Thursday, March 29, 2007

Federica Pellegrini is a Flying Italian and sets World Record in 200 Freestyle

18-year-old Federica Pellegrini, who takes inspiration from fellow Italian and motorcycle champion Valentino Rossi, sped four times up and down the Rod Laver Arena pool in Melbourne Australia during the World Championships, in a 200-meter freestyle semifinal to break the world record.

Pellegrini, won a silver medal at the Athens Olympics over the same distance, but for some reason didn't seem optomistic for the Finals on Wednesday. But she exuded Joy that she was able to break a world Record for....ITALY!!!! Federica grabbed my heart!!!!!


Flying Italian Sets World Record in 200 Freestyle
The International Herald Tribune
The Associated Press
Tuesday, March 27, 2007
MELBOURNE, Australia: On a night when the Americans were breaking world records left, right and center, Federica Pellegrini thought she'd get in on the act.
The 18-year-old Pellegrini, who takes inspiration from fellow Italian and motorcycle champion Valentino Rossi, sped up and down the Rod Laver Arena temporary pool four times in a 200-meter freestyle semifinal to break the world record.
It came after Americans Michael Phelps (200 free), Natalie Coughlin and Aaron Peirsol (each in the 100 backstroke) had already set world marks in finals earlier in the night.
Now comes the hard part: trying to back up in Wednesday night's final. Pellegrini is not optimistic.
"It will be a difficult race, but I will just try to swim as I did today," Pellegrini said after Tuesday's semifinals. "As far as I am concerned I have already won."
Pellegrini, who won a silver medal at the Athens Olympics over the same distance, finished in 1 minute, 56.47 seconds to break the previous mark of 1:56.64 set by Germany's Franziska van Almsick in August 2002.
The Italian teenager was second behind Annika Lurz at the 100-meter mark and only had a .05-second advantage over her German rival with one lap to swim. But Pellegrini surged at the end, not unlike Rossi's famous last-lap heroics on the MotoGP circuit, to cover the last 50 meters in 29.73 seconds.
An amazed Pellegrini put her hands to her lips, then raised her arms skyward in celebration. She advanced to Wednesday's final.
Pellegrini said she once dreamed about setting a world record, but may have regretted she did.
"Two years ago, then I just put the thought aside," said Pellegrini of her world record aspirations. "The two years after Athens haven't been the best time for me. After Athens I believed in it, but now it is a reality."
Regardless of how she does Wednesday, her performance helped shift the attention — at least for a few minutes — to her home country.
"Among all these world records tonight there is finally also an Italian one," she said.
http://www.iht.com/articles/ap/2007/03/27/sports/AS-SPT-SWM-Worlds-Pellegrini.php


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More Sophisticated Travelers Yearn For Authentic Italy

The sophisticated travelers who have done Rome, Florence, Venice, & The Top Spots In Between [and I grant you there are HUNDREDS of them] are heading for the Italian Country side to see a more authentic side of Italy.

In Italy, one of the ways is a program called agriturismo that allows travelers to "stay in a farmhouse set up for tourism and take part in the daily life".

But you have to promise me that you see all those Hundreds of ESSENTIAL Sites in Italy before you consider this "agriturismo", as marvelous as it sounds!! :) :)




Travel Trend: Europe

The Southern.com
By Beth J. Harpaz, AP Travel Editor,
Wednesday, March 28, 2007

NEW YORK (AP) - Sure, air travel is a hassle. And no, the U.S. dollar doesn't go very far in Paris or London. But none of that is keeping Americans away from Europe.Nearly 13 million Americans visited Europe in 2006, a 4 percent increase from the previous year, according to preliminary data from the U.S. Commerce Department's Office of Travel & Tourism Industries. The European Travel Commission expects those numbers will increase another 2 or 3 percent this year.


Here are some of the trends, events and destinations shaping those trips.SHORT TRIPS AND BYWAYS: Now that you need a passport just to visit the Caribbean, some Americans - especially those already on the East Coast - are opting to spend a few more hours in the air to take a long weekend in Western Europe, according to Conrad Van Tiggelen, chairman of the European Travel Commission, http://www.visiteurope.com. "Traditional destinations like Paris and London are really going through the roof for short breaks," he said.Another trend is "combining the known and the unknown" by visiting landmarks in a major city, then heading off to the countryside, said Van Tiggelen."Seeing the Eiffel Tower is still a great thrill, as is going to the Vatican. But there is a subset of more sophisticated travelers yearning to see a more authentic side of Europe," said Pauline Frommer, the travel writer and editor.In Italy, a program called agriturismo allows travelers to "stay in a farmhouse set up for tourism and take part in the daily life and the making of particular products like cheese and wine," according to Cosmo Frasca, spokesman for the Italian Government Tourist Board in New York....
Americans are also increasingly taking "experiential vacations," said Peter Frank, editor of Concierge.com. "They want to engage in an activity - ...like taking a cookery class in Italy."For city visits, here's a money-saving tip: Stay in an apartment instead of a hotel. Guidebooks lists agencies that can set "you up in a room in someone's apartment for 30 Euros a night," with a private bathroom, said Frommer. "It makes Europe affordable again."The United Kingdom and France each gets more tourists from the U.S. than Italy does, according to Commerce Department statistics. Nonetheless, many travel experts say Italy is the country American travelers are most interested in learning about."Italy with a capital I, that's where the action is," said Mike Weingart, a Carlson Wagonlit travel agent in Houston.AAA Travel booked more trips to Italy this year than any other destination in Western Europe, with a 9 percent growth over last year and a whopping 34 percent of all AAA bookings to the region."One of the top questions we have been getting is, 'Where in Italy do I go?'" said Frommer, who hosts a radio show with her father Arthur. "It seems to be very popular among first-time visitors."Fodor's has just come out with a new guide called "Essential Italy: Rome, Florence, Venice & The Top Spots In Between." "The inspiration for the book came from just looking at our Web site and the reader comment boards," said "Essential Italy" editor Matthew Lombardi. "There were all these little headers saying, 'Rome, Florence, Venice, help me plan my itinerary.'"Americans are "more savvy now about the pleasures of contemporary Italian culture," Lombardi added. "They can go and see the Pantheon, but they also realize that great Italian food is not spaghetti and meatballs." They want to sample regional identities, cuisine and villages in places like Tuscany and Umbria....ART: "Europe is not only one big museum, it also has a contemporary side, and this is a big year for contemporary art in Europe," Van Tiggelen said....The Venice Biennale, held every other year, runs June 10-Nov. 21....
http://www.southernillinoisan.com/articles/2007/03/27/travel/doc460946cf5673a822936252.txt

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Wednesday, March 28, 2007

Italy Scores Point in Getty Row re "Aphrodite" - Next "The Victorious Youth"

An Independent Expert on a 5 Member Panel has said tests confirm the Italian view that it comes from the ancient site of Morgantina in central Sicily.
Palermo University geochemistry professor Rosario Alaimo said he compared samples of the work with those of another statue from Morgantina and "came to the conclusion that both materials are Sicilian stone from the Siracusa-Ragusa area".
Other members of the panel are studying pollen and earth taken from the statue when it was cleaned in 1988.

Now comes the battle over a third-century BC bronze 'Victorious Youth' attributed to the famous Greek sculptor Lysippos.
The athlete, which the Californian museum acquired in 1977, was found in the Adriatic, off the north-eastern port of Fano, in 1964.
The Getty claims that it was found in international waters and so does not belong to Italy.Italy does not dispute that the bronze was outside territorial waters when it was discovered, but stresses that it was taken out of the country illegally.
My old friend Ron Olson, the Leading partner at Munger- Tolles (Munger is Warren Buffet partner) who represents the Getty Museum in the Negotiations, has quite a hill to climb. :) :)
----------------------------------------------
Thanks to Pat Gabriel
ITALY SCORES POINT IN GETTY ROW

