo Pontecorvo, the Neapolitan entrepreneur who took over the Ferrarelle business in 2005. "It's a market where pricing is the only guide for purchasing."

It's easy to see why the rush is on.

Fresh water sources are abundant in Italy, local permits for bottling water are easily available and Italians seem to have an almost insatiable appetite for the final product.

Last year, they downed 178 litres of bottled water each - more than four times that of their counterparts in Britain and above that of other bottled water guzzlers such as France and Germany, according to research group Euromonitor.

That's nearly six percent of the $122-billion global bottled water market, dominated by multinationals such as Danone of France whose brands also include Evian and Volvic, and Swiss group Nestle, parent of Perrier and Vittel.

Paradoxically, this is a country where plenty of clean water flows freely from public taps and fountains in the streets of cities like Rome.

But health-conscious Italians still prefer to reach for the bottled version, looking to the label and packaging for a guarantee that tap water can't provide.

Despite Italian comedian Beppe Grillo's outrage over bottled water - he calls it "putting rain in a bottle and then making you pay for it" - few Italians seem perturbed by the environmental costs of using plastic bottles daily.

"It's a cultural thing. Italian consumers want to buy bottled water even if tap water has been tested and proven safe," said Chiara Pozzi, Italy analyst for Euromonitor. "It's the perception that bottled water is safer and cleaner."

One of the oldest Italian bottled water brands and the No.3 player in Italy behind Nestle and Acqua Minerale San Benedetto SpA, Ferrarelle's efforts to differentiate itself in a crowded field give an insight into the market's changes and challenges.

Commercially bottled for the first time in 1893, Ferrarelle passed through the hands of various Italian families before Danone scooped it up. Those were the days when rival brands were few and the Italian market among the most profitable around.

Along the way it had become a household name in Italy with its "Still, sparkling or Ferrarelle?" advertising campaign, popular with aficionados of naturally sparkling water.

To this day workers at its gleaming bottling factory in the verdant countryside outside Naples boast that their raw material is also their final product, since the company does not add any artificial carbonation to the water.

Nevertheless, high costs and fierce competition had pushed Ferrarelle into the red and by 2004 it was on the block again.

New owner Pontecorvo arrived with his work cut out as falling prices exposed the company's high costs, old bottling machinery and poor productivity.

So he moved the company's rented headquarters out of Rome, slashed a fifth of the workforce, ramped up marketing efforts and began experimenting with initiatives including a new glass-bottling line.

To tap into the premium segment of the market, Ferrarelle also introduced a high-end "Platinum" line featuring an architect-designed bottle that can set you back more than Ђ5 (about R50) at a top restaurant.

The company is also looking abroad, applying for a permit to restart exports to the United States and beginning sales to Britain, Japan and Russia.

After three years of losses and new initiatives, Pontecorvo says his business is finally headed for breakeven this year. But he's also hoping consolidation in the industry will soon follow - and stop the price free fall.

"Italy is a land full of water," he said. "People think this is a very easy business, but once they enter the market they see the difficulties involved."

http://www.iol.co.za/index.php?set_id=1&click_id=143&art_id=nw20070615142238122C996879

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Tax Avoidance for Skeptical Italians

The English have a different point of view, and delusionally feel superior.
While the French had their Class Struggle Revolution, and the Americans their Anti Colonialistic , Anti Monarch Revolution, the English "Great Revolution (1688)" consisted merely of a Religious (Protestant vs Catholic) War, and to this day still embrace their Monarchy.
The English are "sheepishly compliant", and thus have an incapacity to understand the skepticism and cynicism that Italians have toward government, who they understand is in place to protect and nurture the wealthy, and are aware that all politicians "slurp at the trough", and thus feel no reluctance to withhold taxes.
Therefore, Tax Avoidance/Evasion in Italy is an "art form"

Italians, The 'Indecent' Tax Dodgers

Telegraph.co.uk - United Kingdom
By Malcolm Moore in Rome
June 15, 2007

Many Italians like to joke that tax evasion is their national sport, and the latest figures show an increasing flair for creative accounting: Ј182 billion of tax was dodged in 2004.

The figures from the treasury show that one fifth of Italy's GDP was lost to unpaid taxes. Honest taxpayers are submitting, on average, more than half their salaries in tax to keep the country running.

Romano Prodi, the prime minister, said the level of tax evasion in Italy was now "indecent" and has launched a crackdown.

Last year, there was a 49 per cent rise in unpaid tax recovered by financial police to Ј2.3 billion. Silvio Berlusconi, the former prime minister, often encourages Italians to dodge taxes as a protest. Last month he called for a "tax strike".

A quarter of Italians claim that their salary is only Ј4,000 a year, while the residents of Milan, one of the richest cities in Europe, claimed average salaries of just Ј5,400

http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/06/15/wtax115.xml

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Movie " Golden Door": Sicilian Farmer/Widower and Family Leave Hardscrabble Life for America's Milk and Honey

"Golden Door"
An Italian widower named Salvatore Mancuso (Vincenzo Amato) is a poor farmer. His land is rough and rocky and his livestock consists of a donkey, a goat and a couple of chickens. He is raising two teenage boys, one of whom is mute, and has his elderly mother also under his roof.
Salvatore decides to leave the hard scrabble life behind and head to the new world, thinking he is leaving his poor farmer's life for a land where garden vegetables are as big as people, and currency grows in the shrubbery, after seeing some doctored-up postcards

Thanks to Water Santi
Immigrants' Tale Takes Hard Road to 'Golden Door'

Chicago Sun Times
June 15, 2007

In America, garden vegetables are as big as people and currency grows in the shrubbery. At least that's what one Sicilian peasant family thinks upon seeing some doctored-up postcards.

An Italian widower, Salvatore Mancuso (Vincenzo Amato) is a poor farmer. His land is rough and rocky and his livestock consists of a donkey, a goat and a couple of chickens. He's a widower raising two teenage boys, one of whom is mute. His elderly mother is also under his roof. One day, after running barefoot up a craggy mountainside with a sharp rock in his mouth, which he drops at a makeshift shrine, Salvatore decides to leave the hardscrabble life behind and head to the new world.

It's the turn of the 20th century in Emanuele Crialese's "Golden Door," when hordes of huddled masses dreaming of untold opportunity crammed onto European steamships bound for America.

Crialese has a knack for characterizing a specific place and time, like in a painting. In 2003's "Respiro," he brought us into a small fishing village, where a mentally unbalanced woman brightens or darkens the landscape, depending on her mood. "Golden Door" is a three-paneled piece, where the strength lies in the detail work rather than the larger brushstrokes of a family's immigration story -- details such as when Salvatore and his sons exchange their animals for dead men's clothes and shoes -- probably the first pair of shoes they've ever owned. The merchant tells each of them who the clothes once belonged to, and to not put the shoes on until they reach their departure city.

A mysterious, redheaded Englishwoman named Lucy (Charlotte Gainsbourg), who most certainly stands out in the crowd of folks getting on the boat, attaches herself to Salvatore's party (he's brought not only his sons and his mother, but also two young girls from the village who have been promised to wealthy men in America who need wives). Lucy and Salvatore come to a silent understanding here.

The second part gives us the emigrant's-eye view of the long and treacherous trans-Atlantic journey. The men are separated from the women in cramped steerage quarters. Everyone has his or her own bunk, but it's probably less than 2 feet from the next person's; there is no privacy. Just as they all get used to it a storm rattles them out of their bunks, literally. It's a terrifying scene, played mostly in the dark, just as the passengers experience it.

On deck, Lucy and Salvatore are keenly aware of each other, and others are keenly aware of Lucy, particularly Don Luigi (the late Vincent Schiavelli), who's on board brokering marriages. Lucy already has chosen Salvatore, something that remains unexplained, and though it is also frustrating to not know anything about her (though there's much shipboard speculation and rumor), it is a charming flirtation and romance, even if only at arm's length.

The final chapter begins and ends at Ellis Island, where all entering must undergo a series of humiliating tests, both mental and physical before being deemed "fit" to live in America. And single women have to sit in a court-like setting and wait for a stranger to ask her to marry him; if she has no prospects, she is sent back to her homeland.

Crialese's detailed portrait is a humbling reminder of where many of our ancestors came from and what they endured for us, their future generations. We never see what becomes of the Mancuso family, but we know that Salvatore remains optimistic. ...

GOLDEN DOOR (PG-13)
Critic's rating: 3 stars

Miramax Films presents a film written and directed by Emanuele Crialese. Running time: 112 minutes. Rated PG-13 (for brief graphic nudity). In Italian with English subtitles. Opening today at Landmark Century.

Salvatore Mancuso: Vincenzo Amato
Angelo Mancuso: Francesco Casisa
Pietro Mancuso: Filippo Pucillo
Fortunata Mancuso: Aurora Quattrocchi
Lucy: Charlotte Gainsbourg

http://www.suntimes.com/entertainment/movies/427255,WKP-News-golden15.article
The ANNOTICO Reports Can be Viewed (and are Archived) on:
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"Siskiyou County Italians" - Where in the Devil is That? and How did Italians Find it?

In our harried generation, with the inclination of instant gratification, and having to sift through information overload, I try to be selective about my Reports. BUT periodically, I feel the need to report on the less sensational, in this case, so as to remind Italian Americans that their experience is not just New York, Philadelphia, Chicago, and San Francisco. It is in every corner of the US.
In this instance, it is that of a large county (Siskiyou) on California's northern border, that is remote, rural and sparsely populated.
Mary Salanti Silva certainly did this as a labor of love, certainly not expecting a profit, and she is part of a growing trend that are trying to document the Italian American Experience in ALL of its varied communities, with ORAL HISTORIES that must find their way into the library of any serious Institution that pretends to have an Interest in American History, and even more so of Italian American History.
Silva published four family genealogies prior to tackling the two-year process of compiling a book, entitled “Siskiyou County Italians: Cultural and Economic Contributions” which traces the history of Italians to the county, and consists of over 300 pages, 120 biographies and 350 photos.

Siskiyou County is located in the far northernmost part of California, in the Shasta Cascade region on the Oregon border. The County seat is Yreka. Because of its substantial natural beauty, outdoor recreation opportunities, and Gold Rush era history, it is an important tourist destination within the state.

From towering Mount Shasta (elev. 14,179 feet), a winter sports center, near the center of the county, to lakes and dense forests, as well as desert, chaparral, and memorable waterfalls, world-famous trout-fishing rivers and streams,to pastoral Scott Valley supporting large cattle ranches.
While it ranks fifth in area among California counties, with 6,347 square miles, it only ranked 44th in population among California's 58 counties; as of 2000, the population was 44,301.

Book Celebrates Siskiyou County’s Italian Heritage

Siskiyou Daily News By Jamie Gentner
Daily News Staff Writer
Wednesday, June 13, 2007



SISKIYOU COUNTY – Mary Salanti Silva may live in Yuba City, Calif. now, but after living in Weed for about 30 years, her heart still lies with Siskiyou County.

That’s why, even after being away for 40 years, she compiled a book, entitled “Siskiyou County Italians: Cultural and Economic Contributions,” which traces the history of Italians to the county.

After reading many books over the years and finding what she considered a lack of information about this people group in Siskiyou County, Silva went to Web sites, Italian cultural societies, newspaper archives and local descendents of Italian immigrants to gather information.


“I saw little on the everyday work of people,” she said. “I wanted to show how the immigrants didn’t depend on social support systems. It was that group that I wanted to recognize.”

Silva is self-publishing the work – consisting of over 300 pages, 120 biographies and 350 photos – so that she isn’t constrained by a publisher. At one point, she was approached and asked to do something similar to the project, but the publisher wanted only specific people within a specific social class.

“I didn’t want to do that,” she said. “If I was going to do this, everyone was going to have the opportunity to contribute, no matter what.”



Contributions came in after Silva advertised in local papers. Those interested filled out a questionnaire that told their story. What has resulted is a work that focuses on what Silva says is “an era that is no more, where mom stayed home to take care of the children and dad brought in the money by working for the lumber industry or farming.”

An Italian herself, Silva hopes those who read the book will gain a better understanding of what the early immigrants went through and how they achieved their goals once they were here.

“Most people don’t think about the background behind the story,” Silva said. “They don’t get to hear about how families came here with only $5 and how things have changed since then. It was an opportunity for me to bring light to the rest of the story.”



Those are the kinds of stories contained in Silva’s book. After a preface describing what makes an Italian, the biographies describe the lives of the immigrants who made and spent their money in town, started the tradition of Italian restaurants in the area, didn’t depend on social support systems and contributed to their community on many levels.

Compiling the book has been a two-year process - one that Silva is familiar with since she has published four family genealogies prior to this book.

But with so many contributions gathered over the years, she is sure anyone in the county who is of Italian descent or knows someone of Italian descent will find someone they know in the book.



“I didn't originally intend for this to be such a sizeable piece. I just wanted this people group to be represented in a small way. But I received so many fascinating stories that I felt needed to be shared,” Silva said. “Even so, this is still just a foundation to be built upon. Hopefully, someone will take this one day and add to it.”

Silva hopes the book will soon be available in local historical societies, the libraries at the College of the Siskiyous, at an Italian cultural society in Sacramento and a few other locations. Currently, it is only available by contacting Silva for $35.

For more information, or to place an order, contact Silva at (530) 673-6414 or at marys@syix.com.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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World's Longest Land Tunnel Between Italy and Germany Built by Swiss

Switzerland is at the center of a north-south European axis where traffic between Italy and Germany has increased more than tenfold since 1980. The Swiss have tired of traffic jams caused by big rigs and vacationers filling their narrow valleys, and the rail plan has remained popular despite running billions of euros over budget.


The tunnel, which took eight years to build and cost 4.3 billion Swiss francs will trim the time trains need to cross between Italy and Germany from 3 1/2 hours to just under two.


Swiss Open World's Longest Land Tunnel

Independent - London,England,UK
By Bradley S. Klapper, Associated Press Writer
15 June 2007 22:13

With a ceremony that went off like a classic Swiss timepiece, officials yesterday inaugurated the world's longest overland tunnel, a 21-mile-long rail link under the Alps meant to ease highway traffic jams in the mountainous country.

The tunnel, which took eight years to build and cost 4.3 billion Swiss francs will trim the time trains need to cross between Germany and Italy from 3Ѕ hours to just under two.

The first train through the tunnel was a freight carrying Swiss Transport Minister Moritz Leuenberger, arriving in the town of Frutigen at the tunnel's north entrance. It burst through a banner declaring "Loetschberg - Connecting Europe" to the cheers of more than 1,000 people and the popping of fireworks.

"We have moved a mountain," Leuenberger said.

A Roman Catholic bishop and a Protestant minister blessed the tracks, and several bands played. At one point, the festivities moved along so briskly that officials had to slow them down for the punctually arriving train.

After the inaugural journey, a second train carried journalists and other passengers southward - a smooth and quiet ride on rubber-cushioned rails that are suitable for high-speed trains from Germany, France and Italy. Freight trains will be able to travel at speeds up to 100 mph and passenger trains at up to 150 mph.

Midway through the tunnel, the train stopped so officials could show off the emergency and maintenance area, and they served white wine, Swiss cheese and dried beef called buendnerfleisch. Cellphone reception was strong throughout the ride, even at points where the tunnel was 6,500 feet below the mountain surface.

When it arrived on the other side, travelers were greeted by the Valaisian Alps - some still snowcapped - and hundreds of children waving Swiss flags and cheering "Bravo" in the city of Visp.

The Loetschberg was dug parallel to an even more ambitious project - the 36-mile Gotthard Tunnel, which will be the world's longest when it is completed in 2017.

The Loetschberg tunnel will get skiers to Swiss resorts more quickly. The trip from Bern, at the northern end of the tunnel, to Visp, near ski regions like Switzerland's Zermatt and Italy's Courmayeur on the southern side of the Alps, will be cut in half - from 110 minutes to 55 minutes.

By running at low elevation, the tunnel will be able to accommodate trains and cargo loads that cannot negotiate the long climb and switchbacks to existing tunnels higher up the mountain.

As villagers in Frutigen watched the inaugural ceremony, the steady stream of freight and passenger trains on the old track on the hill above the tunnel underscored the importance the connection would serve to traffic between Italy and Germany.

For Swiss taxpayers the main selling-point was that it would move heavy trucks off their crowded highways and onto trains.

Switzerland is at the center of a north-south European axis where traffic has increased more than tenfold since 1980. The Swiss have tired of traffic jams caused by big rigs and vacationers filling their narrow valleys, and the rail plan has remained popular despite running billions of euros over budget.

"We did not want to become part of the road corridor for 40-ton trucks streaming north and south, and so decided to opt for rail tunnels," Leuenberger said.

Passenger trains will start traveling through the tunnel on Dec. 9. From then on, 72 freight trains and 43 passenger trains will pass through the tunnel every day.

The Loetschberg was designed to be a twin tunnel, with traffic moving in both directions through separate tubes. Due to cost constraints, however, only one side has been completed. It remains unclear if the second, parallel tube would be finished as well. In the meantime, trains will alternate traveling in opposite directions through the finished part.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Idealized Italy, Transplanted to Britain By Claude Lorrain

Of the 1,100 known Claude Lorrain drawings, about half are held in the British Museum.!!!
Why did so many Brits own Claudes, when they otherwise passed on Frenchmen in deference to longstanding political rivalries?
Turns out Claude's vision of the countryside came to represent such a compelling link to the classical past that the British were intent on securing it for ammunition against, of all things, French Enlightenment.
Born Claude Gellee around 1600, the artist took the name Lorrain after the French duchy where he was born. (Most simply call him Claude.) During his long life, Claude produced some of the top pastoral scenes of his era, landing his work in the best Italian collections. The demand for his work was constant.

Claude apprenticed as a pastry chef and moved to Rome. He wound up in service to the painter Agostino Tassi, a landscape painter of solid, if unexceptional, repute. (The same Tassi allegedly raped Artemisia Gentileschi, the budding painter.) Under Tassi's tutelage, Claude began turning out adept seascapes and port scenes.

Claude's reputation grew. Italy's wealthiest families couldn't get enough of his work. His exceptional landscapes transformed the Roman countryside, into a near state of grace. Claude filled the frame with robust trees in expansive vistas, some peopled by amiable peasants herding obedient sheep. At the National Gallery, paintings such as "View of Tivoli at Sunset" (1642-44) give a sense of Claude's ability to produce exceptional pastorals where cows smile and trees flank the picture plan like theater curtains. For the Romans Claude's ideal landscapes referred to a classical past and the myth of a lost Arcadia.

Fast-forward 100 years.

When British landscape designers visited Italy in the early 18th century, they were so utterly captivated by the classical beauty of the Claudes they saw that his pictures became templates for British gardens.

Idealized Italy, Transplanted to Britain

Claude Lorrain Never Saw England, but Its Gardens Bear His Mark

By Jessica Dawson
Special to The Washington Post
Sunday, June 17, 2007

How did a 17th-century French pastry chef end up shaping how the English felt about their gardens?

For the answer to that riddle, see the remarkable drawings of that onetime cook, now on view in the National Gallery of Art in "Claude Lorrain -- the Painter as Draftsman: Drawings From the British Museum."

Born Claude Gellee around 1600, the artist took the name Lorrain after the French duchy where he was born. (Most simply call him Claude.) During his long life, Claude produced some of the top pastoral scenes of his era, landing his work in the best Italian collections. The demand for his work was constant.

Though paintings were Claude's moneymaker, drawing captured his creative energy. At the National Gallery, 89 works on paper attest to his agility with chalk and wash. Claude sketched outside and in the studio. He also made sketches of his finished paintings. At the National Gallery, a handful of oil paintings borrowed from major collections augment the works on paper, demonstrating the full range of Claude's efforts in this 102-piece exhibition.

Nearly as interesting as the pictures themselves is the story of how they got here. Of the 1,100 known Claude drawings, about half are held in the British Museum, thanks to donations from English collectors. Why did so many Brits own Claudes, when they otherwise passed on Frenchmen in deference to longstanding political rivalries? Turns out Claude's vision of the countryside came to represent such a compelling link to the classical past that the British were intent on securing it for ammunition against, of all things, Enlightenment France.

Though accounts of Claude's early years vary, it's understood that the young Frenchman apprenticed as a pastry chef and moved to Rome. He wound up in service to the painter Agostino Tassi, a landscape painter of solid, if unexceptional, repute. (The same Tassi allegedly raped Artemisia Gentileschi, the budding painter.) Under Tassi's tutelage, Claude exchanged spatula for paintbrush and began turning out adept seascapes and port scenes. After traveling to Naples and perhaps back to France, Claude settled permanently in Rome.

Claude's reputation grew. Italy's wealthiest families couldn't get enough of his work. His exceptional landscapes transformed the Roman countryside, then thick with thieves and rocky outcroppings, into a near state of grace. Claude replaced unruliness with classicism, filling the frame with robust trees in expansive vistas, some peopled by amiable peasants herding obedient sheep. At the National Gallery, paintings such as "View of Tivoli at Sunset" (1642-44) give a sense of Claude's ability to produce exceptional pastorals where cows smile and trees flank the picture plan like theater curtains. For the Roman clergy and their cronies, Claude's ideal landscapes referred to a classical past and the myth of a lost Arcadia.

Fast-forward 100 years.

When British landscape designers visited Italy in the early 18th century, they were so utterly captivated by the classical beauty of the Claudes they saw that his pictures became templates for British gardens. The quintessential British picturesque garden, with its strategically placed faux ruins, followed drawings like "The Tomb of Cecilia Metella" (circa 1638), where a dilapidated monument emerges from the land as naturally as the great tree to its left. It's as if both nature and man-made order had coexisted from the beginning.

England's picturesque gardens were as much political stances as aesthetic ones. Their "naturalness" was meant to show the French, couturiers of their own newfangled, corset-strict Enlightenment gardens, that they had nothing on Britain's long-standing associations with the classical past.

It just so happened that the ammunition for England's aesthetic battle was supplied by a Frenchman.

One British estate that felt Claude's influence was Chatsworth House, home to the dukes of Devonshire. In the mid-18th century, Lancelot "Capability" Brown upturned a segment of the estate's French-style gardens to make three-dimensional Claudes, complete with rolling hillocks and thick plantings. The dukes also collected Claude's drawings; many of the pictures on view at the National Gallery hailed from Chatsworth House. Many others were culled from the collection of Richard Payne Knight, a wealthy aesthete who lived until 1824.

It's not hard to understand Claude's appeal. He positions his viewers at a vantage point just above the Earth but below the sky. The foreground is clear but we're not stuck in it; our eye can travel far into the unobstructed distance. A chalk and wash drawing showing Jesus's parents resting on their flight to Egypt -- Claude favored the biblical scenes that took place out of doors -- puts us in intimate proximity to Mary and Joseph while giving us access to distant hills and aqueducts.

Whatever Claude was recording, it wasn't the reality of the 17th-century Roman countryside. The rocky terrain of the Campagna is transformed into a place where herders and their animals can relax and enjoy the sunset, as if man and beast lived entirely contented lives. Even chaotic seaports appear sedate in Claude's pictures.

When a commission called for a scene of turmoil, as when a patron demanded a seascape to illustrate his family motto, "Against Winds and Water," Claude produced "A Storm off the Coast," a picture in which even rollicking waves twist into artful curls. These seascapes act like scenic backdrops for heroic plays, with boats piled into a picturesque mess as men struggle to save their vessels.

Claude's nature isn't neutered -- it's pruned to a near-perfect state. That vision proved entirely palatable to Claude's patrons, who were disinclined to the vagaries of life and preferred to think they ruled both man and nature.

But these pictures didn't just deliver good news. They were meant to caution patrons as much as reassure them. The ruined temples in Claude's landscapes may have linked 17th-century Rome to a classical past, but that same past was dead and gone. That's why a slightly mournful quality pervades many of Claude's pictures -- their sheer perfection invokes the impossible.

Claude Lorrain -- the Painter as Draftsman: Drawings From the British Museum is in the West Building of the National Gallery of Art, Seventh Street and Constitution Avenue NW, through Aug. 12. Free. Call 202-737-4215 or visit http://www.nga.gov.

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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"The Sopranos" Fans Get What They Deserve..... That Empty Feeling ! :)

Chase tells us, have we learned anything?
He mocks our demands for an ending, for meaning, for purpose and laughs at his great joke.
All that remains is more sex, violence and absurdity.