From ANSA
March 26, 2007
(ANSA) - Palermo, March 26 - Italy has landed a major blow in the battle to win back a disputed fourth-century BC Greek statue of Aphrodite from the John Paul Getty Museum.
The American museum is resisting demands to give the statue back because of doubts about whether the artwork is actually from Italy in the first place.
But a member of the panel of five independent experts set up to ascertain its provenance has said tests confirm the Italian view that it comes from the ancient site of Morgantina in central Sicily.
Palermo University geochemistry professor Rosario Alaimo said he compared samples of the work with those of another statue from Morgantina and "came to the conclusion that both materials are Sicilian stone from the Siracusa-Ragusa area".
The Getty has said the statue, one of the jewels in the Malibu Getty Villa's lauded Greek and Roman collection, could have been made elsewhere, possibly at an ancient Greek colony in North Africa.
Some studies had suggested it is a composite, put together from Sicilian limestone and Greek marble to form an irresistible object - the oldest large 'cult' statue of the goddess.
The Getty has said it will hand over the statue, which it bought from a London dealer in 1988, if a year of study by the panel shows it was looted from Morgantina.
Other members of the panel are studying pollen and earth taken from the statue when it was cleaned in 1988.Italian Culture Minister Francesco Rutelli has threatened to break off relations with the Getty unless the museum returns several dozen objects, including the Aphrodite.
In January, in the wake of a long expose' in the Los Angeles Times, Rutelli said the Getty's claim to the Aphrodite was "crumbling".The minister argued that the LA Times "has corroborated what the Carabinieri (art police) have always said, that it left Italy illegally".
Citing evidence turned up by the reporters, Rutelli said the Getty's claim to the piece rested on the "risible" claim that it once belonged to a tobacconist in a town on Italy's border with Switzerland.
"It's such a clear falsification (that) it's surprising a great institution like the Getty is still dragging its heels," Rutelli said.
Even if agreement is eventually reached on the Aphrodite, there is an even bigger sticking point in the negotiations: a third-century BC bronze 'Victorious Youth' attributed to the famous Greek sculptor Lysippos.
The athlete, which the Californian museum acquired in 1977, was found in the Adriatic, off the north-eastern port of Fano, in 1964.
The Getty claims that it was found in international waters and so does not belong to Italy.Italy does not dispute that the bronze was outside territorial waters when it was discovered, but stresses that it was taken out of the country illegally.
Talks between Italy and the Getty on the return of disputed works broke down just before Christmas.
The deal with the Getty was to have been the third with major US institutions.
The Metropolitan Museum in New York and the Boston Museum of Fine Arts have agreed to return key parts of their classical collections in return for loans of equivalent value.
http://www.lifeinitaly.com/news/news-detailed.asp?newsid=4917
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New York to Cancel 11 day, 80 yr old San Gennarro Feast??

Famine for Big Feast?
Little Italy move to boot San Gennaro
New York Daily News
By Jess Wisloski Daily News Staff Writer
Monday, March 26th 2007,
The city could be saying arrivederci to the famed Feast of San Gennaro.
Little Italy residents upset by the raucous annual street fair voted this month to pull the plug on the historic feast, recommending that Community Board 2 move to nix the 11-day gala.
"No one likes San Gennaro who lives here," said Sean Sweeney, a member of the community board's street events committee, which voted against issuing permits for the feast.
"The thing is a mess. ... Residents complained the feast is a terrible burden to the neighborhood."
Lovers of spicy sausages, funnel cake and yardstick daiquiris take heart: Community Board 2 does not have the final say.
It's City Hall's Community Assistance Unit that ultimately issues the necessary permits, taking the community board's recommendation into consideration.
But it's the first time in the feast's nearly 80-year history that it has faced open rebellion from residents. "[The feast] used to be a reflection of the community," said one board member, who asked to remain anonymous.
"They've become homogenized, with the same vendors selling the same stuff, the same food, the same underwear."
The full board - which typically rubber-stamps the decisions of the subcommittee - stopped short of voting down the feast's applications after it was noted that San Gennaro organizers weren't present at this past Thursday's committee meeting.
The neighborhood board has put off a final decision on whether to recommend issuing the permits until its next meeting, on April 17.
Annamaria Dellacampo, director of operations for the Feast of San Gennaro, said she wasn't even aware the fate of the festival was up for discussion at Community Board 2's committee meeting two weeks ago.
"We were not notified of any meetings or anything," Dellacampo said. "We've been cooperating with the City of New York for 80 years. This is shocking."
Dellacampo said her organization filed its street permits with the Community Assistance Unit in December and remains confident each permit will be approved.
"This is not a street fair. San Gennaro is a festival of the patron saint of Naples. It's a religious event," she said, noting the church-led processions that wind along Mulberry and Mott Sts.
The festival had long been controlled by the mob until former Mayor Rudy Giuliani moved to clean up the operation. In 1997, seven Genovese crime family gangsters pleaded guilty to extortion and other charges in connection with the event.
"Residents complained it was better organized when the Mafia ran it," Sweeney said.
Dellacampo said the fight is far from over.
"With all due respect to the community board - our feast is not canceled," Dellacampo said.
jwisloski@nydailynews.com
With Lisa Colangelo and Sarah Portlock
http://www.nydailynews.com/news/2007/03/26/2007-03-26_famine_for_big_feast_.htmlEnd Content Columns -->

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"Sopranos" are Tired Insult, MisGuides Americans, Set Bad Example

The Sopranos heap Insult on Indignity on Injury.

Not only do the unknowing Americans think that all Italians Americans are MAFIA, they also think they
are a bunch of violent, stupid, uncouth, loud-mouthed slobs.

"The language! The way those kids talk to their parents. F-this and F-that," Tischio said.
"Let me tell you, if you so much as said 'hell' to my mother, my father would've knocked me out of my chair.

And the way they eat! In one show, even the mother was shoveling it in like a truck driver. The guys in the show are a bunch of cafones."

Not only does the show make Italians look bad, it makes Italian American young men act like a bunch of guidos and cafones.
"For the younger generation, this is like a guidebook on how to act." "They try to sound and act like wiseguys, and they look ridiculous."
-----------------------------------------

For Some Proud Italians, 'Sopranos' Cuts to the Core
Inside a Bloomfield barbershop, the big show is just a belittling stereotype

Newark Star Ledger - Newark,NJ,USA
By Mark Di Ionno
Tuesday, March 27, 2007

On the day "The Sopranos" filmed the final episode in Bloomfield, a half-dozen police officers guarded the perimeter of sidewalk outside the shoot. The front window of Holstein's Old-Fashioned Ice Cream Parlor was draped in black to keep in light for cameras, and keep out the prying eyes of the crowd, which was kept behind yellow police tape across the street.
Take away the production trucks and trailers, and it looked like a crime scene.
To some New Jersey Italians, it was. Maybe not a crime. But a tired insult. Or a worn-out Jersey joke. Because to some Italians, the problem with the Sopranos isn't that it makes people think all Italians are in the mob. It makes them think all Italians are a bunch of violent, stupid, uncouth, loud-mouthed slobs.
Or, as the guys in Fred Ardizzone's barbershop said, "a bunch of guidos and cafones."
Six seasons of guidos and cafones, cabled into the homes of many millions, many of whom live far from neighborhoods like the Brookdale section of Bloomfield.
"They (the show's characters) are like caricatures of real people," said Mike Villani, 21, a college law enforcement major. "People in Iowa or Oklahoma, they don't know what real Italians are like. This is what they see. This is all they know. It makes us look like a bunch of guidos."
Not worse, but a close second, is that it makes people think of New Jersey as a dank, industrial wasteland of strip joints and construction sites, filled with violent, stupid, uncouth, loud-mouthed slobs.
"Some of my friends from college (Villanova) came up to visit, and of all the things to see around here, they wanted to see the real Bada Bing," said John Villani, 27, Michael's brother, who is in commercial insurance.
The guys at Ardizzone's Brookdale Barbers are almost all Italians with a token Irishman or two. They're mostly old guys, retired from Bell Tel, Prudential, places like that. Regular guys with regular pensions, with names like Anthony Anello, Tom Tango and John Tischio. One regular is Nick Scalera, a former director of the Division of Youth and Family Services.
On the day of the Sopranos shooting, every chair in the shop was filled, including the second brown barber stool, which goes unused because Fred is a one-man operation.
"Forty-two years, in the same place, walking around in the same circle," he said. "Every few years, I have to replace the floor."
The guys brought in pizza and were whiling away the afternoon under graying photos of Marciano, DiMaggio and LaMotta and local legend Two-Ton Tony Galento. None went outside to celebrity-glimpse.
"For what?" said Tischio. "It's more fun here, with real Italians."
Most of the old guys agreed the show distorts the morality of most Italian families, especially in their day.
"You couldn't find people who worked harder," Tango said. "They worked for everything they had."
"It doesn't reflect the good people," Anello said. "Those people who go to church and say a prayer before they eat."
"The language! The way those kids talk to their parents. F-this and F-that," Tischio said. "Let me tell you, if you so much as said 'hell' to my mother, my father would've knocked me out of my chair. And the way they eat! In one show, even the mother was shoveling it in like a truck driver. The guys in the show are a bunch of cafones."
The old guys mostly brush it all off. In their lives, they've seen and heard enough Italian jokes to have thick skin.
"You know what FBI stands for," said Anello. "Forever Bothering Italians."
"It's all overdone. Some of it's just stupid," Ardizzone said. "But it's all about money. What are you gonna do?"
"This is a product, this show. It's entertainment to sell," Anello said. "You can't take it seriously."
But the Villani brothers disagree. Not only does the show make Italians look bad, it makes young men act like a bunch of guidos and cafones.
"For the younger generation, this is like a guidebook on how to act," John said. "They try to sound and act like wiseguys, and they look ridiculous."
"All of this stuff, 'The Sopranos,' 'Goodfellas,' is more about being a guido than a gangster," Michael said. "These kids can't be real gangsters, so they act like the guidos. They're so phony, with the steroid muscles and the gold chains and spikey hair, it's laughable.
"And then they say, 'I'm Italian!' They're not Italian. They're some bastardized version of Italian-American," he said. "I've been to Italy. I've been honored, honored to see (Michelangelo's) David and the Sistine Chapel. That's the real culture. Not the junk on TV. Real Italians laugh at these guys, these guidos. They think they're a joke."
Or at least a bunch of cafones.
Mark Di Ionno may be reached at mdiionno@starledger.com or (973) 392-1728.
http://www.nj.com/columns/ledger/diionno/index.ssf?/base/columns-0/1174973172319130.xml&coll=1