And cruel stereotyping of Italian Americans.


An Ending with No Meaning

Chicago Sun Times

June 15, 2007

I must confess a temptation to complacent laughter at the frustration of all ''The Sopranos'' fans at the conclusion of the series. It was the most important television project ever, comparable to Don Quixote, Shakespeare, maybe even St. John's Gospel.

Why did it end not with a bang but a whimper? It was also a powerful critique of corrupt capitalist American culture. Academics and intellectuals -- and pseudo-academics and intellectuals -- had searched the weekly bloodshed and vulgarity for wisdom hidden from the ages. How could the series stop without ending?

Ordinary viewers, satisfied with the violent whacking of "Uncle Phil" Leotardo, were disappointed by the conclusion, which was a stop and not an ending. The intellectuals should have been ready for David Chase's "post-modern" joke. What did the series mean? It meant that there was no meaning at all. Like all stories, ''The Sopranos'' series had no meaning because life has no meaning.

"Post-modern" literary theory holds that an ending to a story is a "fallacy." An ending tries to impose a meaning on a story, either an optimistic ending that says there was a purpose in all these pains and sufferings or a tragic ending which provides a "catharsis." Post-modernism (which can mean everything and nothing) insists that life is neither comedy nor tragedy but a meaningless series of events that stops eventually for everyone in the story when they die.

Eventually Tony will die, so will Carmella, so will Meadow, so will A.J. Maybe the thugs in the men's room will come out and kill them. More likely Tony will eventually be whacked by those who want to take over his turf or in a prison stabbing. Life is absurd. The attempts of a story to fight back absurdity by creating meaning is fallacious. The stories told through the ages are merely attempts to escape from absurdity. We foolish, self-deceptive humans are wasting our time looking for meaning.

The Soprano family, around the dinner table, know nothing and have learned nothing. Vanity of vanities, as the biblical book Qoheleth says, and all is vanity. Neither, Chase tells us, have we learned anything. He mocks our demands for an ending, for meaning, for purpose and laughs at his great joke. All that remains is more sex, violence and absurdity.

And cruel stereotyping of Italian Americans.

He has tricked us. He lured (some of) us into addiction to the series by the sex and the killing and the Italian stereotypes (and the vulgarity) to close the trap of absurdity on us. Yet he has also asked us to identify with the absurd life of the Sopranos and to re-examine our own stories.

The background song tells us "Don't stop believing." But there is nothing in ''The Sopranos'' series that gives us any reason to believe. If we gotta believe, we must blindly leap into the darkness with which the final episode ends. Chase will give us not the slightest hint of why we should jump.

I'm not a post-modernist, not even, truth be told, a modernist. If anything I am, like many of my own background, a pre-modernist. Regardless of the absurdity of life (which we of all people do not deny) we will not give up our stories, we will not yield our hope. Indeed it would appear now that evolutionary biologists are saying that humans are genetically programmed to hope.

Maybe Paulie Walnut's vision of the Mother of Jesus is a hint to be taken seriously. As is A.J.'s assertion that we gotta remember the good times.

Another book in the Bible says love is as strong as death.

(http://www.suntimes.com/news/greeley/429068,CST-EDT-GREEL15.article)

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Friday, June 15, 2007

Prodi to Bush: Thanks for Rise of Teaching of Italian in US Schools

[PREFACING NOTE: Prodi expressed pleasure to Bush at the rising number of US schools teaching Italian as a second language.
It is extraordinary to me that Prodi even knew about the fact, and even more so that he would make a point of referring to matters in the US that affected Italian Americans principally. I am not familiar with many instances where Italian PMs have shown any concern for Italian Americans interests. Maybe one day, an Italian PM would be willing to raise the issue of the US Media's Negative portrayals of Italian Americans. Yes, it CAN be done!]
Italian Prime Minister Romano Prodi while campaigning against Berlusconi last year, constantly criticized Berlusconi's zealousness for currying favor with Washington, saying it proved Berlusconi lacked independence of Bush.
Yet both Bush and Prodi, while not Friends, Felt they Needed each other, Embraced and Exchanged Praises.
Prodi has pursued required EU tough fiscal reform policies that include raising taxes while calling for governmental belt-tightening, but it has lost him support among average Italians.

Bush's need for Prodi is obvious: With the end of Tony Blair's government in the UK near, and the number of US allies in the Middle East steadily diminishing, Washington can hardly afford to alienate one of the few major countries that - while no longer an unbending ally as it was under the bulk of Berlusconi's government - is at least willing to consider US needs.

What Prodi gets from Bush is more difficult to understand, except that Italians still love the US, almost as much as they dislike Bush. So Prodi felt that he could not risk being seen anti-American rather than anti-Bush.

In my humble opinion, he had NO such risk, and had much to gain by politely "lecturing" Bush. Missed Opportunity!!!!

Bush, Prodi: Embattled Leaders Embrace

Not the closest of friends, Bush and Prodi put aside their differences and exchange public praises as the two leaders, both suffering in public opinion polls, decide they need each other.

ISN - Zurich,Switzerland
International Security Network Center for Security Studies Commentary Eric J Lyman in Rome
Thursday, 14 June 2007

Thousands protested in the streets of Rome while US President George W Bush and Italian Prime Minister Romano Prodi met in the Italian capital on Saturday. Both men's approval levels at home have been eroding dangerously, and each leader had maintained a much stronger relationship with the other's predecessor than with the man sitting across from him. Yet Bush and Prodi clearly need each other.

Demonstrations in Piazza Navona nearly turned violent, as police in riot gear fired tear gas into crowds of demonstrators protesting the war in Iraq. Other protesters clogged traffic on Via Nazionale - a street named to celebrate Italian independence - carrying banners proclaiming that Italy had become little more than a political colony to Washington.

Bush and Prodi have plenty of reasons not to get along.

In addition to the strong relationships between Bush and billionaire media tycoon and former prime minister Silvio Berlusconi, Prodi's bitter rival, and between Prodi and Bush's predecessor Bill Clinton, Bush and Prodi differ on the issue of global warming, the war in Iraq and policies toward Russia and Iran.

Italy has a standing extradition request for a group of CIA agents accused of illegally abducting an Egyptian cleric from the streets of Milan four years ago, and the trial of US soldiers implicated in the shooting death of an Italian spy in Baghdad will soon begin. Prodi's government collapsed in February, ostensibly because of the prime minister's support of the US-led war in Afghanistan.

But inside the Palazzo Chigi on Saturday, both men used every opportunity to brush aside their differences and praise the other's achievements.

Bush praised Prodi for Italy's role in Afghanistan, Lebanon and Kosovo; Prodi complimented Bush's leadership in those areas and even went as far as expressing pleasure at the rising number of US schools teaching Italian as a second language. In a 24-minute joint address to the Italian media, the word "friend" was pronounced nine times; "thank you" 19 times. In an unusual move for a public meeting between heads of state, Prodi used the informal word for "you" - "tu" - in addressing Bush, while Bush issued a standing invitation for Prodi to come to Washington "any time."

"Our relations are pretty darn solid," Bush concluded.

Bush's need for Prodi is obvious: With the clock ticking toward the end of Tony Blair's government in the UK, and the number of US allies in the Middle East steadily diminishing, Washington can hardly afford to alienate one of the few major countries that - while no longer an unbending ally as it was under the bulk of Berlusconi's government - is at least willing to consider US needs.

What Prodi gets from Bush is more difficult to understand.

While campaigning against Berlusconi last year, Prodi and his proxies constantly criticized Berlusconi's zealousness for currying favor with Washington, saying it proved Berlusconi lacked independence. In the eyes of Italians, Bush is inextricably linked to the hugely unpopular war in Iraq, and, as a result, the US president's approval level in Italy - in the mid-20s in most polls - is one of only a handful that is even lower than Prodi's.

But behind those numbers is another number: Italians still love the US, almost as much as they dislike Bush. Icons of American culture like films, music, television programs and fashion are as popular as ever in Italy. Italians travel to the US more than to any other country outside Europe, and the historical links between the nations are hard to avoid. So, part of the reason Prodi looked beyond his issues with Bush was because he could not risk being seen anti-American rather than anti-Bush.

The other reason is that Prodi needs friends as much as Bush does. Since taking office last year, Prodi has pursued tough fiscal reform policies that include raising taxes while calling for governmental belt-tightening. The strategy has for the most part won praise from economists but has lost him support among average Italians.

In local elections held last month - the first national vote since Prodi himself was elected in April 2006 - Berlusconi's opposition parties gained significant ground on Prodi's battered forces. And as the perception grows that Prodi's days in office may be numbered, some European leaders have begun keeping their distance from the Italian leader in some areas.

Bush, meanwhile, remains one of a small handful of high-profile world leaders whose can decide how to conduct relations with Rome without worrying much about complicated internal Italian matters. That luxury, for the beleaguered Prodi, must seem attractive indeed

Eric J Lyman is ISN Security Watch's correspondent in Rome.

http://www.isn.ethz.ch/news/sw/details.cfm?id=17722

The ANNOTICO Reports Can be Viewed (and are Archived) on:
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Thursday, June 14, 2007

Zola Says England Must Follow Italy's Example in Soccer to Succeed

Gianfranco Zola, although Italian to the core, has a strong fondness for England, and especially Chelsea where he left memories as gleaming and as eternal as a diamond.
But, he strongly recommends that the English Premiership League introduce a quota of three (3) foreign players for each team, and argues that Premiership clubs must pour some of their immense TV riches into English player development, as well as recruiting the latest pin-up from International Soccer.
He points to Italy as an example and states "The best years in Italian football were the end of the 1980s and the start of the 1990s. Every year we had finalists in all the European competitions. One of the reasons is because we only were allowed three foreigners per team.
They were the best in the world and it was a perfect balance because the core of the team was Italian. That is a very important thing to look after because it allows the young players to come through as well as taking the levels up by having a few foreign players.''
In referring to player development, he states: "If you look at the last eight Under-21 Championships, Italy won five,''
This has also helped Italy develop the Mental Toughness Zola feels the English don't have, and a large part of the Italian's advantage is that the Italians are toughened mentally by constant exposure to tournaments from a young age, so that a summer of international service becomes as normal as breathing.

Stop the Foreign Invasion, urges Zola

Telegraph.co.uk - United Kingdom
By Henry Winter
June 13, 2007

Some memories remain as gleaming and as eternal as a diamond. During his sparkling stay at Chelsea, Gianfranco Zola, that special envoy from the court of Calcio, left a spellbound English audience with some precious memories.

The mesmerising dribble through Manchester United's defence in his first season at Stamford Bridge. The near-post back-heel in the FA Cup against Norwich in 2002. Some memories.

Yesterday, Zola pulled up a chair in the Italian Under-21s' hotel, where he is enhancing his coaching credentials as "technical consultant'', and politely eschewed the offer to wander self-indulgently down memory lane.

He wanted to talk about the present and the future, and specifically the need for the Premiership to introduce a quota on foreign players to assist England.

Advising the English on the need to cut back on imports may sound strange emanating from a Sardinian voted Footballer of the Year while lighting up the Bridge, but Zola was always more missionary than mercenary. Such is his affection for England that it pains him to see the Three Lions struggle

Quietly but cogently, Zola argues that Premiership clubs must pour some of their immense TV riches into player development, as well as recruiting the latest pin-up from World Soccer.

Giuseppe Rossi's presence in the Italian party who tomorrow collide with England here at the European Under-21 Championship indicates that even the fabled English talent factories, like Manchester United, are polishing imported gems.

Money has changed the English footballing landscape.

"When you have a big budget you can buy big players, and that makes the level of the game better,'' Zola began. "It was like that in 1982 after we won the World Cup in Spain. People started to invest money and all the big players started to come to Italy. In England the teams can now spend and those players take the level of the league up. But you have to find a balance. Bringing in too many foreign players is not always the right thing to do.

"The best years in Italian football were the end of the 1980s and the start of the 1990s. Every year we had finalists in all the European competitions. One of the reasons is because we only were allowed three foreigners per team. They were the best in the world and it was a perfect balance because the core of the team was Italian. That is a very important thing to look after because it allows the young players to come through as well as taking the levels up by having a few foreign players.''

As well as growing their own, Zola believes the English need to foster a different attitude, becoming more adept at handling pressure.

"Sometimes your England players do not give it their best shot. That was particularly the case last summer at the World Cup. The players were afraid of the media. The pressure was too much for the players. When you play you really don't need that much pressure. You want to play off the cuff.

"If you look at the Italian teams through history, the amount of pressure they carry is huge, but it brings the best out of them. The pressure last summer was huge because of what was happening [in the Serie A referee-fixing scandal] but the players made it work in their favour.

"In attitude, Italian teams could teach many other countries a lot of things, including England. Last summer the pressure was huge but they got together, they focused and they gave it everything and won the World Cup.''

Zola's wise words were echoed by Rossi. "The Italy players at the World Cup and AC Milan players in the European Cup did feel pressure in trying to give a certain example on the pitch of how Serie A is played,'' observed Rossi, his accent betraying formative years in New Jersey.

"With Italians winning the World Cup and the European Cup, slowly now many people are changing their minds about Italian football and have forgotten what happened last year. Now they're thinking that Italian football is a place to go and play.''

Rossi has experience of both Premiership and Serie A, having recently completed a successful loan spell at Zola's old club, Parma. "I was rooting for United to win the Premiership,'' Rossi added.

"It's good to see the young players do well. Chris Eagles came in and scored. which was nice because he's a good friend of mine.'' Rossi soon returns to Old Trafford, where a decision must be taken by Sir Alex Ferguson on the future of such a natural goal-poacher.

His game continues to improve, and Zola has worked with him this week. "This is the first step to becoming a manager,'' Zola said. "Some great players find the transition to coaching difficult, as when you're a great player you do things without thinking very much.'' He would love to manage in England one day, and his blood will always be Blue.

"It's a surprise Chelsea haven't reached the Champions League final but when you play Liverpool anything is possible,'' he added. "Hopefully, next year will be better for Chelsea. It shouldn't become a mental problem. They've got a master in handling mental situations in Jose Mourinho.''

Italians themselves are toughened mentally by constant exposure to tournaments from a young age, so that a summer of international service becomes as normal as breathing.

"If you look at the last eight Under-21 Championships, Italy won five,'' Rossi said. "In the build-up, many people come to wish you the best of luck, people like Giancarlo Abete, who is president of the FIGC [Italy's FA]. You actually feel the importance of this championship.''

For all the disappointment of Monday's shock defeat by Serbia here, the Italians understand this event is as much about sharpening the steel of gladiators - like Andrea Pirlo, Rino Gattuso and Filippo Inzaghi - who go on to lift the World Cup and the European Cup. Now those are diamond memories.

http://www.telegraph.co.uk/sport/main.jhtml?view=DETAILS&grid=A1YourView&xml=/sport/2007/06/13/sfnzol13.xml

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Italians Offered Cash to Give Up Their Vespas

In an effort to promote "greener" and more "eco-friendly" transport, and rid the streets of the noisy polluting, BUT much beloved pre 2001 Vespas, the Italian government is offering substantial cash incentives to owners to switch to bicycles or electric vehicles.
Vespa Lovers in the main are unimpressed!!!

Italians Offered Cash to Give Up Their Vespas
Telegraph.co.uk - United Kingdom
By Malcolm Moore in Rome
June 13, 2007

The buzz of the Vespa, one of Italy's most distinctive sounds, could soon be hushed under a plan to promote greener transport.

Owners of vintage Vespas, and all other scooters built before 2001, have been offered hundreds of euros worth of incentives to switch to bicycles or electric vehicles.

Italy's environment ministry, which has set aside Ј10 million for the project, will pay as much as Ј680 towards the cost of an electric scooter, or Ј170 towards a bicycle. Smaller incentives are on offer for the latest eco-friendly petrol scooters. Alfonso Pecoraro Scanio, the environment minister, said: "We are doing our best to combat carbon emissions and the fine dust that these scooters create. This will all help us live better."

Around five million Italians own motorbikes or scooters, according to the ministry of transport. Lovers of the Vespa, which celebrated its 60th birthday last year, were sceptical that the incentives would part them from their beloved motorini.

"Why would anyone want to scrap a classic Vespa for a discount on a bicycle?" said Gianni Massa, of the Vespa Club of Italy. "It would be an offence against humanity."

http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/06/13/wscooter113.xml

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Tuesday, June 12, 2007

Dougray Scott ("Desperate Houswives") And Claire Forlani ("Meet Joe Black") Marry In Italy

Claire Forlani ,born December 17, 1972 is in Twickenham in London to Pier Forlani, a music manager from Ferrara, Italy, and Barbara, who was English. At the age of eleven, Forlani entered the Arts Educational School in London, where she began to study acting. During her six years at the school, she also studied dance, which led to performances on stage in The Nutcracker and Orpheus in the Underworld.

Forlani's parents moved to San Francisco in 1993, in order to allow for wider casting opportunities in Hollywood films. Subsequently, Forlani was cast in the television mini-series J.F.K.: Reckless Youth and the film Police Academy; Mission to Moscow. In 1995 she played the supporting role of Brandi Svenning in Kevin Smith's cult classic, Mallrats. In 1996, Forlani appeared in a supporting role in the blockbuster action movie The Rock. She continued to appear in both widely released and smaller-budget films.In 1998 she had a starring role in Meet Joe Black (co-starring Anthony Hopkins and Brad Pitt) was Forlani's most financially successful film. Next, she appeared in Antitrust, a thriller that was released in January of 2001.

Forlani was the new face of L'Oreal in 2001. She has been ranked Ranked #51 (2000) and #89 (2001) in Stuff magazine's 100 Sexiest Women, #85 (2001) in FHM magazine's 100 Sexiest Women and was slotted in Loaded's Hot 100 Babes. In 2003, she co-starred with Jackie Chan in The Medallion.

In the fall of 2006, Forlani joined the cast of CSI: New York in a recurring role as a medical examiner, Dr. Peyton Driscoll.In February 2007, Forlani portrayed Tori Bodeen in the movie version of Nora Roberts's bestselling book Carolina Moon.

Forlani has dated actors Benicio Del Toro, John Cusack(between 1997 and 1998), Brad Pitt and Ben Stiller(between 1998 and 1999).

Dougray Scott (born Stephen Scott on November 25, 1965) is a Scottish television and film actor best known in America for playing Ian Hainsworth in Desperate Housewives.

Sometimes Scott is referred to as "Young Sean Connery", and a similarity in acting style is also noted between Scott and the late Steve McQueen. He is most known for his roles as the villain in Mission: Impossible 2 as well as Ian in the US dramedy Desperate Housewives.

Originally from Glenrothes, Fife, Scott enrolled on a foundation course in drama and then went on to attend the Royal Welsh College of Music & Drama in Cardiff (1984-87), whose former students include Sir Anthony Hopkins. Whilst studying there he earned the college's 1987 Most Promising Drama Student award.

After graduating from college Scott began his acting career in regional theatre and making television appearances and first found fame on the television series Soldier Soldier. His film career was launched by the Welsh-set Twin Town. After this, he played Prince Henry in Ever After and the hero in the adaptation of Robert Harris' novel Enigma.

In 1998, he signed to play the villain in the film Mission: Impossible II but was also due to play Wolverine in the big screen version of X-Men. When Mission Impossible II went over schedule by two months, Scott was replaced in the latter film by Hugh Jackman.

He recently appeared in the NBC series Heist which aired in March 2006 for only five episodes. In January of 2006, he appeared in the miniseries The Ten Commandments as Moses. From 2006 until 2007, Dougray starred in the 3rd season of Desperate Housewives, as Teri Hatcher's character's new love interest. He has appeared in all episodes of the 3rd season to date, which is more than some series regulars.

After the release of Pierce Brosnan's The World Is Not Enough (1999), Scott was a frontrunner to replace Brosnan as James Bond and was according to him in negotiations with the producers. Brosnan's contract was for three films with an optional fourth. Ultimately, Brosnan's option was picked up. After its release, Scott was once again widely believed to be a leading candidate to take on the role. Despite the numerous reports that EON Productions was leaning towards naming Scott as the new Bond in the next 007 adventure Casino Royale, the famous role eventually went to Daniel Craig.

In April 2000, Scott married Sarah Trevis, a casting director and are parents to a set of twins. In 2005, the couple divorced.

Pierluigi Forlani, who is the actress's father, planned the festivities for more than 100 guests, acting as the head chef and holding the reception at the family's country home in Pievebovigliana, Italy.

The city of Pievebovigliana; Region The Marches; Province Macerata (MC) There are 352 Families, 566 Dwellings

Dougray Scott And Claire Forlani Marry In Italy
All Headline News
Sally Grover - AHN News Writer
June 11, 2007

Pievebovigliana, Italy (AHN) - Claire Forlani has officially become Dougray Scott's very own desperate housewife.

The British stars wed in a private, civil ceremony in Italy over the weekend. "Desperate Housewives" star Dougray proposed to the "Meet Joe Black" star in September 2006 with an engagement ring he had personally designed.

At the time of their engagement, Dougray said, "It was very romantic. I feel so lucky to have met her. She's an amazing actress and human being. I'm very happy."

The romance didn't end. Their wedding featured Claire in a strapless dress by Junko Yoshioka and Jimmy Choo shoes. The ceremony was planned with the actress's Italian father, Pierluigi, acting as the official chef.

A source told PEOPLE that the couple were both looking forward to their big day. The insider said, "They're both very excited."

Dougray and Claire had been dating for over 18 months before they married.

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Imperial Rome Returns to Greatness Digitally

An international team of academics from Europe and the United States has digitally reconstructed imperial Rome as it appeared in A.D. 320.
The team behind the project, a 10-year joint effort by the University of Virginia, the University of California Los Angeles (UCLA), and the Italy's Politecnico di Milano, claims their reconstruction is "the biggest, most complete simulation of an historic city ever created."

Have you ever been dragged around ancient archaeological sites under a boiling-hot sun? If you grew up in Greece or—like me—in Italy, then you definitely have childhood memories of "ruin indigestion."

Enter Rome Reborn 1.0. Now you don't have to brave the blazing summer sun and trudge around endless fallen columns and past armless statues to see what ancient civilization once wrought: An international team of academics from Europe and the United States has digitally reconstructed imperial Rome as it appeared in A.D. 320. The team behind the project, a 10-year joint effort by the University of Virginia, the University of California Los Angeles (UCLA), and the Italy's Politecnico di Milano, claims their reconstruction is "the biggest, most complete simulation of an historic city ever created."

Indeed, the model Rome seems very impressive. And as an Italian, I'm proud to note that my country provided not only its famous archaeologists and classicists, but also its best computer engineers. Gabriele Guidi of INDACO Lab at the Italian Politecnico di Milano—ScienceDaily reports—fairly bubbles with ambition:

The project was an enormous technical challenge, and now that we have successfully met it, we can easily start building up a library of other city models in museums around the world."

With its abundance of cultural heritage sites, Italy is the ideal place for further developing this branch of 3D modeling. And for Italy's universities, often castigated by The Economist, Rome Reborn 1.0 is a good chance to redeem their reputation.

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Rome: Italians VERY Anti Bush, But PRO American

It is extremely shocking the vehemence vs George Bush in Italy, while at the same time they are very Pro American.
The Italians are much more forgiving than I would be. If a country elected such an arrogant , power mad , war monger, I would hold those voters responsible, especially since they did it twice, and seem to be impotent at reigning him in.
The reporter first speaks of the extreme Security needed , the numerous Anti Bush Posters and Protests, and then how quickly they can shift from their EXTREME dislike of Bush, to abruptly embark on friendly conversations inquiring about the reporters life, and discuss the places they have been in the US , or would like to see.
Remarkable.

Rome: 'Anti-Bush, not Anti-Americans'
Brunswick Times Record
Maine, USA
By Rachel Boyd
June 11, 2007
=====================================================================================
ROME, Italy — In my first week in Rome, I've enjoyed trying to live as a true Roman would: I eat pasta and gelato almost every day, I read "La Repubblica" and "Corriere della Sera," and I've become friends with the barista who makes my cappuccino each morning. But Saturday, my quest to emulate my Roman neighbors meant attending a protest against my own president.