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Tuesday, March 27, 2007

An Italian Style Cruise Experience in the Caribbean

MSC a Genoa-based relatively new entrant to cruising and long known mainly for container shipping, has ambitious plans to convert Americans to its sailing style.

Of course, its 8 ships have Awesome Pizza, but more important, one can savor the culinary specialties from a different region of Italy at each evening's dinner. You also get pasta cooking classes on pool deck and Italian Language lessons. Amusingly, MSC has found that Americans CAN NOT do without their Hamburgers, Hot Dogs, and Ribs, and have therefore added them.

The limited Room Service Menu and Charges are a shock to Americans, who are Not as prone to the Italian tradition of schmoozing with other passengers.
For other Italian touches, MSC proffers Pagliacci, a group of strolling minstrels that meanders the ship amusing passengers with song-and-dance frissons. The line also presents authentic European stage performances that appeal to its mostly international audience including contortionists, acrobats, stilt performers, and a tenor and soprano, plus a smattering of Vegas-style routines.

MSC's ship seem like a different species from today's brand of enormo-ships, lacking any kind of overt gimmicks -- no planetariums, no rock-climbing walls, no 'decorate-every-surface' design schemes. What they are are ships on which people can get together to talk, loll in the pool, throw away their inhibitions, and relax, without having their senses overwhelmed.Indeed, life aboard MSC vessels is serene, with action on pool deck more Cannes than Coney Island and a stroll on promenade deck more Via Veneto than Rodeo Drive. For Americans who forswear the glitz of mainstream ships such as Carnival's FunShips, Princess' Love Boats or Royal Caribbean's floating sports arenas, a cruise on MSC means tranquility. And lots of it. To put it another way: We were not bowled over by Lirica's printed list of daily activities. The ship does abound with bustling mini-cafes and comfy lounges, where, in typical European style, most passengers enjoy their after-dinner coffee. Notably, MSC is a line on which you'll get a big bang for your buck.
------------------------------------
The Good and Bad of European-style Cruising
The Chicago Tribune
By Arline and Sam Bleecker
Special to the TribuneMarch 25, 2007
When vacationers think "European-style cruising," what comes to mind may run along the lines of endless espresso, low-key conversations and highbrow entertainment -- aspects not typically found aboard the resort-style ships of many popular cruise lines.But when a cruise line actually promises a "European" experience, what exactly does that mean?On Italy-based MSC Cruises, it means, for one thing, superb pizza. For Iowa college student Lauren Hickman, MSC's pizza is "awesome, the best" at sea. For her dad, the pasta is "molto bene." And passengers can savor culinary specialties that hail from a different region of Italy at each evening's dinner. You also get pasta cooking classes on pool deck and Italian lessons in lieu of napkin-folding....But cruising with MSC doesn't mean having to forgo your favorite finger-lickin' food staples. The Genoa-based company, a relatively new entrant to cruising and long known mainly for container shipping, has ambitious plans to convert Americans to its sailing style. To woo those vacationers, particularly to its Caribbean itineraries, the line has added to its menus such customary standbys as hamburgers and hot dogs, and barbecued ribs.Most American cruisers hadn't even heard of MSC just five years ago. The line, which sails the Mediterranean year-round, Northern Europe, South America, South Africa and the Caribbean, had only three ships in 2002. Today, it has eight, with names that read like a libretto: Musica, Sinfonia, Opera, Armonia, Lirica, Melody, Rhapsody and Orchestra. The line will debut two more vessels by 2008. And by the end of the decade, when its fleet will swell to 11 ships, MSC will be the world's largest European cruise line, barring ambitious plans by its competitors, and predicts it will carry nearly a million passengers worldwide.Charging for room serviceSo, what does "European" mean for the Italian line's American cruisers? If our experience on Lirica's Christmas sailing last year is any indicator, it's all a matter of expectations.On its Caribbean itineraries, where the line attempts to Americanize the cruise experience, the result winds up a hybrid: not Italian enough, not American enough.With the bulk of its business still catering to Europeans, some MSC attributes may seem odd to American cruisers. For example, in Europe, the line charges for room service -- a policy quite acceptable to Europeans but unheard-of to American passengers. In fact, the line now jettisons those charges on sailings out of U.S. ports as an accommodation to its American passengers, but even at no charge, room service menus are meager. Opt for breakfast in your cabin, for instance, and you can select only one kind of juice: orange. Period.Effectively, the line's position is this: If there's something you want that isn't on the room service menu, eat breakfast elsewhere. After all, schmoozing is considered an art in Italy and, as Lirica's assistant maitre d' told us, "Breakfast and lunch, which are open seating, are for talking to other passengers, eh?"For other Italian touches, MSC proffers Pagliacci, a group of strolling minstrels that meanders the ship amusing passengers with song-and-dance frissons. The line also presents authentic European stage performances that appeal to its mostly international audience including contortionists, acrobats, stilt performers, and a tenor and soprano, plus a smattering of Vegas-style routines.European-style also translates MSC ships into floating Towers of Babel, as it does on other lines, such as Costa, that carry large international contingents. On MSC, announcements are in German, English, Spanish, French and, of course, Italian. Although, blessedly, these are kept to a minimumLanguage barriers, though, sometimes can get in the way. If timing is everything in comedy, a punch line in five languages isn't.Frommer guidebook editor Matt Hannafin says MSC's "[modest-sized 58,600-ton] Opera and Lirica almost seem like a different species from today's brand of enormo-ships, lacking any kind of overt gimmicks -- no planetariums, no rock-climbing walls, no 'decorate-every-surface' design schemes. What they are are ships on which people can get together to talk, loll in the pool, throw away their inhibitions, and relax, without having their senses overwhelmed."Indeed, life aboard MSC vessels is serene, with action on pool deck more Cannes than Coney Island and a stroll on promenade deck more Via Veneto than Rodeo Drive. For Americans who forswear the glitz of mainstream ships such as Carnival's FunShips, Princess' Love Boats or Royal Caribbean's floating sports arenas, a cruise on MSC means tranquility. And lots of it. To put it another way: We were not bowled over by Lirica's printed list of daily activities.The ship does abound with bustling mini-cafes and comfy lounges, where, in typical European style, most passengers enjoy their after-dinner coffee.Lirica's modest size renders the vessel quite intimate, and mirrored walls -- lots of them, on stairwells, in elevators, restaurants and cabins, and even on Lido deck -- offer reflection and light that make the ship seem twice its size.The gym, though, is inadequately equipped for a contingent of nearly 1,600 passengers. Americans with an appetite for exercise won't find feature-rich treadmills with personal TV screens here, but perhaps for not too much longer. According to the ship's purser, when Lirica gets its next face face-lift, the gym and spa areas will get pumped up to speedIf Italian-style means laid back, that can translate into a laissez-faire attitude on the part of staff and crew that some American passengers may not be used to. This is not a line that hand-holds its passengers. Some staff appeared to master a look that falls somewhere between a pout and a shrug, signaling either ennui or culture clash (we never figured out which). We were particularly puzzled by a lack of initiative on the part of the wait staff and their reluctance to accommodate off-menu requests.But cruisers who prefer the charm of quiet evenings, conversations with new-found friends from around the globe, demure decor and Italian sensibilities will find it here.Notably, MSC is a line on which you'll get a big bang for your buck. Travel agents on our sailing told us that many American passengers had opted for Lirica's Christmas cruise strictly on the basis of price. As a consequence, they were not disappointed.
----------For more information, visit msccruises.com or contact a travel agent.