I am living in Rome this summer to study abroad with a group of humanities students from my college. My days are wonderfully full with walks along the Tiber, visits to ancient sites and to old friends, and reading accounts of the lives of Roman emperors. Even though I'm a native of Brunswick, I lived in Rome for two years as a child, and I both love and feel at home in this city.

But these days, it's easy to assume that Italy doesn't love me back — and the ever-worsening exchange rate isn't even the biggest reason. For the past few years, Italians have been increasingly incensed by our involvement in Iraq.

Following the G-8 summit, President George W. Bush visited Rome on Saturday. And when Bush is in town, everyone knows it. Italian media chronicled his meetings with Italian Prime Minister Romano Prodi, former Prime Minister Silvio Berlusconi and the pope, and they paid just as much attention to the popular protests to his visits.
Posters for a "Push Bush Out" anti-war parade covered the walls of buildings in my beautiful medieval neighborhood all this week, and on Saturday, tens of thousands of Italians gathered to show their disapproval of the Iraq war and the current U.S. administration.

Security for Bush's visit was notably high: U.S. helicopters flew over Rome for days, subway stops were closed, streets blocked off, and a visit to my neighborhood Trastevere canceled because the Secret Service worried about maneuvering vehicles through the narrow streets. The U.S. embassy warned American citizens to stay away from the protests on Saturday, which 10,000 Italian policemen patrolled.

On Saturday, ignoring the worries of my embassy, my family and my friends here, I decided to explore one of those protests anyway. I spoke with and read the literature of the dozens of anti-war groups gathered in Piazza della Repubblica, and I saw thousands of people holding peace flags, "Bush, Rome doesn't want you" posters, and various caricatures of the president. Italians came from as far away as the northern city of Vicenza to protest U.S plans to expand a military base there. Hordes of Italians seem to hate Bush and are happy to show it.

This sentiment could be construed as anti-American, but walking among these protesters and translating their signs, I didn't feel targeted. Bush as a man, not the symbol of a nation, was the focus of their posters; most of them never mentioned the United States as a whole.

"We don't agree with the foreign policy of Bush," said Lorenzo Stracquadaneo, 26, one of the protesters. "But we're anti-Bush, not anti-Americans."

This sentiment — that Bush, not the United States, is the enemy — was one echoed by almost every Italian I spoke with. I'm sad, of course, that the decisions of my president anger so many of the people I meet in foreign countries, but most Italians' nuanced view of U.S. politics means that I'm not caught up in their hatred. Italians know that many Americans are anti-Bush as well. Their specific slogans "No war, no Bush," "Bush: True idiot," "With the other America," "With the U.S. anti-war movements" — are careful to show this.

Italians I meet love to hear about where I'm from, and they like to hear about the lobsters and cold weather in Maine. They tell me about their own visits to the United States or ask me about the cities — usually New York and Los Angeles — they would love to see.

In my visits to Italy, I've always been struck by the warmth of Italians, and I'm lucky that this time, they've been just as friendly to me, even if not to my president, as ever.
Rachel Boyd of Brunswick just completed her sophomore year at Yale University. After completing a study program in Rome, she will work this summer for The Times Record as a reporting intern.
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Sunday, June 10, 2007

The Sopranos - Stereotyping is NOT Genius, it is Schlock- NJ Star Ledger- Mark Di Ionno

Mark Di Ionno does such a superb job of dissecting "The Sopranos" , any comments on my part would only cast a shadow on a masterpiece. Read it in it's entirety. The sad saga of the Sopranos Negative effect on the Italian Community is clearly addressed.
But consider, if as Chase says, he modeled Livia after his mother and whining AJ after himself, we have an insight into the twisted mind of a person who would heap such dreck on his heritage.

Thanks to Bert Vorsheimer and Walter Santi

'The Sopranos' and Stereotypes, Perfect Together

N.J. Star Ledger
Mark Di Ionno
Columnist
Sunday, June 10, 2007

In the end, "The Sopranos" turned out to be just another gangster show, a seven-year, blood-and-guts "Goodfellas" soap opera.

Psychologically dark and complex, yes, but nothing we didn't see in "One, or Two," (which is how Tony's crew labeled, with reverence, "The Godfather.")

Funny, too, in a Joe Pesci kind of way.

But also predictable.

Because it constantly fell back on, rather than challenged, stereotypes, as TV almost always does. Let us count the ways: Italian men mostly as angry, semi-educated, gabagool-shoveling slobs. New Jersey mostly as an ugly industrial, tree-barren urban wasteland populated by angry, semi-educated ga bagool-shoveling slobs. Italian wives as either fat or slender naggers, or beaten-down abuse victims, all happy to be bought off by cars, jewelry or Italianate living- room sets. Italian Rutgers students as cowardly bullies and drunken frat boys.

In "The Sopranos," the Scorsese-variety lowbrow mobsters like Paulie Walnuts were not much more than cartoon characters, unless they were a stab at the old- school Coppola-brand stand-up guys like Phil Leotardo, another stereotype. Vito was gay, so he had to be shown dancing in Brando- biker leathers, like one of the Village People.

This passes for groundbreaking genius?

Sorry. Galileo was a groundbreaking genius. David Chase is a TV writer. A very good one, but one who, like many, succumbs to the pressure of stereotyping his own kind to ensure commercial success.

The early promise of Chase's show was it would be a metaphor for third- and fourth-generation assimilation into modern suburban life. The Great Wave Immigrants at 100.

The kids, once the silent junior partners in the family, are now overindulged and the center of all family life. The father, once unquestioned, no longer gets respect for free, if at all. The mother, once a head-down homemaker, wants more, but of what? American consumerism and pop culture have crushed traditional values. The old ways are a wistful memory, replaced by a mishmashed family structure and the disappointment of failing to achieve a Hallmark- card home life. Life in America was supposed to be easier. Instead, this lifestyle has somehow led to incredibly corrosive stress.

"The Sopranos" seemed poised to tackle the themes of our Prozac nation.

That Chase, who grew up DeCesare, chose a gangster and his family as the vehicle was unfortunate. But predictable. Stereotypes always are more palatable to entertainment executives (those great underestimaters of public intelligence) than complex characters. From Amos'n' Andy to Archie Bunker to Tony Soprano, stereotyping remains the staple of our pop culture, especially television.

This isn't to say David Chase didn't try to write a very honest, personal show on many levels. And he succeeded on many levels. He has said the manipulative-bordering-on-psychotic Livia was modeled after his own mother, and Chase himself wrestled with elements of A.J.'s whining depression while in college.

Still, the ambitious assimilation themes all but dissipated by mid- run. The scenes of Tony S. squirming as he tried to schmooze with neighbor-golfers at a backyard barbecue or rushing into his daughter's choral recital still sweat ing from "work" were gone, replaced by more conventional mob stuff.

"The Sopranos" sold out.

This is not written lightly. This is written with some degree of pain. Because unlike the days of Amos'n' Andy and early ethnic and racial stereotypes, the chief purveyors of these negative and in some cases destructive images come from within. In Italian-American circles, it has been done by the most talented directors, writers and actors. Coppola, Scorsese, DeNiro, Pacino. Pesci. Now DeCesare and Gandolfini.

Sacrilege? No, truth.

They have solidified the image of Italian-Americans as goons. Over-emotional, anti-intellectual, hot-headed, stupid goons.

I was friends with Jim Gandol fini in college and, as a Star-Ledger features editor, was invited to visit the set of "The Sopranos" before the first show ever aired. The scene being filmed was the backyard barbecue where Tony was clumsily trying to blend in with a WASP stockbroker and a doctor, who was also of Italian descent but more re fined and softer than Tony. It was a great, nuanced scene. The WASP broker was oblivious to the way he was dismissing Tony. The doctor was at once trying to protect Tony and be a goomba, but not enough to alienate the WASP. And Tony was trying to be civil in the face of being looked down on, keeping a smoldering lid on his desire (and ability) to stuff the guy in the trunk of a car.

I sent Gandolfini a note later, congratulating him on the success of the show. I don't remember exactly how it was worded, but there was a line about "making Italians proud." But that was before the show took a severe stereotype downturn, and his character be came just another gangster. Now I regret that line, because "The Sopranos" makes many Italians embarrassed, and is damaging to their image.

Worse, it gives some impressionable Italian-American young men -- stu-nods, as we say in the culture -- a role model for acting like wannabe goons. Don't believe it? Cruise the bars at Seaside this summer and watch the boys from Staten Island, North Jersey and South Philly act it out, especially near closing time.

This is the power of the me dium -- monkey see, monkey do -- and those who create and cash in on stereotypical characters to the intellectual detriment of their ethnicity know that, and should be ashamed of themselves.

It's time we call it what it is. Fraudulent. Cheap entertain ment without regard for greater social impact.

For those who don't believe that, consider this story. [Mark Di Ionno here goes on to tell the REAL story of Tracy Morrow, who is now known as Ice -T, whose both parents died when he was barely a teenager, but had concerned adults in his life, who gave him direction and purpose, and is far more interesting than his fabricated and made up personna ]....

Just as the real story of American immigrant assimilation -- Jewish, Italian, Hungarian, Indian, Mexican -- is much more interesting and nuanced and complicated and deserves better than being illuminated in a gangster show.

But criminal stereotypes pay in American pop culture.

And there is no shortage of writers and actors who will ex ploit that no matter how it hurts the overall image of their people or sets them back in the greater public's mind. Even if it means kids might beat each other or shoot each other in the streets to mimic glorified criminal behavior.

Ralphie from "The Sopranos" had a word for it. "Whoo-ores."

Mark Di Ionno is a Star-Ledger columnist.

http://www.nj.com/columns/ledger/diionno/index.ssf?/base/columns-0/118144954461490.xml&coll=1

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Proud NJ Italians Scoff at "The Sopranos"- NJ Star-Ledger

To many New Jersey Italians, The Sopranos was a tired insult. Or a worn-out Jersey joke.

For some Italians, the problem with the Sopranos is that it makes people think all Italians are "connected". It makes others think all Italians are a bunch of violent, stupid, uncouth, loud-mouthed slobs. or , "a bunch of guidos and cafones."

"They (the show's characters) are like caricatures of real people," said Mike Villani, 21, a college law enforcement major. "People in Iowa or Oklahoma, they don't know what real Italians are like. This is what they see. This is all they know. It makes us look like a bunch of guidos."

Not worse, but a close second, is that it makes people think of New Jersey as a dank, industrial wasteland of strip joints and construction sites, filled with violent, stupid, uncouth, loud-mouthed slobs....

[None of the guys in the Barbershop would bother to go ] outside to celebrity-glimpse., ( the cast of the Sopranos) "For what?" said Tischio. "It's more fun here, with real Italians."

Most of the old guys agreed the show distorts the morality of most Italian families, especially in their day.

"You couldn't find people who worked harder," Tango said. "They worked for everything they had."

"It doesn't reflect the good people," "The language! The way those kids talk to their parents. F-this and F-that," Tischio said. "Let me tell you, if you so much as said 'hell' to my mother, my father would've knocked me out of my chair. And the way they eat! In one show, even the mother was shoveling it in like a truck driver. The guys in the show are a bunch of cafones."

The old guys mostly brush it all off. In their lives, they've seen and heard enough Italian jokes to have thick skin....

"It's all overdone. Some of it's just stupid," Ardizzone said. "But it's all about money. What are you gonna do?"

"This is a product, this show. It's entertainment to sell," Anello said. "You can't take it seriously."

But the Villani brothers disagree. Not only does the show make Italians look bad, it makes young men act like a bunch of guidos and cafones.

"For the younger generation, this is like a guidebook on how to act," John said. "They try to sound and act like wiseguys, and they look ridiculous."

"All of this stuff, 'The Sopranos,' 'Goodfellas,' is more about being a guido than a gangster," Michael said. "These kids can't be real gangsters, so they act like the guidos. They're so phony, with the steroid muscles and the gold chains and spikey hair, it's laughable.

"And then they say, 'I'm Italian!' They're not Italian. They're some bastardized version of Italian-American," he said. "I've been to Italy. I've been honored, honored to see (Michelangelo's) David and the Sistine Chapel. That's the real culture. Not the junk on TV.

Real Italians laugh at these guys, these guidos. They think they're a joke." Or at least a bunch of cafones.