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Sunday, March 25, 2007

Italians Excelled at Modern Design

Of the modern design that appeared on the international stage after World War II, Italy's was arguably the most prolific, with works both wide-ranging and drop-dead beautiful.

Recently, it seems, great Italian pieces have been popping up all along the U.S. antiques-show circuit.
"In Italy, there is a really long, unbroken tradition of integrating the design of furnishings into architecture, and a great respect for the materials," "The market has broadened in the last six years, in part because Italian pieces complement many different interiors, from minimalist settings to very fully decorated rooms."
"Many of us regard Italian furnishings and interior design as the greatest design of the last 60 years." says The Corcoran Gallery of Art's director and president, Paul Greenhalgh, who has organized an exhibit with the Victoria and Albert Museum in London.
---------------------------------------------

Antiques : Italians Excelled at Modern Design
The Philadelphia Inquirer
By Karla Klein Albertson
Fri, Mar. 23, 2007

A 1987 "Feltri" armchair by Gaetano Pesce sold for $2,000 at a Wright auction in Chicago in December. The enveloping chair is felt upholstery over plastic.

Of the modern design that appeared on the international stage after World War II, Italy's was arguably the most prolific, with works both wide-ranging and drop-dead beautiful.
Italian design schools, based principally in Milan, generated everything from architectural plans to sofas and glassware. Though some were one-of-a kind creations, other designs were produced in multiples available at reasonable prices to the public then and to collectors now, though not necessarily affordably.
Recently, it seems, great Italian pieces have been popping up all along the U.S. antiques-show circuit. A California dealer showed me a pair of elegant side chairs by the influential designer Gio Ponti (1891-1979) that echoed and went beyond the traditional ladderback form.
At the Palm Beach International Fine Art & Antique Fair in February, Mallett of London, which usually exhibits only the most traditional English antiques, featured a pair of Italian mirrors made by Fontana Arte (founded by Ponti in 1932) at the front of its display.
While those were high-end pieces, I also spotted a pair of glass Mandarin figures by Lino Tagliapietra (born in Murano in 1934) at a recent fairgrounds show. The price: only $125.
The pages of Icons: Design of the 20th Century by Charlotte & Peter Fiell (Taschen, $9.99) hold the names of dozens of the greats of Italian design, though Ponti is likely best known to the American public.
Like many of his compatriots, Ponti was multitalented, with a finger in many forms of expression - architecture, ceramics, glass, furniture, flatware, even sanitary fixtures.
Turin-born Carlo Mollino (1905-1973), inspired by futurism and surrealism, was an architect and photographer and designed a racing car that won at Le Mans.
And architect/filmmaker/furniture designer Gaetano Pesce, born in 1939, has continued to design important pieces in the 21st century. His forms, inclined to be funny, lumpy and endearing, were the subject of a Philadelphia Museum of Art exhibition from November 2005 to April 2006; Pesce himself was honored in 2005 with the Design Collaborative Award by the Philadelphia group Collab.
Most good 20th-century-modern auctions have a strong component of Italian design. On Dec. 19, Christie's New York offered 50 objects and pieces of furniture from Milan, mainly by Ponti and Fontana Arte, and a separate collection of Ico Parisi furniture.
But no one has done more to introduce great Italian pieces in this country than Wright auctions in Chicago. The firm has devoted entire sales to Italian design and is including more fine examples in its auction Sunday of modern and contemporary design.
Among the items to be offered are a rare circa 1950 settee by Franco Albini (presale estimate: $9,000-$12,000), a 1958 walnut Stadera desk by the same designer ($20,000-$25,000), and a shapely Mollino glass coffee table, circa 1950 ($40,000-$50,000).
"In Italy, there is a really long, unbroken tradition of integrating the design of furnishings into architecture, and a great respect for the materials," says Wright specialist Michael Jefferson. "The market has broadened in the last six years, in part because Italian pieces complement many different interiors, from minimalist settings to very fully decorated rooms."
The Corcoran Gallery of Art's exhibition "Modernism: Designing a New World 1914-1939" includes the early roots of the post-World War II explosion of Italian creativity.
"Modernism" is the latest in a series of exhibitions organized by the Victoria and Albert Museum in London; earlier shows focused on the art nouveau and art deco movements.
The Corcoran's director and president, Paul Greenhalgh, former head of research at the Victoria and Albert, says the agenda of all the shows has been to clarify for the public what these terms and movements mean.
"So Modernism is quite classically defined in this exhibition as being those movements that embraced a utopian ideal."
In other words, Greenhalgh says, the term should not be used vaguely to mean all sorts of things created in the 20th century. For this particular show, Italian pieces come in at the beginning and end of its 1914-1939 time period.
"There is a beautiful section of futurism at the start, with seminal things that have been brought over from Italy, especially Milan, including this fabulous futurist suit from 1920 by [Giacomo] Balla and a fantastic Balla wall relief."
Futurism took off about 1911, Greenhalgh says, and "its first phase went up to the First World War. It was a very romantic but violent movement, very committed to technology. So quite a few of them enthusiastically joined up in the First World War and enthusiastically got killed.
"Then there is another section at the end. When Mussolini came to power, he didn't immediately get rid of Modernism. His government flirted with it."
The better-known work of postwar Italian designers such as Ponti, Pesce and Cesare Colombo will be included in a future exhibition, Greenhalgh says.
"The really great takeoff is after the Second World War. We're curating a giant exhibition on postmodernism, which will come up in a year from now, and there will be a huge emphasis on Italian design in that.
"Many of us regard Italian furnishings and interior design as the greatest design of the last 60 years."
http://www.philly.com/inquirer/magazine/20070323_Antiques___Italians_excelled.html

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Sweet Life is Back for Fiat

The iconic Fiat 500 -- the Cinquecento -the unlikely transport of the Latin lover: a symbol of exhilarating freedom and romance to a weary post-war generation of Italians is back- in an updated version, unveiled to an outpouring of nostalgia and national pride.
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Sweet Life is Back for Fiat
The Australian
Richard OwenRome
March 24, 2007
It was the unlikely transport of the Latin lover: a symbol of exhilarating freedom and romance to a weary post-war generation of Italians.
Now, half a century after the iconic Fiat 500 -- the Cinquecento -- was introduced, an updated version has been unveiled to an outpouring of nostalgia and national pride.
Like the Mini and Volkswagen Beetle -- which have also been given a new lease on life in modern versions -- the Fiat 500 is not so much a car, more a myth, said one enthusiast.
For Italians preoccupied with economic woes, political instability and scandals, the 50th anniversary celebrations of Europe and the Cinquecento recall the optimism of the country's post-war economic boom and heady days of the dolce vita. A Fiat 500 featured in Fellini's film that gave the era its name.
Renzo Arbore, a veteran Italian singer and entertainer, said: "For our generation, the Cinquecento was the courting car of the Latin lover. It was a kind of mini bachelor pad on wheels."
Like the Vespa, the Fiat 500, the brainchild of the designer Dante Giacosa, symbolised Italians' newfound freedom and mobility and featured frequently in classic films of the 1950s and 60s. "Perhaps Fiat could issue a car blanket of the kind we used to take along for romantic purposes," Mr Arbore said.
He said the original was "compact, not to say small, but there always seemed to be plenty of room. It was not just a car, it was an object of passion".
According to Silvia Depaoli, the head of the Fiat 500 Club at Garlenda in Liguria, which has 10,000 members and holds a rally every summer, the old Fiat 500 remains a symbol of "freedom of movement" for many Italians.
Ms Depaoli -- who owns six 500s -- said she hoped the new version would "appeal to the young, just as the original did to us in the 1960s".
Nothing, however, could replace the classic Cinquecento, which "achieved an immortal place in our hearts ... it was part of our youth, our loves and our life".
Four million of the originals were made in 18 years and about one million are thought to have survived.
The new version will be greener and faster than the original, which had a top speed of only 95km/h. It is wired up for satellite navigation, iPods and Bluetooth, but retains the circular dials and white-leather steering wheel of the 1957 version.
http://www.theaustralian.news.com.au/story/0,20867,21436831-2703,00.html

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Only 17% Italians want Foreign Policy Close to US. Favors EU instead by 48%

Italy Clearly wants to be in sync with the European Union in Foreign Policy with 48%.
33% want to go it alone, and only 17% want unity with the US.