For some Proud Italians, 'Sopranos' CUTS to the Core

New Jersey Star-Ledger
Mark Di Ionno
Columnist
March 27, 2007

On the day "The Sopranos" filmed the final episode in Bloomfield, a half-dozen police officers guarded the perimeter of sidewalk outside the shoot. The front window of Holstein's Old-Fashioned Ice Cream Parlor was draped in black to keep in light for cameras, and keep out the prying eyes of the crowd, which was kept behind yellow police tape across the street.

Take away the production trucks and trailers, and it looked like a crime scene.

To some New Jersey Italians, it was. Maybe not a crime. But a tired insult. Or a worn-out Jersey joke. Because to some Italians, the problem with the Sopranos isn't that it makes people think all Italians are in the mob. It makes them think all Italians are a bunch of violent, stupid, uncouth, loud-mouthed slobs.

Or, as the guys in Fred Ardizzone's barbershop said, "a bunch of guidos and cafones."

Six seasons of guidos and cafones, cabled into the homes of many millions, many of whom live far from neighborhoods like the Brookdale section of Bloomfield.

"They (the show's characters) are like caricatures of real people," said Mike Villani, 21, a college law enforcement major. "People in Iowa or Oklahoma, they don't know what real Italians are like. This is what they see. This is all they know. It makes us look like a bunch of guidos."

Not worse, but a close second, is that it makes people think of New Jersey as a dank, industrial wasteland of strip joints and construction sites, filled with violent, stupid, uncouth, loud-mouthed slobs.

"Some of my friends from college (Villanova) came up to visit, and of all the things to see around here, they wanted to see the real Bada Bing," said John Villani, 27, Michael's brother, who is in commercial insurance.

The guys at Ardizzone's Brookdale Barbers are almost all Italians with a token Irishman or two. They're mostly old guys, retired from Bell Tel, Prudential, places like that. Regular guys with regular pensions, with names like Anthony Anello, Tom Tango and John Tischio. One regular is Nick Scalera, a former director of the Division of Youth and Family Services.

On the day of the Sopranos shooting, every chair in the shop was filled, including the second brown barber stool, which goes unused because Fred is a one-man operation.

"Forty-two years, in the same place, walking around in the same circle," he said. "Every few years, I have to replace the floor."

The guys brought in pizza and were whiling away the afternoon under graying photos of Marciano, DiMaggio and LaMotta and local legend Two-Ton Tony Galento. None went outside to celebrity-glimpse.

"For what?" said Tischio. "It's more fun here, with real Italians."

Most of the old guys agreed the show distorts the morality of most Italian families, especially in their day.

"You couldn't find people who worked harder," Tango said. "They worked for everything they had."

"It doesn't reflect the good people," Anello said. "Those people who go to church and say a prayer before they eat."

"The language! The way those kids talk to their parents. F-this and F-that," Tischio said. "Let me tell you, if you so much as said 'hell' to my mother, my father would've knocked me out of my chair. And the way they eat! In one show, even the mother was shoveling it in like a truck driver. The guys in the show are a bunch of cafones."

The old guys mostly brush it all off. In their lives, they've seen and heard enough Italian jokes to have thick skin.

"You know what FBI stands for," said Anello. "Forever Bothering Italians."

"It's all overdone. Some of it's just stupid," Ardizzone said. "But it's all about money. What are you gonna do?"

"This is a product, this show. It's entertainment to sell," Anello said. "You can't take it seriously."

But the Villani brothers disagree. Not only does the show make Italians look bad, it makes young men act like a bunch of guidos and cafones.

"For the younger generation, this is like a guidebook on how to act," John said. "They try to sound and act like wiseguys, and they look ridiculous."

"All of this stuff, 'The Sopranos,' 'Goodfellas,' is more about being a guido than a gangster," Michael said. "These kids can't be real gangsters, so they act like the guidos. They're so phony, with the steroid muscles and the gold chains and spikey hair, it's laughable.

"And then they say, 'I'm Italian!' They're not Italian. They're some bastardized version of Italian-American," he said. "I've been to Italy. I've been honored, honored to see (Michelangelo's) David and the Sistine Chapel. That's the real culture. Not the junk on TV. Real Italians laugh at these guys, these guidos. They think they're a joke."

Or at least a bunch of cafones.

Mark Di Ionno may be reached at mdiionno@starledger.com or (973) 392-1728.

Under 21 Squad is Superb Pool of Talent for Senior Azzurri

One Fact that went unmentioned regarding Italy's World Cup Victory last summer was that of the Azzurri squad of 23 players, 14 had actually won an international tournament before - the European Under-21 Championship.
Italy nurtures its potential stars in the Juniors, before promoting them to the Senior squad. To the contrary, England has rushed their star Juniors onto the Senior squad, with limited success.
Also, what most people don't realize is that Italy has won FIVE of the Last EIGHT Under 21 European Championships!!!!!! (List Below)

Italy show England The Way

Sunday Telegraph
By Julian Bennetts,
June 9, 2007

Amid last summer's celebrations at Italy's World Cup victory one crucial fact went largely unnoticed: of the Azzurri squad of 23 players, 14 had actually won an international tournament before - the European Under-21 Championship.

The finals have been brought forward this year so as not to clash with Euro 2008 and Italy, surely, are still the team to beat. They have won five of the last eight tournaments while using the occasion to blood their precocious youngsters.

As Italian football expert James Richardson points out: "Italy have always been very good at churning out top-class young players. The talent has always been there, but what was needed was a manager who wasn't a complete luddite; in [Marcello] Lippi they got that, but the history of victory that was instilled at Under-21 level has led to a superb pool of players turning out for the Azzurri, and with all that talent then sooner or later someone had to get it right."...

The notable underachievers in recent history are England, who last made a significant impression when successfully defending their title in 1984. Then decided over two legs it was thought, in the wake of England's 3-0 aggregate victory over Spain, that the goalscorers, Mark Hateley, Mel Sterland and Howard Gayle would help England challenge for full international honours.

It was not to be, however, and England's lack of success since can be seen, at least in part, as being due to players bypassing the Under-21 stage: Michael Owen, Steven Gerrard and Ashley Cole have just nine Under-21 caps between them, while Joe Cole only has eight. None have played in an Under-21 Championship, and the only time England have qualified since 1992 was in 2000, when they failed to get past the group stage.

England manager Stuart Pearce is also a member of the Under-21 one-cap wonders brigade, and the withdrawal of David Bentley due to fatigue was hardly the fillip that the squad needed to raise expectations for a successful England campaign this time round.

Recent winners

2006 Holland Huntelaar, Emanuelson
2004 Italy Gilardino, De Rossi
2002
Czech Rep Cech, Baros
2000 Italy Pirlo, Gattuso, Perrotta
1998
Spain Guti, Salgado, Valeron
1996 Italy Totti, Nesta, Buffon
1994 Italy Cannavaro, Inzaghi, D Piero
1992 Italy Albertini, Muzzi
1990
USSR Kanchelskis, Mostovoi
1988 France Cantona, Blanc
1986 Spain Cravero, Caldere
1984 England Hateley, Sterland

Mother Cabrini Recorded Struggle of Italians in Colorado

Italian-Americans are generally so successful today in Colorado, it is easy to forget they were once near the bottom of the pecking order.
In Denver, many Italians started out in the South Platte River bottoms. They squatted in the flood plain, living in tents and shacks. Many who had been peasant farmers in the old country found good soil and water in the bottoms and began growing vegetable patches. The Italian vegetable man became a fixture, peddling fruits and vegetables from sidewalk stands or from horse-drawn carts
Italians without the wherewithal to farm found that the hard work reserved for Chinese on the West Coast and Irish on the East Coast was done in Colorado by Italian immigrants. Colorado's Italians worked the railroads and the bottoms of coal mines,
Mother Frances Xavier Cabrini [- the first American citizen to be canonized a saint] wrote: "There are few who regard [The Italian] with a sympathetic eye, who care for him or remember that he has a heart and a soul: They merely look upon him as an ingenious machine for work."
Italians who "slaved away at this labor, uninterruptedly year after year, until the weakness of old age crept over them or until someday a cave-in, explosion or accident of some kind cuts their life short, leaving their wives widowed and their children fatherless. They did not even need a grave, having been buried in the tomb in which they spent their whole lives."

Italian-Americans helped build Colorado
Rocky Mountain News - Denver,CO,USA
Tom Noel
June 9, 2007

Italian-Americans are generally so successful today it is easy to forget they were once near the bottom of the Colorado pecking order.

In Denver, many Italians started out in the South Platte River bottoms. There they squatted in the flood plain, living in tents and shacks. Many who had been peasant farmers in the old country found good soil and water in the bottoms and began growing vegetable patches. The Italian vegetable man became a fixture, peddling fruits and vegetables from sidewalk stands or from horse-drawn carts, singing out "Vegetable man! Vegetable man! Nica-ripa-tomatoes."

Italians without the wherewithal to farm found that the hard work reserved for Chinese on the West Coast and Irish on the East Coast was often done in Colorado by Italian immigrants. Colorado's Italians worked the railroads and the bottoms of coal mines, according to a reliable source - the first American citizen to be canonized a saint. Mother Frances Xavier Cabrini, as recorded in Mother Ignatius Miceli's book, Cabrinian Colorado Missions, was an Italian-American nun.

Mother Cabrini came in 1902 and 1906 to Denver to establish Mount Carmel School, the Queen of Heaven Orphanage and the Cabrini Shrine in Mount Vernon along I-70. If she were still here, that 22-foot-high marble Christ could never have been struck by lightning on May 19, knocking off his once-outstretched arms.

The statue of the Sacred Heart of Jesus was erected after Mother Cabrini reportedly touched a rock and a fountain sprang up on what had been a dry, stony outcropping overlooking Denver and the high plains. That holy water is cherished by the devout to this day.

One of the Colorado history students educating me at the University of Colorado-Denver, in her research paper on Mother Cabrini's shrine, reported that the water is said to cure anything. She even put it in the radiator of her overheated car, and it fixed everything wrong with that vehicle.

After her Colorado visits, Mother Cabrini wrote: "During my journey I saw these dear fellows of ours engaged on the construction of railways in the most intricate mountain gorges, miles and miles away from any inhabited region. Hence they are separated for years from their families, far from the church, deprived of the holy joys, which, in our own country, the poor peasant has on Sundays at least. Here the hardest labor is reserved for the Italian worker. There are few who regard him with a sympathetic eye, who care for him or remember that he has a heart and a soul: They merely look upon him as an ingenious machine for work."

After touring Colorado mining towns, she wrote of Italians who "slaved away at this labor, uninterruptedly year after year, until the weakness of old age crept over them or until someday a cave-in, explosion or accident of some kind cuts their life short, leaving their wives widowed and their children fatherless. They did not even need a grave, having been buried in the tomb in which they spent their whole lives."

As Denver grew, hard-working Italians often earned enough to move out of the bottoms and into North Denver and on to the northwest suburbs. Our Lady of Mount Carmel Church at West 36th Avenue and Navajo Street became the heart of Little Italy. Families like the Aiellos, the Carbonnes, the Mosconis, the Smaldones and the Zarlengos established restaurants there, making the neighborhood an affordable culinary delight to this day.

Italians are celebrated in a new exhibit at the Colorado History Museum. Alisa Zahller, the exhibit curator and a fifth-generation Italian-American, made it a community project by collecting stories, images, artifacts and volunteers from the Italian community.

Activities

? For an excursion on two revived stretches of the Denver & Rio Grande Railroad, much of it built by Italians, join Dr. Colorado for an Aug. 18-19 tour of the San Luis valley. Info and reservations at 303-866-464 1/4686 or Coloradohistory.org.

? A new exhibit at the Colorado History Museum, 1300 Broadway, celebrates Italian-Americans in Colorado. The museum is open 10 a.m. to 5 p.m. Monday through Saturday and noon to 5 p.m. Sundays. For details, go to colorado history.org.

URL: http://www.rockymountainnews.com/drmn/spotlight_columnists/article/0,2777,DRMN_23962_5578065,00.html

Saturday, June 9, 2007

Italy Could Become the World's Leading Producer of Renewable Energy

A US Economist said; “Italy is the Saudi Arabia of renewable energy” and that climate change was accelerating the end of the age of oil.

“Italy is sitting on a treasure trove or Renewable Energy. I’m talking about your Sun, your Wind and the Snow of the Alps”


Thanks to Pat Gabriel

Italy could be Saudi of Renewables
Rifkin urges govt to use 'treasure trove' of sun, wind, snow

ANSA

June 6th, 2007

With its wealth of natural resources, Italy could become the world’s leading producer of renewable energy, top US economist Jeremy Rifkin said Tuesday.

“Italy is the Saudi Arabia of renewable energy,” Rifkin told a conference organized at the Lower House for World Environment Day.

“You are sitting on a treasure trove. I’m talking about your sun, your wind and the snow of the Alps”.

The environmental activist said climate change was accelerating the end of the age of oil.

He said Italy could lead the way towards a world based on non-polluting power sources like solar, wind, hydroelectric and hydrogen energy.

The Renaissance of industrial capitalism came from you. Thanks to your creativity, the technological era developed, with inventions such as the radio and the telephone,” said Rifkin, referring to radio inventor Guglielmo Marconi and Antonio Meucci, who is widely recognized to have invented the telephone before Alexander Graham Bell patented it.

“Today Italy could become the portal of energy flows between Europe and Africa because of its special geographic position”.

Rifkin, author of the 2002 book The Hydrogen Economy, is the founder and president of the Foundation on Economic trends. He has written 17 books - many of them bestsellers - on the impact of scientific and technological change on the world.

Like many scientists, Rifkin sees hydrogen as the answer to the problem of how to keep energy flowing when the sun is not shining and the wind is not blowing.

He argues that when these sources are available, some of the energy they provide should be used to obtain hydrogen from water. This could be stored in energy cells and used when required.

The third industrial revolution, the hydrogen revolution, will bring great political changes with it,” said Rifkin.

“Up to now we have exploited oil, coal and uranium, resources that are present in just a few countries, which I call elite energy sources.

“But with hydrogen we will create personal combustion fuel cells available to everyone. It really will be power to the people, a radical transformation of the human conscience”.

He claimed atomic energy was a poor alternative to oil, even though it is greenhouse-gas free, because of the risks and the cost of dismantling nuclear plants when they are obsolete.

Tuesday’s conference was chaired by former House speaker Pier Ferdinando Casini, chair of the centrist opposition UDC party.

Casini called on all sides of the political spectrum to come to agreement on how to revolutionize energy policies in order to combat climate change.

“Rifkin has sounded the political alarm clock,” Casini said.

“Italy must make up for lost time and lead Europe on this issue. There is no left-wing or right-wing when the lives of our children are at stake”.

The American expert agreed:

“We cannot afford to disagree on certain subjects if we want to save the human race.

“All scientists, even the most optimistic ones, now say we have no more than 30 years to change course”.

After the conference Rifkin took Casini for a spin around Rome in a hydrogen-powered car.

The ANNOTICO Reports Can be Viewed and are Fully Archived at:
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Friday, June 8, 2007

Team Italy wins 15th Fast Pitch Softball European Championship For EIGHTH Time in a Row!!!!

ITALY IS THE CHAMPION OF EUROPE FOR THE 8TH TIME IN A ROW

Federazione Italiana Baseball Softball (FIBS) June 5, 2007


Team Italy defeated Holland 9-3 in the 'grand final' of the 15th fast pitch softball European Championship and claimed the continental title for the 8th time in a row. The 'azzurre' triumphed in the tournament with an impressive 8-1 record. Italy defeated in the round robin Russia (6-0), Slovakia (15-0), Great Britain (2-1) and Sweden (11-0).


In the second round robin Italy won against the Czech Republic (3-1) and Austria (14-0) and suffered the only loss in a 4-3 thriller against the home team Holland.

Italy and The Netherlands advanced to the semi final and Italy displayed a show of power with 14 hits to win it 8-1 and advance to the grand final.

The Dutch joined Italy in the championship game beating Russia (6-0) but couldn't stop Italy's line up in the grand final. Italy claimed the win (9-3) with 10 hits, doing most of the damage in the second inning with 7 runs.

"It was a great victory" said Federation President Riccardo Fraccari "This team deserves a lot of credit. They've won 8 Euros in a row, with 3 different manager".

Italy's manager Marina Centrone is already concentrated on the Olympic Qualifier, that Italy will host in the easter region of Friuly Venezia Giulia from June 9th to June 16th: "We did something great, but our season's goal is the qualifier. We are aware Holland and Greece will add some players, but we are ready to compete. We want to be in Bejing next summer".

http://www.fibs.it/news.asp?id_notizia=6438
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Brown of Sun Times Addiction Trumps Sopranos Negative Italian Stereotyping

Mark Brown attributes a lot of "The Sopranos" immense popularity due to our fascination with the Mafia, of course, he is mindful that because of that fascination, "Sopranos" has contributed to a continuation of a certain stereotyping of Italian-Americans. I've never known what to do about that.

Mark, it's really easy, you could have used the power of your pen to castigate and eliminate "The Sopranos" instead of idolizing them.
Very much like you would have done if a series called the "Shylocks" or the "Niggers" aired.
Mark, I will give you credit for at least acknowledging the damage it does, rather than using the general lame excuse, "It's just TV"

It'll be Sad when Sopranos get Whacked
It's the last show left my wife and I can agree to watch together

Chicago Sun Times
There wouldn't seem to be many options left for Tony Soprano. Either he gets whacked, arrested or spirited off into witness protection during next week's final episode, right?

I suppose it could be Phil who gets arrested, while Tony staggers on into an uncertain future, but that would feel like a copout. Maybe the only question is: who kills Tony?

If you don't know what I'm talking about, sorry. It's been a while since I was up to speed on the Big Final Episode of a television program that was a cultural phenomenon, and even if this is nothing but mindless chatter, I don't plan to be left out of the discussion about the end of "The Sopranos."

When "Seinfeld" and "Friends" came to an end, I had nothing to contribute, never having developed into a faithful fan of either program. Nothing against those shows, but they didn't fit my viewing schedule when they started, and after that, it always seemed like it was too late to catch up.

While it is categorically untrue that "The Fugitive" and "M*A*S*H" were the last Big Final Episodes that I have seen, I'm not sure I've caught one since "Cheers."

As a cable program that requires a premium subscription, "The Sopranos" doesn't reach the same size audience as those network shows did, which means many of you have never seen it and therefore don't care about its demise.

Your loss.

I'm going to miss Tony Soprano and his family, I don't mind saying, and not just because it's the last television show that my wife and I can agree to watch together.

In its early years, "Sopranos" was the smartest, freshest, most entertaining program I had seen.

As the storytelling became more sophisticated and ambitious over time, some of that raw quality was arguably lost. But it was still worth blocking out the 8 o'clock hour every Sunday night.

If it weren't for "Sopranos," I'm sure many of you would have never subscribed to HBO. It wasn't until we'd caught the first season or two on video that we broke down and signed up.

As it is, there are now at least two HBO shows -- "Deadwood" and "The Wire" -- that I've probably enjoyed even more than the last few seasons of "Sopranos." But neither is destined to catch on the same way.

That's partly due to our fascination with the Mafia, of course, and I am mindful that because of that fascination, "Sopranos" has contributed to a continuation of a certain stereotyping of Italian-Americans. I've never known what to do about that.

What always made the show so arresting was that we could see bits and pieces of our own families in Tony's often dysfunctional family. The real genius was in showing that professional criminals are people, too, who go home at night (when they don't have a date with a goomar) and wrestle with life's everyday challenges.

In between the violence, "Sopranos" explored the nature of kids growing up and parents growing old.

I never saw it as a realistic portrayal of Italian-Americans so much as insightful portrayal of life in the mob and life in general -- with about 400 percent more killing than in the real world to boost ratings.

Now all that's left is wrapping it up.

The consensus seems to be that Tony has to die, but with some sort of twist that would live up to the show's reputation.

My friend, the Jersey Kid, who gets goose bumps just watching the intro, suggests this scenario: Paulie sees the writing on the wall, cuts his own deal with New York and in return whacks Tony when he least expects it.

Okay, that's good, but they seem to have foreshadowed Paulie's disloyalty, so it's probably a red herring.

A few weeks ago I thought maybe Vito's goth son might come back from the deprogramming camp out West in time to pull the trigger, but that was delusional. Suicide maybe?

You could do better, I'm sure, and I invite you to try. I'll print the best in Sunday's column. But you'll have trouble topping this treatment from South Side Tommy.

Tommy sees Tony surviving, and in the final scene we watch him following his morning routine of walking out to get the newspaper, but then the camera pulls back and we see he's not in New Jersey any more but in some cheesy little house in a two-bit subdivision in the Arizona desert.

I could see it. Tony spilling his guts in witness protection. His instincts for survival winning out over his sense of honor.

Carmela never letting him hear the end of it.

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Dennis Farina Reflects on "And They Came to Chicago: The Italian American Legacy"

Salute to Italian Heritage
Dennis Farina and others reflect on their Chicago roots

Chicago Daily Southtown - Chicago,IL,USA
June 5, 2007

Dennis Farina is sitting on a stool in a darkened room, a few lights, a camera and every eye in a studio of WTTW-TV (Channel 11) trained on his every move.

Some actors might cringe at this assignment -- being himself -- but the Chicago native is one of those guys, or "fellas" as he might say, who is relaxed and comfortable in his own (deeply tanned) skin.

He knows who he is and how he got there, and he's only too happy to share his story and his family's story with documentary producer Gia M. Amella.

"I enjoy the way I was brought up, who I was brought up with. I thought my family was the coolest on Earth," he says. "Still do."

He is not alone.

Farina and a host of Chicago historians, activists, civic leaders and everyday folks offer a salute to their Italian heritage and the city that became their home in a fascinating new film.

"And They Came to Chicago: The Italian American Legacy" will air from 7:30 to 9:45 tonight on Channel 11. It is narrated by Joe Mantegna, another Chicago actor with deep roots in the Italian community.

The documentary makes great use of use archival footage, vintage photographs and recent interviews and footage to craft a moving history of the Italian-American experience in Chicago.

Like so many cultures that have taken root here, the Italians' story becomes Chicago's story as the film traces the massive immigration in the late 19th century and the massive growth that followed.

Also like many immigrant groups, the Italians assimilation in Chicago was a series of starts and stops as they experienced highs and lows, prejudices and injustices.

They rode a wave of pride during the Columbian Exposition in 1893 (Columbus, after all, was a son of Italy), they suffered through prohibition and the Capone years and they had their loyalty questioned during World War II, thanks to Italian dictator Benito Mussolini's alliance with Adolf Hitler.

Listen to the sons and daughters of those Italian immigrants, however, and the picture you take away is an overriding sense of community.

"Life was beautiful on 24th and Oakley," Violet Valiani Chisholm says in the film.

Indeed, the interview subjects talk at length about the neighborhoods around west Taylor Street as self-contained worlds, places where schools, Italian-run businesses and places of worship all were within walking distance.

Farina talks about growing up on the city's North Side in the Little Sicily neighborhood near North Avenue and Mohawk.

"I loved the aromas of the city," he says. "After school, you could smell the cooking up and down the street.

"There were a lot of characters in my neighborhood. Most of 'em were in my family. We had the peanut man, Joe the ragman, the knife man. Everybody was a 'man,' " he said with a laugh.

His father was the neighborhood doctor, an Italian immigrant who put himself through medical school. His mom was an immigrant, too, passing through New York's Ellis Island in 1917.

"I have the manifest to prove it," he says.

Like many of those who came of age in the years following World War II, Farina enjoyed the fruits of his parents' labor. A longtime Chicago police officer, he eventually made detective but switched careers after getting a taste of acting while working with director Michael Mann, who was filming "Crime Story" in the city.

"My parents were very supportive of anything I wanted to do," Farina says. "They saw it as the opportunity that it was and thought I should take advantage of it. That was always very big in my family. Plus, there have been some great Italian actors, so that profession enjoys a certain stature, too."

Farina's lengthy credits include mostly character roles in films such as "Manhunter," "Get Shorty" and "Out of Sight," and as Detective Joe Fontana on NBC's "Law & Order" series. He left the TV series in 2006 to concentrate on film work, including producing his own projects.

He remains tied to the Chicago area and, like fellow actor and Windy City native Mantegna, feels an enormous pride in his city and his heritage.

Asked which he gravitates to most, Italian actors or Chicago actors, Farina said "the Chicago Italian-Americans get the nod."