George Bush has united the EU like no other issue was able to, and most issues were pulling it apart!
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Angus Reid Global Monitor : Polls & Research
Italians Want Pro-EU Foreign Policy Focus
March 23, 2007
(Angus Reid Global Monitor) - Many adults in Italy have a clear idea of the way their country should deal with international affairs, according to a poll by SWG. 48 per cent of respondents believe Italy should be closer to the European Union (EU) in its foreign policy.
In addition, 17 per cent of respondents want closer ties with the United States, while 33 per cent opt for a more autonomous foreign policy, which would respect both the EU and the U.S.
Italian voters renewed the Chamber of Deputies and the Senate in April 2006. The Union (Unione) of centre-left parties, led by Romano Prodi, secured 348 seats in the lower house and 158 seats in the upper house. The victory put an end to the government of the centre-right House of Freedom (Casa), headed by Silvio Berlusconi.
In May 2006, Prodi was formally appointed as prime minister. The Union leader had previously served as head of government from May 1996 to October 1998.
Earlier this month, Italian journalist Daniele Mastrogiacomo—who had been kidnapped in Afghanistan—was released after the Afghan government agreed to free five Taliban prisoners, as part of a negotiation initiated by Italy.
Italian defence undersecretary Lorenzo Forcieri rejected criticism of the deal saying, "The opposition provided carte blanche to do everything possible, so complaining now is too easy." U.S. State Department spokesman Sean McCormack disapproved of the transaction, saying, "Our views are very clear: We don’t negotiate with terrorists; we don’t advise others to do so as well."
Polling Data
When it comes to foreign policy, what should Italy’s position be?
Closer to the United States
17%
Closer to the European Union (EU)
48%
More autonomous, respecting both EU and U.S.
33%
Not sure
2%
Source: SWGMethodology: Telephone interviews with 1,000 Italian adults, conducted on Mar. 13 and Mar. 14, 2006. No margin of error was provided.
http://www.angus-reid.com/polls/index.cfm/fuseaction/viewItem/itemID/15140
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Scotland Admiring and Apprehensive about Upcoming Soccer Match with Azzurri

Scotland have scored only once in Italy in five matches stretching back 76 years, and have some very admiring words to say.
Journalist Grant describes them as physically imposing, quick, intelligent, sly, ruthless, utterly cynical: Italians mastered the art of shutting out opposing teams to the extent that their international side became the yin to Brazil's yang. Ask a football fan to name the planet's most cavalier country and the answer would be the Brazilians; ask for the most negative and destructive and it probably would be the Italians, with their infamous catenaccio, or "door bolt", tactic of a sweeper behind four defenders.
Italy is the cradle of central defending, with Fabio Cannavaro and Marco Materazzi while Alessandro Nesta is injured.
Opposing teams have been impressed with how Italy defenders usually look to make aggressive forward passes, contrary to the widespread perception they are a nation of players happy to wait an eternity before taking a risk which might cost them possession.
Their defenders, if the pass is on, will play an aggressive ball through, You have to be aware all the time that's what they're looking to do.
France and Italy favourites to claim the two qualifying places in Scotland's Euro 2008 group are two different types of team. The Italians are the more aggressive team in their play, they're not as patient in their build-up as the French. Although they do like to keep possession of the ball they're more aggressive with their passing.
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ITALY GIVING LITTLE AWAY

Scotland now have to Find a Way to Break down the Toughest Defence in the Game

The Sunday Herald
Glasgow,Scotland,UK
Michael Grant
March 25, 2007

IMAGINE A brick wall wearing an Italy strip. Italian defenders have borne names that could chill the blood of any centre forward unfortunate enough to come against them in Serie A or a match against the Italian national side. The likes of Claudio Gentile, Gaetano Scirea, Franco Baresi, Giuseppe Bergomi, Paolo Maldini and Alessandro Costacurta not only wrote the book on thou-shalt-not-pass defending, they fouled it and broke its legs too.
Actually Scirea, Baresi and Maldini were far too accomplished as footballers to have to resort to the sort of scything brutality with which the likes of Gentile hacked out Italy's reputation as the breeding ground for formidable defenders. But they all did much to add to the impression of it as a barren place where strikers were devoured like mama's spaghetti.
Scotland have scored only once in Italy in five matches stretching back 76 years. Kevin Gallacher probably still wakes up in a cold sweat every so often about what revenge Italian defenders might exact on him for having the temerity to score a consolation goal in a 3-1 defeat in Rome 13 years ago.
Physically imposing, quick, intelligent, sly, ruthless, utterly cynical: Italians mastered the art of shutting out opposing teams to the extent that their international side became the yin to Brazil's yang. Ask a football fan to name the planet's most cavalier country and the answer would be the Brazilians; ask for the most negative and destructive and it probably would be the Italians, even though fully 40 years have passed since Inter Milan failed to snuff out Jock Stein's Celtic with their infamous catenaccio, or "door bolt", tactic of a sweeper behind four defenders.
So Italy is the cradle of central defending, with Fabio Cannavaro and Marco Materazzi their current partnership while Alessandro Nesta is injured. No wonder Scotland's Steven Pressley - having been suspended for the win over Georgia yesterday after a red card against Ukraine in October - talked so enthusiastically about Wednesday's tie in Bari against the supreme exponents of his trade.
Pressley was ineligible for Celtic's recent Champions League tie in Italy against AC Milan although he was in the Scotland defence, alongside David Weir, which lost 2-0 to a pair of Andrea Pirlo free-kicks in the San Siro in Walter Smith's first game as Scotland manager two years ago.
Whenever he has watched Italian teams, Pressley has been impressed with how their defenders usually look to make aggressive forward passes, contrary to the widespread perception they are a nation of players happy to wait an eternity before taking a risk which might cost them possession.
"Their defenders, if the pass is on, will play an aggressive ball through," he said. "You have to be aware all the time that's what they're looking to do.
"France and Italy favourites to claim the two qualifying places in Scotland's Euro 2008 group are two different types of team. The Italians are the more aggressive team in their play, they're not as patient in their build-up as the French. Although they do like to keep possession of the ball they're more aggressive with their passing.
"When we lost to the Pirlo free-kicks two years ago we actually controlled that game for long periods in that second half. I genuinely think it gave us something to build on during the rest of Walter's reign. It gave us a sense of belief that we were capable.
"To go to Italy and have the lion's share of the possession in the second half was terrific. Thankfully we were able to go on from that base and we played very well against Italy at Hampden a 1-1 draw in September, 2005. I was suspended that day as well!"
Pressley has the bearing of an elder statesman for his country but actually was a late developer on the international scene - a fact he is constantly reminded of by Christian Dailly, his Scotland room-mate, who, unlike Pressley, has been at the finals of a major tournament in France '98.
In the land of Gentile, Baresi and Maldini, though, every visiting defender can be forgiven for feeling like a rookie.
http://www.sundayherald.com/sport/shfootball/display.var.1284339.0.0.php

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Farewell Tony: The Sopranos Finally Gets Whacked

The final, nine-part series of "The Sopranos" begins on April 8 in the US.
Farewell, don't let the Door hit you in the Ass!!!!

This article gives us a little insight to the "twisted" nature of it's creator, David Chase's (De Cesare or DeCaesare) mind, and perhaps his willingness to portray Italian Americans in the Negative Stereotypical manner. Chase claims that many characters are based on his family, including that of Tony's mother, Livia. "My mother was so downbeat, so relentlessly pessimistic," Chase said, "and that, in Livia, all [came] from her." Chase often told people stories about the troubled relationship he shared back in New Jersey with his mother. which undoubtedly caused him nightmares, (and his fascination with dream sequences), and involved him with Psychiatry, All which played a large part in this series. Chase was supposedly raised as a Baptist, which may account additionally for his mental torment.
Curiously, Chase's only child uses her original family name: Michele DeCesare as an actress, and appeared in a couple of the episodes .
While the soap-opera domesticity of the Sopranos has an air of reality to it - the mafia family is cartoonish. From the names - Sal "Big Pussy" Bompensiero, was one early character who now "sleeps with the fishes" - to the dress-sense, to the ice-cream cone hairstyles of the mobsters, all is not real in the world of the Sopranos' "waste management consultancy". The show's frequent use of dream sequences, adds to the atmosphere of unreality, a trait that sometimes annoys critics.

The programme has been assailed by the Italian-American Defamation League and leading Italian-Americans, including the critic Camille Paglia, who called it "a debased characterisation of Italians" and "a travesty".
Even the people it claims to be based on have taken exception to some of the depictions, which are far from the lovable ruffians of the Hollywood versions of mobster life seen in films such as The Godfather and Goodfellas.
When the FBI bugged alleged members of a mafia family in 1999, during the show's first season, they recorded Joseph "Tin Ear" Sclafani asking: "Hey, what's this fucking thing Sopranos? What are they? ... Is this supposed to be us?"
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Farewell Tony, a Modern Everyman
After nine series, dozens of deaths and countless weird dreams, The Sopranos finally gets whacked
Guardian Unlimited, UKDan Glaister in Los AngelesSaturday March 24, 2007
Tony was thinner, Uncle Junior still had most of his marbles and Bill Clinton was president. As the publicity for the first episode of The Sopranos, broadcast on HBO in the US on January 10 1999, said: "It's enough to make you want to see a shrink."
Eight years, plentiful deaths, multiple accidents, weird dreams and therapy sessions later, the Soprano family is preparing to leave the New Jersey wise guy scene. The final, nine-part series begins on April 8 in the US.
One of two trailers for the new series features the silhouette of fictional mob boss Tony Soprano, played by James Gandolfini, outlined against one of the show's New Jersey landscapes. As the camera pans around the motionless figure, voices from his family's past and present can be heard. One is Tony himself, shouting: "I'm supposed to be the boss, for Christ's sake." The clip ends with his wife, Carmela, declaring: "Everything comes to an end."
The end of the saga will most likely be met with equal parts relief and regret - regret from those hooked on the story of the dysfunctional don and relief for those seeking closure. Some of those will include cast members. While the series has propelled the leads - notably Gandolfini and Edie Falco, who plays his wife - to professional highs, there have also been tensions on set.
Although Gandolfini now earns a reported $1m (?510,000) an episode, in 2003 he sued HBO for breach of contract when it turned down his pay demand (the company counter-sued). Production of the fifth series was postponed until Gandolfini agreed to accept the original offer.
While ostensibly the story of the tribulations of a mafia boss, the Sopranos has secured its success by telling the stories of two families: the mafia business "family" run by Tony from the back room of the Bada Bing club, and the family installed in the Soprano mansion, racked by the problems and insecurities common to middle America.
Unlike most crime boss anti-heroes, Tony Soprano has vulnerabilities. The first episode of the pilot for the series, made two years before the show was picked up by HBO, opens with Tony staring at a statue of a naked woman. He is sitting in the psychiatrist's waiting room, where he has come for his first session following his collapse from a panic attack. The tone for the 77 episodes that have followed was set: Tony was a modern wise guy, shackled by the responsibilities of both families, and caught at home between the demands of mother, wife, mistress and shrink.
While the soap-opera domesticity of the Sopranos has an air of reality to it - so real that the plans for the Soprano mansion were sold to potential homeowners - the mafia family is cartoonish. From the names - Sal "Big Pussy" Bompensiero was one early character who now "sleeps with the fishes" - to the dress-sense to the ice-cream cone hairstyles of the mobsters, all is not real in the world of the Sopranos' "waste management consultancy".
The show's frequent use of dream sequences, sometimes extended as in the current episodes airing in the UK, adds to the atmosphere of unreality, a trait that sometimes annoys critics.
Sopranos' creator, David Chase, responds by pointing out that the programme is about that most American of specimens, the patient in therapy. "I know people complain about [the dreams]," he told an interviewer last year, "but we come by them honestly. This is the story of a therapy patient, and dreams form a lot of that."
Chase claims that many characters are based on his family, including that of Tony's mother, Livia. "My mother was so downbeat, so relentlessly pessimistic," Chase said in a 2001 interview, "and that, in Livia, all [came] from her."
The intersection of the two families, as well as the portrayal of a modern American Everyman, have turned the programme into a source of fascination for everyone from academics to, well, mobsters.
Academic interest includes Glen Gabbard's The Psychology of the Sopranos; the series has inspired self-help tomes such as Tony Soprano on Management; and of course there is Italian food, a centrepiece of the show, covered by the best-selling Soprano Family Cookbook.
The series has also spawned debate about its depiction of Italian-Americans. The programme has been assailed by the Italian-American Defamation League and leading Italian-Americans, including the critic Camille Paglia, who called it "a debased characterisation of Italians" and "a travesty".
Even the people it claims to be based on have taken exception to some of the depictions, which are far from the lovable ruffians of the Hollywood versions of mobster life seen in films such as The Godfather and Goodfellas.
When the FBI bugged alleged members of a mafia family in 1999, during the show's first season, they recorded Joseph "Tin Ear" Sclafani asking: "Hey, what's this fucking thing Sopranos? What are they? ... Is this supposed to be us?"
http://www.guardian.co.uk/usa/story/0,,2041841,00.html



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Friday, March 23, 2007

SICILY: Dr. Gaetano Cipolla Promotes the Language and Culture

Dr. Gaetano Cipolla lives and breathes Sicily. It’s in his blood, literally. The professor of languages and literature, was born near Taormina, Sicily, a REALLY Lovely resort town [RAA: Personal knowledge]

Cipolla claims: “Forty percent of the 22 million Italian-Americans in the U.S. are of Sicilian origin,”

Sicily, he explains, has been called “the world’s first multicultural society” because it was conquered and ruled by Asians, Europeans and [North] Africans at different times in its history.

[People don't realize that the Mediterranean was long the Center of Civilization.(until Columbus shifted the Center to the Atlantic Ocean). With Italy jutting down and dividing the Mediterranean, East from West, and Sicily being the "Toll Gate" for that narrow east-west trade passage, between the toe of Italy and the North African coast, Sicily was of ENORMOUS Strategic importance, and thus coveted by all, with designs of greatness]

It’s also the birthplace of the sonnet and Sicilian was Italy’s first poetic language. “Dante,” he notes, “credited Sicilians as the first poets of Italian literature. There is a vast collection of Sicilian literature dating from the 13th Century to the present day.”

“Sicilian,” he explains, “is a different language and not, as most people believe, a dialect of Italian. It was the first language of Italy under Frederick II, Holy Roman Emperor and King of Sicily who ruled much of what is now southern Italy during the 13th century.” [And for a time Palermo was the Emperor's capital]

Sicily, which Cipolla doesn't mention, had it's FIRST period of Brilliance during "Magna Grecia " (Sicily and Southern Italy),[Greater Greece, as opposed to Lesser Greece, composed of independent City-States at constant war] when the greatest minds left the unrest on the Hellenic peninsula and flowered in Sicily, 8th-4th Centuries BC, and then were absorbed by the Romans. Archimedes was in Syracuse, and the Pythagorean school was in Sicily as a couple of hundred of examples.

Sicily was also critical to Rome, and was at the center of the three Punic wars.

Sicily furnished the "seed" for the Italian Renaissance which started in the late 1300s
By 903, all of Sicily was in Saracen -Moors (Arabs) hands, and were rulers rather than colonizers, masters rather than governors. However, it must be said Arabic society and culture were advanced; under the Saracens the city of Panormus became Palermo and its splendor was said to rival that of Baghdad. For the first time in Sicily's history, the lemon and the orange were cultivated, complex irrigation systems were developed, and sophisticated mathematics introduced.
In 1061, a Norman lord, Roger de Hauteville crossed the Strait of Messina from Southern Italy defeated the Saracens, and Sicily was again part of Europe. Roger brought religious freedom, multicultural artistic expression and national sovereignty. Roger's son, Roger II, was crowned King of Sicily in 1130 and ruled a dominion that included most of Italy south of Rome, with Palermo as its capital. It was the wealthiest realm of Europe.
In 1198, Frederick II von Hohenstaufen, a descendant of the last Norman King of Sicily ascended the throne and ruled for more than half a century. By now, the Golden Age of Sicily was in full flower. From Palermo's splendid royal palace, the enlightened Frederick ruled most of Italy and also parts of Germany as Holy Roman Emperor. Stupor Mundi was the Latin nickname given to the brilliant Emperor admired across the Mediterranean and across the world.
Frederick's heirs proved themselves less able than he, and Sicilian independence came to an end with the defeat of the last Hohenstaufen at the Battle of Benevento in 1266. The Angevin dynasty of France ruled the island from Naples until 1282, when a bloody uprising, the War of the Sicilian Vespers, expelled Angevin troops and nobles from Sicily.
So, Sicily was integral in three Major Epochs!!!!!
As Wolfgang J. Goethe wrote in 1786: "Without Sicily, Italy cannot be fully understood. It is here one finds the key to all things".
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Language Professor Promotes the Language and Culture of Sicily
St John's College News