He believes more than anything that Chicagoans are grounded in their approach, regardless of the work.

"I don't know what it is about the city. I think Chicago really is the city of big shoulders and it really is the city that works," Farina says. "I think for me it was knowing that you were at least going to get a shot at something, that you weren't going to be shut out of an opportunity.

"It's big enough, but you don't get swallowed up in it. For me, you could always talk to somebody about something, whether it was your family, your alderman or whoever. It works."

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Will Giuliani's Italian Heritage Hurt or Help Him ?

No Italian-American has ventured as far in a presidential contest as Mr. Giuliani has. Governor Cuomo was the last Italian-American to be a talked about as a potential candidate. Geraldine Ferraro, also of New York City, was her party's candidate for vice-president in 1984.

Mr. Giuliani is a classic law and order candidate. The former U.S. Attorney for New York, he is the modern equivalent of crime buster Eliot Ness, who battled Al Capone, in the crime film, "The Untouchables."

But there is a sad truth in American politics. Just last month, the Sons of Italy's Commission for Social Justice lamented, in the publication "Italian American," "that despite a record number of Italian American leaders, the image of us as ignorant gangsters has now invaded political campaigns."

Given that Sunday will mark the conclusion of "The Sopranos" — an occasion which the New Yorker marked by placing an image of the show's protagonist, Tony Soprano, on its cover — it's worth asking whether Italian-American candidates still face bias in this country on the national level. Anthony Tamburri, the dean of the John D. Calandra Institute, which focuses on Italian Americans, says, "There still is the general perception in the general consciousness in the U.S. that you are ‘connected' when the numbers bear out the opposite."

Reached at his law office at Willkie, Farr & Gallagher last Friday, Mario Cuomo had much to say about anti-Italian bias and politics. Mr. Cuomo, was governor of the State of New York, between 1982 and 1994. Following an electrifying speech at the 1984 Democratic National Convention in San Francisco, his name was frequently circulated as that of a potential presidential candidate.

Cuomo is anti "The Sopranos," and the "The Godfather," declaring that Children and dimwitted people will watch and get confused and think that's the way Italians are.

Mr. Cuomo said his apprehension about such fictional characterizations was buttressed by a study his administration obtained during his governorship. In this academic study of characterizations of American ethnicities, Italians were "more often than not pictured as organized crime [members], stupid, rough."

Cuomo glossed over the recorded conversations of President Clinton and his paramour Jennifer Flowers,where she said about Cuomo, "I wouldn't be surprised if he didn't have some Mafioso major connections,"

Many speculate that that kind of unfounded "gutter talk" gave Cuomo second thoughts about seeking the Presidency.

In the current era of dirty politics, it will represent progress if no opponent attempts to find a way to use Mr. Giuliani's urban, Italian background against him.

Yet if Mr. Giuliani can win his party's presidential nomination, his Italian background could help him in a general election. Important swing states, such as Illinois, Ohio, and Pennsylvania have high numbers of Italian-American voters. It's possible that in the end things could work out pretty well for Mr. Giuliani.

That is if many Italian Americans can forgive Giuliani for being not only a Soprano lover, but not missing too many opportunities to costume himself as "Mafioso"


Benvenuto, Giuliani

The New York Sun By Seth Gitell
June 5, 2007

In a presidential election where the candidates include a woman, a man whose father was born in Kenya, and a Mormon, the ethnicity of one candidate has had relatively little discussion — the Italian-American parentage of Rudy Giuliani.

One would think that the candidacy of a representative of such a mainstream ethnic group would be mundane. A deeper look, however, suggests the matter is more complicated.

No Italian-American has ventured as far in a presidential contest as Mr. Giuliani has. Governor Cuomo was the last Italian-American to be a talked about as a potential candidate. Geraldine Ferraro, also of New York City, was her party's candidate for vice-president in 1984.

Mr. Giuliani is a classic law and order candidate. The former U.S. Attorney for New York, he is the modern equivalent of crime buster Eliot Ness, who battled Al Capone, in the crime film, "The Untouchables."

But there is a sad truth in American politics. Just last month, the Order of the Sons of Italy's Commission for Social Justice lamented, in the publication "Italian American," "that despite a record number of Italian American leaders, the image of us as ignorant gangsters has now invaded political campaigns."

Given that Sunday will mark the conclusion of "The Sopranos" — an occasion which the New Yorker marked by placing an image of the show's protagonist, Tony Soprano, on its cover — it's worth asking whether Italian-American candidates still face bias in this country on the national level. Anthony Tamburri, the dean of the John D. Calandra Institute, which focuses on Italian Americans, says, "There still is the general perception in the general consciousness in the U.S. that you are ‘connected' when the numbers bear out the opposite."

Reached at his law office at Willkie, Farr & Gallagher last Friday, Mario Cuomo had much to say about anti-Italian bias and politics. Mr. Cuomo, the chief executive of the State of New York, governed between 1982 and 1994. Following an electrifying speech at the 1984 Democratic National Convention in San Francisco, his name was frequently circulated as that of a potential presidential candidate.

Mr. Cuomo recalled a little publicized anecdote that dates back from the early 1970s. Mayor Lindsay planned a showing of the Francis Ford Coppola film, "The Godfather," at Gracie Mansion, and invited Mr. Cuomo and his wife. Mr. Cuomo declined the invitation.

"I'm sure it was a great picture. I didn't accuse anybody of anything. But I also feel that they necessarily project an image that's seductive, that sticks in people's minds," Mr. Cuomo said. He applied the same reasoning to "The Sopranos," which like "The Godfather," he said he has never seen. "Children and dimwitted people will watch it, and some people will get confused and think that's the way Italians are."

Mr. Cuomo said his apprehension about such fictional characterizations was buttressed by an academic study his administration obtained during his governorship. In this study of characterizations of American ethnicities, Italians were "more often than not pictured as organized crime [members], stupid, rough."

I asked Mr. Cuomo about an episode that demonstrated anti-Italian bias, the transcript of an illicit tape recording between then-governor of Arkansas, Bill Clinton, and his alleged paramour, Gennifer Flowers.

Back in 1992, reporters and the public were obsessed with the question of whether Mr. Clinton had had an affair with Ms. Flowers, who secretly recorded her conversations with Mr. Clinton. Not as much was made of the following exchange between the two. "I wouldn't be surprised if he didn't have some Mafioso major connections," Ms. Flowers said to which Mr. Clinton, according to transcripts of tapes made at that time, replied, "Well, he acts like one." If Mr. Clinton's comment had been directed at African-Americans, he likely would never have become president.

Today, Mr. Cuomo points out two factors, which he contends, mitigate the comment. The first is that "He didn't say it, she said it." The second is that the conversation was a private one. "Who knows what goes on in a conversation?" he said. Ultimately, Mr. Clinton patched up his differences with Mr. Cuomo, who went on to deliver the nominating speech for Mr. Clinton at the Democratic National Convention in New York. "Even if it did offend me personally, how do I justify not supporting a person I think is the best candidate?"

As far as how being an Italian-American will affect Mr. Giuliani's chances, Mr. Cuomo noted that he had the highest favorability on a recent Marist poll of prior New York governors at 74%. "Those numbers would indicate not a lot of bigotry in New York State," he said. "On balance, it seems to have worked out pretty well."

In the current era of dirty politics, it will represent progress if no opponent attempts to find a way to use Mr. Giuliani's urban, Italian background against him. If this is to happen, it would most likely occur in South Carolina where there is potential for a culture clash. This North versus South culture clash was satirized in the film, "My Cousin Vinny."

Yet if Mr. Giuliani can win his party's presidential nomination, his Italian background could help him in a general election. Important swing states, such as Illinois, Ohio, and Pennsylvania have high numbers of Italian-American voters. It's possible that in the end things could work out pretty well for Mr. Giuliani.

Mr. Gitell is a contributing editor of The New York Sun.

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Italian Diet has Natural Aphrodisiacs

Spicy sausages and smelly cheese hold the secrets to good sex. A quarter of Italian women who participated in the survey said salami was their favourite aphrodisiac, while 21 percent voted for cheese. Other culinary treats that arouse Italian libidos include risotto alla Milanese, flavoured with saffron, and plates of steamed vegetables, which both garnered 12 percent of the vote.

Nduja, a fiery hot salami from Calabria, increases blood flow.and "Chilli helps release a peptide in the gut which is like natural Viagra."

How Italians Rekindle L'amore

Independent Online - Cape Town,South Africa
June 05 2007

Rome - So you thought oysters and champagne were considered the best aphrodisiacs? Think again. According to recent poll, Italians have found more prosaic ways of spicing up their love life.

The Daily Telegraph reports that a poll has revealed that spicy sausages and smelly cheese hold the secrets to good sex. A quarter of Italian women who participated in the survey said salami was their favourite aphrodisiac, while 21 percent voted for cheese. Other culinary treats that arouse Italian libidos include risotto alla Milanese, flavoured with saffron, and plates of steamed vegetables, which both garnered 12 percent of the vote.

The survey, done by Telecom Italia, showed that oysters, which are considered to be aphrodisiacs but are quite rare in Italy, do not feature at all.

Italian food is not often lauded for its ability to make the heart flutter, but the director of the Artes Centre for Assisted Procreation, Alessandro Di Gregorio, believes that the "benefits of the Mediterranean diet on libido are clear."

He has associated the eating of Nduja, a fiery hot salami from Calabria, with an increased blood flow.

Sasy Di Gregoria: "Chilli helps release a peptide in the gut which is like natural Viagra."

Another expert who specialises in male impotence, Bruno Giammusso, is of the opinion that Italian delicacies "can undoubtedly produce an advantageous effect".

Says Serenella Salomoni, an Italian sexologist: "Food and sex are a magical alchemy of elements. But it is important, with cuisine, to drown all the senses."

She has counselled women to focus on how they lift food to their mouths and to chew "discreetly", to create an intimate atmosphere.

However, in spite of the daring claims of Italian scientists, the commonly held view is that aphrodisiacs have little medical value
.

http://www.iol.co.za/index.php?set_id=1&click_id=661&art_id=iol1180956927358S450

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Thursday, June 7, 2007

Calvi Murder: The Mystery of God's Banker : All Acquited

Roberto Calvi in his prime was one of the most brilliant bankers in Italy, rising rapidly through the ranks of the private Banco Ambrosiano, which had been founded by a priest and had long had close relations with the Vatican's bank, the Istituto per le Opere di Religione or IOR.
On 21 June 1982 Calvi was found ,hanged by the neck from the Black Friars Bridge.

Calvi was wearing an expensive grey suit and handmade shoes and had more than Ј7,000 in various currencies in his pockets. Yet the City of London police rushed through the investigation of a death they seemed determined to record as the sad but unimportant suicide of a foreign tramp.

The murder has more intrigue and speculation than any great novel.

Calvi murder: The mystery of God's banker

It was a trial which promised to solve the 25-year old case of Roberto Calvi, who was found hanged under Blackfriars Bridge. But yesterday a judge acquitted all five defendants

By Peter Popham and Philip Willan in Rome and Robert Verkaik

Published: 07 June 2007

Twenty-five years after the event, the trial of the alleged killers of Roberto Calvi has ended with the sensational acquittal of all five defendants: a Sardinian property dealer and his mistress, a Mafia accountant already serving life for other offences, a Roman loan shark and the banker's one-time bodyguard, all are absolved.

Yet it would be a mistake to say we are back at square one. In the snail-like progress of this case since that day in June 1982 when the Italian banker was found at the end of a rope under Blackfriars Bridge, there has been a major step forward. Evidence strong enough to convict the five was missing, decided Judge Mario Lucio d'Andria. But there is no longer much room for doubt that Roberto Calvi was murdered.

It was a Daily Express postal clerk on his way to work on 21 June 1982 who, glancing over the parapet of the embankment, noticed the length of orange nylon rope lashed to a scaffolding pole under the bridge; and then in horror and disbelief the head and besuited body of the banker, hanged by the neck from the scaffolding, his feet just trailing in the filthy water.

Calvi was wearing an expensive grey suit and handmade shoes and had more than £7,000 in various currencies in his pockets. Yet the City of London police rushed through the investigation of a death they seemed determined to record as the sad but unimportant suicide of a foreign tramp. For all his astronomical debts and legal nightmare