March 21, 2007
Dr. Gaetano Cipolla lives and breathes Sicily. It’s in his blood, literally. The professor of languages and literature, who was born in Francavilla di Sicilia,not far from Taormina, Sicily’s resort town, has a profound love for the place of his birth. Sharing Sicilian culture and language with the world has become his avocation.
A full-time faculty member in the Languages and Literature Department of St. John’s College of Liberal Arts and Sciences, where he teaches Italian and Italian civilization to both graduate and undergraduate students, Cipolla is also recognized internationally as an authority on the subject of Sicily.
Sicily, he explains, has been called “the world’s first multicultural society” because it was conquered and ruled by Asians, Europeans and [North] Africans at different times in its history. It’s also the birthplace of the sonnet and Sicilian was Italy’s first poetic language. “Dante,” he notes, “credited Sicilians as the first poets of Italian literature. There is a vast collection of Sicilian literature dating from the 13th Century to the present day.” For a number of years, he has undertaken a variety of projects to promote that literature, as well as Sicily’s language and culture.
Most recently, he facilitated and signed an agreement with the Region of Sicily’s President Salvatore Cuffaro to establish Casa Sicilia, a non-profit organization dedicated to the promotion of that region in the United States. From office space in the Empire State Building that he has called a “mini-embassy,” Casa Sicilia will promote the image, products and culture of Sicily; assist Sicilian companies in exporting their products to the U.S.; create databases of events in the U.S. that might be of interest to Sicilians; and promote tourism. Lectures and presentations on Sicily’s contributions to the western world—so far, six have been offered—are free to the public but, as space is limited, reservations are necessary.
Translator, Editor and PublisherCipolla--a multi-tasker par excellence--is also a translator, an editor and a publisher. His published works include seven bilingual volumes of Sicilian poetry and more than a dozen volumes of Siciliana Studies. His Siciliana: Studies on the Sicilian Ethos, which contains his essays on Sicily and Sicilian literature, and a translation of A. Venezia’s Ninety Love Octaves into English verse are the two latest. He also penned an opera libretto, A Lupa, entirely in Sicilian. Legas, the publishing company he founded, specializes in works on his native land. Its latest catalogue lists more than 50 works of poetry, history, language and culture that he designed and produced, and in many cases, actually wrote or translated.
The Sicilian scholar is also President of Arba Sicula, an international organization of about 2500 members (nearly 1300 in the tri-state region) founded in 1979 to promote the language and culture of his island birthplace. He edits its bilingual Arba Sicula Journal of Sicilian Folklore and Literature and its newsletter Sicilia Parra, which reports on the group’s activities but also includes articles on Sicilian art and poetry (“Poets,” he says, “are the best ambassadors of culture.”).
Seats on the annual Arba Sicilia tour of Sicily, which Cipolla has planned and conducted for the past 12 years, are snatched up as soon as they become available. The tours, he says, are “essential tools for the promotion of Sicily, for…people who have seen the island really become the best ambassadors for its culture.”
The editor of the most comprehensive Sicilian grammar text in existence in the United States, Cipolla is hoping for a revival of the language. “Sicilian,” he explains, “is a different language and not, as most people believe, a dialect of Italian. It was the first language of Italy under Frederick II, Holy Roman Emperor and King of Sicily who ruled much of what is now southern Italy during the 13th century.” Recently, he headed a committee that proposed a law to require that Sicilian be taught in the province’s public schools.
Coached Al Pacino for The Godfather, Part IIISo great are his knowledge and command of the language, he was chosen as actor Al Pacino’s dialect coach during the dubbing of the film The Godfather, Part III. Although he spent a considerable amount of time working with the famous film star, he remains disappointed that Pacino mispronounced much of the Sicilian he spoke in the final minutes of the movie.
Next up is a PBS documentary, based on a collection of his essays entitled, “What Makes a Sicilian?” Supported by a $15,000 grant from the late New Jersey real estate developer Angelo Cali, the film will showcase the historical, sociological and economic aspects of Sicilian culture. Cipolla hopes one day to establish a Sicilian Institute at St. John’s that would offer courses on Sicilian language, culture, history and traditions; conduct research; and publish volumes on Sicily. With a library dedicated to all things Sicilian, it would be the premier resource center for Sicilian studies in this country.
“Forty percent of the 22 million Italian-Americans in the U.S. are of Sicilian origin,” Cipolla reports. He wants to reach out to all of them.
http://www.stjohns.edu/academics/pr_aca_070321.sju

The ANNOTICO Reports Can be Viewed and are Fully Archived at:
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The ANNOTICO Reports Can be Viewed at
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Blogspot: http://annoticoreport.blogspot.com

Annotico Email: annotico@earthlink.net

Thursday, March 22, 2007

Should Italian Americans Support Rudy Giuliani's '08 Prez Campaign?

I'm an Independent, (and a reformed Moderate Republican, and am still atoning for that past sin), finding LIBERALs too focused on "touchy-feely" issues, (gays, affirmative action, hug a tree, etc, instead of Health care, Homelessness, Poverty, Corporate Crime) and REPUBLICANs too focused on "money issues" (Heartless, Greedy , Imperialists, War Mongers as part of the Military -Industrialist cabal, that Prez Eisenhower warned us about ).

So what is a person to do when faced with the prospect of a Rudy Giuliani Prez Campaign in 2008?

Shall I go with my "What's Best for the Country" or "What's Best for the Italian Americans"?
Being part Jewish, hypothetically, would I vote for a Jew who was an admirer of Hamas (Wanting destruction of Israel)?

Well, I don't see a Republican being best for our Country, and I don't see Rudy Giuliani being Good for Italian Americans.

Rudy LOVES the Sopranos, Sings and Dances their Praises, and does not see the terrible downside of Negative Stereotyping of Italians.
Those actions are to the SERIOUS detriment of the Italian American Community.
On the other hand, I have not seen ONE Thing that Rudy has done to FURTHER the Italian American Community.
Do we vote for an Italian American, merely because it think it raises our Image (Does it?)
Or do we Purposely "Spurn" him very vocally, because to say otherwise is to CONDONE his Active support of the Sopranos, and
Reward him for BOTH (1) Negative Actions, and (2) No Actions.

If Politicians are awarded our vote just because they swear undying allegiance to Pasta, and are Not required to have shown any other Contribution to the Italian American Community, they take us for GRANTED.

And if we Allow them to take us for granted, We DESERVE the Inattention.

In our Jewish Community, we have always said to Politicians: "You don't Give, You Don't Get!!!"
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'STALLION' RUDY'
GIULIANI '08 COULD ROUSE A SLEEPING VOTING BLOC
The New York Post
By Zev Chafets
March 21, 2007

RUDY Giuliani's supporters call him "America's Mayor." But he is something more: the first serious presidential candidate in history with a vowel at the end of his name.
Oddly, so far in this year of ethnic- and gender-identity politics, Rudy's Italian-American heritage hasn't been much of an issue. Much more attention has gone to Hillary's "favorite daughter" campaign, Barack Obama's quest for African-American authenticity, Bill Richardson self-depiction as the first Hispanic candidate and the Mormon beliefs of Mitt Romney.
Almost nobody has focused on Rudy as the Italian Stallion. Yet.
"Italian-Americans aren't usually thought of as an electoral bloc," says Dr. Diane Heith, a political scientist as St. John's University. "They aren't even polled separately."
Nobody even knows how many Italian-Americans there are. The 2000 census reported almost 16 million, making them the fourth largest white ethnic group - and the only one that experienced growth in the last decade. The National Italian American Foundation puts the number at 25 million, close to 10 percent of the population. Either way, it is possible that there are more Italian-American voters than either blacks or Hispanics.
Not only that, Italian-Americans are strategically located. In four states - New York, New Jersey, Rhode Island and Connecticut - they make up more than 15 percent of the population. They are also heavily concentrated in the key swing states of Michigan, Ohio, Illinois, Florida and California. These are mostly Democratic states; the Republicans haven't had a candidate who could challenge in all of them since Ronald Reagan.
But would Italian-American independents (or Democrats) vote for Giuliani out of ethnic pride or solidarity? In the absence of polling data, there are informed guesses.
"Once Italians voted Democratic," says John Salamone, executive director of the NIAF, a non-partisan umbrella group based in D.C. "In recent elections, they have tended to split along the lines of the national divide - about one third Democratic, one third Republican and one third independent. We're a very assimilated community."
Still, this is the first time Italian-Americans have had a national candidate to support. As Giuliani's candidacy has begun to take off, Salamone has been surprised by a growing grass-roots enthusiasm. "Every day I get calls and emails from across the country, from Republicans and Democrats. This isn't an endorsement, but I do believe it will translate into votes."
Votes, and also money. Tribal giving is an American political tradition that has benefited ethnic candidates such as John F. Kennedy, Michael Dukakis and Joe Lieberman. There is no reason that Giuliani shouldn't get the same benefit. The finance chairman of his political action committee, Solutions America, is Ken Langone, a self-made billionaire from Queens.
So far, negative media coverage of Giuliani has centered on his bad temper and Manhattan metrosexuality. But a recent cover story in Newsweek pointed in a new direction. The article pointed out that Giuliani had been married to his second cousin. More damning, his father did time in prison for burglary and, after getting released, worked for a brother-in-law who was a Brooklyn loan shark.
"They try this every time," says Salamone. "They even tried to paint Justice Samuel Alito as a guy who might be soft on organized crime, just because he's an Italian from New Jersey. You want to fire up and embolden the community, try using the Soprano card that way."
Dona De Sanctis, deputy executive director of the Order Sons of Italy in America, agrees. "Our people are like other Americans, concerned about the direction of the country," she says. "But one thing we carry with us here, even after 100 years in America, is the need to feel we are respected. If Rudy Giuliani is disrespected, it will galvanize Italian-Americans across the country. I can tell you that the Sons of Italy would be deeply upset."
So far, Italian-Americans themselves don't know what to make of Giuliani's candidacy. Some won't see it connected to them in any way. Others will be moved - and, perhaps, find themselves surprised to be moved - by the chance to vote for one of their own.
"There will definitely be an Italian-American factor in this election," says Salamone. How big it is depends upon how Giuliani runs, and how his rivals run against him. Like the campaigns of Hillary Rodham Clinton, Barack Obama, Bill Richardson and Mitt Romney, the Giuliani candidacy is going to tell us things we don't really know about the real state of American political and cultural diversity.
Zev Chafets' latest book is "A Match Made in Heaven."
http://www.nypost.com/seven/03212007/postopinion/opedcolumnists/stallion_rudy_opedcolumnists_zev_chafets.htm

The ANNOTICO Reports Can be Viewed and are Fully Archived at:
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Annotico Email: annotico@earthlink.net

Sicily in Danger of Drying Up

Sicily is the Italian region that is most exposed to the threat of desertification. But it is not the only one. Almost a third of Italian territory is vulnerable to desert-ification
While 357 of Sicilian species are in danger of extinction, Sardinia has 181 endangered species, Calabria 94, Puglia 84, Basilicata 65 and Campania 64.
Even while one realizes that the Earth goes through prolonged Cyclical Temperature Change, one must consider the immediate effects of Green House Gas Emissions, and it's effect on Global Warming.

Do we fight it, or adapt, or both?? And meanwhile consider how the Warm areas will become Desert, and the Mild become Warm, and the Cold become Mild, and the Frigid become Cold.

Some Random Thoughts:

That Species that Adapts to it's changing environment Survives. That which does Not becomes Extinct.
95% of all Species having lived on Earth are Now Extinct.

Areas once Prosperous with agricultural abundance, that did not , or could not change crops with Climate change,slid into Poverty.

Many do not realize that Rome limited it's Empire basically to Agricultural areas, and it's doom was predictable when Rome lost first it's Agricultural Taxes and/or Profits in the Middle East, and then the Balkans, but became inevitable when the Vandals took over North Africa,
then the "Bread Basket" of Rome. The Barbarians confronted and conquered a weakened Rome, further incapacitated by internal strife.

Final Note: How about your Beach property becoming Submerged by the rise in ocean level as the result of Melting Polar Ice Caps?
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Thanks to Pat Gabriel
SICILY IN DANGER OF DRYING UP
ANSA
March 21, 2007

Sicily is in danger of drying up as global temperatures soar, a report on the effects of climate change in Italy revealed Tuesday.
The study, prepared by the Agency for New Technologies, Energy and the Environment (ENEA), showed that 20% of this famously beautiful region is now semi-arid land.
ENEA said the region’s humid areas, on the other hand, have fallen to 30% of the total as global warming has hit rainfall levels.
The agency said these indicators suggests desertification is taking hold on the island.
The experts stressed that the risks for the region’s agriculture are grave. Soil erosion threatens to make it impossible to grow crops in many parts of the island.
The report said that Sicily is the Italian region that is most exposed to the threat of desertification. But it is not the only one.
Indeed, almost a third of Italian territory is vulnerable to desertification (32%), according to the report, while 3.7% is classified as highly vulnerable.
Other parts of southern Italy and Sardinia are especially at risk.
It is possible to combat desertification with good soil fertilization, tree-planting programmes and the construction of barriers to stop the advance of sand dunes.
But the effectiveness of these efforts will inevitably be undermined by climate change, which United Nations scientists say could cause average temperature to rise by as much as five degrees Celsius this century.
Italy has just had one of its mildest winters on record and the country is bracing itself for a blazing summer.
Global warming is battering southern Italy’s biodiversity too, the ENEA report said.
As a result, 357 of Sicilian species are in danger of extinction, it reported. Sardinia has 181 endangered species, Calabria 94, Puglia 84, Basilicata 65 and Campania 64.
On Tuesday Premier Romano Prodi spoke about this problem, which is taking up more and more space on Italy’s public agenda.
He called on European governments to act decisively to “put into practise” the climate-change package adopted by the European Union earlier this month. The package included the ambitious target of reducing greenhouse gas emissions by 20% by 2020.
Europe must “prepare a future that is compatible with the wellbeing of our planet and avoid natural degradation,” Prodi said.
Economy Ministry Undersecretary Paolo Cento, however, warned that Italy’s recently announced national energy plan to bring down Italy’s greenhouse gas emissions needs beefing up.
“In my opinion the plan needs to be revised because it is not up to bringing about the 20% reduction in emissions Europe has asked for,” said the Green Party MP.
http://www.italymag.co.uk/italy_regions/sicily/2007/general/sicily-in-danger-of-drying-up/

The ANNOTICO Reports Can be Viewed and are Fully Archived at:
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Wednesday, March 21, 2007

Italy's Indictments of CIA Agents, Hostile Act vs US or Asking Americans to Act Like Americans

The Feb. 26 Wall Street Journal ("The Italian Job"): states "No one seriously claims ... that the CIA agents were in Italy without the explicit knowledge and participation of Italy's security services. This is the crucial point and explains whey the indictments are a hostile act against the U.S."

Excuse me!!! Just because Italy ALLOWS an ally to have agents in your country, (they are often times there under "diplomatic" covers) does NOT also INVITE them to cavalierly break your laws.
To call the Italian government's insistence on redeeming its own rule of law "a hostile act against the U.S." appears to say that to defeat the viciously ruthless lawless terrorist enemy is to become lawless ourselves.
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We are Americans

By Nat Hentoff
THE WASHINGTON TIMES
Published March 19, 2007

For the first time, there will be a court trial of the CIA's "extraordinary renditions" on kidnapping suspected terrorists and sending them to have information extracted in countries known for their expertise in those techniques. Defendants in this trial in Italy are 25 CIA agents charged with snatching Muslim cleric Osama Moustafa Hassan Asir from Milan on Feb. 17, 2001, and flying him to Egypt, where he was tortured.
As revealed in Stephen Grey's heavily documented book on CIA renditions, "Ghost Plane," one of the Egyptian interrogation techniques was to "hang Nasr upside down and apply live wires to apply electric shocks to the sensitive parts of his body, including his genitals." On Feb. 11 of this year, Egypt released Mr. Nasr, saying that his four-year detention had been "unfounded."
The CIA abductors left extensive evidence of their involvement while executing the rendition in Italy: credit cards for hotel stays, the numbers of their unsecured cell phones, etc. The Bush administration says flatly, however, that if convicted, these Americans will not be extradited to Italy for sentencing. Aside from that, the administration has nothing more to say about Mr. Nasr's case.
But, as reported Feb. 28 by the Associated Press, John Bellinger, legal adviser to Secretary of State Condoleezza Rice, did have something to say. He is concerned that these inquiries may weaken U.S. and European cooperation on intelligence gathering. He urged European governments "to challenge the suggestions that Europeans need to be concerned about CIA secret flights." It's only the streets they live on.
However, as is evident in the European press, citizens of countries visited by CIA "ghost planes" increasingly are concerned and angry. Says Kathalijne Buitenweg, a Dutch member of the European Parliament unconvinced by Mr. Bellinger: "People are being imprisoned without being tried first. That is unacceptable." But even Mr. Bellinger has not gone as far as the lead editorial in the Feb. 26 Wall Street Journal ("The Italian Job"): "No one seriously claims ... that the CIA agents were in Italy without the explicit knowledge and participation of Italy's security services. This is the crucial point and explai